We found 559 price guide item(s) matching your search

Michael Casson (1925-2003) a studio pottery planter, squat vase and jug,Planter 28 cms diameter.

Michael Casson (1925-2003)Bottle vasepale blue glaze decorated with two leaf motifsimpressed potter's seal24.5cm high. Provenance:The Daphne Swann Collection.In good condition. No sign of damage or repair.

Michael Casson (1925-2003)Bowlsalt-glazedimpressed potter's seal28.5cm diameter.

A Michael Casson Studio pottery slipware footed bowl, monogrammed to base, 12.5cms diameter; together with a pair of Studio pottery footed bowls decorated with goldfish, 9cms diameter; and a Studio pottery vase, 7cms high (4).

Michael Casson (1925-2003) A large stoneware circular bowl, impressed seal mark, diameter 56cm, height 12.5cm.

MICHAEL CASSON (1925-2003); a large salt glazed lugged vase, impressed MC mark (partially glaze filled), height 46.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Two Michael Casson studio pottery vases, 14.5cm high and 13cm high, small teapot and a Shiela Casson studio vase, 14cm high, together with a Studio pottery salt glazed vase by Micki Schloessingk (5)

Michael Casson (1925-2003) - a studio pottery jug, partially glazed and painted in tones of blue and grey, impressed monogram to lower edge of base, h.18cm

MICHAEL CASSON (1925-2003) A studio pottery ribbed vase painted foliate detail. Painted and incised marks to base. 12cm high

‡ Michael Casson (1925-2003) a stoneware vase, cylindrical form with applied and modelled geometric panels, glazed tenmoku with white translucent slip, another stoneware cylindrical vase by Michael Casson, glazed gun-metal blue to top, and another Michael Casson casserole and cover, with incised decoration, impressed seal mark, 22.5cm. high, (4) Provenance cylindrical vase purchased by the vendor at Christie's South Kensington, circa 1992. casserole and cover purchased by the vendor at Bonhams circa 1990.

Ceal Warnants Girls Are Loud Digital Print Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education 2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Select Exhibitions/Awards 2021 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS 'CHOOSE LOVE' SOHO REVUE GALLERY, LONDON WITH THE PRINT CLUB 'ART CAR BOOT FAIR' WITH JEALOUS GALLERY 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' 2020 "HOUSE OF VANS COMMUNITY MARKET" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON. 2019 'NOTICE THE SMALL THINGS" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON. 2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH "COCO FENNELL" FOR SS18 COLLECTION #COCOXCEAL 2017 COLLABORATION WITH "THE BIG ISSUE" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON. 2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON. 2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON. 2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON. 2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE. 2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD. 2011 'EXAM.' - TRANSITION GALLERY, LONDON. 2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS. 2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON. 2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON. COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION PRIVATE COLLECTIONS WORLDWIDE COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation Jealous Gallery, Gas Gallery, Chappell Contemporary   Statement about AOAP Submitted Artwork Neither demure, shrinking, nor prim... "Girls are Loud" just as they should be. Shout to be heard. Shout anyway.

A studio pottery hand-built ewer with rope-twist handle and textured glaze, bears mark resembling that of Michael Casson (British 1925-2003) H31cm

MICHAEL CASSON. A deep footed bowl with resist & painted decoration. Height 11cm. Diameter 15cm. Unmarked. Note: Dark mark inside base may be his often used, painted monogram, made indistinct during firing?  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase. 

Michael Casson (1925-2003)Two bowlswith brushwork decorationone with impressed potter's seal, the other signed22cm and 16cm diameter (2). Provenance:The Daphne Swann Collection.Qty: 2

Michael Casson (1925-2003)Dishwith brushwork decorationsigned21cm diameter. Provenance:The Daphne Swann Collection.

Michael Casson (1925-2003)Large jugoatmeal glazeimpressed potter's seals34cm high. Provenance:The Daphne Swann Collection.

Michael Casson (1925-2003)Storage jaroatmeal glazeimpressed potter's seal24.5cm high. Provenance:The Daphne Swann Collection.

Michael Casson (1925-2003)Vasepale ash glaze with a band of geometric patternimpressed potter's seal22.5cm high. Provenance:The Daphne Swann Collection.Condition report: Firing dots and imperfections- mainly to the inside. No damage or restoration.

Michael Casson (1925-2003)Bowlsquat form with raised detailimpressed potter's seal9cm high; with a beaker and jug by Michael Casson (3). Provenance:The Daphne Swann Collection.Qty: 3

Michael Casson (1925-2003)Large vasesalt-glazed and with lug handlesimpressed potter's seal47cm high.

MICHAEL CASSON (1925-2003): An early Ross on Wye Studio Pottery lidded teapot, cane handle. Impressed mark. 14cm to lid

MICHAEL CASSON (1925-2003); a small salt glazed teapot on tripod feet, height 12.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MICHAEL CASSON (1925-2003); a stoneware plate covered in green glaze with incised meander decoration, impressed MC mark, diameter 26cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Autograph album compiled late 1940s-early 50s, containing various signatures of actors, actresses, ballet performers etc including Margaret Lockwood (1916-1990), Moira Shearer (1926-2006), two signatures, Michael Somes (1917-1994), Dame Margot Fonteyn (1919-1991), a faint signature, Sir Robert Helpmann (1909-1986), Leslie Caron (b. 1931), Dame Alicia Markova (1910-2004), Sir Anton Dolin (1904-1983), 2 signatures, Sir Lewis Casson (1875-1969), Sir Clifford Curzon (1907-1982), Eileen Joyce (1908-1991), Sir Frederick Ashton (1904-1988) etc

Robert Silver (British b.1955), A ceramic service, 21st century, impressed marks to bases, White stoneware with a grey oxidised glaze, hand-built and thrown, comprising; a teapot and cover, 18.5cm high, a sugar caddy and cover, 14.5cm high, two pouring vessels, 11cm high, 10cm high and three tea/coffee cups, 8.7cm high (7), Note: Robert Silver initially trained as a studio potter (Michael Casson was one of his teachers) and attended the two-year Studio Pottery Course at Harrow College of Art and Technology. He worked at the Govancroft Pottery in Glasgow as studio assistant to the designer Ken Southall and then worked as a freelance Design journalist for 35 years. Silver has since returned to his practical and artistic roots , “..possibly creating the best work of my life. But, then I’m biased.” His current work is aesthetic yet utilitarian;  ‘..the result of a marriage between Bernard Leach and Art Deco pottery, creating a kind of Post Industrial, Steam punk pottery’. All pieces are in good condition with no breaks or restoration.

Robert Silver (British b.1955), a ceramic service, 21st century, impressed marks to bases, White stoneware with a blue oxidised glaze, hand-built and thrown, comprising; a teapot and cover, 17.5cm high, a sugar caddy and cover, 13.5cm high, two pouring vessels, 12cm high, 9.5cm high and three espresso cups, 8.7cm high (7), Note: Robert Silver initially trained as a studio potter (Michael Casson was one of his teachers) and attended the two-year Studio Pottery Course at Harrow College of Art and Technology. He worked at the Govancroft Pottery in Glasgow as studio assistant to the designer Ken Southall and then worked as a freelance Design journalist for 35 years. Silver has since returned to his practical and artistic roots , “..possibly creating the best work of my life. But, then I’m biased.” His current work is aesthetic yet utilitarian;  ‘..the result of a marriage between Bernard Leach and Art Deco pottery, creating a kind of Post Industrial, Steam punk pottery’. There are minor glaze flaws on the tea/coffee pot, the largest at which approx.1cm across to the side of the body. This occurred during the making process. . Otherwise, all pieces are in good condition with no breaks or restoration.

Robert Silver (British b.1955), a contemporary 'Love Rules' teapot, 21st century, impressed marks to base, White stoneware, with oxidising glaze, thrown and hand-built, decorated with printed lettering, 18cm high; together with a smaller 'Love Rules' teapot, impressed marks to base, white stoneware, with oxidising glaze, thrown and hand-built, decorated with printed lettering, 14cm high, and third tea/coffee pot, in white stoneware, with blue oxidising glaze, thrown and hand-built, 21.5cm high (3) Note: Robert Silver initially trained as a studio potter (Michael Casson was one of his teachers) and attended the two-year Studio Pottery Course at Harrow College of Art and Technology. He worked at the Govancroft Pottery in Glasgow as studio assistant to the designer Ken Southall and then worked as a freelance Design journalist for 35 years. Silver has since returned to his practical and artistic roots , “..possibly creating the best work of my life. But, then I’m biased.” His current work is aesthetic yet utilitarian;  ‘..the result of a marriage between Bernard Leach and Art Deco pottery, creating a kind of Post Industrial, Steam punk pottery’. All three pieces are in good condition with no breaks or restoration.

Studio pottery to include a Ray Finch cheese dish and cover, Margaret Hall tea pot and a vase, Michael Casson twin handled pot, Geoffrey Whiting charger, David Cohen vase and a Klein plateCondition: no damage

Michael Casson (1925-2003), a large studio pottery footed bowl/jardinière decorated with banded brushes glazes in brown and blue, signed with impress seal mark, 34cm h x 40cm dCondition: no damage

Michael Casson (1925-2003), four pieces of studio pottery, comprising a large stoneware jug with salt-glazed decoration, 31 cm high, a smaller jug and two vases, together with three vases by Ann Whipp (of naturalistic ribbed form), and a further studio pottery vase.Qty: 8Condition report: Crack to one of the Casson vases, no further apparent damage.

‡Michael Casson (1925-2003) a stoneware footed bowl, painted to the interior and exterior with a scrolling blue design on a speckled ash grey glaze, another floating bowl by Michael Casson, a footed dish and a jug by Michael Casson with chequerboard design to neck, painted MC monogram, collection labels, 25.5cm. diam (bowl), 30.5cm. diam. (floating bowl), (4) Provenance The David Coachworth & Peter Myers Collection.

‡Michael Casson (1925-2003) a porcelain stem cup, cast in low relief with geometric panels, covered in a pale celadon glaze, another smaller and another resist decorated in tenmoku over celadon, impressed seal marks to first two, applied paper labels, 8.5cm. high, (3) Literature Peter Lane, Studio Porcelain Pitman House, page 82 for a comparable stem bowl illustrated. Provenance New Ceramics, British Crafts Centre, August 1974, cat no. 33 and 34, probably the main two pieces in this lot.

Michael Casson (1925-2003)studio pottery large pot and cover, impressed seal mark, 39cm high approx overallCondition report: Overall ok, no chips or restoration.

MICHAEL CASSON (1925-2003); a waisted stoneware jug covered in tenmoku breaking to kaki glaze with meander decoration, impressed MC mark, made 1980s, height 20.5cm. (D)Provenance: Michael Ristic collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MICHAEL CASSON (1925-2003); a waisted stoneware vase partially covered in green glaze with wax resist decoration, impressed MC mark, height 24cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MICHAEL CASSON (1925-2003); a tall square stoneware bread crock with green glaze on mottled oatmeal ground to two sides and tenmoku breaking to kaki glaze to rim and cover, impressed MC mark, made circa 1970, height 35.5cm. (D)Provenance: Reginald Hyne collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MICHAEL CASSON (1925-2003); a tapered stoneware jug with iron decoration on mottled green ground, impressed MC mark, made 1970s, height 24cm. (D)Additional InformationNick to spout, otherwise appears good with no further signs of faults, damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MICHAEL CASSON (1925-2003); a stoneware pedestal bowl covered in dry ash glaze and incised landscape decoration, impressed MC mark, made 1970s, diameter 20cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

A studio pottery stoneware teapot by Michael Casson, pressed potters seal, 18cm.

Autographs, FAMOUS MEN & WOMEN – A miscellany of signed pieces, cards, photographs, and letters etc. by a wide variety of famous men and women including Brian Horrocks, William Birdwood, Twiggy, Barbara Cartland, Edward Fennessy, Captain Mark Phillips, Franz Joseph II (Prince of Liechtenstein), Beverley Nichols, Frederick Cook, Wilfred Grenfell, Viv Nicholson, Simon Rattle, Neil Kinnock, Henry Kissinger, Donald Dewar, David Steel, Roddy Doyle, Diana Cooper, Gerald Durrell, Claude Simon, Colin Dexter, Gilbert & George, Edward Heath, Jimmy Kennedy, Vera Lynn, Hugh Casson, Basil Hume, F. W. De Klerk, Desmond Tutu, Lech Walesa, Douglas Hurd, Michael Heseltine, Anwar Sadat, Willy Brandt, Malcolm Muggeridge, Hardy Amies and others. (57)

Michael Casson (1925-2003) Jug blue salt glaze with brushed markings impressed potter's seal 37cm high.

*Michael Casson [1925-2003] a stoneware jar and cover: of squared oviform under blue grey glazes, impressed personal seal near base, 24cm high.

MICHAEL CASSON (1925-2003); a large salt glazed bellied jug with incised decoration, impressed MC mark, height 39cm. (D)Provenance: Purchased from Rufford Craft Centre.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MICHAEL CASSON (1925-2003); a large waisted salt glazed jug, impressed MC and W for Wobage mark, made 1977-79, height 39cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MICHAEL CASSON (1925-2003); a salt glazed bellied jug, impressed MC mark, height 33cm. (D)Provenance: Purchased from Rufford Craft Centre solo exhibition.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MICHAEL CASSON (1925-2003); a salt glazed jug with cobalt brushwork, impressed MC mark, height 28.5cm. (D)Additional InformationAppears good with no obvious signs of faualts, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MICHAEL CASSON (1925-2003); a stoneware pedestal bowl decorated with a landscape, impressed MC mark, diameter 19cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

MICHAEL CASSON (1925-2003); a tall twin handled salt glazed vessel with finger wipe decoration, impressed MC mark, height 50cm. (D)Provenance: Purchased from the artist.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Four books on studio pottery etc., comprising Barbara Hepworth World of Art Library, The Craftsman's Art V & A catalogue, and two by Michael Casson: Studio Ceramics Today and Pottery in Britain Today

Michael Casson (1925-2003), a tall baluster stoneware jug, tenmoku and iron glazes, impressed MC seal, 39cm high CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

* MICHAEL CASSON (1925-2003) A STUDIO POTTERY VASE, red earthernware, decorated using the wax-resist method, 16.5cm high. Provenance: The Walter Fletcher Collection of Studio Pottery

MICHAEL CASSON (1925-2003) A very large lidded bread crock, salt glazed with wavy line detail. Impressed seal. Bought from Wobage Farm as a second by the current vendor, firing fault near to the base, chip to the underside rim. 35cm high

Michael Casson (1925-2003) - a large studio pottery bulbous form vase and cover, having averted rim to slightly ribbed body, painted in tones of brown, impressed monogram to outer edge of base, h.32cm, dia.28cmCondition report: Cover- good, no faults.Vase – approx. 10x4mm surface glaze chip to inner upper edge of top rim, join line evident to where rim connects to body of vase.

Ceal Warnants Entitled (Repeat), 2021 Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education   2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Exhibitions/Awards   2020 ""HOUSE OF VANS COMMUNITY MARKET"" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH"" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON.   2019 'NOTICE THE SMALL THINGS"" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON.   2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH ""COCO FENNELL"" FOR SS18 COLLECTION #COCOXCEAL   2017 COLLABORATION WITH ""THE BIG ISSUE"" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON.   2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON.   2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON.   2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON.   2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE.   2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD.   2011 'EXAM.' - TRANSITION GALLERY, LONDON.   2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS.   2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON.   2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON.   COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION P RIVATE COLLECTIONS WORLDWIDE   COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE   SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation   Jealous Gallery, Gas Gallery, Chappell Contemporary   About the postcard artworks   When considering how to reflect myself within my work I decided to choose a balance of positive and negative. ""And What?"" represents fighting attitudes that I see as being wrong in society, whilst ""Entitled"" depicts my particular position of privilege of which I am very aware."  

Ceal Warnants And What?, 2021 Digital Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) b. 1984, Guildford, Surrey. Lives and works in London. The work draws parallels between the youth of 'then' and 'now'. The angst is the same but the pressures are different. Basing work on illustrations from the past helps to lend it an authenticity but also highlights the differences between two timeframes. Innocence is the truth of childhood whatever the era and it is fascinating.   Education   2002 - 2006 BA (Hons) Winchester School of Art (Printmaking) 2006 - 2008 MA RCA (Printmaking)   Exhibitions/Awards   2020 ""HOUSE OF VANS COMMUNITY MARKET"" - HOUSE OF VANS, LONDON 'ROYAL ACADEMY SUMMER (WINTER) EXHIBITION 2020' - ROYAL ACADEMY OF ARTS, LONDON. 'WOMENKIND NORTH"" - WITH LAE CONSULTANCY, PRESTON. 'ART ON A POSTCARD - INTERNATIONAL WOMEN'S DAY' - ALL BRIGHT, MAYFAIR, LONDON.   2019 'NOTICE THE SMALL THINGS"" - JEALOUS GALLERY, LONDON. 'BLISTERS - WAY BACK WHEN' - PRINT CLUB, LONDON.   2018 'THE CUT' - HICKS GALLERY, LONDON 'POP ART FEMMES' - GINA CROSS GALLERY X ARTSY X GUCCI, LONDON 'CHOOSE LOVE' - THE PRINT CLUB @ SOMERSET HOUSE, LONDON 'WEIL ICH EIN MÄDCHEN BIN' - ODAPARK, CENTRUM VOOR HEDENDAAGSE KUNST, NETHERLANDS. 'ROYAL ACADEMY SUMMER EXHIBITION 2018' - ROYAL ACADEMY OF ARTS, LONDON. COLLABORATION WITH ""COCO FENNELL"" FOR SS18 COLLECTION #COCOXCEAL   2017 COLLABORATION WITH ""THE BIG ISSUE"" #WEARABIGISSUE 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'GIRLS, GIRLS, GIRLS' - JEALOUS NORTH, LONDON.   2016 'KIDDING' (W/KRISTIAN JONES), JEALOUS GALLERY, LONDON. '20 BEST OF ART ON A POSTCARD' - JEALOUS GALLERY, LONDON.   2015 'FRACTURED FAIRYTALES' (3 PERSON SHOW WITH JESSICA HARRISON & JOE WEBB) - JEALOUS GALLERY, LONDON.   2014 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY OF ARTS, LONDON. 'TIME OF THE MONTH' - JEALOUS GALLERY, LONDON.   2013 'ENGLISH EDITION' - CULTURE GALLERY, CAPE TOWN, SOUTH AFRICA. 'CONTES DE NOËL' - LESS IS MORE PROJECTS, PARIS, FRANCE.   2012 'ASSEMBLY' - HARTINGTON ROAD, LONDON. 'JEALOUS @ HEAL'S, HEAL'S', TOTTENHAM COURT ROAD.   2011 'EXAM.' - TRANSITION GALLERY, LONDON.   2010 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'LA COLLECTION DE MONSIEUR X, OU LES AVANTAGES D'ÊTRE UN COLLECTIONNEUR' - ATELIER RICHELIEU, 60, RUE DE RICHELIEU, PARIS.   2009 'MANDERLEY' - JOHN JONES PROJECT SPACE, FINSBURY. 'ROYAL ACADEMY SUMMER EXHIBITION' - ROYAL ACADEMY, LONDON. 'TATE'S LONG WEEKEND', BOXBOT STAGE - TATE MODERN, SOUTHWARK. 'NEW PRINTS FROM THE ROYAL COLLEGE OF ART SELECTED BY CHRIS ORR RA' - ROYAL ACADEMY OF ARTS, IN THE SIR HUGH CASSON ROOM FOR FRIENDS OF THE ROYAL ACADEMY, LONDON.   2008 '10' - AN EXHIBITION TO CELEBRATE THE 10 YEARS OF CHRIS ORR'S PROFESSORSHIP IN CONJUNCTION WITH THE WORK OF NOTABLE ARTISTS INCLUDING TRACEY EMIN AND MICHAEL CRAIG-MARTIN - ROYAL COLLEGE OF ART GALLERIES, KENSINGTON, LONDON. 'MAKE BELIEVE' - SHOW WITH BOO RITSON, RUTH CLAXTON ET AL. PART OF 'CONCRETE AND GLASS' MUSIC AND ART FESTIVAL NICHOLLS & CLARKE BUILDING, 3-10 SHOREDITCH HIGH STREET. 'BEAUTIFULLY CRAFTED' - NATIONAL GLASS CENTRE, SUNDERLAND. 'SHOW RCA 2008' - HENRY MOORE GALLERY, ROYAL COLLEGE OF ART, KENSINGTON, LONDON. 2007 'IF YOU COULD DO ANYTHING TOMORROW - WHAT WOULD IT BE?' - EXPOSURE GALLERY, LITTLE PORTLAND STREET, LONDON. 'OVER AND OVER AGAIN' - CURATED BY SASHA CRADDOCK - SADLER'S WELLS, ROSEBERY AVENUE, LONDON.   COLLECTIONS CHAPMAN BROTHER'S FAMILY ARCHIVE ROYAL COLLEGE OF ART ARCHIVE WSA LIBRARY ARTIST'S BOOK COLLECTION P RIVATE COLLECTIONS WORLDWIDE   COLLABORATIONS 2018 COCO FENNELL 2017 THE BIG ISSUE #WEARABIGISSUE   SCHOLARSHIPS AND AWARDS 2008 TIM MARA PRIZE - WINNER 2008 PRINTMAKING COUNCIL AWARD - WINNER 2008 SOUTH SQUARE TRUST SCHOLARSHIP - WINNER   Gallery Representation   Jealous Gallery, Gas Gallery, Chappell Contemporary   About the postcard artworks   When considering how to reflect myself within my work I decided to choose a balance of positive and negative. ""And What?"" represents fighting attitudes that I see as being wrong in society, whilst ""Entitled"" depicts my particular position of privilege of which I am very aware."

Dedijer (Vladimir). With Tito Through the War 1941-1944, 1st edition, Alexander Hamilton, 1951, presentation copy to Fitzroy Maclean signed by the author, 15 black & white illustrations, some minor toning, piblishers original blue cloth, 8vo, together with; Casson (Stanley), Greece Against The Axis, 1st edition, American Council on Public Affairs, Washington D.C., 1943, inscription by the author to the front endpaper, some minor toning, publishers original cloth, boards lightly marked, 8vo, and Campbell (Arthur), Jungle Green, 2nd impression, George Allen and Unwin, 1953, inscription by the author to the front endpaper, black & white illustrations, some light toning & spotting, original cloth in dust jacket, spotting to rear cover, minor rubbing to head, 8vo, The Siege, A Story from Kohima, 1st edition, George Allen & Unwin, 1956, inscription to the half-title with a handwritten letter both to 'Cherry' by the author, black & white illustrations, original cloth in dust jacket, covers slightly toned & rubbed to head & foot, 8vo, plus other circa 1940s - 60s aviation & military reference & biographies, including Spearhead General..., by Henry Maule, Lobdon: 1st edition, Odhams Press, 1961, signed by members of 7th Indian Division at the 1974 reunion, The Eichmann Kommandos, by Michael A. Musmanno, Philadelphia: 1st edition, Macrae Smith Company, 1961, inscribed by the author, Hitler's Pilot, by Hans Baur, London: 1st edition, Frederick Muller, 1958, many first editions, some signed by the authors & others, all original cloth, many in dust jackets, spines & covers slightly rubbed to head & foot, 8voQty: (49)

Michael Casson (1925-2003) Vase impressed potter's seal 15cm high; and a Winchcombe pottery colander, 22cm diameter; and two studio pottery vases (4).

Michael Casson (1925-2003) Two bowls with blue and brown brushed design over a cream ground impressed potter's seals 15cm high, 21cm diameter; and 13cm high, 18cm diameter (2). 

Michael Casson (1925-2003) Two bowls with blue and brown brushed design over a cream ground one with painted initials 11cm high, 13cm diameter; and 11cm high, 14cm diameter (2).

Michael Casson (1925-2003) Footed bowl green and grey brushwork patterns over cream glaze painted potter's initials 10cm high, 14.5cm diameter.