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*Miro (Joan, 1893-1983). Le chant du rossignol à minuit et la pluie matinale (Constellations series), hand-coloured pochoir print, approx. 350 x 430 mm (17 x 13.75 ins), framed and glazed, with Redfern Gallery label to verso (1)

Joan Miro: A colour lithographic print for an exhibition in Japan, 1966, unsigned, in gilt frame, 39 x 57cm.

Joan Miro (Spanish, 1893-1983) Lithograph V Colour Lithograph, Mourlot Edition Signed 31cm x 24cm With certificate of authenticity, Fine Line Art Corp

Joan Miro (Spanish 1893-1983) Composition, Colour lithograph, special limited edition Derriere Le Miroir Marght/Moulot, Paris, France, Signed in pencil, 34cm x 24.5cm

After Miro ESPANA '82 official poster for the 1982 World Cup, colour lithograph, 95 by 60.5cm., 37 1/2 by 23 3/4in.

After Juan Miro- Untitled; colour reproduction print, 59x79cm: 20th Century School- Exotic shoe; colour reproduction print, signed in pencil: together with three other matching prints after the same hand, one after Weiss, and a reproduction print after C. Kieffer, (7)

Joan Miro (1893-1983) UNTITLED Lithograph printed in colours, signed in pencil and numbered, 56 x 76cm

Joan Miro (1893-1983) TWO STUDIES Lithograph, signed in pencil and numbered 77cm x 37cm and 90 x 60cm (2)

After Juan Miro - Three motifs in blue; lithograph printed in colours, 38 x 69.5cm: together a quantity of other lithographs after different hands including: N. Dumitresco, L. Marrcoussis, (4), (unframed).

After Juan Miro - Untitled abstract on black; lithograph in colours, signed within the plate, 31.5 x 24.5cm: together with twenty other colour lithographs after same or related hand, (21), (unframed).

Joan Miro (1893-1983), Lithograph II Colour Lithograph Signed in pencil 30cm x 24cm Together with a Fine Line Art Corporation certificate of authenticity

After Juan Miro- Untitled composition; lithograph in colour, signed within the plate, and numbered 84/1500 in pencil, 32.8x24.8cm: together with one other similar print after the same hand, and four reproduction prints after Rembrandt, (6)

A REPRODUCTION GREEN PATINATED BRONZE COLOURED METAL MODEL OF A DANCER after Miro on a stone base, 15" high and a malachite cigarette box with hinged rising lid, 5" high. (2)

Joan Miro (1893-1983) Plate 18, from Album 19 (Mourlot 329) lithograph, 1961, on Arches, initialled in pencil, numbered 72/75 (there were also fifteen in Roman numerals), published by Maeght, Paris, printed to the edges of the full sheet, very pale discoloration at the sheet edges, the upper sheet edge taped to the mount on the reverse, otherwise in good condition, framed L., S. 665 x 510mm.

Joan Miro Plate 19, from Album 19 (M. 330) lithograph, 1961, on Arches, initialled in pencil, numbered 72/75 (there were also fifteen in Roman numerals), published by Maeght, Paris, printed to the edges of the full sheet, very pale discoloration at the sheet edges, the upper sheet edge taped to the mount on the reverse, otherwise in good condition, framed L., S. 665 x 510mm.

Joan Miro Plate 10, from Album 19, (M. 321) lithograph in red, blue and black, 1961, on Velin-Rives, signed in black ink, numbered 72/75, (there were also fifteen in Roman numerals), published by Maeght, Paris, printed to the edges of the full sheet, a very short tear at the extreme left sheet edge, pale bands of discoloration at the upper and right sheet edges, otherwise in good condition L., S. 665 x 510mm.

Joan Miro Plate 11, from Album 19 (M. 322) lithograph in blue, red and black, 1961, on Arches, initialled in pencil, numbered 72/75 (there were also fifteen in Roman numerals), published by Maeght, Paris, printed to the edges of the full sheet, very pale discoloration at the sheet edges, the upper sheet edge taped to the mount on the reverse, otherwise in good condition, framed L., S. 510 x 665mm.

Joan Miro One plate, from L'issue drobe (Dupin 707) etching and aquatint in colours, 1974, on Arches, one of the five refused etchings from the de Luxe edition, signed in pencil, inscribed 'H.C.', one of twenty hors commerce copies aside from the de Luxe edition of 50 (there was also a standard edition of 150), published by Maeght, Paris, printed to the edges of the full sheet, remains of tape on the reverse, otherwise in very good condition P., S. 330 x 500mm.

Joan Miro Untitled, from Eric Satie, Poems and Songs etching and aquatint in colours, 1969, on wove paper, inscribed H.C. (there was no published edition), published by Broder, Paris, with full margins, two tiny pinholes to the right and left of the printed image, occasional soft creasing, otherwise in good condition P., 140 x 355., S. 380 x 548mm.

Joan Miro Untitled, from Eric Satie, Poems and Songs (D. 523) etching and aquatint in colours, 1969, on Arches, inscribed H.C. (there was no published edition), published by Broder, Paris, with full margins, two tiny pinholes to the right and left of the printed image, occasional soft creasing in the margins, otherwise in good condition P., 140 x 355mm., S. 380 x 548mm.

Joan Miro Untitled, from Eric Satie, Poems and Songs (D. 522) etching and aquatint in colours, 1969, on Arches, inscribed H.C. (there was no published edition), published by Broder, Paris, with full margins, two tiny pinholes to the right and left of the printed image, occasional soft creasing in the margins, otherwise in good condition P., 140 x 355mm., S. 380 x 548mm.

Joan Miro One plate, from Ubu Roi (M. 422) lithograph, 1966, on Arches, signed in pencil, numbered 12/75, published by Triade, Paris, with margins, soft creasing at the lower left sheet corner, otherwise in very good condition, unexamined out of the frame L. 410 x 630mm., S. 538 x 750mm.

Joan Miro One plate, from Le Lzard aux Plumes D'or (M. 522) lithograph in colours, 1967, on japon nacr, signed in pencil, inscribed E.A., published by Broder, Paris, printed to the edges of the full sheet, remains of old tape to the upper sheet edge on the reverse, an unobtrusive rubbing mark in the image, otherwise in good condition L., S. 410 x 560mm.

Joan Miro Plate I, from Les Geants (D. 276) aquatint, 1960, on cream BFK Rives, signed in pencil, numbered 34/50, published by Maeght, Paris, with full margins, soft handling creases in the margins, two tiny spot marks in the lower margin, a small handling mark in the right margin, otherwise in good condition P. 585 x 920mm., S. 750 x 1050mm.

Joan Miro One plate, from Cartones (M. 383, C. 103) lithograph in colours, 1965, on cream Arches, signed in pencil, numbered 27/75, published by P. Matisse Gallery, New York, the full sheet, in very good condition L. 305 x 205mm., S. 320 x 225mm.

Joan Miro Lithograph II, from Joan Miro Lithographs II (M. 1049, C. 198) lithograph in colours, 1975, on Arches, signed in pencil, inscribed X/LXXX (the total edition was 150), with margins, in very good condition L. 402 x 330mm., S. 450 x 368mm

Joan Miro Homage Aux Prix Nobel (M. 1094) (C. 224) lithograph in colours, 1976, on Arches, signed in pencil, an E.A. aside from the numbered edition of 100 (there were also 43 hors commerce copies), published by Galerie Brjeson, Malm, printed to the edges of the full sheet, minor soft creasing at the extreme upper sheet corners, otherwise in very good condition L., S. 760 x 560mm.

Joan Miro Plate IV, from Fundacio Palma etching and aquatint in colours with carborundum, 1985, on Guarro, with stamped signature, inscribed H.C., one of fifteen hors commerce copies, aside from the edition of 80, published by Sala Gaspar, Barcelona, printed to the edges of the full sheet, soft creasing at the extreme left sheet edge, otherwise in good condition L., S. 1055 x 695mm.

A collection of Joan Miro exhibition posters comprising of; Homenatge a Joan Prats (Picazo 48); Exposicin [Sobreteixims I Esculture] (P. 58) , two impressions of Futbol Club Barcelona (P. 82) and three other posters, all lithographs, 1971-75 L., S. 990 x 685mm. (and smaller) (7)

A collection of Joan Miro exhibition posters comprising of: Futbol Club Barcelona (Picazo 82), Exposicin [Sala Gaspar-Galera Metras-Belarte] (P. 19), Exposicin [ Toute preuve] (P. 9), [Umbracle] (P. 74), [Per un Teatre a Catalunya (P. 75), Presentacin de tres libros de Mir en japn (P. 40), Exposicin Sala Gaspar-Barcelona (P.43) and one other poster, all lithographs in colours, seven hors texte L., S. 990 x 685mm. (and smaller) (8)

Joan Miro (1893-1983) Miro. Oiseau solaire, oiseau lunaire, tincelles, Pierre Matisse Gallery, New York, 1967 (C. 117) signed on the justification, no. 66, from the edition of 1200, in very good condition(book)S. 315 x 245mm.

Joan Miro Joan Miro Graphics (M. 502) lithograph in colours, 1966, on Arches, hors texte, a printer's proof aside from the signed edition of 150, published by Philadelphia Museum of Art, with margins, a short tear at the lower sheet edge, otherwise in good condition L. 650 x 500mm., S. 760 x 560mm.

Joan Miro Sculptures (M. 950) lithograph in colours, 1974, on Arches, from the edition of unknown size, published by Maeght, Paris, with full margins, in very good condition, L. 470 x 605mm., S. 540 x 765mm.

Galerie Maeght poster, Miro, 25 x 17 ins. and a 1958 Rouen exhibition poster, 26 x 19 ins.

After Henry Moore- Reclining figures; lithograph, 43.8x35.4cm: together with two posters publ. by Mourlot, 'University de Geneve, Centre Culturel International, one after Chagall the other after Picasso, and a further lithograph after Miro, and an etching of a mother and child by different hand, (5), (unframed)

A Sierra Leone Railway original gold leaf coat-of-arms transfer mounted on board. This is the first design illustrating a shield with the Union flag as it was before 1801; a liberated slave and a ship reputed to be H.M. brig "MIRO" off-shore; a palm tree; and the scroll "Auspice Britannia Liber" (free under Britain's protection). 18" square, vgc.

Derriere le Miroir, nos. 29 - 30 and 57 - 58 - 59 (both Joan Miro), pub. Paris, 1950 - 53, first vol. with double - page col. litho., second vol. with 17pp. of col. lithos., first vol. with orig. col. litho. wrappers with old central fold, second vol. orig. col. card wrappers, minor wear, folio (2)

Miro (Joan). Quelques Fleurs pour des Amis, avec un coup d'oeil sur le jardin par Eugène Ionesco, Paris, pub. Société Internationale d'Art XXe Siècle, 1964, three publisher's samples only of colour pochoir illustrations (by Daniel Jacomet) after Miro, each with autograph inscription and signature in pencil by Miro, each with light ink stamp to lower right corner 'Specimen Gratuit', some overall foxing to each (one only lightly affected), and damp discolouration (particularly affecting right margin of one print), each approx. 380 x 280mm, loosely contained in orig. printed card folder, with title and edition details to first leaf, slim folio. Three stencilled colour reproductions, issued as samples by the publishers, each of which is signed and inscribed by Miro, to André Pieyre de Mandiargues, Louis Broder, and Louis G. Clayeux. (1)

Joachim Miro, Spanish 1849-1914, a scene in the atlas mountains, signed, oil on canvas, 27x40.5cm.; 10.5x16in.

J...MIRO A portrait of a gentleman wearing a tie and a flower in his lapel, signed and inscribed, oil on panel, 10" x 7.75" (unframed)

Juan Miro - Untitled; lithograph in colours, signed and numbered 237/300 in pencil, 63.7x82.8cm

After Marc Chagall - Lady with a green bird; lithograph printed in colours, signed within the plate, 37x54.5cm: together with three prints in colours after different hands including those after: Max Ernst, Nicholas de Stael and Juan Miro, (4)

Joan Miro (1893-1983). ABSTRACT Lithograph printed in colours, signed in pencil and numbered 30 - 80 43 x 31cm

Hunter (Sam): Joan Miro: His Graphic Work, original cloth, dust-wrapper, 4to, New York, 1958; Jean (Marcel) the History of Surrealist Painting, original cloth, dust-wrapper, 4to, [1961] - and 10 others on similar subjects. (12)

Charles Sorlier after Marc Chagall- 'Le Message biblique de Marc Chagall', Musee du Louvre Galerie Mollien, 22 Juin 2 Octobre 1967; poster, lithograph in colours, 71x50cm: together with seven other mostly exhibition posters, each lithographed in colours, including those after: Marc Chagall, Juan Miro, Osa, Bernard Buffet, and Werner Klempke

Art reference and related, including Les EuropŽens, Photographies par Henri Cartier-Bresson, pub. Editions Verve, 1955, num. b & w plts., orig. pict. boards, with design by Miro, rubbed and some marks, upper outer corner of front board chewed with a little loss, folio, plus M.H.N. Mody, a Collection of Nagasaki Colour Prints and Paintings, reprinted, c. 1970, etc. (3 shelves)

Joan Miro, 1893-1983, PERSONNAGE, signed, dated 1/X11/76 and dedicated a Javier Iturmendi afectuosamente, black crayon on paper, 46 by 37.5cm., 18 1/8 by 14.25in.

Verve. An Artistic and Literary Quarterly, nos. 1-4, December 1937-January 1938, col. lithos. by Leger, Miro, Rattner and Bores, num. b&w illusts. from photos. etc., some col. plts., orig. printed wrappers, with col.litho design by Matisse, second vol. with col. lithos. by Kandinsky (2) and Masson (2), orig. printed wrappers with col. litho. design by Braque, 3rd vol. with col. lithos by Chagall, Miro, Rattner and Klee, orig. printed wrappers with col. litho design by Bonnard, 4th vol. with col. lithos by Matisse and Derain, orig. printed wrappers with col. litho design by Rouault, all generally VG, each contained in orig. publishers col. printed bookbox (some wear), folio (4).

Verve. An Artistic and Literary Quarterly, no. 1, December 1937, col. lithos. by Leger, Miro and Matisse, num. b&w illusts. from photos, sl. soiled to lower right hand corner of wrapper, folio (1)

After Joan Miro (1893-1983), Abstract composition, photographic reproduction, bears false signature lower right, inscribed e, a lower left, s. 27 x 18 cm

After Marc Chagall- Poster for the Universite de Geneve, Centre Cultural International, Ch. Sourlier, publ. by Mourlot, Paris; lithograph in black and blue, 60.6x49cm: together with two other postersone published by Mourlot after Picasso and the other after Miro, and one other lithograph after Henry Moore, various sizes, (4), (unframed)

JOAN MIRO (1893-1983) (COMPOSITION) Lithograph, printed in colours, on Arches, signed in the stone, unframed Sheet 37.5 x 55cm. ++ Very slight handling creases; generally good.

Joan Miro (1893-1983), COMPOSITION WITH GREEN BACKGROUND, signed and dated [1950] lower right; inscribed with edition (140 of 300) lower left, chromolithograph, 34 by 46cm., 13.5 by 18in. €2000-€3000

-. Cartier-Bresson (Henri) Les Europeens, 114 photographic plates, pictorial boards designed by Miro, a little rubbed, 4to, Paris, Editions Verve, 1955; Images a la Sauvette, 126 photographic plates, pictorial boards designed by Matisse, a little spotted, frayed glassine wrapper, 1957 exhibition catalogue and other ephemera loosely inserted, 4to, Paris, Editions Verve, 1952; China in Transition, 144 photographic illustrations, original cloth, slightly worn dust jacket, small 4to, London, 1956 (3).

SAN LAZZARO ET SES AMIS SAN LAZZARO ET SES AMIS, Hommage au fondateur de la revue XXe siècle. Textes de P. Volboudt, A. Pieyre de Mandiargues, N. Kandinsky, P. Courthion, M. Chagall, A. Jouffroy, J. Cassou, J. Lassaigne, B. Dorival, A. Verdet, M. Marini, Y. Taillandier, H. Moore, A. Fornari, M. Milani et de G. Di San Lazzaro. Lithographies originales de Max Bill, Alexander Calder, Marc Chagall, Max Ernst, Hans Hartung, Alberto Magnelli, Joan Miro, Henry Moore, Graham Sutherland et Zao Wou-Ki. Lithographies en second tirage de Georges Braque, Lucio Fontana, Alberto Magnelli, René Magritte, Pablo Picasso et Serge Poliakoff. XXe siècle PARIS. En feuilles, sous couverture papier et dans l’emboîtage toilé beige de l’édition, tirage à 275 exemplaires, le nôtre porte le numéro 274, report de l’impression au verso de certaines planches et au recto de quelques pages de texte. Très bon état général, légères salissures sur l’emboîtage, petits frottements au dos.

JOAN MIRO JOAN MIRO LITHOGRAPHE III. (M. 1115) 445 x 365. Lithographie en couleurs sur vélin d’Arches. Épreuve signée en bas à droite, annotée e.a.

JOAN MIRO DOROTHEA TANNING. 1974. (Maeght 929) 310 x 390. Lithographie en couleurs sur vélin, bonne condition. Léger report au verso. À toutes marges : 425 x 540.

JOAN MIRO AFFICHE POUR LE FESTIVAL DE CARCASSONNE 1980. (Maeght 1206) 835 x 595. Lithographie en couleurs sur vélin. Épreuve du tirage avant la lettre signée, numérotée 24/75. Très légèrement jaunie, toutes petites pliures dans les bords.

JOAN MIRO Michel Leiris Joan Miró Lithographie I - Repentirs et ajouts 1970 - Autour de Joan Miró 1947 - Fernand Mourlot, Catalogue et Notices. A.C.Mazo, Paris 1972. (Cramer n° 160). Catalogue relié sous couverture cartonnée toilée crème et couverture papier comportant une lithographie en couleurs sur le premier plat, et les onze lithographies en couleurs insérées dans le texte. Édition ordinaire non numérotée. Très bon état général.