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Lot 462
A hardstone intaglio necklace, intaglios Roman, 1st-3rd century AD and later, set with a sequence of thirteen ancient Roman and 18th century intaglios, each in a gold collet setting, to a double back chain, the intaglios including: Hermes in profile and lady in profile, carnelian, both 18th century; Hercules tearing a youth from horseback, amethyst, 18th century; a nude warrior bearing arms, possibly Achilles, chrome chalcedony, 1st-3rd century AD; a young satyr with hunting stick (pedum), bloodstone, Roman, 1st-2nd century AD; the Nemean lion, carnelian, 1st-2nd century AD; two juxtaposed satyr masks, carnelian, 2nd-3rd century AD; an old satyr in profile, carnelian, 18th century; a charioteer in biga, carnelian, 2nd-3rd century AD; a figure of Victory seated on a cuirass holding a wreath, chrome chalcedony, 1st-2nd century AD; a seated lion, bloodstone, 18th century; a standing lion within an orlo etrusco border, carnelian, Late Etruscan/Italic 2nd-1st century BC; and Cupid kneeling with an offering before a statue of Priapus, Roman, 1st-2nd century AD, largest intaglio 1.2 x 1.8cm, necklace length 41cm
Lot 11
Nicolette Savage Etching "Pigwig", signed in pencil lower right and numbered 45/150, 10cm x 13cm P Thomas Black and white print "Cyclist, County Clare", signed in pencil and numbered 7/75 After Modigliani Colour print Female nude After Maud Earl Pair of colour prints "The Long Vacation", foxhounds and gun dog and duck (5) From the collection of the late Maurice Costley
Lot 53
Josef Herman (1911-2000) Watercolour on paper “Standing female nude”, with Flowers East gallery label, 28cm x 18cm From the collection of the late Maurice Costley Josef Herman was a Polish/British contemporary artist. Herman was one of the last European expressionists. He was a figurative artist who painted working people. He came to Great Britain in 1940 and had his first exhibition in Scotland. In 1943 he moved to London and had his first London exhibition with L S Lowry. In 1981 Herman was awarded an OBE and was elected to the Royal Academy in 1990.
Lot 99
Eileen Cooper OBE, RA (1953) Oil on canvas “In Night Shade”, female nude with foliage, with Rabley Contemporary label verso, with letter from the Rabley Gallery regarding the purchase and related paperwork, 90cm x 60cm, unframed From the collection of the late Maurice Costley Eileen Cooper was born in Derbyshire, She studied firstly at Goldsmiths College and then for her MA at the Royal College of Art. She is a painter, print maker and ceramicist. Her work is figurative, imaginative and her inspiration comes from mythology, fairytales, the Bible and stories in general. The female form and identity is important to her work. She was elected to the Royal Academy in 2001 and in 2010 started serving as the Keeper of the Royal Academy, the first woman to do so in its 250 year history. Eileen has had numerous solo exhibitions both in England and abroad. Her work can been seen in many public collections including the Art Council, National Portrait Gallery, Dallas Museum of Art, The Royal Collection Trust and the Royal College of Art. Condition ReportRecto: canvas in very good condition, no obvious signs of wear and tear on paintwork, unframed. Verso: canvas inscribed 'Eileen Cooper 2018 Night Shade', gallery label on back, cross-stretcher in good condition.
Lot 46
Josef Herman (1911-2000) Watercolour “Nude reclining”, labelled verso, dated 65, with Fosse Gallery John Lindsey Fine Art Limited receipt dated 1999, 23cm x 17cm From the collection of the late Maurice Costley Josef Herman was a Polish/British contemporary artist, he was an Eastern European Jewish refugee who emigrated to Great Britain to escape Nazi persecution in 1940. He lived firstly in Scotland and then moved to London in 1943, where he held his first London exhibition along with LS Lowry. He is best known for his paintings of working people, including peasants, fishermen and coal miners. In 1981 he was awarded an OBE for services to British art and was elected to the Royal Academy of Arts in 1990
Lot 117
Two Wedgwood black basalt figures, 19th century and later, comprising; a figure of Cupid sitting upon a rock with a quiver, 21.5cm highand a figure of Psyche, sitting upon a rock with a bow, on an associated glass stand, figure 21cm high stand 7.5cm high together with a similar figure of Aphrodite, emerging nude from the sea on a reservoir bowl, the figure with holes to the base for a fountain or flower frog, figure 32cm high bowl 35cm wide (5)Condition ReportChipped to the glass stand. All with surface scratches.
![A. BurfewOil on board ''Lady in the nude'', unsigned and dated '93.[41x45cm]](https://cdn.globalauctionplatform.com/633605e1-dd5a-4364-8985-b20c00d6d27b/ea68c119-5ae7-4d85-aa59-b20e014cce1f/468x382.jpg)
Lot 87
*SIBYLLE COLE-DUIJTS (1920-2000) 'No. 1, Nude', circa 1953, three-quarter length study of a woman in an interior, oil on board,, 55cm x 44cm, Framed dimensions: 70cm x 61cmNote: Sibylle Cole-Duijts was an Amsterdam born painter and etcher, who came to England in 1939 to attend the Birmingham School of Art, studying under Bernard Fleetwood-Walker. She exhibited widely throughout her life at various galleries including the Royal Academy in 1956, 1958, 1959, 1961, 1962, 1964, 1969 and 1971, the RI, SWA, Paris Salon, Park Square Gallery, Leeds, the Goosewell Gallery, Menston, where she has had two solo exhibitions, and at the RBSA where she was elected a member in 1963.
Lot 420
§ Augustus John OM, RA (1878-1961) Seated female nudesigned 'John' (lower left)pencil40.5 x 26cmNot examined out of the frame, the outermost edges are obscured by the mount and are, therefore, not available for inspection. With flies trapped beneath the glazing, some overall discolouration and uniform toning throughout to the paper support. Some very slight undulation of the paper support noted to the right hand edge, but in nice overall condition.
Lot 319
An Art Deco fruitwood veneered cabinet, circa 1925, designed by Clément Goyeneche (1893-1984), inset with black and white marble top above a pair of cupboard doors with octagonal cast brass escutcheon depicting seated nude figures, signed Goyeneche and Gallé, opening to reveal adjustable shelves within and raised on a curved plinth base 131 x 101 x 45cmA number of scuffs and scratches commensurate with age and use, a split to plinth on front right corner, two splits to plinth on front left corner, a gouge to the rim beside inset marble to top right-hand side. There are two small bolts/threaded rods protruding through the front of the bronze, these appear original but intended purpose is unclear. Finish likely the orininal. (Regrettably, we are unable to provide a weight)
Lot 303
Circle of Johann Carl Loth (1632-1698)Female nude, oil on canvas, 48 x 44cm New photos uploaded. Has been lined. There is a split with associated paint cracking to the hairline area, and a similar smaller area below the nose. An area of possible retouching/overpainting to the upper right corner. Minor cracking to the paint. The surface appears taut, and quite dry/dusty. Please see additional UV images.
Lot 59
CHRISTOPHER WOOD (BRITISH 1901-1930) SITTING NUDE Pencil 32 x 24cm (12½ x 9¼ in.)Drawn in 1926. Provenance: Private Collection, Sir Rex Nan Kivell Private Collection, Dr William Mason Michael Parkin Gallery, London Private Collection, Mrs Heather Mansell Jones Exhibited: London, Michael Parkin Gallery, no. 35 Condition Report: Unexamined out of glazed frame. Discolouration to the sheet throughout. Two rectangular bleaching marks to either side of the upper edge, corresponding to the tape. Two foxing marks to the right hand side of the sheet. Light surface dirt throughout most notable to the edges of the sheet. Diagonal creases to the lower right corner. A right angled repaired tear starting at the centre of the lower edge running upwards and to the right. Condition Report Disclaimer
Lot 159
▲ Émile Adolphe Monier (French, 1883-1970), an Art Deco bronze figure, c.1930, depicting a nude dancer, dressed in the Egyptian taste, before a boy playing the flute, raised on a veined marble base, signed 'E Monier' to the marble,38.5cm wide18cm deep57.5cm highCondition ReportSome nibbles and minor losses to the marble base. Wear to the finish in places.
Lot 198
John Orwar Lake (Swedish, 1921-2007), a glass 'Iceberg' or sculpture, c.1960, by Ekenäs, the asymmetric hewn block with a polished side engraved with a kneeling nude figure shading their eyes from the light, engraved 'J. O. Lake B2606-67 Ekenäs Sweden',30cm wide12cm deep26cm highCondition ReportChips and nibbles to the edges around the polished edge commensurate with the nature of manufacture.
Lot 140
A group of five Art Deco porcelain items, c.1930, comprising:a Robj inkwell, formed as a plinth with three steps, the cover as a nude figure, printed mark 'Robj Paris Made in France',11cm wide13cm deep12.8cm high, andfour German porcelain boxes and covers,the first formed as a lady in a yellow dress, holding playing cards with a cat at her feet, 22.5cm high,the second modelled as a seated lady holding a fan, 10.3cm wide,the third modelled as a seated lady with a tennis racket, 16cm high, andthe fourth modelled as a seated lady with a conical hat, 14.5cm high (5)Condition ReportRobj) Small nibbles to the edge of the foot rim.Card player) Very small flat chip to the upper edge of the base where the lids sits.Conical hat) Small nibble to the top of the hat.General) All with wear, slight losses, and rubbing to the gilding and enamelling throughout.
Lot 158
Marcel-André Bouraine (French, 1886-1948), 'Fan Dancer', c.1925, an Art Deco patinated and cold-painted bronze figure of a nude, holding a fan decorated with a bird, above a veined marble base, signed 'Bouraine' to marble,14.3cm wide39.3cm highCondition ReportSlightly loose on the base. Very minor nibbles to the edge of the marble base. Minor surface wear and rubbing to the surface finish. Displays well but there is movement in transport. Please see additional photos.
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