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After William Morris, an embroidered frame surround, 45 x 38 cmRear of the frame worn with some losses, no chips or cracks to the glass, some light staining to the embroidery but in generally ok order

Vinyl - 60 Northern Soul / Soul / Funk / R&B US pressing 7” singles from the 1960’s and 1970s including demos promos and small labels to include: Kurtis Scott, Maceo And All The King’s Men, The Relations, Art Neville, Elmore Morris, Carlos Malcolm And The Fireburners, The Emotions, The Escorts, Barbara Lynn, Freddie North, Clarence Reid, Jackie Moore, Dorothy Moore, Bobby’s Moore Rhythm Aces, Willie Mitchell, Miss Johnnie, The Miracles, The Romeos, The Reflections and many others. Condition VG overall

A Hancock and Sons 'Morris' Ware Vase, designed by George Cartlidge (1868-1961), signed, of tapered form painted with purple flowers against a streaked yellow/blue ground, printed marks, 27cm high.crazing throughout. no chips or cracks.

* MARGARET MORRIS (BRITISH 1891 - 1980), NUDE COMPOSITION 1913 graphite on paper, titled label versomounted, framed and under glassimage size 16cm x 16cm, overall size 43cm x 32cmExhibition label verso: The Art of Margaret Morris Exhibition, April 1984, Cyril Gerber Fine Art, Glasgow.Note: Dancer, choreographer, artist and writer, daughter of the artist William Bright Morris and wife of the artist J D Fergusson. She was a child stage prodigy who did ballet training at Theatre Royal in London, later studying with Raymond Duncan, the dancer Isadora’s brother. Keen to extend the expressive power of dance, she invented her own technique which she began teaching prior to World War I in her own Margaret Morris Movement school, staging her own shows. In 1913 during a Paris tour she met Fergusson and they formed a creative partnership. Between the wars more Margaret Morris Movement schools opened in France and Britain and the Morris-Fergusson artistic circle widened enormously. After returning to Glasgow on the outbreak of World War II the pair played a big role in forming the New Art Club and New Scottish Group of painters, and Morris founded the Celtic Ballet which in 1960 developed into the Scottish National Ballet. Fergusson encouraged his wife’s artistic talents and she emerged as a clever, decorative painter and draughtsman, adept at catching a likeness in movement. Among her books was The Art of J D Fergusson, 1974. The first comprehensive show of her work occurred at Cyril Gerber Fine Art, Glasgow, 1984, which held a centenary show in 1991. After Morris’ death her dance work continued through the International Association of Margaret Morris Movements in many countries.

JOSEPH HENDERSON RSW (SCOTTISH 1832 - 1908) ROW BOAT COMING IN TO SHORE oil on board, signed and dated 1878framedimage size 50cm x 80cm, overall size 59cm x 88cmNote: Joseph Henderson was born on 10 June 1832 in Stanley, Perthshire, He was the third of four boys. When he was about six, the family moved to Edinburgh and took up residence in Broad Street. The two older boys joined their father, also Joseph, as stone masons. Joseph’s father died when Joseph was eleven leaving his mother, Marjory Slater, in straightened circumstances. As a result, Joseph and his twin brother, James, were sent to work at an early age and the thirteen-year-old Joseph was apprenticed to a draper/hosier. At the same time, he attended part-time classes at the Trustees’ Academy, Edinburgh. At the age of seventeen, on 2 February 1849, he enrolled as an art student in the Academy. From the census of 1851, Marjory, Joseph and James were living at 5 Roxburgh Place, Edinburgh. Marjory was now a ‘lodging housekeeper’ with two medical students as boarders. James was a ‘jeweller’ while Joseph was a ‘lithographic drawer’. In the same year Joseph won a prize for drawing at the Academy enabling him, along with fellow students, W. Q. Orchardson, W. Aikman and W. G. Herdman, to travel to study the works of art at the Great Exhibition in London, which he found to be a very formative experience. He left the Academy about 1852-3 and settled in Glasgow. He is first mentioned in the Glasgow Post Office Directory for 1857-8 where he is listed as an artist living at 6 Cathedral Street. Joseph Henderson’s first exhibited work was a self-portrait which was shown at the Royal Scottish Academy (RSA) in 1853. He painted several portraits of friends and local dignitaries including a half-length portrait of his friend John Mossman in 1861. His painting, The Ballad Singer established his reputation as one of Scotland`s foremost artists when exhibited at the RSA in 1866. Throughout his career he continued in portraiture. He executed portraits of James Paton (1897) a founder and superintendent of the Kelvingrove Art Gallery and Museum (this portrait was bequeathed to Kelvingrove in 1933) and Alexander Duncan of the Faculty of Physicians and Surgeons of Glasgow. He also painted Mr. Scott Dickson, Sir Charles Cameron, Bart., DL, LLD (1897) and Sir John Muir, Lord Provost of Glasgow (1893). His portrait of councillor Alexander Waddell (1893) was presented to Kelvingrove in 1896. However, it is probably as a painter of seascapes and marine subjects that he became best known. His picture Where Breakers Roar attracted much attention when exhibited at the Royal Glasgow Institute (RGI) in 1874, ‘as a rendering of angry water’. Henderson was in part responsible for raising the profile and status of artists in Glasgow and was a member of the Glasgow Art Club (he was President in 1887-8), the Royal Glasgow Institute of the Fine Arts (founded 1861) and the Royal Society of Painters in Watercolour. Between 1853 and 1892, he exhibited frequently at the RSA and at the RGI and between 1871 and 1886 he had twenty pictures accepted for the Royal Academy in London. In 1901 he was entertained at a dinner by the President and Council of the Glasgow Art Club to celebrate his jubilee as a painter. He was presented with a solid gold and silver palette. An inscription on the palette read: ‘Presented to Joseph Henderson, Esq., R.S.W. by fellow-members of the Art Club as a mark of esteem and a souvenir of his jubilee as a painter, 8th January 1901’ Joseph Henderson was married three times. On 8 January 1856 he married Helen Cosh (d. 1866) with whom he had four children including a daughter Marjory who became the second wife of the artist William McTaggart. On 30 September 1869 he married Helen Young (d. 1871) who bore him one daughter and in 1872 he married Eliza Thomson with whom he had two daughters and who survived him. Two of his sons, John (1860 – 1924) and Joseph Morris (1863 – 1936) became artists; John was Director of the Glasgow School of Art from 1918 to 1924. By 1871 he had moved with his family; wife Helen, daughter Marjory and sons James, John and Joseph and his mother Marjory from Cathedral Street to 183 Sauchiehall Street. He also employed a general servant. He is described in the census as a ‘portrait painter’. In 1881, Joseph was living at 5 La Belle Place, Glasgow with Eliza, two sons and four daughters. He later moved to 11 Blythswood Square, Glasgow. In the 1901 census he was still at this address with his wife Eliza, sons John and Joseph and daughter Mary and Bessie. His occupation is ‘portrait and marine painter’. Joseph Henderson painted many of his seascapes at Ballantrae in Ayrshire. At the beginning of July 1908, he again travelled to the Ayrshire coast. However, he succumbed to heart failure and died at Kintyre View, Ballantrae, on 17 July 1908 aged 76 and was buried in Sighthill cemetery in Glasgow. A commemorative exhibition of his works was held at the RGI in November of that year. A full obituary was published in the Glasgow Herald. As well as his devotion to art, Joseph Henderson was a keen angler and golfer. A contemporary account states that he was ‘frank and genial, with an inexhaustible fund of good spirits and a ready appreciation of humour, of which he himself possesses no small share’. Thirty-six of his paintings are held in UK public collections.

Pre-Raphaelite interest - Marsh, Jan " Pre-Raphaelite Women...."Weidenfeld and Nicolson, 1995, col plates anmd ills throughout, pictorial endpapers, grey boards, dust wrapper, folio,  Rose, Andrea " Pre-Raphaelite Portraits", the Oxford Illustrated Press, 1981, b/w ills throughout, dark grey boards, dust wrapper, Fredeman, William E. ( ed.) " Rosettie Cabinet...A Portfolio of Drawings by Dante Gabriel Rossetti, Hitherto Unpublished ......" Ian Hodgkins & Co. Ltd., Stroud 1991, b/w ills throughout, compliment slip dedicated and signed by the editor (?), dustwrapper, dark blue boards with gilt titles and glassine cover, Hawksley , Lucinda " Lizzie Siddal - "The Tragedy of a Pre-Raphaelite Supermodel"  Andre Deutsch 2004, col and b/w photographic plates, teal coloured boards, dustwrapper, Bryson, John " Dante Gabriel Rossetti and Jane Morris - Their Correspondance..."  Clarendoon Press 1946, b/w ills throughout, red boards, dustwrapper, Parshall, Peter ( and others) " The Darker Side of Light - Arts of Privacy, 1850 -1900", National Gallery of Washington in association with Lund Humphries , ills throughout , pictroial endpapers, pale grey boards, dustwrapper with glassine cover, Hobson, Anthony " J.W. Waterhouse" Phaidon - Christie's Oxon, col plates throughout, book plate inside front board, black boards, dustwrapper,  Mucha, Jiri " Alphonse Maria Mucha, His Life and Art" Academy Editions 1989, ills throughout, dustwrapper ( 8)

Stern, F C "A Study of the Genus Paeonia", illustrations in colour and drawings by Lillian Snelling and Stella Ross-Craig, The London Horticultural Society 1946, colour plates and other illustrations, blue cloth with gilt titles and decorations Van Hisum, Jacob "The Twelve Months of Flowers" from the Collection of Major the Hon Henry Rogers Broughton of Bakeham House, Norwich, with a commentary by Colonel Morris Harold Grant, F Lewis Publishers 1950, colour plates tipped in, blue buckram, gilt titles Hall, Sir A Daniel "Genus Tulipa", 40 illustrations in colour by H C Osterstock, The Royal Agricultural Society 1940, signed and dedicated by the author  on ffep, grey cloth, front hinge cracked, illustrations Halda, Josef J and Waddick, James W "The Genus Paeonia" with botanical illustrations by Jarmila Haldova, Timber Press with the Hartland Peony Society 2004, colour plates and other illustrations throughout, erata slip, dark blue buckram, d-w Moreton, C Oscar "Old Carnations and Pinks", introduction by Sacheverell Sitwell and eight colour plates by Rory McEwen, George Rainbird in association with Collins 1955, no.99/100 numbered copies signed by both the author and artist, colour plates, half-morocco with pictorial boards within a green slip case Cameron, Elizabeth (ills) "A Book of White Flowers", published K D Duval, Frenich, Perthshire, forward by Christoper Lloyd, colour plates, pictorial boards, within a slip case  Gunthart, Lotte "The Glory of the Rose", Harrap, pictorial boards within a slip case (7) 

DINKY TOYS; a collection of boxed model vehicles and wagons including two Dublo Austin lorries, 064, Dublo Morris Pick-Up, 065, Telephone Service Van, 261, Petrol Pump Station 'Esso', 781, Mersey Tunnel Police Van, 255, Bedford 10-CWT Van 'Kodak', boxed Volkswagen, 181, Caravan, Hay Rake and a Bedford Flat Truck, numbered 066 (11).

CORGI; seven boxed diecast collector's vehicles comprising CC11101 Scammell Constructor, CC11611 Leyland Platform Lorry, 30301 Golden Oldies Slumberland, Golden Oldies Morris 1000 Nestle's, 23802 Post Office Albion Clydesdale Dropside Trailer, 23702 Leyland Octopus Platform Lorry from the Passage of Time range and CC11701 Guy Invincible Twin Axle Trailer from the Cafe Connection range (7).

20th century river scene signed '...Morris' lower left and dated '1972', oil on board, 58 x 30 cm, framed

A mixed selection of car mascots and badges, including a Morris Minor hood ornament, a chromium plated Art Deco figure of a woman clutching her knees, an Elf head mascot, Panther, Sunbeam, and MG badges etc

William Morris's Child Christopher and Goldilind the Fair (1895)A rare early edition (2 volumes) printed by Morris at Kelmscott Press, Upper Mall, Hammersmith in the County of Middlesex, finished 25th July 1895. Medieval script with distinctive Arts and Crafts style embellishments on handmade paper, 239 pages, bound in grey cloth.

A mixed collection of vintage textiles including throws, a blanket, table runners in William Morris fabric, an embroidered silk shawl with long fringe, decorative table cloths, wall panels etc

Morris, Rev F O: Picturesque Views of Seats of Noblemen and Gentlemen (6 vols.) William Mackenzie, no date, (1880). 4to. With numerous coloured lithographs. Original pictorial boards gilt. VG+; Plus: Jones' Views of the Seats, Mansions, Castles &c. of noblemen & gentlemen of England, Wales, Scotland & Ireland. 1829, 1st. Edn. 4to. Engraved title page + 226 views on 113 sheets. The book, often in 3 vols, has been rebound and rearranged with the houses arranged in alphabetical order of Counties. An inappropriate title page has been added for the Western Counties whereas this covers the whole of England. Recent half leather over marbled boards and new endpaper. Even though it looks complete, it is sold A/F. (7)

Helen Allingham (ill): 1- Happy England. A & C Black, 1903, Deluxe Limited edn. # 233 of 750, SIGNED by Allingham. With 80 colour plates. Original pictorial boards, rubbed, inner hinges cracked; 2- The Cottage Homes of England. Arnold, 1909, 1st. edn. With 64 colour plates. Original pictorial boards, rubbed; Pus: Morris, F. O: A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland. Vols. 1-4, no date c1880; Plus: volume of facsimile of autographs. 1880. Original pictorial boards gilt. Good; Strutt (Joseph): Glig Gamena Angel Deod, or the Sports and Pastimes of the People of England. 1810, 2nd. Edn. 4to. Complete with all 39 plates. Cont. full calf & later spine; Johnson, S: A Dictionary of the English language in two volumes. Strahan, et al, 1784, 5th. Edn. Folio, lacking the covers. (10)

An armchair in Liberty William Morris Ianthe Tana Lawn fabric

ARR Ray Finch (1914-2012) Winchcombe Pottery a stoneware jug of baluster ribbed form in khaki and brown glaze with central comb decoration, impressed mark, 30cm highTim Morris fundraising saleIn good condition - no damage, repair or restoration.

ARR Ray Finch (1914-2012) for Winchcombe Pottery, a stoneware platter with wavy line decoration to centre, 33.5cm wideProvenance: Helen de Leeuw at the Tim Morris fundraising saleIn good condition - no damage, repair or restoration.

Registration: A924UUV VIN: SAMMAFFD1BD738785 Mileage Showing: 49,000 Transmission: Manual MOT: 29/04/2025Rare Austin ModelBelieved to be 1 of 1Low mileageFirst registered March 1984, a year after BL stopped the production of the Morris Ital. Believed to have been a one of one Austin badged van. Differences from the standard Morris Ital including Austin front grill, steering wheel and rocker cover as well as a front lip spoiler only usually found on Ital cars. Finished in its original Brooklands green and with other unusual markings including what is believed to be a factory strike of the Morris Chassis number (although still clearly visable) and addition of an Austin Chassis number that the car is registered with.Showing 49,000 miles, 1 previous keeper (owned by the current keeper since 2016). Meticulously maintained by the current owner, although now tax and MOT exempt still carrying a current test till April. Magazine featued in July 2018 edition of Classic Van magazine. Please see our walk around video for more information and engine start upGUIDE PRICE £8,000 - £12,000

Assorted framed early vintage advertising posters to include Morris, Humber, Whitbread's Pale Ale, Dolci's and 1930's Spring Fashion examples together with a selection of comic saucy postcards, Bamforth etc, four framed Spy Vanity Fair and a 'His Holiness Pius X prints, c1903 and a framed Vanity Fair Sovereigns No.7 print, c1870

Manner of May Morris, Arts & Crafts embroidered panel, circa 1900 [122x114cm]

Wright (Harold Bell) A Son of his Father, ink ownership inscription on front free endpaper, 1925 § Longstreath (T. Morris & Henry Vernon. Murder at Belly Butte, 1931 § Gruber (Frank) Bugles West, 1954 § Lomax (Bliss) The Leather Burners, 1940, first editions, original boards or cloth, dust-jackets, some creasing to edges, the odd tear to extremities, light nicks and chips to extremities, still largely crisp copies, New York; and 10 other Westerns, 8vo (14) *** An excellent group of early Westerns in sharp jackets. 

Two vintage sweet dispensers by Northwestern Morris Illinois

Four boxed Dinky diecast models to include 197 Morris Mini Traveller in white, 165 Alfa Romeo 1900 Super Sprint in red, 131 Cadillac Tourer in yellow and 120 Jaguar E Type in red (no hood), all diecast showing play wear, tatty boxes with some missing end flaps

Around 44 Mid 20th C play worn diecast models to include Corgi, Dinky & Triang Spot On featuring Spot On Hillman Minx 1600, Corgi Morris Mini Minor, 2 x Corgi Batmobile both with Batman & Robin figures etc

37 Mid 20th C diecast, plastic and tin plate models to include Lone Star Roadmasters Cadillac 62 Sedan, Dinky Ford Sedan, Matchbox King Size No 12 BP Foden Breakdown Truck, Corgi Mini Morris, Dinky Daimler etc

Seven boxed Dinky diecast models to include 134 Triumph Vitesse (diecast gd with the odd paint chip, box missing side end flaps), 140 Morris 1100 (grubby diecast, box missing end flap), 139 Ford Consul Cortina (paint wear with tatty box), 241 Lotus Racing Car in green with driver (decal wear, paint chips, box missing side end flap), 240 Cooper Racing Car with driver in blue (diecast vg, box with graphic wear), 243 BRM Racing Car in green (diecast and decals gd, box poor), and 135 Triumph 2000 (diecast gd with some marks, box missing end flap)

Boxed Corgi 227 Morris Mini Cooper Competition Model diecast model in blue with white roof and red interior, showing play wear, box missing end flap and some graphic loss particularly to edges

Pair: Acting Corporal 2nd Class J. J. Angus, Royal Engineers British War and Victory Medals (137725 A-2.Cpl. J. J. Angus. R.E.) better than very fine Pair: Sapper F. H. Morris, Royal Engineers British War and Victory Medals (388377 Spr. F. H. Morris. R.E.) patches of staining to VM, generally nearly very fine Pair: Driver D. Prescott, Royal Engineers British War and Victory Medals (90358 Dvr. D. Prescott. R.E.) very fine Pair: Sapper G. Robinson, Royal Engineers British War and Victory Medals (258043 Spr. G. Robinson. R.E.) lacquered, very fine (8) £100-£140 --- George Robinson was born in 1896 and lived at 40 Fearnley Street, Tong Road, Leeds. A joiner by trade, he attested for the Royal Engineers on 25 November 1915 and served with the Inland Waterways and Docks; his Army Service Record notes that he was confined to barracks for 3 days at Saltpans in June 1917: ‘Whilst on active service, pilfering a tin of potted meat from a table in Coy. mess barge, and concealing same in his pocket.’

The Royal Humane Society Medal awarded to Mr. R. K. Gilpin, Trinity House Pilot and Coxswain of the R.N.L.I. Lifeboat at Teignmouth Royal Humane Society, small bronze medal (successful) (Richard Kemp Gilpin. 19th September, 1887.) with integral bronze riband buckle, minor edge nick, nearly extremely fine £140-£180 --- R.H.S. Case No. 23779: ‘At Noon on 19 September 1887 Stanley Pomeroy aged 9 was bathing near the Pier at Teignmouth. The boy got accidentally into the tidal channel and was carried away. Mr Gilpin with all his clothes on ran down the beach and swam out after the boy he succeeded in reaching him and bringing him into the shore’. Richard Kemp Gilpin was baptised at East Teignmouth Church in 1849, the son of a Teignmouth ship’s pilot. Appointed Trinity House Pilot for Teignmouth in 1876 and Second Coxswain for the R.N.L.I. Teignmouth Lifeboat in 1877, he was further advanced to Superintendent Coxswain of the lifeboat in August 1880. Following his rescue in 1873 he continued in his duel roll as Trinity House Pilot and Coxswain of the local lifeboat until October 1900 when the R.N.L.I. retired him to pension. In March 1908 he again came to the attention of the R.H.S. when he rescued his brother from the harbour at Teignmouth (R.H.S. Case No. 35865), being awarded a Testimonial on Parchment. Retiring to pension from Trinity House in 1921 he died at Teignmouth on 13 June 1927, aged 78. Sold with copied research together with two early postcards depicting a pilot boat bringing a sailing vessel into Teignmouth Harbour and Teignmouth Harbour; and a booklet ‘The History of Teignmouth Lifeboats’ by Jeff Morris, published 2001.

Llandebie, Carmarthenshire Great War Tribute Medal, 31mm, silver with enamel detail, hallmarks for Birmingham 1921, the obverse bearing a central shield device bearing four dragons flanked by a soldier and sailor with larger dragon above and trophy of flags below, with red white and blue enamel detail, surrounded by a circlet reading ‘The Great War 1914 - 1919’, the reverse embossed ‘Presented by the people of Llandebie to’ and engraved ‘Gunner James Morris R.G.A.’, within a be-ribboned wreath of leeks, with ring suspension, nearly extremely fine, rare £80-£100

A Great War ‘Western Front’ M.M. group of three awarded to Private G. H. Morris, Cheshire Regiment, late Royal Berkshire Regiment Military Medal, G.V.R. (53529 Pte. G. H. Morris. 10/Ches: R.); British War and Victory Medals (23732 Pte. G. H. Morris. R. Berks. R.) contact marks, the MM polished, otherwise very fine (3) £220-£260 --- M.M. London Gazette, 7 October 1918. George Henry Morris attested for the Royal Berkshire Regiment for service during the Great War and served on the Western Front for duties attached to various Prisoner of War Camps. After further service with the 6th Battalion, he transferred into the Cheshire Regiment and was awarded the Military Medal whilst serving with the 10th Battalion. Sold with copied research.

An Arts & Crafts embroidered panel after the 'Rose & Olive' design by William Morris, on a dusky pink ground, 54 by 52cm, mounted as a firescreen, 75cm high, 56cm wide

Alfred Morris (British, 19th Century), The Day's Bag, signed and dated 1862 l.r., oil on canvas, 68 by 86cm, framed

Harrison, Florence (Illustrator), Early Poems of William Morris, 1914, Christina Rosetti Poems, Tennyson's Guinevere and Other Poems, 1912, (slipcase) (3)

Attributed to Phillip Webb (British, 1831-1915), for Morris and Co, a set of four ebonised 'Sussex' side chairs, ring turned spindle and bar backs, rush seats, tapered legs with bar stretchers, 84cm high (4)

Kyle Morris (American, 1918-1979), Untitled, signed l.r., oil on canvas, 76 by 64cm, unframed

* MILLIE FROOD (SCOTTISH 1900 - 1988), TURNING HAY oil on board, initialled, titled label versoframedimage size 47cm x 72cm, overall size 72cm x 96cm Label verso: Cyril Gerber Fine Art, GlasgowNote: Painter, draughtsman and teacher, born in Motherwell, Lanarkshire. She studied at Glasgow School of Art and taught at Bellshill Academy. Early on she showed with RSA and RSW and with the arrival of the painter J D Fergusson and his dancer wife Margaret Morris from France in 1939, and the influx of foreign painters such as Josef Herman and Jankel Adler, Frood became part of a movement which revitalised the arts in the city after World War II. She showed with the New Scottish Group and designed the costumes and set for the ballet The Harvesters, put on in 1961, dance in Scotland having been given new life with Margaret Morris’ Celtic Ballet Club, the Celtic Ballet of Scotland and the resulting Scottish National Ballet. Frood had a number of solo shows in Lanarkshire and Glasgow, latterly her work was exhibited in America and Japan and in 1989 Cyril Gerber Fine Art, Glasgow, held a show linking her with the New Scottish Group.

* JAMIE O'DEA (SCOTTISH b. 1962), NIGHT DANCERS oil on canvas, signedframedimage size 51cm x 77cm, overall size 58cm x 83cm Comment: a rare large and signed work on canvas by Jamie O'Dea.Note: Jamie O'Dea was born in Glasgow in 1962. He studied at Glasgow School of Art between 1986 and 1989. Jamie has been painting full time since 1994 and has exhibited widely in the UK and internationally. His work is mostly figurative. His bold use of colour and his lively figures - always with lots of movement and expression - characterise his work. The vivid colours and dramatic, stylised figures are reminiscent of the work of Scottish colourists JD Fergusson and Margaret Morris.

BUNYAN, John. Pilgrim's Progress, inscribed & signed by Laurence W. Hodson [Essex House Press], numbered 349/750, uncut leaves (including colophon), 8vo, full vellum, remarkably well-preserved, some spotting to fore-edge, else fine, London: Essex House Press, Edward Arnold, 1899 ❧ The third book printed at the Essex House Press, which was founded by Laurence Hodson & C. R. Ashbee, "in the hope to keep living the traditions of good printing that William Morris had revived"

Desmond Morris (b.1928)Couple No.26, 2011signed and dated (to reverse)oil on canvas23 x 17cm.

Brooklin Models "International Police Vehicles" IPV24 Morris 1936 Sunderland - black body and roof panel - Near Mint in a Near Mint box. 

Metosul a boxed pair of cars to include, (1) Nr.5 Portugal - Volkswagen, Pale yellow, spun hubs, silver trim - Excellent Plus to Near mint in Good Plus box. (2) Nr.8 Portugal - Morris Mini Cooper, white, spun hubs, silver trim - Excellent to Near Mint in Good Plus box. (2)

Tekno No.831 Morris 1100 - maroon, racing stripe decal, ivory interior with black steering wheel, metallic silver base - Excellent to Excellent Plus in Good to Good Plus all card box complete with correct colour spot. 

Saorstát Éireann: Motor Driver's Licence issued 1926. With advertisements for Pratts Petrol and Morris Cars. Unique Historical Item

[The West of Ireland] The Renvyle Letter. Gogarty Family Correspondence 1939-57 in dj edited by Williams. Signed by author [life in Connemara]; An Irishman and His Family. Lord Morris and Killanin by Wynne; The Aran Islands by Pochin Mould; The Mayo Binghams by Bingham-Daly in dj; Ernie O’Malley a Life and Land and Popular Politics in Ireland. County Mayo from Plantation to Land War. 6 books

A collection of books on The Decorative Arts - Monographs Butor, Michel Diego Giacometti, 1985 Goodison, Matthew Ormolu : The work of Matthew Boulton, 1974  Fiell, Peter & Charlotta William Morris (1834 - 1896), 1999  Naylor, Gillian William Morris by himself designs and writings, 1989 Parry, Linda William Morris and the Arts and Crafts Movement: a Source Book ,1989  Bindman, D. John Flaxman, R. A. (Exhibition Catalogue, Royal Academy of Arts), 1979  Pugin, A. Welby Floriated Ornament: A Series of Thirty-one Designs, 1994  Beard, Geoffrey The Work of Grinling Gibbons, 1989  Estorick, Eric Erte, The Last Works, Graphics, Sculpture, 1991  Vogel, Julius Otto Greiner, 1903 (10)

Dinky Toys A Pair - (1) 140 Morris 1100 - Light blue body, red interior Silver Trim (including extra super-detailing) and 166 Renault R16 - Blue, red interior, silver trim and chrome spun hubs - conditions are Good to Good Plus in Fair to Good yellow and red carded picture boxes (2) 

Dinky Toys A Pair (1) Morris Van "Post Office Telephones" - Green, black roof panel with silver ladder and (2) 443 Studebaker Tanker "National Benzole" - Yellow including rigid hubs, silver trim and filler caps - conditions are Good to Good Plus bright example in Poor yellow and red carded picture boxes (2)

Corgi Toys 204 Morris Mini Minor - Blue Body, pale lemon interior, silver base and trim, Whizzwheels - Excellent Plus in a Good Plus  orange and yellow window box 

Dinky Toys 197 Morris Mini Traveller - Off White, yellow interior, silver trim spun hubs - Good Plus in a Good yellow and red carded picture box 

Dinky Toys (Atlas Editions) Group Of 7 To include - 177 Opel Kaptain - Blue, 197 Morris Traveller - Florescent green - plus others conditions are Near Mint to Mint including boxes (7) 

Dinky Toys 159 Morris Oxford Saloon - Two-Tone Cerise and cream, light beige rigid hubs, silver trim - Good Plus (small chip on side door pillar) in a Good yellow and red carded picture box with correct colour spot 

SANDERSON: THE WILLIAM MORRIS HAND PRINTED COLLECTIONa wallpaper sample book c.1960 (some pages cut)

A MATCHED SET OF SIX LANCASHIRE SPINDLE-BACK CHAIRSash, and other woods, with rush seats, and squabs in Morris pattern fabric (slight differences in turnings etc, but overall even colour)

A Victorian mahogany longcase regulator clock, by G J Wagstaff, London, the 11-inch silvered dial with Arabic numerals and a single hand indicating the minute divisions, with a subsidiary seconds dial, quadrant curved dial aperture, and enclosing an eight-day movement, with Harrison’s maintaining power, substantial six-pillar movement, shaped plates and dead-beat escapement, and an ebonised rod pendulum, with silvered regulation screw, the single brass weight on a five-spoke wheel, within a moulded long case with an arched door and circular windows to the sides,46cm wide24cm deep 195.5cm highProvenance: The David Morris Collection.Condition ReportGeneral knocks & wera to the case. Some splits and cosmetic repairs. The clock appears to tick when wound, however we are unable to guarantee that this represents full and complete working order and would recommend inspection by a professional.

A mahogany 'noctuary' or 'night watchman's' mantel clock, c.1850, the silvered dial with Roman numerals and foliate engraving, enclosing a chain-driven fusee movement striking on the half hours, mounted with a revolving disc set with twenty-four radial pillars, depressed by a knob on the top of the case, with a winding hole beneath the dial and a recessed brass carrying handle, mounted in a plain case with chamfered front edges, glazed sides and back, 25.5cm wide 17cm deep37cm high overallProvenance: The David Morris Collection.Condition ReportClock appears to tick and strike when wound, although we cannot guarantee that this represents full and complete working order. Some wear and cosmetic repair to case. Some later timbers and evidence of alteration within case, indicating that it may not be original. Feet appear later.

A Louis XV-style gilt-bronze and tortoiseshell bracket clock, the sectional enamelled dial with Roman and Arabic numerals, and inscribed ‘Payne, 163 New Bond Street London', with a double fusee movement striking the half hour on a gong, all surmounted with a detachable eagle, 27cm wide 17cm deep 52cm highProvenance: The David Morris Collection.

A gilt-bronze and rouge marble three-piece clock garniture, late 19th century, French, the urn with twin annular chapter rings and white enamel Arabic and Roman numerals, the lid lifting off to allow winding from above, the urn and three-branch candelabra with cherub mounts,urn 23cm wide20cm deep44cm high (3)Provenance: The David Morris Collection.Condition ReportOverall fair order, stone appears lightly scratched and marked, ormolu dulled and worn, the movement appears complete but untested as to time keeping, enamel free from damages and cracks,

A George III mahogany bracket clock, by Edward and John Pistor, the 6¾-inch arched silvered dial with strike/silent and date, above a circular dial with Roman numerals and subsidiary minute dial, engraved ‘Edw & Jon Pistor, London’, the double fusee movement with pull repeat, and striking on a bell, the backplate with engraved scrolling and a basket of flowers, with gilt-bronze mounts, pierced side panels, finials and feet,35cm wide25cm deep 56cm highProvenance: The David Morris Collection.Edward Pistor is known to have been in business as a clock and organ maker at a Leadenhall Street address in the 1760s and 1770s; by 1782, he had apparently been joined by John Pistor.Condition Reportwith pendulum and keys (door and winder)