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Georg John (1869-1941)Seated nude by a forest stream, signed in pencil and indistinctly titled, mezzotint, 34 x 41cm Some time staining visible to the margins, otherwise appears ok.

Mortimer Menpes, etching of Amsterdam, signed in pencil, 27cm x 20cm, together with a mezzotint landscape, indistinctly signed (2)

Samuel William Reynolds (British, 1773-1835) after William Owen - Sir Thomas Dyke Acland - Mezzotint - 64 x 35.5cm (lower margin cropped) - A 'proof' label with dedication to 'Lt. Col. Seale' stuck on to the bottom margin - Together with two 18th Century colour prints of ladies in fancy dresses (3)

19th Century watercolour, study of a seated child, signed indistinctly, 17 x 16cm, gilt framed, together with a mezzotint portrait of a girl, gilt framed

Spong Mincer, small 19th Century tray inset with a mezzotint print and other sundry items

George III reverse mezzotint on glass, ' The Fair Quaker ', 35 x 25cm, framedSome yellowing and age related grime, otherwise both are in OK condition.

Pair of oval gilt framed watercolour portraits, together with a set of five oval gilt framed portrait engravings and two gilt framed mezzotint portraitsAll in good condition.

Pair of Edwardian pier mirrors with French mezzotint glazed panels, 107cm x 28cm

CIBBER COLLEY.  An Apology for the Life ... Written by Himself. 2 vols., ed. by R. W Lowe. Ltd. ed. 108/305. Etched & mezzotint plates. Large paper. Orig. cloth backed brds., internal foxing & spotting. 1889; also William Winter, The Life of David Belasco, 2 vols., illus., New York, 1918.  (2).

JOHANN WILHELM WEINMANN (1633-1740) AND JOHANN JAKOB HAID (1704-1767) 'BROMELIA ANANAS' FROM PHYTHANTHOZA ICONOGRAPHIA Mezzotint, printed in colour, finished by hand, plate 112 In a French 20th century frame stamped Mazeron 33 x 22cm (12 x 8½ in.)(This lot is offered without reserve)

AFTER THOMAS HUDSON JOHN DUKE OF MONTAGU Mezzotint 43 x 31.5cm (16¾ x 12¼ in.)Together with five similar prints by various hands, various sizes, all unframed (6) (This lot is offered without reserve)

John D. Miller (1860-1903) after George Heming Mason 'The Milkmaid'etching and mezzotint, trial proof for the print published by P & D Colnaghi & Co., 188456 x 30cm Pl.; together with Robert Walker Macbeth (1848-1910) after George Heming Mason'Only a Shower'etching, trial proof for the print published by Arthur Tooth, 189039 x 74cm Pl.; and two further prints after Benjamin Williams Leader and Marcus Stone (4)

* Green (Valentine). A Philosopher Shewing an Experiment on the Air Pump, published J. Boydell, 1769, uncoloured mezzotint after Joseph Wright, trimmed to the image and laid on later card, open repaired tear, with some loss to the printed image and title in the lower margin, repaired in facsimile, 475 x 590 mm, framed and glazed, together with Earlom (Richard). [The Shepherd Boy] published by J. Boydell, October 1st 1781, uncoloured mezzotint after Thomas Gainsborough, scratch letter proof before title, slight abrasion in the title field, 405 x 280 mm, mounted, framed and glazedQTY: (2)

Old Master and Later Pictures and Prints. Robert Williams (fl. 1680-1704) after Michael Dahl (?1659-1743) - The Right Hon:ble Sir George Rooke Vice-Admiral of England [...], portrait, [London]: Sold by John Smith [...], 1704, mezzotint, 37.6 x 29cm, 19th c collector's manuscript note to verso: First state of 3 [...], A. Burgess, 20th c - Mulbarton Churchyard, Norfolk, signed and titled, watercolour and pen-and-ink, 17.3 x 25cm, Modern British School, early 20th c - Ruined Abbey, monogrammed W and dated 1925 within the plate, etching, 18 x 23.9cm, mounted, Salisbury Cathedral after Thomas Hearne, hand-coloured engraving, further antiquarian, ecclesiastical and macabre memento mori prints, including Swinbrook Church chancel tombs, a proof lithograph of Arundel Church, Sussex, Ackermann aquatint of East Side of the Chapel of St. Paul at Westminster Abbey, Common Seal of St. Editha's Church, Tamworth: Published by J. Thompson, 1845, nine proof wood-engravings on India paper by Orlando Jewitt, etching of Glastonbury Abbey monastic ruins, lithograph of the memorial brass to Sir Roger le Strange at Hunstanton Church, Norfolk, a later printing of Farnese Hercules after Hendrick Goltzius, etc., mixed sizes As lot in mixed, but generally good condition.

An Arts & Crafts large planished copper picture frame with fish motif to each corner, and with raised lettering 'Castles of Sand', inset with a mezzotint in sepia of Castles of Sand by William Henry Margetson (1861-1940) printed by John Cuther Webb, signed by both in pencil in the margin. Frame 89cms by 79cms, Print 73cms by 63cms*The original oil painting was exhibited at the Royal Academy in 1898. Frame a little tarnished. Print with one or two small dirt spots but overall remarkably good condition for age.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

After Sir Henry Raeburn : The Honourable Mrs Wharton, mezzotint, signed by the engraver, 47 cm x 58 cm.

After Sir Henry Raeburn RA (Scottish, 1756-1823), mezzotint, 'The Boy with Rabbit', printed in colour by hand by N Jowett, published by Frost and Reed, 1923, signed in pencil, 50 x 39cm, gilt framed. Condition - poor

An early 19th century Mezzotint of George IV with Royal Crest titled "His Most Gracious Majesty George IV dedicated by permission to His Royal Highness The Duke of York", probably in original gilt frame, 16" x 13".

A 19th century engraving of a country house, The Hook, seat of William Hornby. 18X23cm, in a burr walnut frame, together with a mezzotint of Lady Peel, after Lawrence, and a Baxter print, Christmas Time (3).

Mezzotint Artist Proof of Painting 'Marie Antoinette' reads to bottom Madame Vigee Le Brun and to right hand side Hel Braun & Cie. Mounted, glazed, and framed in a gilt swept frame. Image measures 11'' x 8'', overall size approx. 20'' x 16''. Together with Mezzotint Artist Proof signed Petitjean. Image Measures 12'' x 10'', overall size approx. 22'' x 20''.

Hacker after Barraud, 'Mr William Long on "Bertha"', 19th century colour mezzotint, the plate 37x49cm

A pair of Charles Turner (1773 - 1857) hand coloured Mezzotint engravings after T. Blake and J. Bristow. Superb examples of 19th century Monkeyana - portraying monkeys  engaged in very human activeties and pastimes. 'The Duellists' - Monkeys participating in a duel in an outdoor heath landscape. 'The Pug-ilists. Time!!!' A group of monkeys drunk in a tavern where a fist fight has taken place between two card players. Framed and glazed -48cm x 54.5cm

George Herbert after Thomas Sidney, ' The Game-Keepers Return ', classical mixed mezzotint print, circa 1849, 43 x 56cm, in fine maple frame

William Strang RA (Scottish 1859-1921) Head of a Peasant, mezzotint etching, signed pencil bottom right, in a glazed wooden frame. (26cmx21cm)

Lewis (John) The History and Antiquities, as well Ecclesiastical as Civil, of the Isle of Tenet, in Kent, 2 parts in 1, second edition, mezzotint portrait (shaved at head), title in red & black with engraved vignette, 25 engraved plates, some folding, Macclesfield copy with embossed stamp to portrait & title and bookplate of North library, contemporary vellum, J.Osborn, 1736 § Philipott (Thomas) Villare Cantianum; or, Kent Surveyed and Illustrated..., second edition, folding engraved map, 2 engraved plates, one folding of Bromley College, browning, ink signature of Charles Pemberton Carter, bookplate of Jill Allibone, later half calf by R.Hynes of Dover with his ticket, rebacked preserving most of old spine, corners renewed, Lynn, W.Whittingham [& others], 1776 § [Tenison (Edward)] The True Copies of some Letters, occasion'd by the Demand for Dilapidations in the Archiepiscopal See of Canterbury, 2 parts in 1, browned, modern boards, 1716 § [Farrant (Henry)] A Letter to Mr.Archdeacon Tenison, detecting several Misrepresentations in his Pamphlets relating to the Demand for Dilapidations, stitched, 1717 § [James (John)] The Survey and Demand for Dilapidations...Justified, modern boards, [Harris 379], William Hunter, 1717, rubbed, 4to & folio (5) 

[Mathias (Thomas James)] The Pursuits of Literature. A Satirical Poem, 1 vol. bound in 2, ninth edition, half-title bound after preliminaries, T. Becket, 1799; [Another vol.], containing pp. 343-344, 439-444, 481-579 & 68pp. Index only from a later edition of the same work, [?1808], together 3 vol., extra-illustrated with c.580 plates and illustrations, most engraved portraits, some mezzotint, a few with hand-colouring, including 2 prints of Dr. Gossett at a book auction and a hand-coloured example of Gillray's Scotch Poney, each text leaf window-mounted, plates bound in (a few loosely inserted), illustrations window-mounted or laid down on c.200 sheets, some laid down on verso of plates, occasional ink or pencil annotation to text and plates, some plates trimmed within image, the occasional short tear or loss to a corner, occasional foxing or soiling, some offsetting and browning, uniformly bound in 19th century straight-grain green morocco, gilt, gilt turn-ins with watered silk endpapers (front turn-ins with small sticker to head, vol. 1 small worm trace to front endpaper), vol. 1 rebacked preserving original backstrip, spines very slightly faded, some spotting to covers, generally light, a few scuff marks, rubbing to joints and extremities, g.e., 4to. *** Provenance: the Earl of Bessborough, "I wish to declare to those who look at this Book that the Reason of my having illustrated it, has not been because I agree with the Author in the Political Opinions which He has advanced, or in the Characters He has drawn...on the contrary, I disagree with them almost universally...I particularly object to the bigoted Attack the Author makes against any Toleration to the Roman Catholicks...-Bessborough" (ink note to front free endpaper of vol. 1).

[Martyn (Thomas)] The English Connoisseur: containing an Account of whatever is curious in Painting, Sculpture, &c. in the Palaces and Seats of the Nobility...of England..., 2 vol., first edition, attractive contemporary mottled calf, lacking one label, L.Davis & C.Reymers, 1766 § Alison (Archibald) Essays on the Nature and Principles of Taste, 2 vol., second edition, lacking half-titles, title & contents leaf to vol.2 bound at end of vol.1, contemporary half calf, spines gilt, labels chipped, Edinburgh, 1811 § Walpole (Horace) Anecdotes of Painting in England, edited by Rev. James Dallaway, 5 vol., engraved portrait and plates, spotting, contemporary roan-backed boards, uncut, 1828 § Opie (John) Lectures on Painting, mezzotint portrait, list of subscribers, 10 engraved portraits, 9 with border in red and pink wash, offsetting, bookplate of William Gordon of Fyvie, contemporary half red roan, spine gilt, 1809 § Flaxman (John) Lectures on Sculpture, first edition, lithographed portrait on india paper and 51 plates (plate 18 never issued), contemporary cloth, uncut, spine faded, recased, [BAL 107], 1829, all rubbed; and 14 others, art, v.s. (25)*** The first item is "the first general review in book form of collections of pictures in England" (Frank Herrmann. The English as Collectors, p.422) although much of the material was taken from earlier publications. The work covers Blenheim, Chatsworth, Devonshire House, Hampton Court, Kensington Palace, Stowe, Wilton and Windsor amongst others.   

*Leonard Russell Squirrell (1893-1979) signed mezzotint - Haddiscoe Church, 24cm x 28.5cm, in glazed gilt frame

*Leonard Russell Squirrell (1893-1979) signed mezzotint - Framlingham Castle, 19cm x 33cm, in glazed gilt frame

*Leonard Russell Squirrell (1893-1979) signed mezzotint - Alnwick Castle, Northumberland, 21cm x 35cm, in glazed gilt frame

Mezzotint, by G. T. Stubbs, apparently a later restrike, originally published by Robert Sayer, 1773, Image 40.5 x 56cm. *CR Water stains in lower margins; the paper lightly foxed and time-toned.

A collection of five decorative prints To include a pair after Bartolozzi, the first 'Prudence endeavouring to retain beauty from following the insinuation of love', the second 'Allegory of Nature', each 19cm x 23.5cm to the mount; together with a mezzotint engraving of Lord Townsend when young, after the portrait by Sir Godfrey Kneller; 'Elinor (Eleanor) Copley' after Sir Godfrey Kneller, mezzotint engraving; and J. Dawson after C.M. Metz, studies of classical figures, etching.The largest 32 x 41cm.Qty: 5In generally good condition.

After George Hayter A pair of mezzotint prints of Queen Victoria and Prince Albert in exhibition frames.115cm x 78cm including frames.Qty: 2From the estate of Sir John Elliott FBA, an eminent British historian and Hispanist who was Regius Professor at the University of Oxford and honorary fellow of Oriel College, Oxford, and Trinity College, Cambridge.Toning and some watermarking to the paper, with minor losses to the gilt moulding on the frames.

Three portrait prints Thomas Appleton after George Romney, Lady Hamilton as Bacchante, mezzotint, signed to the margin 'Thomas. G. Appleton'; after Sir Peter Liley, Elizabeth, countess of Northumberland, mezzotint; a portrait of an 18th century lady, hand-coloured mezzotint.The largest 63 x 50cmQty: 3In generally good condition, with toning commensurate with age particularly notable on the portrait of Lady Hamilton.

After Gainsborough, a portrait of the Prince Augustus, later The Duke of Sussex Hand-coloured mezzotint.38cm x 30cm to the plate mark.Qty: 1In generally good condition, with some light toning. Surface dirt to the glaze. Losses to the frame.

A QUANTITY OF PICTURES AND PRINTS ETC, to include Trevor Hodkison portrait of a dog 'Chipper', signed and dated 1985, oil on board, approximate size 27cm x 23cm, an unsigned 19th century oil on wood panel depicting a water landscape with figures on a boat and a figure on the shore looking on, approximate unframed size 19cm x 33cm - paint loss to the horizontal join in the wood, bottom right corner is missing, a Stan Richards silhouette portrait of a nude female figure, oil on board, approximate size 39cm x 30cm, a Michael Lakin watercolour depicting an Orchid, approximate size 42cm x 29cm, a signed limited edition print by the same hand, an Ian Baxter limited edition print of Robin Hoods Bay, sentimental Victorian prints, two C. Fitzgeral mezzotint engravings after John Constable, open edition Lowry prints, 19th century topographical prints, a religious print with a carved wooden frame etc

E. M. Hester - a pair of mid 19th century original mezzotint portraits depicting ladies. Each of the mezzotints signed E. M. Hester to the lower right hand corner, blindstamped Proof lower left. After The Salad Girl after John Hoppner R.A. and Lady Peel after Sir Thomas Lawrence. Depicting a portrait of two well to do ladies. Each mounted, framed & glazed. Measuring approx. 36cm x 30cm including frame.

A folio of Old Master and other prints, early 18th c and later, including Jacques Philippe Le Bas (1707-1783) after Julien-David Le Roy (1724-1803) - Vue d'un Monument élevé en l'honneur de Thrasyllus à Athenes; Vue du Tmple de Minerve Suniade; Vue du Monument appellé vulgairement à Athenes l'Arc de Thesée; Vue du Temple de Jupiter Olimpien à Athenes; Vue de quelques fragments d'un Temple, situé dans un lieu de l'Attique appellé Thoricion, five, s.l., s.n., n.d. [1758], etchings, trimmed to just within the platemark, the largest 30.5 x 46cm; Francesco Morelli (c.1767-c.1830) after Jean Jérôme Baugean (1764-1827) - [Pyramid of Caius Cestius], Rome: Agapito Franzetti, n.d. [1795-1800], etching, 35 x 45cm; another two Grand Tour prints conforming; possibly by Robert White (1645-1703) - [Kentish Petition of 1701/The Kentish Petitioners], unlettered, s.l., s.n., n.d. [1701], line engraving, 36.2 x 26.2cm; Thomas Goff Lupton (1791-1873) after John Renton (1774 - c. 1841) - The Rev:d Matthew Wilks, portrait, London: Smith & Son, mezzotint, 41.5 x 31.5cm; 18th c portrait engravings; a gouache coat of arms; Welsh castles; 18th c Dutch maps; other European towns; other prints, mixed media and sizes, repaired early 19th c folio, leather over marbled boards, (54.5 x 72cm), (approx. 70) Mixed condition

After Reynolds, a mezzotint of Lady Caroline Montague as a child

Cervantes Saavedra, Miguel de Don Quixote de la Mancha Translated from the Spanish. Embellished with Engravings from Pictures painted by Robert Smirke, Esq. R. A. London; for T. Cadell and W. Davies, 1818. First edition, large-paper copy, 4 volumes, 4to (27.6 x 22cm), contemporary diced russia, spines gilt in compartments, five-fillet borders gilt to covers, all edges gilt, 48 engraved plates and 8 engraved head- and tailpieces, all on india paper, mounted, mezzotint frontispiece (not mentioned in list of plates), engraved bookplates, 19th-century ownership inscription to volume 1 endpaper The Library of a Scottish Gentleman

Clerk, John, of Eldin A Series of Etchings Chiefly of Views in Scotland With Additional Etchings and Facsimiles from his Drawings. Edinburgh: for the Bannatyne Club, 1855. Large folio (50.5 x 31cm), original maroon quarter roan, printed paper label to front board, xxx pp., lithographic portrait frontispiece after Henry Raeburn, mezzotint portrait (both on india paper, mounted), 55 etched or tinted lithographic plates (numbered 1-55 but many containing multiple separately printed images), one further unnumbered plate, tissue-guards, binding worn and sunned, staining to front endpapers and to gutter of frontispiece, spotting to pp. xxviii-xxix from old laid-in etchings Second edition, greatly enlarged, number 98 in the Bannatyne Club series; it was first published in 1825 with 28 plates only. John Clerk of Eldin (1728-1812), 'a true child of the Enlightenment' (ODNB) is best remembered today for his Essay on Naval Tactics (1790). 'Clerk was an exceptional amateur artist. His wealthy background afforded him the luxury of entertaining numerous careers, including medicine and business, and he also showed a considerable interest in geology. In the 1740s he began sketching alongside his brother-in-law, Robert Adam, and the artist Paul Sandby. Clerk travelled extensively throughout Scotland, recording a wide range of landscapes and ancient buildings. His sketches of Edinburgh and the surrounding areas are highly personal representations of his native countryside' (National Galleries of Scotland, online). The Bannatyne Club was an antiquarian printing society founded in Edinburgh in 1823 by Sir Walter Scott on the model of London's Roxburghe Club.

18TH CENTURY MEZZOTINT OF A LADY, ALONG WITH ANOTHER PRINT AND A MIRROR the mirror in frame inset with printthe mezzotint 11cm diameterQty: 3

DAHL, Michael. Original Mezzotint. Mr Alexander Pope. Framed and Glazed. M. Dahll Pina to lower left, and J]ohn]. Simon. Sir to the lower right. Mezzotint size; 36cm x 25cm. Some toning, soiling to the lower margin. John Simin after Michael Dahl. 1728 [National Portrait Gallery].

HUNTING. J Smith 1652-1743 Mezzotint engraving after Jan Wycke. The Deer Hunt, Published Cum Privilegio Regis c1687. Unframed. Laid onto card. Some dusting and soiling. Measuring; 32cm x 28cm

After Johann Joseph Zoffany RA Embassy of Hyderbeck to Calcutta, from the Vizier of Oude by the way of Patna in the year 1788 to meet Lord Cornwallis mezzotint by Richard Earlom, published by Robert Laurie & James Whittle, London, 1800 55 x 72cmA good, strong clear impression. Not laid down. Top right and left corners of margin detatched from the sheet. A series of light horizontal creases to images. Tear from the mid-left hand side extending approx. 5cm/6cm into the image horizontally. Surface blistering/abrasions, principally to the sky. Small area of repair extending into the legend around the date area (88). Some evidence of water damage to the far right hand margin.

After Margetson, 'The Flowers of the Field', mezzotint, in a carved Florentine frame, diameter 19.75" (50cm), along with a print after Birket Foster.

A late 19th century Mezzotint of a sick bed scene in the Pre Raphaelite taste in original reeded frame, 15" x 21".

A hand coloured engraving of Capel Nantddu, Breckonshire by I.G. Wood published 1811, an 1831 hand coloured copper engraving of Swansea Castle, an 1825 Mezzotint of Okehampton Castle on the river Okement and an antique engraving of Newport, Monmouthshire.

Four prints to include: 1814 portrait of Sarah Churchill, Duchess of Marlborough 1660-1744, and engraving of Sir Thomas Fairfax, commander of Cromwell's New Model Army published 1800 (plate mark intact beneath mount), a Mezzotint of Lady Emma Hamilton as a Bachante, and an 1830 colour fashion plate.

* JAMES MCDONALD (SCOTTISH b. 1956), BLUE ANCHOR BAY artist's proof mezzotint on paper, signed, dated 2016 and inscribed 'A/P', titled versomounted, framed and under glass image size 11.5cm x 9.5cm, overall size 31cm x 28cm Label verso: Roger Billcliffe Gallery, GlasgowNote: James McDonald studied at Edinburgh College of Art 1974-78, and completed his postgraduate year there in 1979. McDonald has painted full-time since studying at Edinburgh, and his work has won numerous awards including the Andrew Grant Travelling Scholarship, British Council Travel Grant and the Alexander Stone Foundation Award. He has exhibited widely throughout the U.K. and overseas and is in private and public collections including the Victoria & Albert Museum, London; BBC; STV and all major Scottish banks.

* Portraits. A collection of 11 Portraits, 18th & 19th century, uncoloured line and mezzotint portraits, including Green (Valentine). Sir Joshua Reynolds, Knight, President of the Royal Academy, Member of the Imperial Academy at Florence..., published by V. Green, December 1st 1780, mezzotint on laid paper, slight spotting, laid on later card, 485 x 385 mm, together with Smith (John). His Royal Highness William Duke of Glocester, circa 1700, uncoloured mezzotint after G. Kneller, slight staining, 345 x 260 mm, framed and glazed, with another nine engravings including examples by or after Larmessin, Hodges, Earlom, Lawrence, Thomson, Wilkin and Audinet, five framed and glazed, various sizes and conditionQTY: (11)

* Bell (Edward). 'Cows', circa 1800, mezzotint on wove after George Morland, printed in colours with some additional early hand colouring, trimmed at the base with loss of publication line, some restoration to the margins, laid on archival tissue, 370 x 455 mm, together with Dawe (Henry Edward), The Intrusion, published by R. Lamb, 1818, mezzotint on wove after George Morland, printed in colours, small margins, 375 x 500 mm, both prints with the collector's stamp of Christopher Lennox Boyd (CL-B) on the verso QTY: (2)

* Cattle. Landseer (Thomas), Portrait of the Celebrated Short Horned Cow Bracelet. The Property of John Booth Esqre. Killerby Yorkshire, published by M. Bell, Richmond, Yorkshire, circa 1843, uncoloured mezzotint on India wove, slight marginal fraying and staining, 460 x 555 mm, together with Garrard (George). Seven Portraits of Cattle. A Devonshire Cow, A Devonshire Bull, Sussex Bull, An African Bull, A Bull, A Cow [and] A Bull, 1801, etchings with contemporary hand-colouring, slight marginal fraying, each approximately 330 x 480 mm, with Baudement (Emile). A collection of 18 lithographs, originally published in 'Les Races Bovines au Concours Universel...,' Paris, 1856 - 1864, uncoloured lithographs of cattle, titles in French, slight marginal staining, each approximately 265 x 350 mm, plus another thirty-seven engravings, etching and lithographs of cattle, including examples by or after Hills, Whessell, Vauthier, Masquelier, De Penne, Scott, McKenzie, Edwards, Morland and T. S. Cooper, various sizes and condition QTY: (63)

After Petitjean an artist's proof mezzotint, of a young lady with exotic bird. 33.5 cm x 28 cm, framed, signed on the margin.

James Faed after Alexander Melville Portrait of General Gordon seated in uniform with remarqué sketches of a dispatch in Arabic and facsimile paper money used at Khartoummezzotintsigned in pencil, publ.188654 x 42.5cm

James Watson after Benjamin West The Honourable Robert Monckton, Governor of New Yorkproof before letters mezzotint c.176249.5 x 36cm

After I. Seymour by T. Burford Mezzotint "The Horse Courser Selling a Nag - Caveat Emptor", framed and glazed, image size 24.5cm x 35cm, together with another similar print (2)

Late 19th century English school - Head and shoulders portrait of a girl, mezzotint, 9.5 x 7.5cm, in red Moroccan leather bound case

A mezzotint portrait of Robert Clayton, Lord Mayor of London, after John Riley, engraved by John Smith (1652-1742), framed 62 by 49cm, together with two gilt framed engravings. (3)

Lemuel Francis Abbott (British, 1760-1803), Blackheath Golfers, coloured mezzotint, engraved by V. Green, framed