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Juan Correa (Mexico City, 1646 - 1716).‘The Indian Juan Diego presenting the Virgin of Guadalupe to the bishop of Mexico Juan de Zumárraga’.Oil on canvas. Signed and located in Mexico.28 x 64 cm. Juan Correa is considered the principal painter of late 17th-century Mexico. Son of a famous Spanish surgeon and a freed black woman, Correa was one of the few mestizo painters who achieved fame in his time (the art of painting was generally considered the domain of white or Spanish masters). His two large-scale canvases for the sacristy of Mexico City's Cathedral (1691-98), for example, are considered masterpieces of Mexican Baroque.'"The National Institute of Anthropology and History of Mexico defines him as "one of the main exponents of the Baroque in Mexico, whose works are characterised by their sumptuousness, detail, and golden tones."His origins were reflected in his creations, "as his father was a man of African and Spanish descent, and Juan Correa was the first to paint angels with black or brown skin tones and the Virgin Mary with a dark complexion," a fact that "would become an unmistakable hallmark in his creations."Highlights among his extensive work include "The Coronation of the Virgin" at the National Museum of the Interventions, one of his masterpieces, and the "Expulsion from Paradise" at the National Museum of the ViceroyaltyOur Lady of Guadalupe, venerated in Mexico with great devotion, is the patroness of the country and the most important incarnation of the Virgin Mary in Latin America. Although the Our Lady of Guadalupe from Extremadura (Southern Spain) accompanied the conquistadors in their great adventure to the New World, the Mexican Virgin has her own origins. Both oral tradition and historical documentation, particularly the Nican Mopohua, narrate the different miracles and apparitions of this virgin to the indigenous man baptised with the name Juan Diego (1474-1548) on the hill of Tepeyac in 1531.According to the legend, there were four appearances of Our Lady of Guadalupe: In the first one, the virgin entrusted Juan Diego to see the bishop Fray Juan de Zumárraga and let him know her will to have a temple built in her honour in the place where she had appeared. Juan Diego obeyed, but the bishop did not believe him. In the second appearance, Juan Diego tells him what happened and asks the Virgin Mary to use another messenger because he was just a poor Indian. The Virgin Mary tells him that it was necessary for him to return to the bishop and repeat the message. Bishop Zumárraga asked him to bring a sign to be sure that it was "the lady from heaven" he was talking about. In the third appearance, the Virgin Mary asked the Indian to go up the hill and cut the flowers he would find there. Juan Diego knew that no flowers grew on that hill, especially not in December, but he found the summit turned into a flowered garden. He cut the flowers and took them to the Virgin Mary in his "ayate" (tunic). Our Lady of Guadalupe instructed him to go back to the Bishop, tell him where he had picked the flowers, and indicate that it was the sign that the Virgin Mary wanted him to build a temple. In the fourth appearance, on December 12, Juan Diego told the bishop everything that had happened, and when he spread out his "ayate", all the roses fell to the ground, and the image of the Virgin Mother of God miraculously appeared on it. After this event, the church was built, and this astonishing image is, according to tradition, zealously guarded by the Basilica of Our Lady of Guadalupe.As a result of this event, the worship of Our Lady Guadalupe became enormously prominent, especially within the indigenous sector of the population, becoming one of the most deeply rooted in Mexico and part of its identity. It is not surprising that soon the Mexican devotees wanted to have a copy of this miraculous image, so reproductions and the artists dedicated to creating them proliferated. The fame of this incarnation of the Virgin Mary soon became universal, gaining great veneration throughout Europe, especially in Spain.This representation of the Virgin of Guadalupe is a faithful rendering of the original, with the subtle variations that each artist can provide. The beautiful Virgin Mary is depicted as standing, crowned and surrounded by a mandorla of sun rays amid a cluster of clouds. She is seated on a crescent moon with the points facing upwards, supported by an angel with colourful eagle wings. She is portrayed as a young woman with a serene face and a lowered gaze reflecting love, tenderness, and respect. With her knee slightly bent, she clasps her hands in prayer in the Western manner. She wears a pink tunic adorned with floral elements and a blue mantle decorated with stars that also covers her head. She wears a ribbon around her belly as Aztec women did during their pregnancies, thus announcing that she is a pregnant woman. The iconographic type clearly derives from that of the Immaculate Conception.In this case, Our Lady of Guadalupe is depicted without the Apparitions or other ornamental elements that frequently accompany her and can therefore be considered a strictly faithful copy of the original. Most of these faithful copies, which are more iconographically straightforward, correspond to the earliest ones, generally dating from the 17th century. The more elaborate ones, with cartouches representing the apparitions and miracles, elaborate floral frames, views of the city of Mexico, or the inclusion of angels and archangels, are more typical of the 18th century. All these copies carry an implicit message, as most of them were "touched to the original," so the miraculous character was transmitted, making them bearers of her divinity."Enconchado" technique, so beloved and used in Mexico, actually has Oriental origins. It is a pictorial technique carried out on wood in which sheets of mother-of-pearl from shells and molluscs are inlaid, combined, and fused with oil paint to complete the image. This allows for the play of iridescence, gleam, sparkle, and subtle light effects that are highly valued. Provenance:- Former Pedro Vindel collection.Pedro Vindel was an antiquarian bookseller from Cuenca, as reported by the Royal Academy of History, ‘who became the first Spanish antiquarian bookseller of his time’, with one of the most important collections of books of hours. As the RAH continues, ‘Pedro Vindel, in the style of the great European booksellers, published his catalogues from 1895, and organised several book auctions, in premises rented by him, such as that of 1913, the catalogue of which he had printed. He also initiated what he called ‘graphic bibliography’ in Spain, by including [...] photolithographic reproductions of the covers or other elements of the books in his catalogues’.For further information, we recommend reading ‘Pedro Vindel: Historia de una librería (1865-1921)’, by Pavl Cid Noé. Bibliographical references:- Toussaint, M. Pintura colonial en México. Instituto de Investigaciones Estéticas. Universidad Nacional Autónoma de México. Mexico, 1965.- Vargas Lugo, E. "El indio que tenia "el don"..." in Anales del Instituto de Investigaciones Estéticas, no. 86, 2005.- Sánchez Mariana, Manuel. (n.d.). "Pedro Vindel Álvarez". https://dbe.rah.es/biografias/67005/pedro-vindel-alvarez- Mediateca Instituto Nacional de Antropología e Historia. (19 de octubre de 2020). "Juan Correa". https://mediateca.inah.gob.mx/repositorio/node/5231- Mediateca Instituto Nacional de Antropología e Historia. (22 de enero de 2022). "Juan Correa, pintor novohispano afrodescendiente". https://mediateca.inah.gob.mx/islandora_74/node/5383 

A large collection of volumes on Oriental carpets to include: Hawley (Walter), Oriental Rugs Antique and Modern, New York: John Lane Company, 1913, folio, rebound in half red leather, top edge gilt, spine tooled with the Spencer crest, title and author; Bossert (H. T. H.) Ornamente der Volkskunst: Gewebe, Teppiche, Stickereien, Tuebingen: Ernst Wasmuth, 1949, folio, original boards and cloth spine; Bode (Wilhelm von) Monographien des Kunstgewerbes: Vorderasiatische Knuepfteppiche aus aelterer Zeit, Leipzig: Klinkhardt & Biermann, 1922, 4to, original boards; Bernet (Otto) and Parke (Hiram) [Auction catalogue] , XV-XVIII Century Rugs: The Private Collection of the Messrs. Vitall and Leopold Benguiat, New York: American Art Association, 1925, large folio, original boards; together with a large collection of general books on oriental carpets, exhibition catalogues; several issues relating to the International Conference on Oriental carpets and others (qty) (qty)The Library of Raymond Benardout

Two Early Exhibition Catalogues of Carpets in America to include: Catalogue of Oriental Rugs in the Collection of James F. Ballard, Indianapolis: The John Herron Art Institute, 1924, folio, rebound in green cloth gilt, half title, photographic frontispiece portrait, numerous colour and black and white plates; Pope (Arthur Upham) Catalogue of a Loan Exhibition of Early Oriental Carpets, Chicago: The Art Club of Chicago, 1926, folio, rebound in green cloth gilt, colour frontispiece and half title, retaining original wrappers, numerous black and white plates; Persian Art, Hudson & Kearns for The Executive Committee of the Exhibtion, 1931, 8vo, original wrappers and later cloth case; Iran Company, A Handbook of Oriental rugs, Chicago: R. R. Donnelly & Sons, 1905, 8vo, original printed wrappers; Pushman Brothers, Art Panels from the Handlooms of the Far Orient, Chicago: R. R. Donnelly & Sons, 1905; Pushman Brothers, Art Panels from the Handlooms of the Far Orient, Chicago: R. R. Donnelly & Sons, 1911; Suleeba (E. S.) Rugs from the Handlooms of the Far Orient, Kansas City: n.p., 1909 (7)The Library of Raymond Benardout

James Macbeth (Scottish, 1847-1891) -Portrait of a young woman listening to a seashell -Watercolour and gouache -60 x 49.5cm - 77.5 x 67cm framed -Monogrammed and dated 1874 lower left -The artist's label attached to the backing with his address and title 'No. 1 A Portrait' -Exhibiting at the Royal Academy in years 1872-84, as well as other major London venues, Macbeth specialised in landscape paintings. This evocative watercolour portrait, atypical for the artist's most well-known oeuvre, encapsulates all of the quintessential features of the Aesthetic Movement in British art - from the richly embroidered Oriental dress of the sitter, to the peacock feathers emerging from the upper right corner. Perhaps referencing an earlier work by the great Victorian painter Frederic Leighton, 'Echoes' (Bonhams, 29 March 2023, lot 42), Macbeth's portrait synthesises both the style and emblems of Aestheticism.

Ca. 2500 - 1800 BC.A Sumerian sculpted, idealised head of a female worshipper, carved from white stone. The woman has inlaid blue stone eyes and she is wearing a large wig with a middle parting. For a similar, see: The oriental research institute of the University of Chicago, cat. A11441.Size: 75mm x 55mm; Weight: 390gProvenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

MEMOIRES D’UNE CHANTEUSE ALLEMANDE, No 497/2000, blue cloth, L’Heresiarque Paris, 1978, (internal gutters open); LEONARD (D), CHARACTERS ORIENTAL, 1981; LANDE (M), ART DE FAIRE LE PAPIER, Scolar Press for private distribution; ALKEN (H), A PANORAMA OF THE PROGRESS OF HUMAN LIFE, two copies, Falcon Press, 1948; LEMAIRE (C), DES CACTEES, facsimile, 1993; with eight other colour plate botanical books, and ten other large size books, (qty).

A Chinese bronze ritual wine vessel with a buffalo-shaped cover, 'jue', possibly ShangH 25 - L 21,5 cmProvenance:- The collection of Mr. and Mrs. S., Ghent, Belgium.- Acquired from Het Magazijn, Ghent, in November 2010, according to the owner's inventory notes.- Acquired by Het Magazijn from the Schlimper collection, Düsseldorf, according to the owner's inventory notes.- Originally acquired from Pranger Oriental Art, Amsterdam, ca. 1980, according to the owner's inventory notes.

A lovely Art Nouveau carved hardwood oriental table with detachable top. Size 53 x 53 x 53cm.

Oriental silk paintings, small Louth horse fair print, unused matchboxes, wooden spears and vase ammo shell trench art

A collection of five walking canes. To include two oriental - a root ball bamboo walking cane set with brass studs and a 15ct gold collar.(89cm). A dyed green bamboo walking cane - white metal tip and collar (72cm) An Art Deco crook walking cane (no ferrule) Silver hallmarked tip and collar. Circa1918 (89.5cm) A simple bent bamboo cane (87cm) A white metal tipped hoof handled walking cane, engraved with initials. no ferrule. (88cm)

An “Inverted helmet” sauce boat, Chinese export porcelain, polychrome and gilt decoration "Flowers" with coat of arms by José Mascarenhas Pacheco Pereira Coelho de Melo, Qianlong period (1736-1795), yellowish glaze, wear to the gilt. Notes: back with trade label of JORGE WELSH - ORIENTAL PORCELAIN - WORKS OS ART. Vd. CASTRO, Nuno de - "A Porcelana Chinesa ao Tempo do Império, Portugal/Brasil", ACD Editores, Lisbon, 2007, p. 145; SANTOS, A. Varela - "Portugal na Porcelana da China - 500 Anos de Comércio", volume IV, Artemágica, Lisbon, 2010, pp. 1150-1153, 6.33; and DIAS, Pedro - "Heráldica Portuguesa na Porcelana da China Qing". Lisbon: Macau Foundation, 2014, pp. 158-159., Dim. - 12,3 x 17,3 x 9 cm

A box, fully lacquered wood with mother-of-pearl inlays "Oriental gardens and birds, interior of the cover "Dragons", board with black and red lacquered dividers with gilt, silver mounts, Chinese, 18th C. (late), small restoration, minor faults, signs of use, silver withou marks, pursuant to Decreto-Lei No. 120/2017, of September 15th - art. 2nd, no. 2, paragraph c), Dim. - 12,5 x 28 x 14,5 cm

FIVE BOXES AND LOOSE NAMED CERAMICS AND GLASS, to include a selection of Avon ware plates and trinket pots, vases Royal Winton, Radford, John Tams ware, etc. Dartmouth planters, Victoria ware Ironstone pitcher flow blue calico floral pattern, twelve Pendelfin Bunnykins, New Devon pottery teapots, milk creamer, condiments etc. Hornsea milk creamer, oriental ginger jar with blossom tree blue and white detail, marked on the bottom, small art deco blue glass Ruckley vase, blue glass vase with white running through the glass, frilled glass edging, large vintage glass vase in a turquoise colour, etc., a shoe box of over 2000 small prints some of the same print in bundles of 400+ of flowers, scenery, children playing, cottages etc. (sd), (5 boxes + loose)

TWO BOXES AND LOOSE MISCELLANEOUS ITEMS to include a quantity of international souvenir ware, two wall clocks, a barometer, a cased sewing machine, an oriental miniature screen of ten art panels with adult scenes, a quantity of mostly American road maps, two sun-catchers (a/f), a coloured glass outdoor lampshade, a case of vintage cutlery, a souvenir walking cane from Jamaica, a group of canvas images and framed prints, etc (2 boxes and loose) (s.d)

nice pair of oriental colonial Art Deco armchairs in an exotic type of wood with rattanMooi paar Oosters-koloniale armstoelen in een exotische houtsoort met zitting in fijn gevlochten rotan - ca 1930 - 75 x 58 x 65

Six books on Chinese and Oriental Art, Chinese Art, International Exhibition of Chinese Art At the Royal Academy 1935-6, Oriental Blue and White, Snuff Bottles from the Albemarle Collection Part I, Late Qing China Trade Paintings, The Avro Krikorian Collection. (6)

COLLECTION OF VARIOUS ORIENTAL ART BOOKS

19th century Chinese chalcedony trunk vase, relief carved with ho-ho bird, bamboo and chrysanthemum, 9cm highProvenance: Ex. Lazarus Collection, purchased Paul Chamkins Oriental Art, 2012 for £1,800 Chip to top edge, and other minor nibbles, please see the extra images on our website

ONE BOX AND LOOSE METALWARE AND MISCELLANOUS, to include a brass fire dogs, fire irons, a copper lidded pot etched with an oriental design, two stainless steel pots, a large brass oriental hinged lidded coffee pot, set of six shell bowl silver plated coffee bean spoons in a case, silver plated cake slice , wooden cutlery storage box, Kodak digital photo frame, two art deco photo albums, two vintage pearl coloured handled manicure/sewing sets in velvet cases, 4 x plastic storage boxes, etc (sd), (1 box and loose)

A boxed set of six silver Art Deco grapefruit spoons, a boxed set of silver plated grape scissors, a boxed Mappin & Webb hip flask, an Oriental style plate and a silver plated cigarette lighter etc.

China. Transactions of the Oriental Ceramic Society, 1950-69, i.e. volumes 26-37, illustrated, original ochre cloth, bowed boards somewhat speckled, 4to; two OCS loan exhibition catalogues, The Arts of the Ming Dynasty, 1957, & The The Arts of the Sung Dynasty, 1960, original wrappers, 4to; Bushell's Chinese Art, two volume set, V&A, 1924, original cloth, 8vo; 1960s and later Sotheby's and Christie's auction sale catalogues, for various Chinese, Japanese and Oriental ceramics, antiques and works of art, mixed sizes, (30)

RABAN, Ze'ev (Illust.); Gur Aryeh. A Palestinian Appreciation of Energy, Devotion and Loyalty in the Days of Struggle for Liberation of Mankind, The Book of Job, manuscript on 105pp, 107 vellum leaves, illuminated with numerous watercolour illustrations, rubricated capitals and vignettes with protective tissue-guards. 4to (28 x 22cm), lavishly bound in crushed morocco with precious metals, studded with carved ivory plaques, rubies, spinels and hardstone with filigree clasps, central engraved presentation plate on lower board, "This Gift Book is Presented to Colonel Albert Gedo [Guido] Bonn, Military Cross, by Simon Diskin Esquire and Family at Jerusalem in the Holy Land, Anno Domini MCMXLII". The book is entirely manuscript, i.e. completely written & illustrated by hand. There are 16 plates, and 44 illuminated capitals with vignettes, giving a total of 60 colour illustrations. Very well-preserved, clean & bright, some light wear to covers, housed in an olive-wood box. Jerusalem: Designed & Executed by Gur Aryeh & Raban, December 1942   ❧ Brigadier Albert "Bertie" Guido Bonn, CBE, MC, MICE (1889-1962), was Chief Engineer (Airfields) Middle East during World War Two. His two sons were killed in the Second World War, and evidently no expense was spared in the production of this important and breathtakingly beautiful manuscript ❧ Ze-ev Raban (1890-1970) was a leading painter, decorative artist, and industrial artist of the Bezalel school, and was one of the founders of the Israeli art world. In 1921, he participated in the historic art exhibition at the Tower of David in Jerusalem, the first exhibit of Hebrew artists in Palestine, which became the first of an annual series of such exhibits. He designed the decorative elements of such important Jerusalem buildings as the King David Hotel and the Jerusalem YMCA, and also designed a wide range of Jewish religious objects. The book illustrations of Raban are a good example of his eclectic mix of European and Oriental style Submission Reference No.: K6QR4CRZ

Four 20th century books. How to Know Oriental Carpets and Rugs, Heinrich Jacoby, The Carpet: Rugs and Kilims of the World, Enza Milanesi and The Decorative Art of Arabia, Prisse D'Avennes. The Grammar of Ornament Owen Jones. 

Lot of various art books including Chinese porcelain, ceramics and oriental art

A collection of modern collectors plates to include Bing & Grondahl Centenial collection, various modern Oriental editions to include The Art of Chokin and others

Diameter 40 cm at the neck x height 13.5 cm. China - Tibet - Ming - Qing - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-237).

Qing Dynasty. Jia Qing period. 1796 to 1820. 19th century. Diameter 20 cm at the neck x Height 45 cm. China - Tibet - Ming - Qing - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-237).

Pot-bellied pot with a very flared crater crown and neck set with a pair of zoomorphic handles on the shoulder in marbled porcelain with a thick glaze stained with cracked white on an ocher background. Porcelain. Qing Dynasty. Late nineteenth century. Height 23 cm x diameter 13 cm. China - Tibet - Ming - Qing - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-237).

Important jaron a narrow base, rounded at the shoulder, with two handles and finished with a hemmed neck opening in porcelain stoneware with creamy white glaze decorated with cobalt blue glaze with floral motifs. Korea. 18th century. Height 53cm. Diameter at the neck 24cm. China - Tibet - Ming - Qing - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-259).

Bottle with globular body at the crown of the foot and high, bulbous neck at the end in thick porcelain with incised decoration under monochromatic glaze of finely cracked olive green çaladon. Porcelain. Ming Dynasty. 1368 to 1644. End of the era. Height 27 cm. China - Tibet - Ming - Qing - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-259).

Meipingen Longquan porcelain vase decorated with peony incisions under monochrome celadon glaze. Porcelain. Ming Dynasty.1368 to 1644. H. 27cm. Thermoluminescence test. China - Tibet - Ming - Qing - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-259).

Important jar on narrow base, rounded shoulder and hemmed neck in molded terracotta with geometric decoration. Porcelain. Ming Dynasty. 1368 to 1644.Height 62 cm x neck diameter 17 cm. China - Tibet - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-237). China - Tibet - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-259).

top bottle in white enameled porcelain decorated with underglaze cobalt blue dragons. Porcelain. 19th century. Height 76 cm x diameter 45 cm. China - Tibet - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-259).

Shiva Nataraja wearing a tall Mukuta tiara with a halo with a flaming nimbus, in a four-armed form, illustrated in his fire dance symbolizing the dynamic forces of the universe, trampling underfoot the dwarf Mulayaka, symbol of ignorance. South India. late 19thcentury early 20thcentury. 100cm. China - Tibet - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-259).

Ornate Maravijaya Buddha, seated in Bumishparsha Mudra on a lotiform base, topped with a large winged crown topped with a tall rasmi. Bronze with excavation patina. Burma. Kingdom of the Shan States. 18th century. 54cm. The top of one fin is missing. China - Tibet - Oriental Art - Asian Art - Chinese Art. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-259).

Oriental reference books and catalogues including; First edition Soame Jenyns Japanese Pottery, History of Japanese Cloisonné, Barry Davies Oriental art(qty)

A collection of eight jewellery dressing table and stationery boxes, a lapis lazuli box raised on circular hardstone feet. Height 4.5 cm, width 7 cm, depth 4.5 cm and other oriental and Art Deco boxes.

A 19th century Indian embossed copper pot, an Art Nouveau style pewter photograph frame, oriental brass teapot, two further teapots, dressing table jar, etc.

ONE BOX AND LOOSE METALWARE, to include antique silver plated, dome top warming tureen with legs and a lock peg to secure the lid, markings underneath J&D EPNS T8327, embossed brass inkwell with two square ink pots with hinged lids, Art Deco style silver plated tea pot 0628, milk creamer 0628 and sugar bowl 0628 by L&W (Lee and Wigfull), EP, Daniel & Arter shell dish EPNS 7383, a selection of stainless steel spoons, Sterling silver bowl with fan edge detail stamped 29619, Brass oriental matching items to include two bowls, two footed dishes, two small vases, engraved pattern, DOL Co. small handheld magnify glass, (slight chip in glass does not affect use), (sd/af), (1 box + loose)

A COLLECTION OF CERAMIC TEA WARE, comprising of late 19th century white and gold gilt vine design pattern no. 179, two cake plates, slop bowl,(has a hair line crack), milk creamer, (has a crack from the base of the handle round the bottom), six side plates, twelve tea plates, (five are cracked or have heavy grazing), nine tea cups, eleven saucers, (four cups have grazing and cracks), eleven oriental egg shell porcelain plates pink blossom design, tea pot, eight saucers and two tea cups, (both cups are damaged, one saucer is damaged, tea pot spout is broken), H.A.& Co China Rg 6489, yellow flower design teapot (has been repaired), sugar bowl, milk creamer (has been repaired), five cups and four saucers, (one cup has been repaired and has a crack), Royal Winton yellow and gold gilt tea pot,( signs of damage), hand painted China teapot, milk creamer and sugar bowl art deco style, five Booths 'Real Old Willow' tea cups and six saucers, Ivory ware Hancock's hand painted coffee set 7746, included coffee pot, lidded milk creamer, (lid is badly cracked), sugar bowl, (has a chip around the edge), six coffee cups and saucers, (one cup has a chipped piece missing), (Condition Report: all item appear in fairly poor condition and would benefit from a clean, many of the items have paint ware, individual item damage in main description), (qty)

ASSORTMENT OF VINTAGE AND ANTIQUE ITEMS including Trench art Spitfire, brass candlesticks, Poker work box in the form of a book with musical motif and ribbons on the front, 14 x 20 x 4cm, oriental style cigarette case, various letter openers, pair of brass desk top cauldrons, vintage brass and copper desk thermometer, pair of alabaster table lamp stands, pink Italian Alabaster casket box, onyx casket box, etc.

ORIENTAL ART, collection of 8 x 19th Century unframed scroll paintings "Birds and Garden Scenes" Lot 599: All appear to be the same size, 180cms x 54cms

4th-5th century A.D.. Plano-convex seal with profile bust; accompanied by a copy of a scholarly note dated 4th August 1999 by A.D.H. (David) Bivar and a museum-quality impression: 'Sasanian Seal. About 4th to 5th century A.D. Greyish-brown chalcedony ellipsoid Sasanian portrait, r. Around, Pahlavi inscription wlwny ZY kwlyky Var?n ? K?r?g 'V. who (is son) of K.' For the first name, the parallel Var?n is attested. For the second, we find K?r?n as a parallel. these exact forms are previously unrecorded.' 10.9 grams, 25 mm (1 in.). Bivar was a British numismatist and archaeologist, who was appointed Emeritus Professor of Iranian Studies at the SOAS (School of Oriental and African Studies), University of London. Among his specialisms was the study of Sasanian seals and art.UK private collection, 1980-1983. Accompanied by a copy of a scholarly note dated 4th August 1999, typed and signed by A.D.H. (David) Bivar.

Oriental Works of Art - two Chinese celadon jade cabinet carvings of dragons

A group of various oriental works of art, including Thai 'Khon' mask model, a pair of indistinctly signed oil portraits on leaves, a group of hardwood animal carvings, a set of ivory coloured resin figurines of mystics and a hardstone carving originating from the Khmer Refugee Camp Aranya, June 1977, signed to the base. (A Lot)

A COLLECTION OF CERAMICS AND TEAWARE, comprising of a lidded oriental satsuma vase with Japanese warriors, character marks on the base, height 32cm, (signs of heavy grazing), two Lilliput Lane sculptures 'The King's Arms' and 'The Priest's House' (slight signs of rubbing but overall good condition), vintage Yardley English Lavender soap dish, resin figurine of a musketeer with a metal sword (very slight signs of paint missing on the hat), art deco Windsor China tea ware to include a cake plate, sugar bowl (large crack from top to base), milk creamer, six plates, five tea cups and saucers (one cup has a broken handle) (Condition Report: all in good condition, see description for individual damage) (qty)

Collection of metalwares, to include: Oriental Art Nouveau style vase, 23.5cm high, a set of five miniature copper saucepans with brass handles, the largest 4.5cm high (excluding handle) x 10cm diameter and other items (1 box)

Oriental small four panel folding fabric screen wall art with cranes and cloud scenery with geometric silk border and wooden frame-, signed, each panel H 88cm x W 44cm

Art Deco Twin Handled Planter, Sylvac Algiers Shape Vases with Oriental Figures and Lanterns (One AF) An Art Deco Twin Handled Planter measuring 20cm in height, accompanied by a pair of Sylvac Algiers shape vases from circa 1910. The vases are 26cm tall and feature gold rims and intricate painted designs of oriental figures and lanterns. This set showcases Pattern No. 4153.

An oriental brass-topped barley-twist occasional table, height 45cm, and an Art Deco oak mantel clock.

Oil lamp, Russian samovar, LP records, ship's bell, trench art shell, Oriental wares, etc.

A quantity of mixed collectables inlcuding a large oriental style blue and white jar and platter, studio pottery owl and abstract vase and metal art nouveau style frame

Art Nouveau design pewter/white metal vase base, lacking original trumpet vase, together with a Worcester Oriental design miniature vase. 11.5cm high approx. (2) (B.P. 21% + VAT)

TWO BOXES OF CERAMICS AND GLASS WARE, to include, copper lustre tea pot with a peacock and floral design in blue, two bowls with blue detail and a jug with blue band detail and beading design, Art Deco vase with flower frog in a turquoise mottled glaze, three decanters, vintage USSR Soviet ''GZHEL'' blue and white porcelain lion jug, Masons Twinings ginger jar in pink oriental pattern, Lledo diecast model car Royal Doulton van, Beswick cottage house cruet set, etc. (sd), (2 boxes)

FOUR BOXES AND LOOSE CERAMICS, to include, a selection of figurines, a pair of IVO figurines of a man and lady in blue and white with gold detail, a majestic figurine of a wizard holding a crystal ball etc. a selection of various size vases, included a variety of oriental vases, a pair of vintage hand painted with flowers trophy vases, a pair of Crown Devon Fieldings spring ceramic blush ware Bouquet vases, etc. a quantity of stone ware with approximately ten onyx eggs, a collection of Art of Chokin vases, plates etc. hand made 24K Greek ceramics (sd), (4 boxes + loose)

Oriental jewellery cabinet with 3D art measures approx 11 inches tall by 11 wide

A tray of collectables; Large Portmeiron bowl, Masons chartreuse jug, art glass vase, oriental Samurai warrior Coffee service & other items

Oriental Part Teaset, glass art vase, Wedgwood trinket dish, Robertson musician figures, Bossons eagle, etc:- Two Boxes.

A CHINESE POTTERY TILE SONG DYNASTY With Vanderven label 296, 30cm high x 26cm wide x 2.5cm deep, bespoke metal stand, with Oxford Authentication Thermoluminescence analysis certificate C114a34 Provenance: From a Private Collection Vanderven Oriental Art, no. 296宋 陶花卉紋畫像磚（附熱釋光報告）拍品來源：英國私人收藏，2004年6月23號購自荷蘭古董商Venderven Oriental Art  Condition Report: some chips but essentially in very presentable condition Please see additional images for visual reference to condition Condition Report Disclaimer

An interesting collection of twelve Maling pottery and 'CETEM Ware' Art Deco period items, including an ink well, various trinket dishes, vases, jars and bowls etc. Various glazes, including lustre, and patterns including 'Lucerne', 'Peony Rose', 'Rosalind' and oriental inspired designs. C T Maling & Sons Newcastle-Upon-Tyne, England Circa 1920s-50s. Various pattern numbers and marks. The largest bowl 20 cm diameter. Condition: Mostly very good. No major damages, some pieces with craquelure, minor fritting, minor hairlines. Thank you for looking at this lot which is being sold on behalf of The Alexander Devine Children's Hospice. Due to the value of this lot although we will try and answer any questions, we would prefer that you come and view the item/s in person as we will not be providing condition reportsThank you for looking at this lot which is being sold on behalf of The Alexander Devine Children's Hospice. Due to the value of this lot although we will try and answer any questions, we would prefer that you come and view the item/s in person as we will not be providing condition reports