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Lion and Lioness: A Maw and Co Ruby Lustre Charger, decorated with the sun setting, a palm tree, lion and lioness, unmarked, 36cm diameterCrazed. Some wear to the rim. Some firing faults. See images.

A pair of Maw & Co (Broseley) stoneware pottery planters, circa 1852-83, the circular flattened bulbous tops moulded with four high-relief lion masks on a lobed band, picked out in ochre against a mottled off-white ground, above a purple glazed lower body, supported on four ochre glazed lion paw columns and canted corner square bases, the off-white glazed interiors with an ochre and purple band to the rim, impressed marks to bases, height 30cm, diameter of tops 48cm (some faults).

Three Maw & Co Framed Wall Tiles to include Chimney Sweep and Pickwick Papers (1 Tray)

Maw & Co. Four Seasons Framed Wall Tiles (1 Tray)

Y&nbspA VICTORIAN BRASS BOUND MAHOGANY CASED COMPOSITE SET OF SURGEON'S INSTRUMENTSVARIOUS MAKERS, THIRD QUARTER OF THE 19th CENTURYThe lid with a fine amputation hacksaw stamped S. MAW & SON, LONDON with ebony pistol grip, another saw, three assorted forceps and a small bone saw, over lift-out upper tray containing four large surgical knives with blades ranging from 10.5 inches to 4.5 inches and ebony handles variously marked for AITKEN, YORK and EVANS & Co. LONDON, seven scalpels again with ebony handles and variously signed for WEISS, LONDON; WALTER LAWLEY, LONDON; YOUNG, EDIN'R and MAW, LONDON, together with three picks including one inscribed MATTHEWS, a selection of broaches, two tracheotomy breathing tubes and other implements, the lower section with two trepanning core drills, a syringe, a scoop inscribed GARDNER, chain ligatures and a small quantity of other instruments, the exterior of the box with brass strap reinforcements including bound angles and the lid centred with a shield-shaped cartouche engraved Dr. Hoad; together with a cased optical instrument, Keeler Optical Instruments, London, mid 20th century, (2). The surgical instrument case 46cm (18ins) wide, 25cm (10ins) deep, 11.5cm (4.5ins) high. Solomon Maw is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1551-1851 as a surgical instrument and medical glassware maker working from 11 Aldersgate, London 1839-60 and was succeeded by Maw and Son. John Weiss is recorded by Clifton as working 62 Strand and 287 Oxford Street, London 1831-51. Condition Report: As catalogued the set is 'composed' hence comprises implements by differing makers and of differing patterns; also it is incomplete - see online listing images for vacancies within the box fittings. The steelwork is generally in good condition as it seems that previous owners smeared the implements with petroleum jelly before storing away, however there is some localised oxidation to some of the items. A few of the knives show evidence of past sharpening and a small quantity of the implements have some wear/chipping to the ebony grips. The block positioned to the right-hand edge of the inside of the lid (supporting saw implements) is currently loose (just needs gluing into place). The exterior of the box has historic scuffs and scratches but is generally in sound original condition. There is no lock key present. Condition Report Disclaimer

Maw & Co framed Majolica tile picture depicting a peacock. Not available for in-house P&P

Maw & Co. - A set of six mid 20th century circa. 1970s Maw & Co. Tubeline and Majolica framed ceramic tiles. The tiles each depicting Victorian workers in different professions, each titled to lower, including; Chorus Girl, Chimney Sweep, Street Trader, Street Musicians, Gameskeeper, Victorian News Vendors. Each tile hand painted. Measures approx. 44cm x 24cm.

A set of 3 Maw & Co Antique picture tiles, 15cm, a pair of large Wedgwood printed animal tiles, 2 Delft tiles with printed scenes, pair of Victorian bird decorated tiles, a Minton Art Nouveau pot stand tile, and 7 others (17)

Maw and Co, an Arts and Crafts red lustre dish, painted with a central bird and snake design within Persian style lappet border, the reverse with a salamander within foliate scroll border, 26cm diameter

A group of 14 Maw & Co encaustic tiles. Decorated in bi-colour with a repeated vine and grape pattern, impressed marks, each 15.5cm square.

A large Maw & Co. stoneware pestle and mortar

A Set of Four Maw & Co Four Seasons Tiles (4)

A 20th Century Maw & Co. Broseley Salop 6 inch dust pressed terracotta tile, decorated with sgraffito stylised spikey leaves all in a grey ground, together with a similar sgraffito decorated 6 inch tile, in the style of Salopian Art Pottery with stylised floral and leaf decoration in blue and grey. (2)

A 1930s Pilkington's 4 inch dust pressed tile, tube line decorated with a windmill to a landscape against clouds, after designs attributed to Edmund Kent, picked out in enamel colours, together with a collection of similar period 4 inch tiles from other makers with similar stylised designs to include Candy, Maw & Co and Honiton examples. (5)

Three late 19th Century Maw & Co Broseley Salop 6 inch dust pressed tiles, each relief moulded in a simulated tube line style with stylised floral designs picked out in majolica style glaze, maker's mark verso. (3)

A late 19th Century Maw & Co Broseley Salop 6 inch dust pressed red clay tile, decorated with a line drawn portrait of a shepherdess all in a brown glaze, maker's marks verso.

A later 19th Century Maw & Co Broseley Salop 6 inch dust pressed brown clay tile, hand painted with blue underglaze stylised flowers over a brown glaze, together with a E. Smith & Co printed and hand coloured tile with a snail over green leaves and branches, also two other unknown maker's tiles with similar floral designs in various colour glazes, all with maker's marks verso. (4)

A collection of 19th Century 6 inch dust pressed tiles with figurative printed and painted decoration, including Minton Hollins, Maw & Co, and Copeland, two drilled and footed. (9)

A 20th Century Maw & Co 6 inch dust pressed tile, decorated with two printed and painted stylised roses with buds and swirling branches in yellow and orange with a hint of lustre, all over a white ground.

A 19th Century Maw & Co 8 inch dust pressed tile, transfer printed and painted with a stylised fruiting pomegranate bough with flowers and foliage against a black and white striped ground, relief moulded marks.

A collection of five early 20th Century assorted Maw & Co 6 inch dust pressed tiles, to include relief moulded and hand painted examples all with stylised floral, scroll and Anglo-Persian motifs, with various colour glazes, maker's marks verso. (5)

A group of Maw & Co 6 inch and 4 inch dust pressed tiles, each relief moulded with Gothic Revival designs picked out in majolica type glaze, relief moulded marks. (4)

A 19th Century W. T Copeland 8 inch dust pressed tile decorated in the manner of Augustus Welby Pugin with a Gothic Revival design with fleur de leys with foliate scrolls over a buff ground, together with two similar printed examples from Maw & Co and Minton Hollins & Co. (3)

A pair of 19th Century New Wharf Pottery Co 6 inch dust pressed tiles, transfer printed with studies of doves to a dovecote to the cream glazed ground, together with a selection of other similar period tiles depicting birds and animals including examples from Maw & Co, Corn Brothers and W. B. Simpson & Co. (5)

A 20th Century Maw & Co framed panel tile, block printed in black over yellow with a stylised rose plant in an urn, 20cm x 10cm, frame size 24cm x 14cm.

Seven 19th Century 6 inch dust pressed tiles, Art Nouveau style, including W B Simpson & Sons stencilled tile, green, brown and blue tones over white ground, decorated with a stylised flower head and leaves, printed marks verso, a Mintons China Works floral tile printed blue over white ground, decorated with stylised flowers and strawberry, design attributed to John Wadsworth, a W B Simpson, Maw & Co floral printed tile with brown and blue tonal decoration, together with three unmarked painted and stencilled tiles. (7)

A 19th Century Maw & Co terracotta dust pressed portrait tile, moulded in high relief with the head of a Roman, olive green field and yellow border, moulded marks to reverse.

A Maw & Co dust pressed 8 inch tile decorated with stylised ships at sea in brown and white under thick glaze, embossed marks.

An assorted collection of late 19th to early 20th Century 6 inch dust pressed tiles, to include a Pilkington's two tile panel depicting a Putti in relief holding a wreath, glazed in white over a blue ground, a Minton example with incised Gothic style decoration with mottled deep green and ochre glaze, a tile attributed to T.G.F. Booth relief moulded with a standing heron amongst reeds, a Maw & Co tile relief moulded with a stylised shell design in yellow and green, and a possibly Minton tile with a central pink and white flower head over scrolling blue and white leaves all over a textured yellow ground. (6)

Twelve 19th Century Mintons China Works 6 inch dust pressed Industrial Series tile, designed by John Moyr Smith, brown on brown on buff, to include Potter, Tanner, Painter, Plumber, together with a Maw & Co dust pressed tile with similar decoration (13)

An assorted collection of late 19th and early 20th Century 6 inch dust pressed tiles, makers to include, T. A. Simpson & Co, Pilkington's, Mintons China Works, Henry Richards, Maw & Co etc, all relief moulded or faux tube lined stylised floral motifs and repeated patterns, all with colour glaze finish. (22)

A collection of 19th Century 6 inch dust pressed embossed floral tiles to include examples from Photo Decorated Tile Co, Minton Hollins & Co, H & R Johnson, Maw & Co and Pilkington's, all with relief moulded florals decorated in single colour majolica glazed finish, various marks. (10)

A framed pair of later 20th Century Maw & Co of Tunstall 8 inch dust pressed tile panels, each relief moulded in the Chinese style with a scene of two ducks on water with water lilies and Chinese characters, mounted to a faux bamboo frame.

A 19th Century Maw & Co encaustic advertising tile, in red/brown clay with 'Maw & Co Benthall Works Brosekey Salop' inscription in cream and black, maker's mark verso.

A large 19th Century framed tile panel attributed to Maw & Co Broseley Salop, hand painted with large stylised yellow lilies over a mottled blue and ochre ground, 30cm x 15cm, frame size 34cm x 19cm, together with a Maw & Co Broseley Salop, smaller rectangular dust pressed tile, hand painted with flowers and brambles over a blue ground, JGJ initials. (2)

A late 19th Century Maw & Co 6 inch dust pressed tile, transfer printed in blue over white with a design attributed to Owen Gibbons, with Japanese figures in a landscape, details picked out in hand painted blue and yellow glaze with gilding, together with a similar tile designed by Owen Gibbons for Maw & Co with blue transfer printed floral decoration with gilt highlights, maker's marks verso. (2)

A 19th Century Maw & Co Floreat Salopia 8 inch dust pressed tile, celadon glazed, modelled in relief with a dolphin, stylised form with whiplash tail on wavy ground, impressed circular mark verso.

Four 19th Century 6 inch dust pressed tiles, two printed with pigs and piglets in brown and blue over white ground, by Maw & Co Broseley, and Henry Richards Tile Co respectively, a Mintons Hollins tile, black printed and hand painted over a white ground, decorated with a wolf and lamb from Aesop's Fables series, and a Minton & Co Prossers Patent tile, blue printed over white ground, depicting the family crest of the Dalhousie family in the form of a double headed Wyvern. Note:  Minton Exhibition Catalogue stated that this tile was originally from a set in a French marble fire surround at Panmore House, Scotland, the home of Lord Dalhousie

Three 19th Century plastic clay encaustic and armorial tiles, including Minton & Co 'The Passion' embossed tile, brown, white and gilt over buff ground, decorated with crucifix and related symbols with scrolling foliate tendrils, impressed marks verso, together with a similar example, terracotta over buff ground decorated with symbols leading to the crucifixion, and a Maw & Co, Benthall Broseley armorial tile, incised decoration on terracotta ground, lion rampant opposing chevron with roundels within arrowhead filed. (3)

A late 19th Century Maw & Co Broseley Salop 6 inch dust pressed tile, with heavy relief moulded decoration depicting a Greek male portrait in profile wearing an olive wreath, all in a blue glaze ground, together with the companion tile depicting a female portrait in profile wearing a fruiting vine wreath, all in a blue ground, maker's marks verso, damage. (2)

A 19th Century Maw & Co 6 inch dust pressed tile, embossed design, blue and buff over black ground, stylised cornflower flowerheads and leaves, moulded marks to reverse.

A later 19th Century Maw & Co. Ltd Anglo Persian 6 inch dust pressed tile, decorated with a large stylised yellow flower and green leaves over a black ground, all in a matte finish, together with a similar decorated tile by the same hand. (2)

A set of three late 19th Century Maw & Co dust pressed 8 inch tiles, circa 1880, from the Parables of the New Testament Series attributed to CO Murray, comprising The Foolish Virgins, The Wicked Husbandmen and The Lost Piece of Silver, all transfer printed in black on a fawn ground, embossed marks. (3)

A 20th Century Henry Richards Tile Co of Tunstall (attributed) 6 inch dust pressed tile, embossed and faux tube lined with tree lined path, glazed in tonal blues and greens, embossed roundel to reverse, together with a Maw & Co floral tile in tonal blue glaze over black ground. (2)

A 19th Century Craven Dunnill 6 inch dust pressed tile tonal red lustre over white ground decorated with flower heads and scrolling leaves, moulded and impressed marks verso, together with a similar example, decorated with Christmas Cacti, impressed marks Grip Back verso, attributed to Maw & Co. (2)

A 19th Century Maw & Co 6 inch dust pressed 'stove' tile or trivet with relief moulded design and pierced body, picked out in majolica type glaze, relief moulded marks, together with a group of three similar period Maw & Co tiles with matched decoration. (4)

A set of three 19th Century Maw & Co 6 inch dust pressed tiles from the Months of the Year series depicting April, May and June, all printed in sepia and grey to a buff glazed ground, each mounted to a wooden surround. (3)

Six 19th Century Maw & Co 6 inch dust pressed tiles, designed by Owen Gibbons, transfer printed brown on cream ground, decorated with figures in town and country settings, monogrammed within image. (6)

A collection of 19th Century 6 inch dust pressed transfer printed tiles, decorated in sepia colourways, various factories to include Maw & Co, Pilkington's, Malkin Edge & Co and Jackson Brothers. (15)

Two 19th Century Maw & Co 6 inch dust pressed tiles, embossed floral and foliate designs, together with a 4 inch dust pressed tile decorated with fruiting oak branch on olive green ground, moulded marks to reverse. (3)

A pair of 19th Century Maw & Co 6 inch dust pressed tiles, black outlined painted polychrome over buff ground, decorated with Sports and Pastimes medieval scenes within black lined borders, W B Simpson & Sons, London. (2)

A 20th Century Maw & Co 8 inch dust pressed tile, with faux tube line majolica hand painted decoration depicting a stylised bird and tree design in tones of brown, together with another framed example from the same series with a stylised bird in a blossom tree, also a collection of assorted 6 inch and 4 inch tiles with stylised bird decorations, maker's marks verso. (14)

An assorted collection of late 19th to early 20th Century 6 inch dust pressed tiles, makers to include Maw & Co, Minton's China Works, Rhodes Tile Co., Pilkington's etc, all with hand painted or faux tube lined floral decoration in the Art Nouveau style, decoration picked out in colour glazes. (8)

A collection of seven 19th Century 6 inch dust pressed commemorative tiles, including a Maw & Co slip decorated terracotta tile, an Edward Smith & Co portrait tile and a Godwins Tile raised Victorian portrait tile. (7)

A collection of five 20th Century 6 inch dust pressed floral tiles, to include a Carter Tiles example with painted tonal blue and brown over white ground depicting a flowering tree, designed by Ruth Pavely, another example painted with a flowering cactus, designed by Alistair Metcalf, a Minton hand painted tile, decorated with yellow chrysanthemums on white ground, and a Maw & Co terracotta tile, impressed floral decoration using the Le Cuerda Seca technique, together with a Henry Richards Tile Co Ltd Art Nouveau faux tube lined tile, decorated with flower heads and whipped tendrils. (5)

A collection of four 8 inch dust pressed tiles, to include a Maw & Co Ltd with a design by Walter Crane to accompany his set of Four Season tiles, a Minton's China Works example with a central portrait in profile and decorative floral motifs, part of a larger panel, a Minton's & Co terracotta tile with repeat fleur-de-lis pattern and a Minton's tile with an abstract floral motif, all with colour glaze finish. (4)

A collection of late 19th Century dust pressed 6 inch tiles, to include a Maw & Co tile with an image of a bird seated on celery, transfer printed and hand coloured underglaze in grey, blue and green against the cream ground, another Maw & Co tile with various leaves, a Doulton tile with hand coloured leaves and flowers against the black ground, and two other floral tiles by Doulton and Pilkington's. (5)

A later 19th Century Maw & Co. Broseley Salop 8 inch dust pressed tile, decorated with stylised pink lustre floral and scroll motifs over a white ground, together with two Maw Floreat Salopia 6 inch dust pressed tiles, each decorated with continuing grey, black and brown scrolling floral motifs forming a larger panel. (3)

A collection of 19th Century 6 inch dust pressed tiles to include examples from J. H. Barratt, Gibbons Hinton, Henry Richards Tile Co, Mintons China Works and Smiths, all with relief moulded and faux tube lined floral designs to include Art Nouveau examples, together with two Maw & Co part tile panel runs. (20)

Four 19th Century Maw & Co 6 inch dust pressed tiles, designed by Lewis Foreman Day, each with stylised floral decoration in tonal red lustre over white ground. (4)