George Cox and Edward James Baker for Mortlake, a rare Mortlake art pottery vase with applied dragon, signed artist's ciphers and dated 1912, and a Doulton Lambeth carved stoneware vase dated 1878 (Mortlake pottery was only produced in Upper Richmond Road, Mortlake from 1910-1914), very small chip to Lambeth vase, both approx. 6" tall
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A collection of Stoneware saltglazed mugs, in the style of the Mortlake and Vauxhall factories, cylindrical tapered form, with sprigged decoration depicting hunting and tavern scenes, one with plated mounts and cover, tallest 15cm together with Doulton Lambeth and Denby example and a blue glazed studio pottery mug (5)
Antique Ceramic Reference. Griffin (John D.), The Leeds Pottery, 1770-1881, two-volume set, first and only edition, The Leeds Art Collections Fund, 2005, illustrated, h/b, d/j, folios, Phillips, The Watney Collection of Fine Early English Porcelain, Parts I & II only, 1999 & 2000, dj, hb, 4to, further 20th century and later British porcelain and pottery reference, including Spode, Liverpool, transfer-printing, Mortlake, further earthenware and stoneware, etc., various sizes and bindings, etc., (approx. 40).
A C J C Bailey Fulham Pottery stoneware jar and coverof cylindrical form, with stylised foliate decoration around initials, impressed marks,17.5cm hightogether with a collection of saltglazed stoneware,comprising a Mortlake jug, c.1804, depicting a hunting scene and seated figure, impressed marks, 21cm high, another Mortlake example depicting putti, impressed marks, 9cm high, a smaller Doulton example, impressed marks 9cm high, an unmarked jar and cover, 11cm high, and two miniature jugs, 5cm high (7)Condition ReportC J C Bailey Fulham Pottery jar) Mark to the rim caused during the manufacturing process. Larger Mortlake jug) The lid does not sit flat. Smaller Mortlake jug) Chip to the rim.Doulton jug) No obvious chips or nibbles.
A Mortlake Pottery stoneware vase by George J Cox, dated 1913, shouldered form with collar rim, covered in a mottled puce glaze with sky blue running glaze from the neck, another smaller Mortlake Pottery vase dated 1912 and a Frances Richards stoneware vase incised Mortlake 1913 and artist monogram, hairline to top rim, 24.5cm. high (3) Provenance Peter Myers and David Coachworth
George J. Cox for Mortlake Pottery Vase, 1913, decorated in a lavender glaze incised monogram, date and `Mortlake` 22cm high. Mortlake Pottery was established by George Cox in Mortlake around 1910, and ceased when Cox moved to America in 1914. These Arts & Crafts potters were inspired by early Chinese wares and glazes. Cox had studied at the Royal College of Art where his work was well regarded.
A silver mounted saltglaze mug and a Kishere saltglaze jug, the mounts of the cylindrical mug by Waterhouse and Ryland, Birmingham 1821, the sides sprigged with three drinkers and a hunt, 12.5cm (5in) high, the two tone jug applied with grape vines, impressed `Kishere Pottery Mortlake Surry (sic)`, 14cm (5.5in) high (2) (D)
A Tin Glaze Wine Bin Label for Bucellas, London (possibly Mortlake, Sanders), circa 1760-70, of pentagonal shape, the arched top pierced for suspension, inscribed BUCELLAS in manganese-purple, 14cm wide, 8cm high; and A Wedgwood Pottery Wine Bin Label, circa 1780-1800, similarly shaped to the preceding, part glazed and with overglaze inscription (now deteriorated) possibly MONTPELIER, impressed WEDGWOOD, 14.5cm wide, 7.8cm high (2) Once wine could be stored in bottles, bins made of brick and stone were built in cellars for the purpose of storage, and tin glaze examples such as this were popular because they could resist damp. Bucelas (historically known as Bucellas) is a Portuguese wine, once described as Portuguese Hock from a region just north of Lisbon. Historically a white wine, during the Elizabethan age it was popular amongst the English as a fortified wine. Wine historians consider that this wine was likely the same `charneco` wine mentioned by William Shakespeare in the play Henry VI Part II (with Charneco being a local village in the Bucelas region).
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