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Lot 133

Lucie Rie (1902-1995, Austrian/British) Stoneware composite vase (circa 1979) Of compressed globular form, with tall neck and flared rim, in a spiralling olive green and beige pitted glaze, LR seal mark, 25.5cm high From the collection of the late Maurice Costley  Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule.  She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935.   Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938.  She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism.  She continued to experiment with glazes, enamel colours and forms throughout her long career.  Provenance Acquired from Peter Dingley Gallery, Stratford-upon-Avon, United Kingdom, with paper label. Condition ReportOverall in good order. The upper rim is undulating and the globular shape is somewhat uneven in potting. There are some remnants of what is probably glaze to the underside of the foot, visible under UV, although the footrim surface is solid and does not appear to have been restored.  The provenance label is faded and worn. 

Lot 132

Lucie Rie (1902-1995, Austrian/British) Large porcelain footed bowl (circa 1982) Porcelain bowl, of flared conical form, in matt white glaze, decorated with bands of pink double concentric lines inside and out, raised on a high foot, with LR seal mark, 21 cm. diam. From the collection of the late Maurice Costley  See the similar bowl in the sale: Lucie Rie and Hans Coper, Exceptional Ceramics: Selections from the Estate of Jane Coper and the former Collection of Cyril Frankel, Phillips, London, 1 November 2023, lot 404. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule.  She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935.   Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938.  She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism.  She continued to experiment with glazes, enamel colours and forms throughout her long career.  Provenance Acquired from Peter Dingley Gallery, Stratford-upon-Avon, United Kingdom. Condition ReportOverall in good order. There is a very minor, shallow footrim chip at the edge of the footim and a very minute footrim chip beside this, please see additional image. There is some typical and relatively minor pitting and sanding to the glaze, the pink bands have bled somewhat, as is the case with other bowls with this type of decoration. This has been inspected under UV light and there is no restoration or damage is visible.  

Lot 134

Lucie Rie (1902-1995, Austrian/British) Porcelain vase  (circa 1960) Of cylindrical form, with tall neck and flared rim, with bronzed manganese body above bands of sgraffito white and blue bands, the flared rim and underside of the base with radiating sgraffito lines, with LR seal mark, 22.3cm high The upper rim with restored break From the collection of the late Maurice Costley  See the similar vase from the Shipley Collection, sold MAAK, London, 11 May 2023, lot 11. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule.  She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935.   Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938.  She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism.  She continued to experiment with glazes, enamel colours and forms throughout her career.Condition ReportApproximately 14 cm of the circumference of the upper rim has been cracked into three sections and restuck, with some small old areas of in-filling to the enamels. The glue has yellowed at the breaks. This could be cleaned and professionally restored. Some very minor footrim chipping, possibly occurring in the making. 

Lot 135

Tony Birks, Lucie Rie, Alphabooks, 1987, signed and dated 7/4/88 by Lucie Rie to ffep From the collection of the late Maurice Costley  Condition ReportThe book is in excellent condition. It appears unread. There are some very minor scratch marks to the cover, but nothing significant.

Lot 27

Dame Lucie Rie (1902-1995): A Stoneware Bottle Vase, circa 1983, with flaring rim, spiralling pale green volcanic glaze, impressed LR potter's mark,25cm highProvenance: Private Collection. Acquired from Peter Dingley Gallery, Stratford-upon-Avon.Restoration to the rim. See extra images. New estimate.

Lot 30

Dame Lucie Rie (1902-1995): A Stoneware Bowl, circa 1983, blue glazed interior and cream glazed exterior, impressed LR potter's mark,14.5cm diameter, 6.5cm highProvenance: Private Collection. Acquired from Peter Dingley Gallery, Stratford-upon-Avon.Crazed and visible on the cream glazed exterior. Two very tiny nicks to rim.

Lot 29

Dame Lucie Rie (1902-1995): A Miniature Stoneware Vase, circa 1983, squashed oval form, spiralling pale blue/green/cream pitted glaze, impressed LR potter's mark,8cm highProvenance: Private Collection. Acquired from Peter Dingley Gallery, Stratford-upon-Avon.Very light crazing on the thicker glazing.

Lot 28

Dame Lucie Rie (1902-1995): A Stoneware Vase, circa 1983, squashed oval, pale blue/green volcanic glaze, impressed LR potter's mark,14.5cm highProvenance: Private Collection. Acquired from Peter Dingley Gallery, Stratford-upon-Avon.Nick on foot rim.

Lot 1

Lucie Rie and Hans Coper stoneware bowl, the exterior with speckled pale grey glaze, the interior blue, impressed marks, 14.5cm diameterThere is a hairline on the rim. Otherwise in good condition.

Lot 2

Lucie Rie and Hans Coper stoneware bowl, the exterior with speckled pale grey glaze, the interior blue, impressed marks, 15cm diameterThere is a chip to the outside of the rim and a chip to the inside of the rim. Otherwise in good condition.

Lot 4

Lucie Rie stoneware bowl, of conical form, the exterior with pitted white glaze, the interior yellow, marked to base, 11.25cm diameterThere is a chip on the inside rim. Otherwise in good condition.

Lot 3

Lucie Rie and Hans Coper stoneware bowl, with pitted creamy white glaze, impressed marks, 14cm diameterThere are two chips to the inside of the rim, and a hairline on the rim. Otherwise in good condition.

Lot 683

Lucie Rie (British, 1902 - 1995) A white ceramic bowl Provenance: Galerie Besson, London, 1989.Dimensions: 8 in. (H) x 11 in. (D)

Lot 1073

Dame Lucie Rie (1902-1995) A classic Lucie Rie porcelain footed bowl in black, impressed LR Lucie Rie mark to base. 10.2cm, high, 14.1 cm diameterThe bowl has a hairline crack, of 8cm visible on the outer of the bowl, and 3cm inside.

Lot 159

Large Art glass button griffin brooch by Bimini/Orplid Glassworks, c. 1950's (Lucie Rie interest), approx. 5cm diameter

Lot 158

Large glass horse button brooch by Bimini/Orplid Glassworks, c. 1950's, Lucie Rie interest, approx. 5cm diameter

Lot 160

Art glass button golden cameo brooch by Bimini/Orplid Glassworks, and another similar but with blank fixing, showing a ship. Both c. 1950's and cameo approx. 4cm high (Lucie Rie interest)

Lot 214

Antique and vintage buttons some Bimini/Orplid glass, hallmarked silver pair of cufflinks and an Art Nouveau silver button, Victorian enamelled and glass, carved mother of pearl, etc (Lucie Rie interest)

Lot 163

Two 1950's Art Glass button brooch and dress clip. One showing Eros, the other a seagull. One marked as from Bimini/Orplid Glassworks and measuring approx. 3.5cm high (Lucie Rie interest)

Lot 162

Seven interesting pressed Art glass discs, some as brooches or buttons. Two marked as from Bimini/Orplid Glassworks, c. 1950's. Blue bird brooch measuring approx. 3.5cm in diameter (Lucie Rie interest)

Lot 161

Two 1950's art glass button brooches showing mythological creatures, one by Bimini/Orplid Glassworks, and the other similar but with blank fixing. White dragon brooch measuring approx. 4cm in diameter (Lucie Rie interest)

Lot 659

AUCTION CATALOGUES: JAPANESE STUDIO POTTERY ETC. Five Bonhams auction catalogues: 'The Art & Influence of Asia' includes the Janet Leach Collection (1998); 'The Geoffrey Godden Collection of Studio Pottery plus Lucie Rie & Hans Coper Domestic Ware, English Slipware Collection' (1995) & 'Contemporary Japanese Ceramics' etc. (1991). Also, two Phillips catalogues for auctions of Japanese art & design that include Japanese studio pottery. Approx. weight 2kg.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Lot 388

† LUCIE RIE (1902-1995); a stoneware cup and saucer partially covered in manganese glaze with sgraffito decoration, impressed LR mark, made circa 1958, cup height 7.5cm, saucer diameter 14cm.For similar examples, see 'Modern Pots: Hans Coper, Lucie Rie & their Contemporaries - The Lisa Sainsbury Collection' by Cyril Frankel (Thames & Hudson, 2000), p. 97. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 735

'Studio Pottery', a presentation pack of four stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987.Provenance: Estate of Chris Jensen.

Lot 732

A small collection of books and pamphlets on Lucie Rie and Hans Coper (4).Provenance: Estate of Robin & Jenny Welch.

Lot 734

'Studio Pottery', a presentation pack of four stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987.Provenance: Estate of Sylvia Hardaker.

Lot 386

† LUCIE RIE (1902-1995); a stoneware cup and saucer covered in pitted white glaze with manganese rims, impressed LR marks, made late 1950s, cup height 6cm, saucer diameter 14cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Lot 387

† LUCIE RIE (1902-1995); a stoneware side plate covered in pitted white glaze with manganese rim, impressed LR mark, diameter 13.5cm.Condition Report: Re-glued rim chip, otherwise appears good with no further signs of faults, damage or restorations.

Lot 190

The Studio Works of Deirdre Burnett (1939-2022) Large hand built vase, second half 20th Century  Glazed earthenware  Unsigned  43cm high  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.  

Lot 192

The Studio Works of Deirdre Burnett (1939-2022) Larger plant pot, second half 20th century  Glazed earthenware  Impressed ‘DB’  19cm high, 27cm wide, aperture 20.2cm diameter  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.   Condition Report: Light general surface wear throughout, dust/dirt build up to surfaces, would benefit from cleaning. There are a few small chips to the underside of the applied frilled decoration.

Lot 199

The Studio Works of Deirdre Burnett (1939-2022) Three vases and a bowl, second half 20th century  Lava glazed earthenware  Two vases and bowl impressed ‘DB’  Tallest 21cm high (4)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. 

Lot 154

Lucie Rie (1902-1995) & Hans Coper (1920-1981)  Side plate together with a saucer and another similar saucer, circa 1950  Glazed stoneware  Impressed 'LR' & 'HC' to one saucer, second saucer and side plate impressed 'LR'  Side plate : 18.3cm diameter ; Saucers : 15.2cm and 14.9cm diameter respectively (3)  (ARR) Footnotes: All plates with small pitting marks to glaze from manufacture, one saucer with very minor firing crack. Side plate and one saucer with small scuff marks to glaze on top surface.Condition Report: Lucie Rie (1902-1995) & Hans Coper (1920-1981)  Two saucers, circa 1955  Glazed stoneware  Impressed 'LR' & 'HC' to one plate, the second plate impressed 'LR'  15.2cm and 14.9cm diameter respectively (2) 

Lot 209

The Studio Works of Deirdre Burnett (1939-2022) Two bowls, second half 20th century  Glazed porcelain  Each impressed ‘DB’  Taller 6.2cm high (2)  (ARR) Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. 

Lot 203

The Studio Works of Deirdre Burnett (1939-2022) Three vases and a bowl, second half 20th century  Lava glazed earthenware  Each impressed ‘DB’  Tallest 20.5cm high (4)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.                 

Lot 198

The Studio Works of Deirdre Burnett (1939-2022) Three bowls, second half 20th century  Glazed porcelain  Each marked ‘DB’  Largest 8.8cm high, 17cm wide (3)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.  

Lot 196

The Studio Works of Deirdre Burnett (1939-2022) Three tapered vases with flared petal rims, second half 20th century  Glazed stoneware  Each impressed 'DB'  Tallest 33.5cm high (4)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. Condition Report: Light surface wear throughout. There are some firing cracks to the petals of the medium sized vase. There also some glaze drips/small blemishes to glaze on the small vase.

Lot 200

The Studio Works of Deirdre Burnett (1939-2022) Vase with tiered frills and two vessels of organic form, second half 20th century  Glazed earthenware, glazed porcelain  Each impressed ‘DB’  Vase 13cm high (3)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.  Condition Report: General light surface wear throughout.Tiered vase - There are two very minor chips to edges of two tiers.Smallest vase - There is also a very minor loss to glaze to rim of smallest vase.

Lot 208

The Studio Works of Deirdre Burnett (1939-2022) Four tapered vases with flared rims and a bowl, second half 20th century  Glazed earthenware  Three impressed ‘DB’  Tallest 19cm high (5)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.  

Lot 207

The Studio Works of Deirdre Burnett (1939-2022) Three bowls with partially covered tops, second half 20th century  Glazed stoneware  One bowl impressed 'DB'  Tallest 12cm high (3)  (ARR)  Provenance  Estate of the artist  Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. 

Lot 195

The Studio Works of Deirdre Burnett (1939-2022) Three bowls, second half 20th century  Lava glazed earthenware  Each impressed ‘DB’  Largest 7cm high, 21cm diameter (3)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.  

Lot 194

The Studio Works of Deirdre Burnett (1939-2022) Five vases, second half 20th century  Lava glazed earthenware Each impressed ‘DB’  Tallest 23cm high (5)  (ARR)  Provenance  Estate of the artistFootnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.   

Lot 193

The Studio Works of Deirdre Burnett (1939-2022)  Three lidded scent bottles and a vessel, second half 20th century  Glazed porcelain  Each impressed 'DB'  Tallest 17cm high (4)  (ARR)  Provenance  Estate of the artistFootnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.  

Lot 205

The Studio Works of Deirdre Burnett (1939-2022) Four tapered vases, second half 20th century  Glazed earthenware  Three impressed ‘DB’  Tallest 15cm high (4)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.  

Lot 197

The Studio Works of Deirdre Burnett (1939-2022) Three double tiered bowls, second half 20th century  Glazed porcelain  Each impressed ‘DB’  Largest 5cm high, 18cm wide (3)  (ARR) Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.  

Lot 206

The Studio Works of Deirdre Burnett (1939-2022) Two footed bowls, second half 20th century  Glazed earthenware  One impressed ‘DB’  Larger 10cm high, 26cm diameter (2)  (ARR) Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.   

Lot 201

The Studio Works of Deirdre Burnett (1939-2022) Two bowls, second half 20th century  Glazed earthenware  Unsigned  Larger 8.7cm high, 21.2cm diameter (2)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.  

Lot 202

The Studio Works of Deirdre Burnett (1939-2022) Four bowls, second half 20th century  Glazed stoneware  Each impressed 'DB'  Largest 8cm high, 23.5cm diameter (4)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts. 

Lot 204

The Studio Works of Deirdre Burnett (1939-2022) Two footed bowls, second half 20th century  Lava glazed earthenware  Each impressed ‘DB’  Larger 7.5cm high, 25.2cm wide (2)  (ARR)  Provenance  Estate of the artist Footnote  Deirdre Burnett graduated from Camberwell School of Art & Design in 1967, where she was heavily influenced by visiting lecturers Hans Coper & Lucie Rie. Her work was included in the 2020 exhibition 'Hans Coper, Lucie Rie & Pupils', Oxford Ceramics Gallery, Oxford, and the 1990 exhibition 'Lucie Rie, Hans Coper & their pupils', Sainsbury Centre, & Fitzwilliam Museum, Cambridge. Burnett's work has been held at the Victoria & Albert Museum, London and the MOMA, New York, as well as in numerous private and prestigious collections worldwide. Deirdre Burnett was a Fellow of the Craft Potters Association and a member of Contemporary Applied Arts.  

Lot 290

A Collection of Modern British Art reference and coffee table books, including Henry Moore, Francis Bacon, Lucie Rie etc.

Lot 241

▲ Dame Lucie Rie (Austrian, 1902-1995), a porcelain bowl, with a yellow glaze and manganese rim, impressed to the bottom of the foot with the artist's seal, 19cm diameter10cm high Provenance: Henry Rothschild Associates Ltd. at Kettle's Yard, Cambridge, 30 March 1981;the late George John Lewington (1931-2023).Condition ReportThe glaze with even and consistent crazing throughout. No detected chips or areas of restoration to the bowl. The rim with a small piece of kiln debris settled in the manganese glaze. The foot with some faint traces of a previous label having been applied. The foot with a small area where the glaze has not covered completely. Additional images uploaded. No signs of overpainting or restoration when viewed under UV light.

Lot 57

Dame Lucie Rie D.B.E. (1902-1995), a manganese glazed coffee cup and saucer, the cup with incised vertical lines, impressed seal marks, saucer 12.5cm diameter**conditionreport**There is also an impressed seal mark to the saucer but this is largely obscured by the pooling of the thick glaze.Typical minor glaze imperfections, the coffee cup is slightly misshapen in the potting, otherwise in good condition with no restoration, chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Lot 1147

Orplid (Bimini) Glassworks - collection of glass hatpins, incl. examples with lampwork decoration, c1940s/1950s, max. L18cm (8) Provenance - The Vendor's Father was a representative for Hans Coper and Lucie Rie

Lot 1146

Orplid (Bimini) Glassworks - collection of glass jewellery, c1940s/1950s, comprising two lampwork decorated beaded necklaces; pair of fish pendant clip-on earrings; two other pairs of clip-on earrings; a pair of earrings with screw backs; and two pendants (12) Provenance - The Vendor's Father was a representative for Hans Coper and Lucie Rie

Lot 1145

Orplid (Bimini) Glassworks - five glass brooches and a dress clip, c1940s/1950s, centrally moulded with various Ancient Greek motifs, max. 6cm (6) Provenance - The Vendor's Father was a representative for Hans Coper and Lucie Rie

Lot 1148

Orplid (Bimini) Glassworks - collection of glass buttons and a brooch, c1940s/1950s, incl. a set of six pineapple lampwork decorated buttons, three buttons with flowerpot logo to reverse (20) Provenance - The Vendor's Father was a representative for Hans Coper and Lucie Rie

Lot 836

An embossed brass lidded pot containing a quantity of old buttons including two Bimini Glass examples, probably designed by Lucie Rie

Lot 594

Lucie Rie (1902-1995)Vaseswirled pale glazesimpressed potter's seal12.2cm high. There does not appear to be any chips or cracks, there is however to the middle rim some small specks where the glaze did not catch during the firing process.Near to base is an indentation of a horizontal curved line circa 5cm. Clay thus not perfectly smooth possibly when went into kiln or something similar. Images via condition report tab. High res photos on Mallams website with zoom function.

Lot 590

Lucie Rie (1902-1995)Miniature pourermanganese glazeimpressed potter's seal5.8cm high. Aopears good with no sign of damage or restoration.

Lot 593

Lucie Rie (1902-1995)Squared bowlmanganese glazeimpressed potter's seal7.6cm high, 15.8cm wide. Appears good with no sign of damage or restoration. One small drip of interior cream glaze has run over the rim.

Lot 591

Lucie Rie (1902-1995)Dishmanganese glaze13.9cm diameter. Provenance:Lays Auction House, Penzance, August 2023. Some pitting marks to the underside. Otherwise good.

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