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Manner of Duncan Grant (1885-1978) and The Omega Workshop Vase blue and yellow painted decoration 18.5cm high.

Attrib: the Omega Workshop - A treen box painted in typical 'Bloomsbury' manner. Appears unsigned. 3½'' high

STAR WARS - EP V - THE EMPIRE STRIKES BACK (1980) - X-Wing ILM Model Miniature An X-Wing model miniature from director Irvin Hershner’s Star Wars: The Empire Strikes Back. This X-Wing was used during the rebel evacuation from Hoth, and was also potentially used in other shots featuring the Rebel fleet. To save time and money, the team at Industrial Light & Magic (ILM) created this Rebel starfighter from a commercially available model kit. Assembled in the ILM workshop by Mike Fulmer, the model was then painted by Wesley Seeds III, approved by Lorne Petersen, and was ultimately shot by Ken Ralston on the motion control stage. It exhibits the brilliant weathered paint-work that was a staple of ILM’s models during the Star Wars trilogy. After its use on Empire, this model miniature was gifted to Special Visual-Effects supervisor Brian Johnson. The X-wing was built with its wings in the closed position, with an Astromech droid situated behind the canopy. The X-Wing shows intentional production distressing, such as laser fire and smoke damage throughout. The piece shows minor wear due to production use and age, with two laser tips missing from the left side of the aircraft.Included with this model miniature is a letter of authenticity from Brian Johnson, along with a printed production storyboard with additional handwritten notes verifying its authenticity. The set also includes a simple wood display base and mounting rod. Together, the lot remains in very good condition. Dimensions: 27 cm x 30 cm x 5 cm (10 ½" x 12" x 2 ¼") VAT Status - OMEGA

EDWARD WOLFE, born 1899, Johannesburg, studied at Slade & Omega Workshop 'Mother and Child', lithograph, signed in ink

* CIRCLE OF WYNDHAM LEWIS (1882 - 1957), STUDY OF WOMAN AND MAN oil on board, "Omega Workshop" stamp verso 84cm x 63.5cm Framed

WOOLF, Virginia. Kew Gardens… second edition. Richmond: [printed by Richard Madley for] Hogarth Press, 1919. 8vo (218 x 140mm). 2 woodcut illustrations by Vanessa Bell (one full-page, the other a tail-piece). (Spotted.) Original coloured decorated wrappers in royal blue, chocolate-brown and brick red by Roger Fry`s Omega Workshop, original white label printed in black on upper wrapper (the wrappers torn with loss). Provenance: The Library Collection of the Late W. Leslie Weller MBE, DL, FSA.

§ Cicely Mary Hey (British, 1896-1980) Illustrations for the book ""The Fogroom Bird"", a story written and illustrated for Barbara Jane Hext by her Aunt Cicely all signed ""Hey"" watercolour, on Omega printed papers 38 x 30cm (15 x 12in) Cicely Mary Hey was a portrait and figure painter. She studied at the Central School of Arts and Crafts under Walter Sickert, who also painted her. Cicely Hey was a member of the London Group 1927 and exhibited between 1924-1939. She worked with the Omega Workshop, and married the art critic Robert Tatlock, and had exhibitions at the Lefevre Gallery, the Leicester Gallery, Cooling and Sons Gallery and the New English Art Club. Cicely Hey was born in Faringdon, Oxfordshire; she painted mainly figures, interiors and portraits and studied in Brussels, the Slade School of Fine Art and at the Central School of Arts and Crafts under Walter Sickert and was subsequently the subject of a number of his paintings and drawings. Hey held a solo exhibition at the Lefevre Gallery in 1933, but the Leicester Gallery remained her principal showing venue. She was also a member at the Women`s International Art Club and showed at the Cooling Galleries, Leicester Galleries and with the NEAC. She was married to art critic and the editor of Burlington Magazine, Robert R. Tatlock. Examples of her work are in the collections of the Glynn Vivian Art Gallery, Swansea, British Museum and Reading University. Bibliography: Catalogue of art celebrities by Cicely Hey (Mrs R.R. Tatlock) : March, 1933 : Catalogue of an exhibition held at and published by Alex. Reid & Lefevre Ltd, London, 1933. Unframed and stuck down to the Omega papers.

A 19th century painted collectors cabinet, the exterior painted in red with gold and green floral design, the double doors opening to reveal a brightly coloured interior in the style of the Omega Workshop circa 1920, fitted with four drawers, 34cm wide, 31.5cm high, 22cm deep

PLEASE NOTE REVISED DESCRIPTION - An eastern bowl, purchased at the Omega Workshop, decorated with yellow and green bands and puce swirls, unmarked, 18cm (7in). Provenance: Bought by John Mavrogordato (1882-1970), the Greek scholar, directly from the Omega Workshop. Literature: Omega and After - Bloomsbury and the Decorative Arts - Isabelle Anscombe, illus. Plate 19, Duncan Grant’s studio at Charleston, 1977, apparently identical to one shown on a shelf

Five curtains and pelmet, early 20th century, red stripe with still life and flowers in the style of the Omega Workshop. (6)

Attributed to The Omega Workshop-green and black lacquered wooden tray, having raised border, of circular form, bears etched Omega mark verso, dia.20cm.

Circle of the Omega Workshop (British, circa 1913) Imaginary Landscapes with Castles and Bridges, oil on canvas (three) 52 x 61cm (20.28 x 23.79in) The Omega Workshop was a design enterprise founded by members of the Bloomsbury group and established in 1913. It was located at 33 Fitzroy Square in London and was founded with the intention of providing graphic expression to the essence of the Bloomsbury ethos

Carter and Co vases, and one early Carter Stabler, Adams bowl, one vase is unglazed dark brown earthenware with line and dash decoration, one vase in tin-glazed white earthenware, painters mark CK, impressed Carter & Co, one bowl in tin glazed dark brown earthenware, decorated in the style of the Omega workshop in reds and yellows, impressed mark to base, Carter Stable Adams, circa 1921.