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Click here to subscribeδ Joan Miro (1893-1983)From Miro Lithographe I (Mourlot 860, 865, 866)Three lithographs printed in colours, 1972, proofs without the middle-fold and aside from the edition of 150, printed by Mourlot, Paris, on wove paper, with margins, largest sheet 581 x 357mm (22 7/8 x 14in) (3)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Joan Miro (Spanish (Catalan), 1893-1983). Complete set of "Derriere le Miroir: Peintures Sur Papier, Dessins." With three original color lithographs (two are double page) and six color lithographs after Miro (four are double page). With text in French by Pierre Alechinsky. Published by Maeght Editeur, 1971. First edition, numbered 35/150. Pencil signed by Miro on a front page. With original board chemise and slipcase.(Book) height: 15 in x width: 11 in. (Case) height: 15 1/2 in x width: 11 3/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
PERIODICALS -- PAPELES DE SON ARMADANS. Revista mensual dirigida p. C.J. Cela. Nrs. 1-5, 7-29, 31, 32/33, 36. 39. Madrid/Palma de Mallorca, 1956-59. 33 in 32 vols. Owrps. (Sl. browned, sm. stains on some spines, but else fine). NOTE: Monthly magazine directed by the writer and Nobel Prize winner Camilo José Cela. With the Christmas issue (nr. 21) dedicated to Joan Miro.
Original vintage advertising poster for Ernst Schwitters Collection with Picasso, Arp, Kandinsky, Klee, Miro, Ernst, and Kurt Schwitters at Arken Museum of Modern Art from 13 June to 13 September 1998, featuring an artwork by German Dadaism artist Kurt Schwitters (1887-1948) in blue, red, yellow, brown and black colours. Excellent condition. Country of issue: Denmark, designer: Kurt Schwitters, size (cm): 100x70, year of printing: 1998.
Original vintage advertising poster for Rythmes et Danses / Rhythms and Dances art exhibition of works by Chagall, Delaunay, Dobashi, Max Ernst, Forquin, Gleizes, Gromaire, Jawlensky, Kandinsky, Klee, Leger, Lersy, Marcoussis, Miro and Picabia at the Galerie Fricker from 13 March to 4 April 1959, featuring an image by French artist Roger Lersy (1920-2004) showing a stylised image of a harp set over an orange and red background. Good condition, creasing, tears, staining, pinholes. Country of issue: France, designer: R. Lersy, size (cm): 69x52, year of printing: 1959.
Miro, Joan (Barcelona1893 - 1983 Palma)Konvolut von acht Plakaten, jeweils Farblithographien mit typographischem Eindruck, dabei "Terres de grand feu", Galerie Maeght Paris 1956, "Cartons", "Constellations", Galerie Berggruen Paris 1959, Galerie Maeght Paris 1965, "Miro", Galerie Maeght Paris 1970, "Fundació Joan Miro, Poligrafia Barcelona 1975, "Quiri Quibu", Poligrafia Barcelona 1976, "Miro", Galerie Maeght Paris 1979 und "Homenatge a Gaudi", Galerie Maeght/Poligrafia Barcelona 1979, Blätter 63 x 43,5 cm bis 75 x 56 cm, zwei Exemplare rückseitig mit minimalen Montierungsspuren, sonst alle guter bis sehr guter, teils fast neuwertiger Zustand 6315
20th Cent. lithograph printed in colors with a composition by Miro - from the magazine "Derrière le Miroir" dd 1967, edition Maeght, Paris || MIRO JOAN (1893 - 1983) kleurlitho : "Getormenteerde vrouw en vogel" - 37,5 x 27,5 uit het magazine "Derrière le Miroir" dd 1967, editie Maeght, Paris
Joan Miro (1893-1983), Oil on Canvas. Image Size: 47 1/8 by 39 1/4 inches (120 by 100 cm) All measurements are approximate. Signed (right and reverse). Joan Miro (1893-1983) was a pioneering Catalan-Spanish artist celebrated for his surreal and abstract art. His work is characterized by playful, biomorphic shapes, and a whimsical exploration of the subconscious. Miro's use of vivid colors and spontaneous, childlike imagery conveyed a sense of freedom and imagination. He was a key figure in the Surrealist and abstract art movements and often challenged artistic conventions. His innovative approach influenced modern art significantly, and his legacy endures as a testament to the boundless creativity and innovation in the art world. Miro's art continues to captivate and inspire viewers with its dreamlike qualities. Please read our policy carefully:. 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Hartung, Hans. L'emerveillé merveilleux. Lithographie auf festem Bütten. Signiert unten links mit Bleistift. Um 1973. Motivmaße: 50 x 39 cm. Blattmaße: 50 x 80 cm.Das Blatt mittig gefaltet, die Innenseite typographisch bezeichnet: "Michael Leiris - Miro soir et matin". - In den Ecken auf Unterlage montiert, in gutem Zustand.
Epitaph - Karl Amadeus Hartmann, (München 1966), Buch als Hommage an den Münchner Komponisten (1905-1963) mit Texten und Grafiken (Einzelabzügen) versch. Techniken, darunter u.a. Lithographien von M. Zimmermann, M. Marini, v. Gugel, Grzimek, Vedova, A. Saura und Thiele sowie Zinklithographien von J. Miro, R. Scheibe, Le Corbusier, Masson, V. da Silva, Winter, Mathieu, Schumacher, K. Hartung, Werner, Nay, Loth, Zao Wou Ki, Lardera, Santomaso, Geiger, Strazza und Jänisch, 35 Bll (davon 25 Doppelbll.), im Inhaltsverz. handnum. 68 (von 300 in Leinen gebundenen Ex.), Rücken oben besch., Einband min. ber., innen tadellos, Buch 48 x 38 cm
JOAN MIRO Montroig 1893 - 1983 Mallorca: Oda a Joan Miró. Planche VII zur Vorzugsausgabe des gleichnamigen Werks von Joan Brossa. Farblithographie 1973. Cramer L 909. - Expl. 46/75 (Gesamtaufl. 110). Signiert. Auf kräftigem, strukturiertem chamoisfarbenem Vélin. 79,5 x 60 cm (Blatt: 88 x 61 cm). Gering gebräunt. [ms]
Hadrian Pigott (b. 1961) Resurrection (after Richard H.) (1994) White shrink-wrapped soap, shelf To be sold without reserve Property of a distinguished British collector Provenance: Jibby Beane Contemporary, 1994  Exhibition history: Multiple Choice, Jibby Beane Contemporary, London, 1994; Saatchi Young British Artists V, Saatchi Gallery, 1995; Hadrian Pigott: Hydrogenics, Victoria Miro Gallery, London, 1998; Hygiene: the art of public health, London School of Hygiene & Tropical Medicine, London, 2002. Dimensions: 9 in. (H) x 18 in. (W) x 5.5 in. (D)
Grayson Perry, CBE RA,British b. 1960-Tea Towel; digital print on 200 gram 100% union linen fabric, limited edition of 400, developed in collaboration with Grayson Perry and Victoria Miro Gallery to celebrate the Strange Clay exhibition at the Hayward Gallery, exclusive to Southbank Centre.size: 48 x 76 cm,Note: This tea towel depicts Grayson Perry's ceramic work 'Claire as a Soldier, 1987'.
Miro, Joan (Montroig 1893 - 1983 Calamajor/Mallorca),"Ubu aux Baléares Nr. 776", Serigraphie auf Arches-Papier, signiert unten rechts Miró, Wasserzeichen Arches unten mittig, nicht nummeriertes Blatt, wohl aus der Auflage 120, 50.5 x 66 cm (BM), unter Glas gerahmt.Werkverzeichnis Calas (IV) Ubu aux Baléares Nr. 776
Miro, Joan (1893 Montroig - 1983 Calamajor/Mallorca, Spanisch/Katalanischer Maler, Grafiker, Bildhauer und Keramiker, Vertreter des Surrealismus), "Poligrafa Xv Anos", Farblithografie, im Stein signiert Miró, verso Aufkleber Kunsthandel F.G. Conzen, bezeichnet, betitelt und datiert 1979, 33 x 26 cm (PA), unter Glas gerahmt
Verve. Revue artistique et littéraire paraissant quatre fois par an No. 3. 125. Volume I, No 3. Mit zahlreichen teils photographischen Abbildungen sowie mit 4 Original-Lithographien von Chagall, Miro, Rattner und Klee. 35,5 x 26,5 cm. Illustr. OKarton (leicht bestoßen). Paris, Tériade, 1939.Mit farbigen Original-Lithographien von Paul Klee (1879-1940), Marc Chagall (1887-1985), Jean Miro (1893-1983) und Abraham Rattner (1895-1978). - Gebräunt, sonst wohlerhalten.
Miro, Joan (1893 Barcelona-1983 Palma) "Figürlich Abstrakt", Org. Farblitho, LXXV/ LXXX, Vorzugsausgabe, mit Org. Signatur u.r., 43x61 cm, hinter Glas im Rahmen (Joan Miró war ein spanisch-katalanischer Maler, Grafiker, Bildhauer und Keramiker. Seine frühen Werke weisen, aufbauend auf der katalanischen Volkskunst, Einflüsse des Kubismus und des Fauvismus auf.)
Miro, Joan (1893 Barcelona-1983 Palma) "Figürlich Abstrakt", Org. Farblitho, XXI/ LXXX, Vorzugsausgabe, mit Org. Signatur u.r., 44,5x36 cm, hinter Glas im Rahmen (Joan Miró war ein spanisch-katalanischer Maler, Grafiker, Bildhauer und Keramiker. Seine frühen Werke weisen, aufbauend auf der katalanischen Volkskunst, Einflüsse des Kubismus und des Fauvismus auf.)
λ PIERRE HUMBERT (FRENCH 1929-2016) LE COL DE FONTAUBE Oil on canvas Signed (lower left); further signed, titled and dated '1964' (verso) 97 x 130cm (38 x 51 in.) UnframedRobert was drawn to the work of the French artist Pierre Humbert and purchased many of Humbert's distinctive oils, watercolours and drawings of the Provencal landscape. Humbert took inspiration from the Les Mains Eblouies group of abstract artists, which counted Joan Miro, Alberto Giacometti, Alexander Calder, Antoni Tapies and Pierre Alchinsky among its members. Les Mains Eblouis exhibited notably at the famed Galerie Maeght founded 1936 in Cannes, which specialised in non figurative and avant garde works. Condition Report: Some very minor scuffing to the exposed edges of the unframed canvas. Otherwise, in good original condition.Condition Report Disclaimer
AFTER JOAN MIRO (CATALAN/SPANISH 1893-1983) ABSTRACT Lithograph, inscribed H.C in pencil to margin, with 'Miro' blindstamp, unframed, 33 x 25cm and another similar (2) Condition Report:Main item (upright black figure/form) presents in good condition. Sheet discoloured to verso.Second item has light staining. Sheet discoloured to verso
Joan Miró. (1893 Montroig - 1983 Mallorca). Les essències de la terra per Miró. 1968. Mit 14 blatt- und doppelblattgroßen, teils (Farb-) Lithographien. Je auf chamoisfarbenem GVA Pro Bütten. Blattmaße von 49 x 37,3 cm bis 49 x 74,5 cm. Im Druckvermerk von Miro signiert. Lose Doppelblätter in illustriertem Originalumschlag und -leinenkassette. - Kassette ausgeblichen und mit Lagerspuren. Die Graphiken vereinzelt mit kleinen, leichten Braunflecken und teils minimalen Anschmutzungen. Insgesamt in gutem Zustand. Die Abzüge kontrastreich und satt. Cramer, 120. - Die prächtigen Illustrationen im Stil der Abstraction Lyrique entstanden nach Zeichnungen Mirós zu acht alten katalanischen Texten. Die Mappe enthält sowohl diese Texte als auch die Ode auf Miró von Juan Perucho. Les essències de la terra per Miró. With 14 sheet- and double-sheet-sized, partly (colour) lithographs. Each on buff GVA Pro laid paper. Signed by Miro in the printing note. Loose double sheets in illustrated original envelope and linen case. - Cassette faded and with traces of storage. The prints sporadically with small, light brown spots and partly with minimal soiling. Overall in good condition. The prints rich in contrast and luscious. - The magnificent illustrations in the style of Abstraction Lyrique were created from drawings by Miró to eight old Catalan texts. The portfolio contains these texts as well as the Ode to Miró by Juan Perucho.
Bambino Miro; a large abstract glass Omaggio a Picasso sculpture depicting a child in various colored glass. Applied logo and artist signature on the side. Includes artist signed illustrated draft of the glass artwork. Includes certificate of commercial value declaration from New Murano Gallery S.R.L. Artist: Walter FurlanDimensions: 10.75"L x 5.25"W x 18"HManufacturer: Murano GlassCountry of Origin: ItalyCondition: Good.
Duchamp (Marcel) and Andre Breton. Boite Alerte: Missives Lascives, one of 200 copies, comprising a collection of letters, catalogues, objects, postcards and original signed and numbered graphic works (lacking the lithograph by Joan Miró (Mourlot 195)), housed within the original green paper covered cardboard box designed to look like a French post-box (a little rubbed), limitation number stamped on inside of lid, overall size 278 x 190 x 70mm., n.p., 1959.⁂ The present lot contains the following items:i) catalogue for the exhibition.ii) 8 Missives Lascives by Micheline Bounoure, Alain Joubert, Joyce Mansour, Robert Benayoum, Octavio Paz, André Pieyre, Mimi Parent (a black silk stocking in an envelope with transparent window), and one anonymous.iii) a telegram on pink paper by Marcel Duchamp writing as Rrose Sélavy to André Bretoniv) a vinyl 45 rpm two-sided record with recordings of poems by Joyce Mansour and Benjamin Peretv) 6 colour postcards of works by Bellmer, Dali, Gorky, Miro, Svanberg, and Clovis Trouille.vi) 3 original signed and numbered lithographs by Adrien Dax, Marie Toyen, Max Walter Svanbergvii) an original signed and a numbered etching by Jacques Le Marechal.
* ELSPETH LAMB (SCOTTISH b. 1951), CONSTELLATION lithograph on paper, signed, titled and dated 9/13mounted, framed and under glass image size 57cm x 77cm, overall size 70cm x 88cmNote: Offered without reserve. Note 2: Elspeth Lamb studied at Glasgow School of Art, Manchester Metropolitan University and the Tamarind Institute of Lithography, University of New Mexico USA, her main specialism being printmaking. She is an elected RSA Academician, and an elected member of the Society of Scottish Artists and Royal Glasgow Institute, and has taught several workshops in lithography at the Joan Miro Foundation in Mallorca, Spain. She has won several awards for her work, which is also included in major collections such as the Japanese Consular Collection, The British Council, the MAG Collection, and the Joan Miro Foundation Collection, as well as being represented in several Art Galleries and Museums both in the UK and abroad. For 21 years she taught at the Edinburgh College of Art, latterly as Head of the Department of Printmaking and she has been visiting lecturer at many colleges in the UK including the Glasgow School of Art, Duncan of Jordanstone College Dundee and Middlesex University. She chose to give up all academic teaching commitments in 1999 to pursue her artistic career; a recent one-person exhibition was at A.I.R. Gallery in Chelsea, New York City during 2004. Her most recent residencies have been in Bulgaria, Canada and Newfoundland, and she exhibits regularly at home and abroad. Elspeth studied the art of moku hanga printing in Japan with master craftsmen during 2000, where she was selected to be one of six international artists to participate in a residency based on Awaji Island. Since then, she has returned twice to study Japanese papermaking: this research was related to her publication,’Papermaking for Printmakers’ which was published by A&C Black, London, in May 2006.As a freelance artist, she has organised and taught printmaking and papermaking workshops at many art centres and schools across Scotland, such as Taigh Chearsabhagh, in North Uist, the Leith School of Art, Edinburgh, and the Hunterian Museum, Glasgow University. She works with children and adults of all ages.
* ELSPETH LAMB (SCOTTISH b. 1951), FIRE lithograph on paper, signed, titled and dated 10/13mounted, framed and under glassimage size 57cm x 77cm, overall size 70cm x 88cmNote : Offered without reserve. Note 2: Elspeth Lamb studied at Glasgow School of Art, Manchester Metropolitan University and the Tamarind Institute of Lithography, University of New Mexico USA, her main specialism being printmaking. She is an elected RSA Academician, and an elected member of the Society of Scottish Artists and Royal Glasgow Institute, and has taught several workshops in lithography at the Joan Miro Foundation in Mallorca, Spain. She has won several awards for her work, which is also included in major collections such as the Japanese Consular Collection, The British Council, the MAG Collection, and the Joan Miro Foundation Collection, as well as being represented in several Art Galleries and Museums both in the UK and abroad. For 21 years she taught at the Edinburgh College of Art, latterly as Head of the Department of Printmaking and she has been visiting lecturer at many colleges in the UK including the Glasgow School of Art, Duncan of Jordanstone College Dundee and Middlesex University. She chose to give up all academic teaching commitments in 1999 to pursue her artistic career; a recent one-person exhibition was at A.I.R. Gallery in Chelsea, New York City during 2004. Her most recent residencies have been in Bulgaria, Canada and Newfoundland, and she exhibits regularly at home and abroad. Elspeth studied the art of moku hanga printing in Japan with master craftsmen during 2000, where she was selected to be one of six international artists to participate in a residency based on Awaji Island. Since then, she has returned twice to study Japanese papermaking: this research was related to her publication,’Papermaking for Printmakers’ which was published by A&C Black, London, in May 2006.As a freelance artist, she has organised and taught printmaking and papermaking workshops at many art centres and schools across Scotland, such as Taigh Chearsabhagh, in North Uist, the Leith School of Art, Edinburgh, and the Hunterian Museum, Glasgow University. She works with children and adults of all ages.
Miro, Joan(Barcelona 1893–1983 Mallorca)nach"Graphisme". 1961. Farblithographie. 255/300. Unten rechts in Bleistift signiert. Mit Prägestempel: "Maeght Editeur Paris". Blattgrösse 45,2x88,6 cm. Gerahmt.- Blatt gebräunt und leicht gewellt. Wenig fleckig. Hellerer Lichtrand. Verso an allen Rändern partiell an Rückwand montiert.
Joan Miro (Spanish (Catalan), 1893-1983). Lithograph on paper titled "Les essencies de la terra (The Essences of the Earth)" depicting the artist's signature style of abstract lines and colors forming a unique whole, 1968. Pencil signed along the lower right; H.C. (Artist Proof) along the lower left. This lithograph was originally published in a limited edition of 100 by Mourlot, Paris with 15 artist proofs.Sight; height: 10 1/2 in x width: 10 in. Framed; height: 18 1/2 in x width: 18 in.Condition: The colors are bright and bold. There are no visible tears, creases, losses, or restorations. The sheet is lightly toned. There is a minute discoloration in the lower right quadrant of the work. No visible foxing. The artwork is framed under two acidic mats. The artwork is framed under glass; light wear to the frame; not inspected out of frame.
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