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... Pacliardini (20th century) Forest, leaves and ducks signed and dated 'PACLIARDINI 59' l.r., mixed media on silk 242 x 94cmCondition ReportFramed: 246 x 98cmThe medium appears to be a thinly applied waterbased paint with a matt finish which has been built up and layered to create thicker textured areas. The silk has deteriorated in places with rips and tears, please refer to illustration. The work has been backed with board and the fabric is cockled with staining to the bottom. Cracking and crazing to the paint.

Mixed media painting of a stately home in a landscape, signed and dated 1970

Mixed media painting of Hive Beach, Dorset

Original mixed media artwork ''Wolf'', artist unknown.

2 Artworks;M.T- Colourful Pastel Landscape, signed.Vicki Nigoami - Mixed Media Still life, signed and dated '87.

Mixed media beach village scene, signed and dated '97.[53x43cm]

Mixed Media painting, unknown artist and unframed.

*SARAH BOWMAN (Contemporary) 'Tripping the Light Fantastic', dancing nudes in a landscape, signed lower right, mixed media on paper, 30cm x 30cmFramed dimensions: 55cm x 54cm

*ROSE HILTON (1931-2019) Nude study, signed in green ink lower right, mixed media on paper, 27.5cm x 18cm, Framed dimensions: 49.5cm x 39.25cm Provenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024).

WILLIAM HENRY BARRIBAL (1874-1952) Head of a fashionable young woman in profile, probably the artist's wife and muse Gertrude Louisa Fannie Pitt, signed lower left, mixed media on paper, 31cm x 29cm, Framed dimensions: 46cm x 43cm

*ROGER HILTON (1911-1975) ‘Artist and Model', figural study, monogrammed and dated ‘73 lower right, mixed media on paper, 40cm x 48cm, Framed dimensions: 41.5cm x 49cmProvenance: Formerly in the collection of the Late The Honourable Anna Kinnaird.

*JANE FOOT (Contemporary) Three Nudes, mixed media on paper, 56cm x 83cm,Framed dimensions: 76.5cm x 102cm

*FRANK PHELAN (1932-2023) 'I Denizen, 22/1/06', abstract composition in blues, mixed media on paper, titled verso, 55cm x 74cm,  Framed dimensions: 71.5cm x 84cmProvenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024).Note: Born in Dublin, Frank Phelan was educated by the Christian Brothers and in Tipperary at Rockwell College, before studying at The Royal Architectural Institute of Ireland. He then worked as a draughtsman in a Dublin firm of structural engineers until 1953, when he, his father and his brother Brian emigrated to Canada. For six years, he worked in Ontario at various jobs while taking classes at the Doon School of Fine Arts in Kitchener.Around 1959, he returned to Ireland briefly before moving to London, where he lived with the sculptor Frank Morris. He found work as a stagehand at Joan Littlewood’s innovative Stratford East Theatre, and designed sets for the Unity Theatre and for Charles Marowitz’s Open Space Theatre Company. His theatre contacts eventually led to an introduction to Nancy Wynne-Jones, who invited him to be an artist-in-residence at Trevaylor, the Georgian house at Gulvel, near Penzance she had converted to a kind of artist’s colony.It was here that Phelan befriended the painter Tony O’Malley, who introduced him to many of the key figures in the early St Ives circle, including Roger Hilton, Bryan Wynter, Patrick Heron and Conor Fallon. Phelan also was particularly impressed by the work of Peter Lanyon. Throughout the decade, he worked between Cornwall and a rented studio off the Fulham Road, developing highly abstracted, compositional style.By 1966, he had had his first solo show of paintings at the Traverse Theatre in Edinburgh, organised by Richard Demarco. This partnership was one of the most fruitful of his early career, and he also showed his work at Demarco’s inaugural exhibition in Glasgow, in another solo show the following year at Demarco’s Edinburgh gallery, and in several important group shows, including an exhibition of contemporary British painting and sculptors at the Museum of Modern Art, Warsaw.During the past two decades and up to his death in 2023, Phelan re-engineered and re-energised his style and technique, exhibiting new works in Dublin, Cork London, Bath, Provence, Granada, and of course, St Ives. His paintings and mixed media works are now in private collections in England, Ireland, France, the United States, as well as in State Collection of Ireland (OPW) and the Cork Institute of Technology & Arts.

THE VINYL FACTORY PRESENTS: 3D AND THE ART OF MASSIVE ATTACK, a visual history of a band who have sold over 11 million records worldwide, compiled and designed by 3D using images from a personal archive and original artefacts scanned by the artist for the recordNote: Robert Del Naja, also known as 3D, is a British artist and musician, best known as a founding member of trip hop collective Massive Attack. He began his visual art career as a graffiti artist in the 1980s while collaborating with the Wild Bunch collective in Bristol. Del Naja’s visual art is integral to Massive Attack’s identity, designing album covers and tour visuals that combine mixed media and digital elements​. His notable artworks include the “War Paint” series, consisting of paintings about global conflict and political themes, which were exhibited at Lazarides Gallery in London​. In 2021, Del Naja debuted Code Temporal, an audiovisual work created in collaboration with AI artist Mario Klingemann and fashion brand Valentino​​. Del Naja has also created limited-edition prints to raise funds for charities during the COVID-19 pandemic and for humanitarian efforts in Ukraine​​.

*JOHN RANKINE BARCLAY (1884-1962) Figures clearing snow from the street, signed "Barclay" lower left, mixed media on Jesso-Lite artist's board, 35.5cm x 45.5cm,  Framed dimensions: 40cm x 50cmProvenance: According to a label affixed verso this work was purchased from the artist in St. Ives in 1955/6.

*PEGGY TROTMAN (1915-1980) 'Locomotion', abstract composition, signed lower right, further signed and titled verso, mixed media and collage on board, 50cm x 60cm, Framed dimensions: 55.5cm x 66cm

*FRANK PHELAN (1932-2023) ‘Sursum Corsa (Lift Your Heart)’, 2003, abstract composition, mixed media on paper,56cm x 74.5cm,  Framed dimensions: 71.5cm x 85.5cm'Sursum Corda' is the motto of the Royal Brompton Hospital, where the artist underwent heart surgery, Provenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024).Note: Born in Dublin, Frank Phelan was educated by the Christian Brothers and in Tipperary at Rockwell College, before studying at The Royal Architectural Institute of Ireland. He then worked as a draughtsman in a Dublin firm of structural engineers until 1953, when he, his father and his brother Brian emigrated to Canada. For six years, he worked in Ontario at various jobs while taking classes at the Doon School of Fine Arts in Kitchener.Around 1959, he returned to Ireland briefly before moving to London, where he lived with the sculptor Frank Morris. He found work as a stagehand at Joan Littlewood’s innovative Stratford East Theatre, and designed sets for the Unity Theatre and for Charles Marowitz’s Open Space Theatre Company. His theatre contacts eventually led to an introduction to Nancy Wynne-Jones, who invited him to be an artist-in-residence at Trevaylor, the Georgian house at Gulvel, near Penzance she had converted to a kind of artist’s colony.It was here that Phelan befriended the painter Tony O’Malley, who introduced him to many of the key figures in the early St Ives circle, including Roger Hilton, Bryan Wynter, Patrick Heron and Conor Fallon. Phelan also was particularly impressed by the work of Peter Lanyon. Throughout the decade, he worked between Cornwall and a rented studio off the Fulham Road, developing highly abstracted, compositional style.By 1966, he had had his first solo show of paintings at the Traverse Theatre in Edinburgh, organised by Richard Demarco. This partnership was one of the most fruitful of his early career, and he also showed his work at Demarco’s inaugural exhibition in Glasgow, in another solo show the following year at Demarco’s Edinburgh gallery, and in several important group shows, including an exhibition of contemporary British painting and sculptors at the Museum of Modern Art, Warsaw.During the past two decades and up to his death in 2023, Phelan re-engineered and re-energised his style and technique, exhibiting new works in Dublin, Cork London, Bath, Provence, Granada, and of course, St Ives. His paintings and mixed media works are now in private collections in England, Ireland, France, the United States, as well as in State Collection of Ireland (OPW) and the Cork Institute of Technology & Arts.

*ROGER CECIL (1942-2015) 'Valley Drawings II', mixed media on paper, 62cm x 83cm,  Framed dimensions: 70.5cm x 91.5cmProvenance: With The New Academy Gallery, Windmill Street, Fitzrovia, London. 

*KITTY HILLIER (b. 1984) Untitled, 2008, abstract composition, signed and dated in pencil verso, mixed media on plywood panel, with incised work throughout, 122cm x 106.5cm, Note: Born in Londoin 1984, Kitty grew up in rural Somerset. After completing her Foundation year at Falmouth Art School she gained a 1st class honours degree in Fine Art Painting at Bath School of Art in 2007. She won the Reveal Emerging Artist Award in 2009 and was awarded the SAW Abundance Commission in 2013, which included a two week residency at Stroud Valley Arts and site-specific installation at Cannington Gardens.In 2019 she was selected by Hospital Rooms to make two works for the MBU Exeter visitor flats, and in 2020 she became a co-director of CAMP, a member-led network for the creative and visual arts community in Cornwall and Devon. During lockdown, Kitty launched @artinthewindow, using the old shop window of her home to show other artists work, and she ran a drawing group (online and IRL) @pubsketching, encouraging everyone to discover the benefits of exploring experimental mark-making with the simplest of materials. With her non-directive approach to teaching, Kitty regularly leads workshops for the Youth Programme and adults at St Ives School of Painting; these sessions often lean towards building confidence, slow looking and loosening up, as Kitty shares parts of her own process of abstraction and belief in the importance of play.Selected as one of three artists to work on researcher and filmmaker Rachael Jones’ project: Moving Landscapes, and the Doorstep Residency in 2021, Kitty has most recently exhibited work at Grays Wharf, Newlyn Art Gallery Picture Room, Exeter Phoenix 333 Gallery and with ALMA at Newquay Orchard.Kitty lives and works from a studio at Islington Wharf, Penryn. Her work is held in private and corporate collections internationally.

ENGLISH SCHOOL, 20TH CENTURY 'Cullompton', scrapyard scene with a dog and steam engines, mixed media on paper, 29cm x 43cm, Framed dimensions: 42cm x 53.5cm

*ROBERT MEDLEY (1905-1994) 'David and Jonathan', 1990, two nude males in a landscape, mixed media on card, 16cm x 10.5cm,  Framed dimensions: 32cm x 26cmProvenance: A Christmas gift from the artist to the current vendor, 1990.

*PADRAIG MACMIADHACHAIN (1929-2017) 'The Pier & Boats, Swanage', signed lower right, further signed and titled verso, mixed media on paper, 22.5cm x 29.25cm, Framed dimensions: 48cm x 53cm

*VANESSA BOWMAN (Contemporary) 'Goose', signed lower right, mixed media on paper, 12cm x 13cmFramed dimensions: 28cm x 28cm

Philip Jones (1933-2008) Sea Curtain with Breakwater signed and dated 'Philip Jones 03' (lower left)gouache, chalk and mixed media29 x 41.5cm

Philip Jones (1933-2008) Church at Gharb signed and dated 'Philip Jones 03' (lower left); titled mixed media 24 x 24cm

§ Enrico Baj (1924-2003) Femme Assise, 1972signed 'baj' (lower right); numbered 59/250mixed media print with felt92 x 68.5cm

§ Peter Sedgley (1930-) Untitledmixed media on card, unframed30 x 30cmThe reverse with some abrasions to the paper support (top left-hand corner and top centre) and three pieces of tape where the support was previously affixed to the mount board. The image itself in good order, a small pin prink hole to the top left corner and some minute pieces of dust/debris on the surface, otherwise in good condition.

Ann Thomson (Australian b. 1933)A colliery pit head, signed and dated '72, mixed media, 44 x 39cm

David Blackburn (1939-2016)'Two Mackerel', signed with initials and dated '60, mixed media, 55 x 75cm

Derrick Latimer Sayer (1917-1991)Abstract through a window, mixed media, 56 x 80cm

A.C (?)Theatrical costume design sketch for Henry VIII, signed with initials and inscribed 'Boyd MacKenzie' in pencil, and with fabric sample attached, mixed media, 36 x 29.5cm, four further similar, 36 x 29.5cm, a similar larger pair, 52 x 36cm, all designed for the Royal Shakespeare Company, and two further similar theatrical costume studies for 'When Thou Art King'. (9)

Michael Ffolkes (1925-1988)'We really only wanted piped music in Bradford', humorous cartoon pertaining to the Miss Selfridge Store, signed, mixed media, 45 x 40cm; and two further similar (3)

JOHN HENRY WEST (1856-1938) A group of three en grisaille studies of ships at sea mixed media on boards, the largest 17cm x 24.5cm (3)Note: J. H. West was a Falmouth boatman who took up painting first as an amateur and later as a professional. His first exhibition was at the RCPS in 1902 in the Amateur Oils section. By 1912 he was described in Lake's Guide as a boatman and artist.Working and living from a houseboat on the Bar, West had two sheds for his boat building and a studio at 7 Minnie Place. His work was sold by local picture dealers, and some he sold himself, signing J H West, or J West. Eight of his paintings were shown at the 150th Anniversary Exhibition at the RCPS in 1983, and all were from private collections.

λ&nbspMICK ROONEY (BRITISH B. 1944) THE SERENADERS Mixed media on board Signed and dated '85 (lower left) 102 x 84cm (40 x 33 in.)Provenance: Sale, Sotheby's, London, 27 November 1996, lot 104 The estate of John Lippitt, Hampshire

Cornish School (20th Century) Leaving Newlyn, mixed media, 19.5 x 19.5 cm, frame 35.5 x 35.5 cm

Philip Hearsey (b.1946) Beach Song 22, initialled verso, mixed media, granite, bronze and oak base, abstract sculpture, 42 x 26 x 9 cm

Janie McLeod (Contemporary) Abstract, mixed media on canvas, 60 x 80 cm, frame 63 x 83 cm

Steve Talbot (British Contemporary) Blue and White Ceramic Composition, signed and dated 2017 to verso, mixed media, 25 x 24 cm, frame 45 x 45 cm

ARR Wendy Murphy (b.1956) Anemonies 3, mixed media oil and charcoal on paper, initialled lower right, titled verso, 80 x 60 cm, frame 92 x 72, together with a further charcoal Still Life titled 'Poppies 3' by the same hand (2)

ARR Sandra Blow (1925-2006) Construction, mixed media sculptural piece on canvas and board, signed and dated '79 to verso, housed within a perspex case stand, 38 x 38.5 cmProvenance: Bruce Tippett (1933-2017), private collection, sold at Dreweatts 2021, local private collection Condition:The piece is housed inside a clear perspex plastic box - not examined external to this frame, there is some general dirt and dust to the frame and general wear and tear. The sculptural piece combined denim material, metal hoop, charcoal and paint. The sculptural piece appears well preserved, no obvious damage or losses. The backing board also appears to be in good condition.

Robert Quijada (American 1935-2015) Black Composition V, 1981, mixed media, acrylic, canvas and wood, 31 x 31 cmArtist Label verso

Nancy Collantine (British Contemporary) Oceans Apart, number 16, abstract landscape, signed, dated 2021 and titled to verso, mixed media, 51 x 51 cm

Cornish School (20th Century) Hot Day in June, Newlyn, mixed media, 20 x 25 cm, frame 35 x 43 cm

Attributed to Jean Louis Forain (French 1852-1931) Mort de Pierrot, pastel and ink, mixed media, 30 x 33 cm, frame 39 x 42 cm

Steve Talbot (Contemporary) Bendigeid Fan (Blessed Raven), 2019, signed and dated to verso, mixed media sculptural composition showing a raven perched on a rock by moonlight, framed measurements 30 x 25 cm, together with Leçon 2016, a mixed media boxed composition, 26 x 13 x 7 cm, by the same hand (2)

ARR Marcel Dyf (1899-1985) Study of a Floral Screen, studio stamp lower left, oil and charcoal on paper, mixed media, 31.5 x 25 cm, frame 41 x 34 cm

Cornish School (20th Century) Hot Day Near Harbour, St Ives, mixed media, 19.5 x 19.5 cm, frame 35.5 x 35.5 cm

Continental school mixed media - Moroccan scene, signed indistinctly, 16cm x 23cm, behind glass, framed

Kane Cunningham (British 1961-): 'Whitby Regatta - Race Day', screenprint and mixed media signed titled and numbered 1/1 in pencil 76cm x 102cm (unframed)

Kane Cunningham (British 1961-): 'Global', screenprint and mixed media signed titled and numbered 1/1 in pencil 72cm x 96cm (unframed)

Kane Cunningham (British 1961-): 'Castle Howard - View Across the Lake', mixed media on paper signed and dated '06, titled verso 29cm x 42cm

Kane Cunningham (British 1961-): 'Bridlington - Snow Storm Approaching', mixed media signed titled and dated 23 Dec 2010, further titled and dated verso 102cm x 150cm

Kane Cunningham (British 1961-): Pheasants Taking Off on the North York Moors, mixed media on paper unsigned 58cm x 76cm (unframed)

Kane Cunningham (British 1961-): The Mine, mixed media on paper signed and dated '06, 56cm x 76cm

Kane Cunningham (British 1961-): 'Thirlmere - Lakes', mixed media on paper, signed, titled verso 57cm x 76cm

Kane Cunningham (British 1961-): Woodsmith Mine, near pair mixed media on board signed 29cm x 26cm and 31cm x 29cm (2)

Kane Cunningham (British 1961-): 'War', mixed media signed and dated '99, 83cm x 58cm

Kane Cunningham (British 1961-): 'Hovingham Hall - Temple', mixed media on paper signed and dated '06, titled verso 58cm x 76cm

Mixed media picture by Madeline Warren "Woodland" and another print

Manner of Christopher Richard Wynne Nevinson (1889-1946)Marchingsignature to frame, mixed media, 27cm x 37cm