A GROUP OF TWENTY THREE EARTHENWARE TILES (23)Late 19th century Square or rectangular form, each painted with a birds study on a pale green ground, stamped Minton Hollins & Co; Patent Tile Works Stoke on Trent, Four tiles 20cm square, the remainder approx. 20cm by 17.5cmThe top corner of one tile has broken off. All the tiles with chips and some with cracks
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Miscellaneous porcelain and stoneware, 19th c, to include a Worcester porcelain spirally fluted trio, a Minton, Hollins & Co. stoneware desk weight and calendar for 1900, a Chinese porcelain saucer painted with figures, a Stone China blue transfer printed cheese dish, a W. H. Goss porcelain trio printed and painted with clovers and bees, various sizes and marks Mintons calendar with wear to glaze and chips to corners and edges, Chinese saucer with two small chips to rim and a hairline crack, Worcester trio with minor wear to gilding, rose painted saucer with hairline crack, lustre cup and saucer with minor wear to lustre
Gordon Mitchell Forsyth, Memorial to Edith Cavell, Goddess Caritas under the banner "Patriotism Is Not Enough I Must Be Free From All Hatred And Bitterness", oil on oak panel, signed and dated 1916, the back inscribed "This Memorial was subscribed to by the inhabitants of Shoreditch and the past and present nursing staff and friends in the Shoreditch Infirmary in the year AD1916 the third year of the Great War and unveiled on the first anniversary of Miss Cavell's death. Joan Ingles, Matron. John Clay, Clerk of Works", 124.5x89.5cm. Footnote:Gordon Mitchell Forsyth (1879-1952) attended the Gray's School of Art, Aberdeen, followed by the Royal College of Art, London, before establishing a career in the ceramic industry in the early 20th century. He held the position of Art Director for the Minton Hollins Tile Co in 1903, and soon after Art Director for Pilkington's Tile and Pottery factory. It was here that arguably his greatest artistic ceramic designs were executed where the influence of the Pre-Raphaelites was strongly embraced. As with many young artists of his generation, Forsyth served in the Great War, before returning to Staffordshire and the ceramic heart of Britain in 1920, where he held the title of Superintendent of Art Instruction in Stoke-on-Trent and oversaw ceramic design to many notable students. Edith Cavell was a British Nurse who was celebrated for treating wounded soldiers from both sides without discrimination during the First World War. Cavell helped around 200 Allied soldiers escape from occupied Belgium before being court-marshalled under German Military Law and executed by firing squad on 12th October, 1915. During her career before WWI Edith Cavell was Assistant Matron at Shoreditch Infirmary from 1903-1906.
A Victorian large Minton Hollins & Co decorated tile The painted tile decorated with frogs and shrews amongst leaves, signed with the initials 'W.I.W.N.', the reverse of the tile with cast marks and stamped Doulton Lambeth, set within a contemporary carved walnut frame.The tile 30.5cm square. The frame 42cm square.Qty: 1Some minor marks and very minor scratches to the painted surface. The frame with some minor marks overall.
Half set of Minton Hollins fanfare ivory fireplace tiles, each 15.5x15.5cm, with metal tile holder / All lots are located at Gower Reclamation, Unit 17b, Crofty Industrial Estate, Gower, Swansea, SA4 3RS. Regretfully Wellers are unable to offer any type of shipping, please see our important information for collections information.
Half set of Minton Hollins fanfare ivory with red inserts fireplace tiles, each 15.5x15.5cm, with metal tile holder / All lots are located at Gower Reclamation, Unit 17b, Crofty Industrial Estate, Gower, Swansea, SA4 3RS. Regretfully Wellers are unable to offer any type of shipping, please see our important information for collections information.
A Minton Hollins & Co. sang de boeuf egg-shaped vase, 13.5 cm high, a Denby turquoise glazed egg-shaped vase, 15.5 cm high, a Vienna Pergamon floral and foliate decorated vase, 20.5 cm high and a lustre ribbon glazed vase bearing blue glazed marks to base "NB-A-MCA", 22 cm high CONDITION REPORTS The sang de boeuf vase has a chip to the outside edge of the rim as well as several large surface scratches to the piece throughout. There is crazing evident throughout. The Denby vase has all over crazing. The Vienna vase has some wear to the glaze as though it has thumb prints or suchlike put on it during firing. Also has some heavier scratches throughout but mainly to the neck. The lustre vase has firing faults to the glaze and body throughout in a sort of dimpled effect. Has crazing. The interior is very dirty, appears to have been used for flowers or suchlike. There are marks in the dust and scratches to the base. All items are in need of a good clean and have general wear and tear to include some light surface scratches as well as minor firing faults etc - see images for more details
Housed in a wooden frames. Each panel depicted in a color overglaze of classical figures. Perhaps as Pandora and Pomona. Raised tile marker's marked: Minton Hollins & Co, Stoke on Trent. Frame size: 9.5"W x 17.5"H x 1"D. Sight size: 7.75"W x 15.75"H. Issued: c. 1890sDimensions: See DescriptionManufacturer: Minton HollinsCountry of Origin: EnglandCondition: Age related wear.
Carl-Harry Stalhane - a Rorstrand of Sweden blue glazed bulbous vase, thin neck, marked to base, approx. 10cm high, along with an early 20th century Minton Hollins 'Astra' ware abstractly shaped vase, mottled red, green and blue colourway, circular stamped mark to base, approx. 14cm high. (2) Further details: crazing and general wear to both, generally good.
A collection of English tiles, late 19th and early century, including an In Memorium tile inscribed 'In Loving Memory of the Late Thomas Green, the beloved son of George and Mary Green of 78 Stoke Hill Road Hartshill who departed this life March 23 1888 aged 18 years, for ever with the Lord gone Home'); Minton Hollins tile printed and hand coloured with a ram (cracked); seven assorted printed Minton and Minton Hollins tiles, six with floral decoration and one with neo-classical scene; a selection of majolica tiles, comprising pair of treacle coloured examples depicting Robert Burns, an unusual shield-shaped tile, circa 1870-80, decorated with two cranes beside bulrushes and a water lily, 19cm wide; a larger tile, possibly Steele and Wood, decorated with cherubs firing arrows beside a river bank, 20cm square; another, with a stag and doe, 15cm square; a Minton Hollins majolica Queen Victoria's Diamond Jubilee tile and another, Queen Victoria Golden Jubilee tile (also originally majolica, now exceptionally worn); and two Minton Hollins circular teapot stands decorated with flowers, 18cm diameter and a rectangular tile, printed with a farmyard scene of hens before a large barn (qty)
Two late 19th Century Minton Hollins & Co dust pressed 8 inch tiles, each with a central roundel with figures to the centre, one titled Peace depicting an angel, the other War depicting a soldier, within a garland with related symbols to the border, in dark and light blue on white underglaze. (2)
A late 19th Century Minton Hollins & Co dust pressed desk weight made to commemorate Queen Victoria's 1887 Jubilee, relief moulded with a portrait in profile with draped flags and emblems for the British Isles, decorated in Emaux Ombrants style with deep turquoise glaze, together with two further examples, one in deep green with Minton Hollins & Co Royal Warrant, and one with central dish with monogram in deep yellow glaze, all 11cm x 8cm. (3)
A collection of 19th Century faux and true encaustic tiles from various makers to include Sherwin & Cotton, Minton Hollins & Co and Robert Minton Taylor Tile Works, decorated with Gothic Revival designs in tonal brown, terracotta, buff and white to include an armorial shield design, various sizes. (8)
A collection of four later 19th Century to early 20th Century 8 inch dust pressed tiles, all with relief decoration, to include a Webb & Co example with a central floral spray, all in an ochre glaze, a Minton's faux tube lined example with a stylised green floral motif over a blue ground, a Minton's China Works with central flower head and wide floral and repeat pattern border in an ochre glaze, and a Minton Hollins & Co example with climbing ivy over a textured ground, all in a deep blue glaze. (4)
A 19th Century Minton Hollins & Co 8 inch dust pressed tile in the Gothic Revival style with a central roundel with repeat foliate borders, picked out in majolica glaze, relief moulded marks, together with a similar smaller Minton & Co example and a further similar plastic clay example attributed to Frederick Garrard. (3)
A later 19th Century Copeland plastic clay 8 inch tile, circa 1878, decorated with four panels of flowers between zig zag borders, stamped mark, together with three dust pressed 8 inch tiles, a Minton Hollins & Co tile with a stylised flower in the manner of Dr Christopher Dresser, another Minton tile with a panel of naturalistic leaves between borders, and a Steele and Wood tile with stylised flowers and leaves. (4)
A collection of 19th Century 6 inch dust pressed embossed floral tiles to include examples from Minton Hollins & Co, Pilkington's Pottery & Tile Co, C. P Sutcliffe & Sons, T & R Boote, Craven Dunnill & Co and T. A Simpson, all with relief moulded florals decorated in single colour majolica glazed finish, various marks. (16)
A W. B. Simpson & Sons six inch dust pressed tile, hand painted with a boy riding a hobby horse in blue against the white ground with an orange border, probably on a Davenport blank, painted marks, together with five other tiles featuring portraits, comprising two by Thomas Allen for Wedgwood, each with a printed image of a girl within a floral border in blue, a Wedgwood example featuring an unknown man in blue, a coloured lithography of WE Gladstone for Minton Hollins, and a similar tile, possibly by Steele and Wood. (6)
Four 19th Century 6 inch dust pressed tiles, two printed with pigs and piglets in brown and blue over white ground, by Maw & Co Broseley, and Henry Richards Tile Co respectively, a Mintons Hollins tile, black printed and hand painted over a white ground, decorated with a wolf and lamb from Aesop's Fables series, and a Minton & Co Prossers Patent tile, blue printed over white ground, depicting the family crest of the Dalhousie family in the form of a double headed Wyvern. Note: Minton Exhibition Catalogue stated that this tile was originally from a set in a French marble fire surround at Panmore House, Scotland, the home of Lord Dalhousie
A set of four 19th Century Minton Hollins & Co 6 inch dust pressed tiles, from the series 'Underwater Scenes', transfer printed black over white ground with hand painted colour decoration, depicting aquatic life amongst river and sea weeds within hatched ochre border, together with a Minton Hollins blue transfer printed over white ground tile, decorated with swimming fish, with seashell and weeds within hatched blue border. (5)
A 20th Century Henry Richards Tile Co 6 inch dust pressed tile, circa 1930s, hand painted with a stylised peacock over a pale blue ground, together with a Minton Hollins & Co 6 inch dust pressed tile, hand painted with a stylised peacock feather in blue and orange glaze over white, possibly painted by Shrigley & Hunt. (2)
Three 19th Century Minton Hollins & Co 8 inch dust pressed tiles, embossed Art Nouveau decoration, stylised flowerhead on teal ground in heart shaped panel within a green glazed foliate and floral moulded ground, moulded marks verso, together with a Gothic revival majolica tile, embossed lappets with clover leaves and denticulated foliate repeating design, in lilac, green and burgundy tones over buff ground, and a floral printed tile, decorated with flowering begonia on a white ground. (3)
A set of three Minton Hollins & Co 8 inch dust pressed tiles, from the series Shakespeare Song designed by John Moyr Smith, transfer printed en grissaile over grey/blue ground, decorated with figural scenes from Shakespeare's plays, within circular panels and titled borders on craquelure ground, including Under The Greenwoood Tree and Blow Thou Winter Wind from As You Like It, Let Me The Canakin Clink from Othello, and a matched example, Unto These Yellow Sands from the Tempest, brown transfer printed decoration over grey and white ground, moulded marks verso. (4)
A late 19th Century Minton Hollins & Co dust pressed 6 inch tile, circa 1880s, decorated with stylised daisies between a yellow border, moulded marks, together with a CP Sutcliffe & Co tile hand painted overglaze with a stylised flower and scrolling leaves in tonal green, within a brown border with yellow foliage, stencilled marks. (2)
A collection of late 19th Century dust pressed 8 inch tiles, each with embossed decoration of leaves and flowers, comprising a Mintons Hollins & Co example with ferns and mosses in a stone wall with a dark green glaze, a Wedgwood tile in the manner of Dr Christopher Dresser for Minton with a floral spray, and two others by unknown makers. (4)
A collection of 19th Century Minton Hollins & Co 6 inch dust pressed tiles, from the Aesop Fables series with Dutch border, blue printed transfer on white ground, including The Cock and the Fox, Man With Lion and Panther, The Bear and The Beehives, The Bear and Two Friends, The Hare and the Tortoise, The Fox and the Goat, A Wolf and a Sow, The Sick Stag and more, with one duplicate tile, maker's mark verso. (13)
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897 item(s)/page