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![Vintage Violin with Bow, in fitted named case [E KOHLER & SONS MUSICAL INSTRUMENT MAKERS EDINBURGH]](https://cdn.globalauctionplatform.com/e072ad85-7667-46c4-b109-b23700aba1dd/182c44a7-fd2a-4bc0-885e-b23a00ba23cc/468x382.jpg)
Lot 686
AN UNUSUAL AND FINELY CARVED FRENCH RENAISSANCE WOOD PANEL BRITTANY, 16TH/17TH CENTURY Lemon or another fruit wood, possibly a back 'splat' or part of a musical device, in low relief, 'Stations of the Cross', mounted on a wood block support splat 53cm long, 9cm wide Provenance: Ex Private London collection This would seem to be a depiction of the 'Arma Christi', or instruments of the Passion of Christ. This subject appears as from the late 15th Century in Christian iconography (going back to a legend about a vision of Pope Gregory) and the subject was heavily promoted in Catholic devotion of 'indulgence prayers' in the following decades. The Reformation opposed to many devotional practices, including these indulgence prayers - and one can only assume that this carved wooden 'splat' was part of a larger liturgic instrument (such as a crucifix, or a relic holder of some kind to be used in processions), probably destroyed in one of the many Church raids of the 16th Century
Lot 30
Roman Period, 30 B.C.-323 A.D. The large liturgical rattle with a columnar handle composed of a bifacial figure of Bes standing on a lotus capital, flanked by seated sphinxes, his feathered crown supporting the bust of goddess Hathor wearing a broad collar and a curling wig, two rearing uraei emerging from the sides to support the base of the rattle, both wearing the pschent crown, above the cobras a standing figure of the goddess Hathor in cow form, wearing a tripartite wig and a sun disc between the horns; the rattle with a looped body with flared outer rims and set with three metal rods to accept metal discs, a pair of reclining lions to the base and the top with three felines surrounding a cockerel, and resting one of their front paws on the bird. Cf. Lacovara, P. et al., The Collector’s Eye: Masterpieces of Egyptian Art from The Thalassic Collection, Atlanta, 2001, for a sistrum with a Bes figure incorporated into the handle; see a late Egyptian prototype of a bronze sistrum with handle in the shape of the god Bes, 30th Dynasty, c. 350 B.C. (Neues Museum, Berlin); see a Roman sistrum in MET, accession no.97.22.2; a bronze sistrum, in the British Museum, inv.no.1756,0101.541; Daremberg, C.V. & Saglio, E. (eds.), Dictionnaire des Antiquités Grecques et Romaines, Paris, 1873-1917. 1.52 kg, 39.5 cm (15 1/2 in.).[A video of this lot is available to view on Timeline Auctions Website]German art market. European private collection, 1970s-early 2000s. Acquired from the above; thence by descent. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12348-225588.The sistrum (seshesh in ancient Egyptian) was a rattle-like musical instrument, played exclusively by women in religious ceremonies. It was often decorated with the bust of the goddess Hathor to whom the sistrum was sacred. Their use continued into the Roman period in ceremonies associated with the cult of Isis.
Lot 199
LIBOR FARA (Czech / Bohemian 1925 - 1988) - Queen (Muse) | 1949 | technique: assemblage on wood | 114 x 34 cm | signature: marked on reverse | note: Attached is a copy of the work's authenticity certificate from Dr. Anna Farova | Lot description | Libor Fara, an important Czech artist and scenographer, often straddled the border between surrealism and Dadaism in his work. His work "The Queen (Muse)" from 1949 is an example of the artist's characteristic use of assemblage, where he combines found objects into unusual combinations. In this work, where part of a musical instrument is used, Fara creates a poetic figure of the muse, which combines human and inanimate elements. The work is playful, but at the same time evokes a certain surreal absurdity, typical of the post-war avant-garde. "Queen (Muse)" is an example of Fara's ability to explore the relationship between art, object and human imagination. | condition report*In case of missing photos, please feel free to contact us.
Lot 1008
Four Early 19th Century Silkwork Pictures, comprising:a young girl seated on a donkey on the way to market, in an oval card mount and frame23cm by 29cma pair of similar pictures depicting a lady and gentleman, both in pastoral landscapes, at rest knitting and playing a musical instrument, both with teal taffeta type mounts and modern gilt frames19cm by 24cm34cm by 42cm framedan Eastern embroidery of an exotic bird on a branch worked in silvered threads on a cream silk ground, modern frame39cm by 46cm (4)
Lot 31
Exquisitely detailed figure designed with Swarovski crystals and gilt accents on clothing and hat as well as his musical instrument. RG impressed mark, Capodimonte backstamp. This item has its original box: 14"L x 9.5"W x 8.25"H. Issued: 20th centuryDimensions: 4.5"L x 4"W x 9.75"HManufacturer: RG Oggetti PorcelainCountry of Origin: ItalyCondition: Age related wear.
Lot 28
After Claude Michel Clodion (French, 1738-1814), a pair of late 19th century bronze figures of musical putti, one standing playing a triangle, the other once with a flute, each on naturalistic bases and ormolu socles, 35cm high Both in fair to good condition, an even blackish brown patination throughout, some dirt and dust and a little rubbing to the raised extremities, the flute player is lacking their instrument and wobbly on the base and will need tightening up, both have oxidisation spotting to the ormolu basesPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 200
White porcelain figure beautifully decorated with Swarovski rhinestones and gilt accents, playing his musical instrument. RG & Capodimonte impressed marks. This item has its original box: 14"L x 9.5"W x 8"H. Issued: 20th centuryDimensions: 3.5"L x 4.25"W x 9.25"HManufacturer: RG Oggetti PorcelainCountry of Origin: ItalyCondition: Age related wear. One instrument string is broken.
Lot 198
Exquisitely detailed figure designed with Swarovski crystals and gilt accents on clothing and hat as well as his musical instrument. RG impressed mark, Capodimonte backstamp. This item has its original box: 14"L x 9.5"W x 8.25"H. Issued: 20th centuryDimensions: 4.5"L x 4"W x 9.75"HManufacturer: RG Oggetti PorcelainCountry of Origin: ItalyCondition: Age related wear.
Lot 744
PRINCE - The Dr. Fink Collection: Clare Fischer's Handwritten Orchestral Arrangement Sheet Music For "Crystal Ball" and "Slow Love" - A selection of orchestral arrangement sheet music handwritten by composer and arranger Clare Fischer for the Prince songs "Crystal Ball" and "Slow Love". Both songs were initially intended to feature on an unreleased 3-LP album recorded throughout 1986 called Crystal Ball. This lot comes from the personal collection of Matt Fink (known by his stage name Dr. Fink). The lot comprises 50 assorted sheets of music arrangements for the two songs. The larger sheets display the instrument names and musical notes handwritten in pencil, and the smaller arrangements are printed and comprise multiple folded pages. The lot exhibits mild discolouration, and some pages display minor signs of water damage. This lot is accompanied by a certificate of authenticity co-signed by Dr Fink. Dimensions (largest): 48.5 cm x 33.5 cm x 1.5 cm (19" x13.25 " x 0.5")Additional Provenance: This lot comes from the personal collection of Grammy-Award-winning keyboardist and producer Matt Fink (known by his stage name Dr. Fink). Fink was a member of Prince's band from 1978 to 1991, notably playing as part of The Revolution, who also starred in the 1984 film Purple Rain.Estimate: £500 - 1,000 Ω Bidding for this lot will end on Friday, November 15th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Saturday, November 16th or Sunday, November 17th.
Lot 262
LARGE CHINESE BLUE AND WHITE 'FIGURAL' GU-FORM VASE QING DYNASTY OR LATER 清或以後 青花人物故事紋花觚of waisted beaker form, painted with a seated foreigner blowing a horn and a lady with boy playing a string musical instrument, between them a lady with high headgear admiring the music 38.8cm high Please note this lot will be offered with no reserve. 本拍品不設底價
Lot 163
LARGE CHINESE PALE CELADON JADE PLAQUE OF SCHOLAR ON BOAT QING DYNASTY, 19TH CENTURY 清 青白玉雕學士撫琴渡船嵌板carved on one side with a scholar seated on the front of a boat and playing musical instrument qin, the back of the boat with a standing boatman, the stone of uneven pale celadon colour with yellowish and greyish tones 20.4cm wide
Lot 246
5 Large 21st century buttons with Musicians on them. This set of carved bone set in wood is the complete set of buttons that were made for the 2008 National button Convention. Each one has aa different musician playing a different musical instrument. This is not an easy set to put together. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: PLEASE NOTE: These buttons for the most part are antique and may have age related wear. We make every effort to point out any significant condition related concerns, but again they are antique and not new. We also cannot be responsible for replaced shanks or issues related to the backs of any buttons on multiple button cards as we do not remove these buttons to re-card them. Please contact us if you would like any further condition reports on any lot.
Lot 120
A JAPANESE GILT-BRONZE APSARA, PROBABLY KAMAKURA PERIOD, 13TH CENTURY cast in the Chinese Tang dynasty style, the heavenly maiden depicted in full flight, wearing a long flowing robe and scarf billowing around the shoulders, playing a musical wind instrument, traces of gilding, mounted on a wood stand, the figure 15cm wideFootnote: For a similar bronze, see The Museum of East Asian Art, Bath, item ref:BATEA:1044.
Lot 537
HOHNER; an early 20th century 'Verdi III' accordion in fitted case, bearing a trade label to the inside of the lid inscribed 'Rushworth & Dreaper Musical Instrument Makers 11-17 Islington, Liverpool'Condition Report: The accordion is in a used condition, with scuffs, scrapes and signs of wear throughout commensurate with use and age. The outer case has seen better days.Unfortunately we cannot send this lot via our usual delivery service, please contact a courier or Mailboxes to arrange deliveryMailboxes Liverpool 0151 236 5500 - info@mbeliverpool.co.ukAlternatives are also available on our website at https://www.adampartridge.co.uk/services/transport/
Lot 562
Robertsons Jam 1960's Advertising Promotional Ceramic Golly Band. Six different Golly figures each playing a different musical instrument. Each Approx. 75mm in height. Notice from the the-saleroom.com: These items are listed on the basis they are illustrative of a bygone culture in which there were different social norms. We understand the potential controversy surrounding this type of item but believe that providing transparent information about historical context fosters greater understanding of our complex cultural history.
Lot 2800
IMPOSANTER STANDSPIEGEL Italien, 19./20. Jahrhundert, Holzrahmen, in dem elf Skulpturen von Engeln montiert sind, die ein Musikinstrument spielen oder singen, die Figuren sind im italienischen Barockstil gehalten und stammen vermutlich aus einem religiösen Rahmen des 19. Jahrhunderts, der Spiegel und der Rahmen, in dem er montiert ist, sind modern, HxB: 226 x 120 cm. Die Figurengruppe wurde teilw. restauriert, wobei einige Teile der Figuren zerbrochen oder beschädigt sind.| IMPOSING STANDING MIRRORItaly, 19th/20th century, wooden frame in which eleven sculptures of angels playing a musical instrument or singing are mounted, the figures are in the Italian Baroque style and probably come from a 19th century religious frame, the mirror and the frame in which it is mounted are modern, HxW: 226 x 120 cm. The group of figures has been partially restored, although some parts of the figures are broken or damaged.
Lot 3316
Undeutlich signiert: Tambourin-SpielerinÖl/Malkarton. Rechts unten undeutlich signiert. Um 1900.43,5 x 30,5 cm. Gerahmt : 52,5 x 39 cm (Goldrahmen). Bildnis einer jungen Frau mit dem Musikinstrument im hellen Licht. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 13:09 Uhr (CET) Indistinctly signed: Tambourine playerOil/painting card. Indistinctly signed lower right. Circa 1900.43.5 x 30.5 cm. Framed : 52.5 x 39 cm (gold frame). Portrait of a young woman with a musical instrument in bright light. Aufrufzeit 26. | Oct. 2024 | probably 13:09 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
![A 19th Century C. Wheatstone & Co. Concertina, in original case with label and number [27828] (15 West Street, Charing Cr](https://cdn.globalauctionplatform.com/dea201e6-ba9c-464d-b1f6-b20300c6707e/5424c963-fca2-4ebf-a024-b20600be71de/468x382.jpg)
Lot 162
This retired ornament was part of the Christmas Memories collection. It is clear faceted crystal with gold metal head, wings, arms, and musical instrument. It comes in its original box, which measures 4"L x 4"W x 3"H. Artist: Adi StockerIssued: 1999Dimensions: 2.5"L x 1.25"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 4
Rory Gallagher: A Bjarton Acoustic Guitar,Early 1960s, Indistinct serial no. 8 164 stamped to top of headstock, labelled inside Tillverkare Bjarton Musikinstrumentfabrik Bjarnum - Sweden, natural finish, spruce top, mahogany sides and back, mahogany laminate inside, fingerboard with dot markers, solid headstock with logo and three-a-side tuners, in shaped, plush-lined Yamaha hardshell case (damaged), with transit labels/stickers,guitar 35 1/2in (90cm) longFootnotes:'I've got an old Bjarton guitar and it's beautiful.'- Rory GallagherRory bought this acoustic guitar in Copenhagen, Denmark, in 1967 and used it for recording the song 'Hail' for Taste's debut album in 1969. He said, 'I've got an old Bjarton guitar and it's beautiful. It's a very small guitar like the small Martins. Blind Blake used to use one - it's like a ragtime guitar. The neck joins the body at the 12th fret. I got that in a pawn shop in Denmark in about '67 for about £4. I've been playing that a lot lately, and that's got the light strings - being a small-scale guitar, the light strings don't buzz or anything - it's just right. I used it on the first Taste album and I used to use it on stage. In fact, I was thinking of pulling it out one night and sticking an Ibanez or something on it.' - Rory Gallagher, International Musician, 1977.Literature'Gallagher', International Musician Magazine, April 1977. www.roryon.com/collection.html.Bjärton:Bjärton Musical Instrument Factory was founded in 1946, in Bjärnum, Sweden. Originally the company specialised in double basses, but soon began producing guitars from 1952, until their closure in 1990. In their guitar design, the company focused on producing classical and steel-string acoustic guitars. These instruments are renowned for their high-quality construction, using premium European tonewoods that contribute to their rich sound. Though the company eventually ceased production, Bjärton guitars remain prized by collectors and musicians who appreciate their vintage charm and the legacy of traditional Swedish luthiery.For further information on this lot please visit Bonhams.com
Lot 7
Rory Gallagher: A Martin D-35 Flat Top Acoustic Guitar,1968,Serial no. 254568 stamped on neck block, bound body with natural finish, spruce top, Brazilian rosewood three-piece back and sides, soundhole rings, replaced pickguard, ebony bridge, bound ebony fingerboard with dot markers, headstock with Grover tuners, in original grey hardshell case, with strings, original warped pickguard, one broken pin, pickup and strap, with transit and other stickers, including a British Tour Backstage Pass,CITES 24GBA100ZG8EM,guitar 40 1/2in (103cm) longFootnotes:'This is the one. It's his acoustic for everything. From Taste onwards, it was all done with this... He loved playing blues on acoustic...' - Daniel Gallagher, 'Rare Guitars', Guitar.comRory purchased this guitar second-hand in London in 1970, and it became his main acoustic guitar throughout his career, for both live and studio performances. '...The thing about a Martin is that it takes about five years to play itself in, it has to develop through a whole lot of things like the heat of the player's body, the atmosphere it's played in and all that. Of course the longer you keep it, the better it gets provided you pay some sort of attention to it...'- Rory Gallagher, Melody Maker, June 1975.The importance of this Martin within Rory's musical practice can be seen in this interview for Guitar Magazine in 1978: 'I get tunes in my head, in taxis and buses and hotels, and jot down a couple of lines. As often as not you're sitting in the dressing room and a riff will come out of the guitar, and then naturally it'll tend to be the Stratocaster, or at home it'll probably be the Martin.'Thus, as well as being a key instrument for both live and studio work, the Martin was sometimes used in more intimate settings, often at home, but nonetheless central to his process of creating music. In 2007, Martin Guitars paid tribute to Rory's use of the D-35, by introducing the limited edition D-35 'Rory Gallagher' model.Live performanceRory Gallagher, 'Out On the Western Plains', Cork Opera House, 4th November 1987, https://www.youtube.com/watch?v=19hdE2JmBf8.Exhibition'The UK Guitar Show', Olympia, London, UK, 2018.'Born To Rock', National Museum of Ireland in Dublin, Ireland; Harrods, London, UK, 2006-2007.LiteratureBrian Harrigan, 'Grinding the axe, MM's Focus on instruments', Melody Maker, 14 June 1975, www.roryon.com/grinding161.html.John Dalton, 'Rory Gallagher: I try to keep the balance between madness and technique', Guitar, September 1978, www.roryon.com/balance384.html.Josh Gardner, 'Rare Guitars, Rory Gallagher battered 1968 Martin D-35', 4 June, 2019, Guitar.com.Martin Guitars:The Martin D-35 is arguably the most esteemed model in the Martin guitar line-up. Introduced in 1965, the D-35 was developed in response to the growing demand for a dreadnought with a more pronounced bass response and a unique aesthetic. It features a three-piece back, made from high-quality rosewood, which not only enhances its visual appeal but also contributes to its deep, resonant sound. The D-35's tone is characterised by a warm, powerful low end, balanced with clear mids and sparkling highs, making it a favourite among singer-songwriters, bluegrass players, and folk musicians. Over the years, the D-35 has become synonymous with Martin's legacy of producing guitars that blend tradition with innovation, offering players an instrument that is both visually striking and sonically versatile.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
Lot 57
Rory Gallagher: An Eccleshall Custom-Made Electric Guitar,1970s, Serial no. A198 on four-screw neckplate, natural finish, bound top, two pickups with two controls, selector and switch, six-saddle bridge, extended black/white pickguard, solid mahogany back and sides, scarf joint, bound neck with Indian rosewood fingerboard, snowflake markers, bound headstock with black veneer, logo and six-in-line Kluson Deluxe tuners, in shaped, plush-lined hardshell case with a Rory Gallagher Leeds Univents Backstage Pass for 4th October (1980),guitar 39 1/2in (100cm) longFootnotes:Luthier Chris Eccleshall (1948-2020) was Rory's favoured guitar technician throughout the 1970s and 80s. With a career spanning over three decades, Eccleshall established himself as a master of his craft, by combining traditional luthiery techniques with innovative design approaches. Eccleshall's deep understanding of tone and acoustics allowed him to produce guitars that stood out in both studio recordings and live performances, so it was no surprise that Rory trusted him to take care of his beloved and battered trademark Fender Stratocaster (See lot 62). Over the years, Eccleshall worked on the famous Strat at least 15 times to help maintain and enhance its performance. This included a re-fret and a neck change, as well as modifications such as disabling the Strat's vibrato mechanism using a wooden block, (a modification he later also applied to Eric Clapton's 'Blackie')Aside from his work on Rory's 1961 Strat, Eccleshall also created some custom guitars for Rory that complimented his musical style and sound, see lots 57-61.His innovative designs, coupled with his reputation for quality, made Eccleshall a sought-after figure in the guitar-making world and his clientele outside of Rory included Pete Townshend, David Bowie, Peter Hook, and Mark Knopfler among many others.'Somewhere in the very early '70s, Rory and Chris connected... It meant so much to my brother that another craftsman could appreciate his guitar-craft and comprehend the fine detail Rory required. Key to Rory's search was the 'true' amplification of his acoustic instruments, in particular, when endeavouring to have his Italian mandolin playing 'Goin' To My Hometown' (See lot 2). At first played through a microphone, the mandolin was competing with the hand-clapping and foot-stomping fans tattooing out the underlying rhythm of the ballad leading to the maxed-out microphone squealing with feedback. So Chris produced a solid, electric mandolin for Rory – a first of its kind, this allowed my brother to be more ambitious in both his stage and studio use of the instrument. The standardised limitation of 1970s guitar electronics and woodcraft saw Rory commission Chris to construct further instruments incorporating my brother's ideals, a fan of the Telecaster body many were moulded into that fashion.'- Dónal Gallagher.For further information on this lot please visit Bonhams.com
Lot 256
Unique wind musical instrument with horn end and piano keys. Exterior plastic case colored in green. Hohner Melodica Soprano Germany backstamp. This item has its original plastic handled case: 13.5"L x 2"W x 2.5"H. Issued: c. 1960Dimensions: 13"L x 2.5"W x 1.5"HManufacturer: HohnerCountry of Origin: GermanyCondition: Age related wear. Functionality not guaranteed.
Lot 337
A collection of books on cameras, musical instruments, scientific instruments, etc, to include, COLLINS (D), THE STORY OF KODAK, 1990; HIPKINS (A), MUSICAL INTRUMENTS, 1945; HASPELS (J), MUSICAL AUTOMATA, CATALOGUE OF THE NATIONAL MUSEUM FOR MUSICAL CLOCK TO STREET ORGAN; CLIFTON (G), DIRECTORY OF BRITISH SCIENTIFIC INSTRUMENT MAKERS 1550-1851, 1995; and, BAILLY (C), AUTOMATA THE GOLDEN AGE 1848-1914, Sothebys, 1987, (31).
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