We found 53 price guide item(s) matching your search

Norah Braden (1901-2001)Globular jarstoneware, with grey and green glaze with iron detailimpressed potter's seal20.5cm high. Some minor firing dots to the rim and body. Overall good and appears free from damage or restoration.

Norah BRADEN (1901-2001) A globular vase, stoneware with bands of brown and cream glazesHeight 12.5 cm, diameter 16 cm,Various reference numbers to foot and impressed NB seal.Collector's note"Bernard Leach thought that Norah Braden was the most gifted of his students. She left St Ives in 1926 to join Katherin Pleydell-Bouverie at Coleshill in Wiltshire, where both made pottery and experimented with glazes. In 1936 she moved to Sussex, living at Rock Cottage, an almost derelict building on a country estate. In later life, she was evicted and the cottage was sold. The new owners discovered some fifty tea chests full of pots wrapped in newspaper. This item was among them." This charming piece is in good condition, with no areas of concern.

Norah BRADEN (1901 - 2001) Glaze specimen pot, ash glaze speckled olive green flowing thick at the baseHeight 8.5cmProvenance Bought at Katherine Pleydell-Bouverie's Kilmington Manor Sale in 1985 Five glaze drips present to the base (please see additional image). No signs of damage or restoration.

Norah BRADEN (1901-2001) A stoneware dish, speckled dry cream body with brush strokes of brown making a linear design around the rimDiameter 27.5 cmSeveral numbers to base and impressed NB seal.Collector's noteBernard Leach thought that Norah Braden was the most gifted of his students. She left St Ives in 1926 to join Katherin Pleydell-Bouverie at Coleshill in Wiltshire, where both made pottery and experimented with glazes. In 1936 she moved to Sussex, living at Rock Cottage, an almost derelict building on a country estate. In later life, she was evicted and the cottage was sold. The new owners discovered some fifty tea chests full of pots wrapped in newspaper. This item was among them. There are two minor firing flaws present (please see additional images). Other than this the piece is in good condition, with no signs of damage or restoration.

NORAH BRADEN (BRITISH, 1901-2001)Vase, circa 1930Stoneware, ash glazes with painted design. 15.3 cm high, 14 cm diameter Painted NB monogram and VIII.II.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Norah Braden (1901-2001) attributeda stoneware tea bowl, covered to the foot in a speckled ash glazeimpressed seal mark, 5.6cm. high

Attributed Norah Braden (1901-2001), an earthenware jug with slip decoration, makers mark to base, height 17cmGlaze chip to side of rim, crazing, no other chips, cracks or restoration

▴ Norah Braden (1901-2001),a stoneware vase, with a green ash glaze, faint painted artist's monogram,17.5cm highNorah Braden studied at the Central School of Arts and Crafts, and later at the Royal College of Art, London. She went to work at the Leach Pottery in St Ives from 1925 - described by Bernard Leach as his most gifted pupil - before joining Katharine Pleydell-Bouverie at her pottery at Coleshill, Wiltshire. Braden's work was wood-fired and simply painted using brushwork decoration. If pieces did not meet her exacting standards, she would destroy them.Braden ceased potting in the 1950s, to switch her focus to teaching, and she taught at Brighton School of Art and Camberwell College of Arts until her retirement in 1957. Condition ReportCrazing to the glaze. No restoration or damage. With a small firing mark to the exposed clay. With some dark underglaze marks. With a notable glaze bubble to the lower end of the glaze with a firing crack to the inside. Additional images added.

† NORAH BRADEN (1901-2001); a stoneware box and cover covered in grey/green and kaki glaze, diameter 9.5cm. Provenance: Adrain Lewis-Evans collection; gifted by the artist. Lewis-Evans was a pupil of Braden's.Condition Report: Cover has glaze misses, nick to rim and professional restoration, otherwise appears good with no further signs of faults, damage or restorations.

† NORAH BRADEN (1901-2001); a stoneware bowl covered in grey/green glaze with iron decoration, impressed NB mark, diameter 11.5cm. Condition Report: Professional restoration to body, otherwise appears good with no further signs of faults, damage or restorations.

Attributed Norah Braden (1901-2001), an earthenware jug with slip decoration, makers mark to base, height 17cmGlaze chip to side of rim, crazing, no other chips, cracks or restoration

NORAH BRADEN (1901-2001). Two studio pottery open pots, one tenmoku type glass, one ash. Impressed seals. 5cm high x 9cm diameter

NORAH BRADEN (1901-2001) A studio pottery lidded jar with incised foliate detail, green glazed. Impressed seal to base. Large crack to the jar side and base. 24cm high

Norah Braden (1901-2001)Vasewith grey glaze and dark brushwork motifssigned with initials25.5cm high. Appears in good condition with no sign of damage or restoration. Some glaze variations and imperfections. Two old faint paint spots that should clean off.

Norah Braden (1901-2001)Pot and coverstoneware, with cut sides and tenmoku glazeimpressed potter's seal18cm high.Free from cracks or restoration. The glaze has been thickly applied and has thick parts to the base rim. This has resulted in some chips to the base rim where it has been detached from the kiln.

Norah Braden (1901-2001), a studio pottery test plate, Cole Pottery, Berkshire (1928-36), impressed maker's mark, diameter 19.5cm

British 20th Century Studio Stoneware Art Pottery Collection(12 x Pieces). Southern English Biscuit heavy stoneware, decorated with mostly Brown or dark Red Glazes and occasional touches of underglaze Blue. St Ives, Devon, Wiltshire, Surrey and London. Makers are Alpha Potteries, Bernard Leach, Bocean, Scott Marshall, Richard Jenkins, Norah Braden, Alan Brough, Duncombe, Richard and some unmarked. Incised marks, signatures and paper labels attached which may be obscuring further marks?Condition - Excellent throughout this group of ceramics, with no noticeable damage to any piece. There will be firing marks and minor imperfections, but no rim or base chips and certainly no restoration. The tallest Vase is about 18cm high

Norah Braden (1901-2001) at Leach PotteryVasegreen ash glaze with brushwork decorationimpressed pottery seal17cm high. Provenance:The collection of Ron and Lorna Wheeler.one chip to the base rim. Otherwise appears in good condition. Some firing imperfections.

§ Norah Braden (British 1901-2001) Dish simpressed artist’s seal, stoneware, ash glaze, with sgraffito decoration of a foxDimensions:17cm diameter (6 5/8in diameter)

NORAH BRADEN (1901-2001); a large stoneware bowl covered in blue/grey glaze, inscribed in pencil 'From Norah Braden', diameter 25.5cm. (D)Provenance: Adrian Lewis-Evans collection; gifted by the artist. Lewis-Evans was a pupil of Braden's.Additional InformationBlows and minor kiln debris to the well, tight hairlines and minor glaze misses to the exterior, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Norah BRADEN (1901-2001)A stoneware vase with celadon glaze and iron brushworkPainted initials and indistinct glaze reference to baseHeight 13cm***Revised reportAt first glance, this pot appears to be in excellent condition, however, under close inspection a very competently repaired crack measuring approximately 6cm is evident. Approx diameter at widest point 16cm. Diameter of rim 10.3cm, diameter of foot 9cm.

§ Norah Braden (British, 1901-2001), a small stoneware bowl, decorated with a tenmoku glaze and raised on a small, unglazed foot, impressed seal and painted reference number '7.49' to underside8 x 9.5cmTwo small hairline cracks to body visible only under UV. One vert small chip to rim. Otherwise in good condition.

NORAH BRADEN (1901-2001); a large stoneware bowl covered in grey/green and tenmoku breaking to kaki glaze, painted NB mark, diameter 20.5cm. (D) Provenance: Adrian Lewis-Evans collection; gifted by the artist. Lewis-Evans was a pupil of Braden's.Additional InformationKiln debris stuck in the well, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

NORAH BRADEN (1901-2001); a stoneware bowl covered in dark green ash glaze with faint cobalt decoration, incised code, diameter 15cm. (D) Provenance: Adrian Lewis-Evans collection; gifted by the artist. Lewis-Evans was a pupil of Braden's. Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

NORAH BRADEN (1901-2001); a stoneware bowl covered in green ash glaze with incised decoration, diameter 13.5cm. (D) Provenance: Adrian Lewis-Evans collection; gifted by the artist. Lewis-Evans was a pupil of Braden's. Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

NORAH BRADEN (1901-2001); a stoneware bowl partially covered in green ash glaze with incised decoration, painted code, diameter 9.5cm, and a small cup covered in blue/grey glaze, diameter 6.5cm (2). (D) Provenance: Adrian Lewis-Evans collection; gifted by the artist. Lewis-Evans was a pupil of Braden's. Additional InformationAppears good with no obvious signs of faults, damage or restoration. The dip in the rim of the cup is glazed over. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

NORAH BRADEN (1901-2001); a stoneware box and cover with owl finial covered in grey/green and kaki glaze, diameter 8.5cm. (D) Provenance: Adrian Lewis-Evans collection; purchased from Jim Barrett. Lewis-Evans was a pupil of Braden's.  Comparator: A similar example is illustrated in Ronald G Cooper, 'The Modern Potter' (London, 1947) pl. 2.Additional InformationProfessional restoration to edge of cover, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

A studio pottery lidded pot with insisded foliate decoration to the shoulder, bears makers mark possibly for Norah Braden 24cm high CONDITION REPORTS Some crazing to the glase visible on the interior. Otherwise general wear and tear to include firing faults, some light surface marks, in need of clean - see images for more details

A group of studio pottery including a jar and cover, probably Norah Braden, 25 cm

NORAH BRADEN (1901-2001); a tall stoneware pitcher with cup shaped top and swirling iron decoration, impressed NB mark, inscribed 'Sweets' in pencil either side of handle, height 33.5cm. (D)Provenance: The artist's personal collection. Purchased at Bonhams, 'Contemporary Ceramics', July 1994, lot 138. Additional InformationRestoration to base, probably by the artist, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

NORAH BRADEN (1901-2001); an unglazed stoneware dish, impressed NB mark and incised code, made late 1930s, diameter 19.5cm. (D)Provenance: Katharine Pleydell-Bouverie collection.PR – Braden and Pleydell-Bouverie made quite a few unglazed pots just before and during the war. Katharine said that certain glaze ingredients were very difficult to obtain. Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Norah Braden (1901-2001) a stoneware bowl, covered to the foot with a celadon ash glaze, a Katherine Pleydell-Bouverie pot and saucer, a Muchelney vase by John Leach a vase by Eileen Lewenstein, and another pot painted monogram to main bowl, hairline to top rim, 17cm. diam. (6)

LEACH, Bernard : a collection of eight Leach Pottery catalogues and pamphlets several signed by David Leach. With various other ephemera including ' Dartington Pottery Notes. Oct.33.' (in facsimile). With a postcard to Norah Braden, dated 3 Aug 37, signed Rik ? and a postcard in the hand of Bernard Leach, signed Bernard & Laurie.(a lot)

NORAH BRADEN (1901 - 2001), STONEWARE VASE, GLOBULAR IN CELADON GLAZE WITH BRUSHWORK, 13CM H, PAINTED INITIALS AND INDISTINCT GLAZE REFERENCE ++GOOD CONDITION

‡ Norah Braden (1901-2001) a stoneware footed bowl, covered with mottled white running glaze resist decorated with chevron panels in deep brown, the exterior running pale green over white incised NB monogram to base, 20.5cm. diam. Provenance Contemporary Ceramics, Christie's London, 20th November 1989 lot 77. (from the collection of the artist) Exhibited British Studio Pottery The Collection of a Discerning Academic, Monnow Valley Arts, 26th September -8th November 2009, catalogue number 14.

STUDIO POTTERY various items including a stoneware vase by Alan Wallwork with spiral design, a Bernard Rooke pottery decanter and stopper, an Aylesford pottery bowl, an incised pottery bowl by Norah Braden, and a stoneware lidded ginger jar by Ruthanne Tudball. Wallwork Vase 6 1/4ins (16cms) high. (5)

‡ Norah Braden (1901-2001) a stoneware bowl, painted with simple foliage design to inside and out, the interior glazed deep olive, incised N Brad 1924 to base, 17.5cm. diam. Provenance Contemporary Ceramics, Bonhams London, 13th July 1994, lot 112. Catalogue Notes The bowl dated 1924 when Norah Braden was at the Royal College of Art and shows the influence of her Ceramic teacher William Staite Murray.

Katharine Pleydell-Bouverie (1895-1984) a stoneware lotus flower vase, footed form with fluted top rim, covered with a pale ash glaze, a small dish by Katherine Pleydell-Bouverie, a Norah Braden beaker vase, a Henry Hammond beaker vase and an Avoncroft Pottery unomi by Geoffrey Whiting, various impressed marks, 9.5cm. high (5)

A St Ives pot, possibly by Norah Braden, a band of incised decoration to the yellow rim, impressed seal mark 9 x 13cm (4 x 5in)

Norah Braden (British, 1901-2001) Bowl Stoneware, pale green and cream glaze with olive green running flecks H 10cm, D 14.5cm CONDITION: Private Collection, London CONDITION: Perfect condition with no damage or restoration, a minor firing fault to the underside of the foot, fully stable and not impacting on the piece

Archival Material from the Collection of Ernest Marsh, Collector, Writer, Lecturer and Generous Lender and Donator to numerous museums including the British Museum and Victoria & Albert Museum. The Martin Brothers 5 typescripts, some with ms. additions for his article The Martin Brothers, Studio Potters of London and Southall, Middlesex, in Apollo magazine; and another inscribed part II, part ms; together with an ms letter from Marsh to the editor of Apollo regarding the articles and hoping that his exceeding both the word count and the number of illustrations will be tolerated. Typescript with ms additions for his lecture on the Martins at the Central Library, Fulham, May 9th 1929. Ms In pencil on the Martins. Ms in pencil, seemingly a draft for an article or autobiography on Marsh's relationship with the Martins including the description of a firing (includes a pencil washing list!). Photocopy typescript of the Frank Knight Collection of Martinware at Southall District Library. Original photographs of various pots, some with ms. descriptions, in a re-used addressed envelope. A rare Martin Brothers printed and folded Brochure with quotes from magazines about their work: '… it is no exaggeration to say that no more interesting and, in its own line, superior pottery has ever been turned out in England'. The Pall Mall Gazette, January 23rd 1897. A Brochure, also rare, with a three page article by Sidney Greenslade (the brothers' patron), the slate-grey cover with a photograph of the brothers in their studio. Apollo, October and November 1944, illustrated articles by Marsh on the Martins. Miscellaneous press cuttings, auction catalogues, magazine articles etc., mostly on the Martin Brothers. Other works Typescript of article on collecting (mainly Chinese). Apollo, May 1925, seven-page, illustrated article on Reginald Wells. Shoji Hamada. Invitation cards for an exhibition at The Little Gallery, London, SW1 (probably 1942 or 1943) together with photographs of pots by him and Kawai (in addressed envelope) together with a five-page ms draft of Three Modern Japanese Potters, Shoji Hamada, Kanjiro Kawai and Kenkichi Tomimoto, together with two, five-page typescripts for the article and a three-page extract on Kawai with ms corrections and additions. W.Staite Murray; Studio Potter of Bray, Berkshire. Typed six-page article (two copies). Nora Braden. A fascinating four-page autograph, signed, letter to Marsh from Cobwebs - West Hoathley - Sussex, 22.2.43, which touches on, inter alia, the war and her fear of not getting a job when it ends, apologising for only having five photographs left of her work for Marsh's Apollo article and pleading for them back, not having made pots for six years and being refused a licence by the Board of Trade to make more; a meeting with W.B.Honey at the V&A, her cv and more; together with: a five-page letter to Marsh (numbered x-3) from Katherine PBouverie (so signed)The Mill, Coleshill, Swindon, Wilts, Jan. 19.43, regarding Marsh's article for Apollo and mentioning her year with Bernard Leach at St Ives in 1924, followed by Norah Braden; a three page Autograph Letter to Marsh from Katherine PBouverie, dated Jan. 31.43 largely about the same article and photographs, s.a.e.;together with Miss K.Pleydell-Bouverie and Miss D.K.N. Braden, Studio Potters of Coleshill, Wiltshire, ink four-page ms, apparently an early (first?) draft for his article, together with a typed, seven-page article (three copies) one inscribed by Marsh in pencil 'First Draft', presumably from the ms. Interestingly, Marsh sets out on page one in confident style, but by the end is making numerous crossings-out, substitutions and marginalia. 'A Short Talk on Modern Pottery' six-page ink ms draft (first?) with numerous corrections, together with two eight-page, typed copies. The Fremlington Pottery 1889, typescript, five pages, 2 copies. Charles & Nell Vyse. Studio Potters of Chelsea, six-page typescript with ms corrections. Draft pencil ms on the Etchers Art, five pp. CONDITION REPORT: All in sleeves, stapled articles, pamphlets worn. Provenance - East Sussex collector

Adrian Lewis-Evans (British, b.1927) Vase, circa 1976, double ogee shaped, in tones of brown with slashed cut ornament impressed potter`s mark 33cm high. Provenance: The Henry Sandon Collection. Adrian Lewis-Evans began making pottery in 1952, and trained at Camberwell under Norah Braden and David Leach. From 1958 Lewis-Evans taught ceramics at Bournemouth College pottery with David Ballantyne and Peter Stoodley.

Norah Braden (1901-2001) a stoneware jar and cover, decorated with rust coloured bands and spots painted mark to base 16cm. diam Provenance Contemporary Ceramics Bonhams, 19th June 1996 lot 33

Norah Braden (British, 1901-2001) A planter and dish, a lidded pot and a small vase, inscribed glaze code, together with a student drawing by Braden of a Grecian statue, 1920, signed and dated, pencil, 15" x 11", a note to Braden from Sir William Rothenstein (Principal of the RCA) dated 1921 and two monochrome photographs of Braden. Provenance: Estate of the care home where Braden lived.

Katharine Pleydell-Bouverie (1895-1985) a large unglazed vase, incised with geometric frieze, a low dish and a Norah Braden dish impressed seal marks 16cm. high

Norah Braden (1901-2001) a stoneware vase, ovoid footed form, covered to the foot with a crackled celadon glaze, simple brush design, painted NB monogram, small frit to top rim 8.5cm. high

Norah Braden (British, 1901-2001) An open Bowl Stoneware, mottled grey green glaze with iron flushes, impressed NB seal" Diameter 21.7cm, Height 8cm Condition: One small loss to the rim, otherwise in perfect condition with no further damage or restoration - detailed condition report available on request View on auctionatrium.com

Ten pieces of studio pottery, to include a Bell-Hughes lidded jar, three Bernard Leach soup bowls, a Bernard Leach conical bowl, a Norah Braden slip decorated bowl, a teapot, possibly by David Andrew Leach etc.

BERNARD LEACH. Christmas Card to Norah Braden, 6 lines by BL signed Rik & Janet, 1957.

BARNARD LEACH. Christmas Card to Norah Braden, 4 lines by BL, signed Rik 1959.

A stoneware bowl by Norah Braden, glazed to the foot with a thick crackled, green-grey ash glaze, a Keuper red stoneware vase by Emily Myers and a bowl impressed NB seal, incised mark, hairline to rim, restored rim 5.5 inches (14cm) high . Provenance: British 20th Century Studio Ceramics, Christopher Wood Gallery, catalogue number 122

Norah Braden (1901-2001): A Stoneware Vase, tenmoku glaze, painted mark, 18.5cm

David Leach studio pottery vase also a Simon Leach bowl, a Harry and May Davis Crowan pottery jug, a St Ives marked jug, also a vase and Jug possibly by Norah Braden, (glaze chip to the St Ives jug) (6) 18cm max height