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Click here to subscribeElaine BLAMEY (Royal Society of Portrait Painters) A portfolio of works from the artist's studio Seventeen works on canvas and board comprising portraits, including a self portrait titled 'Me In the MIrror', and landscape views, mostly of Cornwall. Mostly signed to the verso, either Elaine Blamey or Elaine Lewis, her name before marriage. Largest 38cm x 30cm.
Queen Elizabeth II and Prince Philip. Two cased silver Royal Anniversary Medals, a silver boxed Coronation medal, a Two Royal and Birmingham Mints 1977 Silver Jubilee medals, a John Fray Coronation medal, a bronze medallion, a Daily Mirror Coronation medal, and two silvered Silver Wedding Anniversary medals in fitted boxes. Condition Report: 234 grams.
Printing blocks; dominos; cribbage board; trinket boxes; Victorian hardwood pocket watch stand, c.1870; a Victorian papier mache rounded rectangular snuff box, 7.5cm wide, c.1870; a bronze corpus Christie; Parkinson Original Royal Doncaster Butter-Scotch tin, 19cm long; other tins; a rectangular mirror, with Stickers for Simple Minds, Japan, Heaven 17
An Edwardian Sheraton Revival mahogany and satinwood inlaid display cabinet attributed to Robson & Sons, Newcastle, the central projecting glazed cabinet, lined with duck egg blue watermarked silk interior, inlaid with flowers and swags flanked by open mirror-backed shelves, the back similarly inlaid with sinous whiplash details, raised on square section tapering legs, pierced fretwork flanked undertier, 176cm x 122cm x 32cm
Ca. 350 - 300 BC. A red-figure pottery olpe with a bulbous body and a short, splayed foot. The neck is funnel-shaped and has a flanged mouth. The two vertical handles serve the purpose of lifting the vessel when filled with water, while a vertical handle at the back facilitates pouring and holding the vase. Beneath the vertical handles, a large fan-shaped palmette is flanked by stylised plant scrolls on each side. There is a floral motif on the neck. Side A of the olpe is decorated with a scene presenting a seated crowned Nike holding a large wreath in the right hand. Side B of the olpe depicts a Maenad in a long tunic with her hair gathered in a topknot. She also wears a beaded necklace and bracelets on both wrists. Her left hand holds a mirror, while her right is outstretched, holding a large wreath. For similar see: Christie's, Live Auction 19992, Antiquities, Lot 20. Size: 290mm x 165mm; Weight: 975g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 350 - 300 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns, such as the laurel wreath under the lip, and the meander pattern along the bottom of the body. Side A is decorated with a standing naked Nike resting on top of a column with ionic capital, with outstretched wings, embellished with pearls and holding a large mirror in her right hand. In front of her, a seated noblewoman wearing a long chiton, holding in her left a large case. Side B is decorated with two standing men around a column-shaped altar decorated on the top. They each wear a long cloak and a diadem. The handles are surrounded by a large palmette motif. Size: 325mm x 310mm; Weight: 2.49kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 18th - 19th century AD .An architectural model depicting a facade with a triple mihrab and three windows above, decorated in gilt and polychrome with Nasrid style decoration and inscriptions, with mirror behind, mounted in a wood frame. The model is of square form, the relief replicates one of the architectural facades of Alhambra Palace in Granada-Spain. The Alhambra Palace is considered to be one of the most prominent 15th-century Moorish Nasrid Dynasty palaces in Andalusia, Spain. The current model is based on the romantic view from the north façade of the Myrtle Court. For similar see: The Metropolitan Museum of Art, Accession Number: 86.15.4.Size: 495mm x 475mm; Weight: 7.18kgProvenance: Previous property of a UK Islamic art professional.
Ca. 19th century AD . A lacquerware mirror case with a cover painted and decorated with brown and decorated with large rose heads and green stem detail. The other lacquerware lid from a box or mirror case detailing Imman Ali to the reverse and a large floral spray on the outside. Size: 145-145mm x 95-95mm; Weight: 155g Provenance: Previous property of a UK Islamic art professional.
Ca. 18th - 19th century AD .An architectural model depicting a facade with a triple mihrab and four windows above, decorated in gilt and polychrome with Nasrid style decoration and inscriptions, with a mirror behind, mounted in a wooden frame. The model is of square form, the relief replicates one of the architectural facades of Alhambra Palace in Granada-Spain. The Alhambra Palace is considered to be one of the most prominent 15th-century Moorish Nasrid Dynasty palaces in Andalusia, Spain. The current model is based on the romantic view from the north façade of the Myrtle Court. Size: 420mm x 410mm; Weight: 3.31kgProvenance: Previous property of a UK Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 19th century AD. A group comprising a Qajar or Turkish glazed pottery kashkul of hemispherical form, decorated with pink roses in blue vases on either side, with two lozenge-shaped motifs on top, one open and the other adorned with floral patterns and two suspension loops in the shape of bird heads. Previously acquired by Ahuan U.K. Ltd from Dr. Ziya Sofu, London, 23 July 1975. included is a Qajar pearlescent seashell, likely a large oyster shell, engraved with a court scene showing a seated ruler among courtiers in a garden with flowering plants and birds, framed by scrolling arabesques, and inscribed "Amal Isfahan" (Made in Isfahan). Such shells, often containing loose pearls, were a speciality of Isfahan. Prior Reza Attigechi, Tehran, 1976. The group also contains a Qajar lacquer mirror case or shallow box, engraved on one side with eight seated figures in a landscape and six figures in a similar setting on the reverse. Completing the collection is a Qajar enamelled copper bowl with a wide rim, featuring eight waist-length portraits of youths, two wearing crowns, against a blue ground within oval lozenges, separated by vase-shaped panels with birds in flowering bushes. The outer bowl showcases two lozenges with portraits of blue-robed youths on a pink ground, over two panels with pairs of figures in a landscape. Purchased from Brimo de Laroussilihe, Paris. 8 December 1976. Size: 200mm-240mm, 120mm-200mm; Weight: 1.85kg Provenance: Previous property of an Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
19th century inlaid wooden toilet mirror, of shield form, about three drawers centre drawer with bone escutcheon, together with walnut domed box and a mahogany sarcophagus tea caddy, upon four bun feet and with ivory escutcheonThis item has been registered for sale under Section 10 of the APHA Ivory Act Condition Report: Mirror H62cmIvory Act - Submission reference: J496TL6D
Spectacular clear crystal miniature of a butterfly with crystal tipped gold antennae. Swarovski swan mark. This item has its original box. Box measures: 3.75"H x 3.25" dia. Included mirror base, measures: 1.75"dia. Dimensions: 1"L x 1.25"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Beautiful little lion in a playfully posture with one his paw up in the air. Swarovski swan mark. This item has its original box. Box measures: 4.75"H x 3.25" dia. 210460. Included mirror base, measures: 3" dia. Artist: Adi StockerIssued: 1997 - 2004Dimensions: 2.5"L x 1.25"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Rone; A Vintage 9ct Gold Cased Ladies Wristwatch, the signed dial with black Arabic numerals, in a plain case of rectangular form, movement stamped "RONE 15 JEWELS", on an expanding bracelet; together with an assortment of vintage and later costume jewellery, including Hollywood foliage brooch, beaded necklaces, decorative floral brooch, clip-on earrings, etc, a gilt coloured Stratton compact mirror, gilt coloured ladies fob watch, etc :- One Tray
19th century cast iron hallway hat and coat stand, the arched frame decorated with overlapping foliage, central oval mirror surrounded by trailing oak leaves and acorns, with extending umbrella and stick stand, the curved plinth base decorated with acanthus leaves, with impressed and mounted R.d. lozengesDimensions: Height: 167cm Length/Width: 72cm Depth/Diameter: 30cm
Edwardian bedside cabinet with raised back above a single panelled door, on straight supports united by an undertier (W38cm, D38cm, H66cm); pair of bentwood chairs with curved frames (H88cm); wall-hanging mirror featuring scroll decoration (W43cm, H69cm); mahogany upholstered stool with a tapered hexagonal base (H44cm)
Maples & Co. - Edwardian mahogany wardrobe, projecting cornice over frieze inlaid with checkered stringing, central vertical panel inlaid with lyre and scrolling foliate decoration, two oval mirror glazed doors enclosing hanging rails and hooks, the base fitted with two short drawers, on splayed bracket feetDimensions: Height: 213cm Length/Width: 166cm Depth/Diameter: 57cmCondition Report:The cornice does not sit perfectly flush and has some repairable damage. Many areas of the wardrobe show signs of wear and could use some attention. The bottom shelf on the left side has sunk and needs repair.
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