We found 12532 price guide item(s) matching your search

Ca. 1100 - 900 BC. A bronze dagger made using the lost wax casting technique. It has a slender blade with a high midrib and a polygonal guard, all below a wavy and flanged hilt. The blade was cast with the handle. The lip surrounding the handle would have held an inlay made from bone, wood, or some other perishable material to create a full grip. Size: 455mm x 70mm; Weight: 530g Provenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 350 - 320 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns, such as the geometric motif under the lip and a wave pattern along the bottom of the body. Side A is decorated with a standing maenad holding a large pixys in her right hand and a wreath in her left. Side B is decorated with a lady of fashion facing left wearing a large sakkos embellished with pearls and a necklace. Completely black beneath the handles. For similar see: Christie's, Live Auction 2056, Antiquities, 9 December 2008; Trendall, 1983, Plate XVIII, n. 4 and 6. Size: 270mm x 255mm; Weight: 1.38kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 340 - 310 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns such as a laurel wreath under the lip and a wave pattern along the bottom of the body. Side A is decorated with a standing Nike with outstretched wings with natural details. whio is wearing a himation on her left arm and holding a trident in her right hand. Side B is decorated with a standing lady of fashion wearing a long cloak and himation and a large and high diadem. The handles are surrounded by a large palmette motif. The vessel is probably made by a member of the Menzies Painter Group. Size: 295mm x 285mm; Weight: 2.7kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. This item has been precisely dated using a thermoluminescence analysis carried out by Ralf Kotalla. The report will accompany the lot.

Ca. 1100 - 900 BC. A bronze dagger made using the lost wax casting technique. It has a slender blade with a high midrib and a recurve guard, all below an openwork hilt. The blade was cast with the handle. The lip surrounding the handle would have held an inlay made from bone, wood, or some other perishable material to create a full grip. Size: 540mm x 65mm; Weight: 560g Provenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 350 - 300 BC. A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns, such as the laurel wreath under the lip, and the meander pattern along the bottom of the body. Side A is decorated with a standing naked Nike resting on top of a column with ionic capital, with outstretched wings, embellished with pearls and holding a large mirror in her right hand. In front of her, a seated noblewoman wearing a long chiton, holding in her left a large case. Side B is decorated with two standing men around a column-shaped altar decorated on the top. They each wear a long cloak and a diadem. The handles are surrounded by a large palmette motif. Size: 325mm x 310mm; Weight: 2.49kg Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Belgian art market; Peter van der Elst, Liege, 1987. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

New Kingdom, Ca. 1550 - 1069 BC. A tall bottle made from green/blue glass, its elegant silhouette exhibits a rounded shoulder above the carinated body and a narrowing neck surmounted by an everted lip. The glass surfaces showcase impressive lustre and smooth textures, given their age. Around the larger part of the body, a decoration comprised of diagonal lines alternating white and black and a wave white and yellow pattern adorned the neck. For similar see: The Metropolitan Museum of Art, Accession Number: 30.8.170. Size: 140mm x 60mm; Weight: 160g Provenance: Prince collection, 1990s-2014; Ex. Charles Ede Ltd. 2008. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

An Early XX Century Japanese Pottery Candle Holder, modelled as a colourfully decorated recumbent Dog of Fo, the candle sconce on its back, 17cm long.paint wear to tail, back of head, chest, bottom lip, front foot, firing flaw to ear, restoration to tail, chip to candle holder.

An oval serving platter of pierced lipChinese export porcelainFitzhugh iron oxide decoration of floral motifs, butterflies, scrolls and other objectsJiaqing reign (1796-1820)24,5x27 cm

A set of six finger bowlsSilverScalloped lip of shell motifs decorationInner gildingGoldsmith's mark Adelino Fernandes de Almeida (1932-1950) and commercial mark CUNHA PORTOUnmarked(wear)Height: 5 cm_x000D_Diam.: 10,5 cm989,5 gLiterature:VIDAL, Manuel Gonçalves; ALMEIDA, Fernando Moitinho de - "Marcas de Contrastes e Ourives Portugueses (1887 a 1993)", vol. II. Lisboa: IN-CM, no. 1253.

A pair of WOLFERS FRÈRES cupsSilver 800/000Plain centre of rococo lip and rimBelgium assay warrantee mark and goldsmith's mark WOLFERS FRÈRES (1892-1942)(wear)6,5x32x23,5 cm1180,2 g

Registration: A924UUV VIN: SAMMAFFD1BD738785 Mileage Showing: 49,000 Transmission: Manual MOT: 29/04/2025Rare Austin ModelBelieved to be 1 of 1Low mileageFirst registered March 1984, a year after BL stopped the production of the Morris Ital. Believed to have been a one of one Austin badged van. Differences from the standard Morris Ital including Austin front grill, steering wheel and rocker cover as well as a front lip spoiler only usually found on Ital cars. Finished in its original Brooklands green and with other unusual markings including what is believed to be a factory strike of the Morris Chassis number (although still clearly visable) and addition of an Austin Chassis number that the car is registered with.Showing 49,000 miles, 1 previous keeper (owned by the current keeper since 2016). Meticulously maintained by the current owner, although now tax and MOT exempt still carrying a current test till April. Magazine featued in July 2018 edition of Classic Van magazine. Please see our walk around video for more information and engine start upGUIDE PRICE £8,000 - £12,000

late 19th/early 20th Cent. Ivory Coast fire mask from the 'Dan' in wood with original beard made of human hair and original resin layer on the upper lip prov : ex-collection of Michel Gauld, St-Tropez with certificateAFRIKA - IVOORKUST - eind 19°/begin 20° EEUW zgn vuurmasker (ook lopermasker genoemd) van de "Dan" in hout met originele baard gemaakt van mensenhaar en originele harslaag op de bovenlip - hoogte : 30 cm prov : ex-collectie Michel Gauld, St-Tropez met certificaat van "Amma Tribal Art"

An early 20th century Continental .835 silver card case - stamped marks to lip at front edge, of domed rectangular form with engine turned decoration and turquoise set thumbpiece, 9.4cm long, weight 103.5g.

Victorian copper club fender, leather upholstered cushioned seats on turned balustrade supports, drop centre with C-scroll corner brackets, on stepped moulded curb Dimensions: Height: 60cm  Length/Width: 174cm  Depth/Diameter: 57cmCondition Report:Internal measurements excluding L shaped lip - W138cm x D47cm.

Wodehouse (P.G.) The Mating Season,  1949; A Pelican at Blandings, 1969; Stiff Upper Lip, Jeeves, ex-library copy, jacket price-clipped, 1963, first editions, original boards, dust-jackets, some creasing and a few tears to edges, spines a little browned; and 16 others, Wodehouse, 8vo (19) 

An Arts and Crafts glass decanter, probably Thomas Webb, circa 1900, shouldered ovoid form with tricorn lip, hollow spherical stopper on slender stem, 32cm high

Splendid pair of mouth-blown, hand-formed forms Dale Chihuly's Persians that he describes as an exploration of form, light, and color, a celebration of wild asymmetry and swirling patterns. These two glass artworks are made with deep, sumptuous misty blues that end with a yellow lip wrap that curves and folds. Incised signature on large bowl to side of body: Chihuly. Etched PP09 to bottom bowl. Dimensions: Large bowl: 12"L x 11.50"W x 7"H; Small bowl: 5"L x 5"W x 2.50"H. Artist: Dale Chihuly (American, b.1941)Issued: 2014Dimensions: See DescriptionManufacturer: Dale Chihuly for Portland PressCountry of Origin: United StatesCondition: Age related wear.

A very rare English George II wooden doll, circa 1740, with carved, turned and painted head and torso with inset dark enamel eyes, painted eyelashes, delicate nose, protruding top lip and slight chin, rosy cheeks, large well carved ears, large forehead, original wig nailed at the top, curled and plaited around the face, prominent breast with very narrow waist, cloth arms, nailed to the shoulders, carved and painted wooden hands, white washed lower body with wooden legs jointed at the knees and hips, original yellow silk bodice style dress with embroidered cuffs, clothes fitted to body and not designed to be removed, matching embroidered seals as cuffs, 24½" (62cm) high

Roman pottery, small bowl with a central groove and lip to the mouth of the bowl. 2nd to 4th c. W112g. 88 mm by 65mm.

Palestinian pottery bowl. It is of a wide conical shape on a small pedestal base with a vertical sided lip on the edge. It measures 35 mm wide at the base, 146 mm at the top and id 46 mm tall. It is of a cream colour and undecorated. It is dated to the eighth Century B.C.

Roman pottery dish of a light cream colour. It is 126 mm diameter and 44 mm high. It is undecorated with a small lip around the edge

Costume jewellery and two wristwatches, including five faux pearl necklaces, a mother of pearl freeform necklace, a chandelier drop pendant with chain, a number of pairs of cut glass earrings with screw back and clip back fittings, a boxed Stratton view lip compact, amongst other items Condition Report: Please note that the movement has not been tested for the accuracy of time and may need a service at the buyer's expense.Ewbanks does not guarantee the future working of the movement and we do not guarantee the authenticity of any individual component parts since subsequent repairs and restoration work may have resulted in the replacement of original parts

A George III early 19th century fruitwood & brass bound coopered jug & bowl. The jug having an exaggerated brass spout with scrolled handle over a barrel shaped bound body. The bowl having a turned brass bound lip over a squatted bulbous fruitwood body raised on straight brass foot.Jug measures approx. 32cm x 34cm x 16cm.

OF NAPOLEONIC INTEREST, AN ITALIAN CARVED WHITE MARBLE ROYAL ARMORIAL PEDESTAL IN THE MANNER OF LORENZO BARTOLINI, EARLY 19TH CENTURY Decorated to the front with the arms of Napoleonic Kingdom of Italy (1805-1814) used during the reign of Napoleon as King of Italy 113.5cm high, the top 38cm square, the base 42cm square These arms relate to the Kingdom of Italy, a client state of Napoleon's French Empire established in Italy in 1805 with Napoleon established as its King, and his stepson Eugène de Beauharnais as his viceroy. This pedestal is a rare survivor of a brief tenure of Royalty lasting just 9 years The attribution is based upon a pair of pedestals commissioned by Thomas Thynne, 5th Viscount Weymouth (1765-1837), son of the Marquis of Bath of Longleat, in Florence from Lorenzo Bartolini (1777-1850) formerly with Thomas Coulborn & Sons. For further information with regards the details of the arms- please see our website. Condition Report: With wear, marks, scuffs, knocks and scratches as per age, handling, use, and cleaning. In three sections- two of which seem to be numbered to the top edge. Wear and loss to margins and with larger loss to upper right hand back corner of top and under front lip of top front Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer

Two vintage mid 20th century studio art glass vases. One of tall rounded form with flared lip to top, the other having folded undulating rim to top. Each in shades of blue.

Selection of vintage items including perfume bottles, lipsticks and other cosmetics including Mary Quant, vanity cases, mother of pearl items, powder and puffs including Versace. Plus Lulu Guinness boxed compact and lipstick case, also a spotty tote bag in a red lip case. Some wooden Crinoline lady menu holders and 1930s small hat stand with lady's head. Dressing table set.

A pair of Ming dynasty or late blue and white ceramic meiping vases. Each vase modelled in a baluster form rising from a broad shallow foot, waisted sides and a high rounded shoulder to a narrow mouth with an everted lip, decorated with peonies and leafy design throughout.Measures approx. 25cm tall.Acquired in Shanghai, China in the 1980s.

A LARGE COLLECTION OF PENDELFIN RABBITS AND STANDS, comprising the Pendelfin Old School House with Boswell, Wordsworth and four school rabbit figures, the Pendelfin Curios shop, Pendelfin Fruit Shop store, Gypsy Caravan, two stands, a small 'Event Piece' depicting a ballerina in pink dress, Humphrey in Go-cart, Tennyson, Rambler, two Casanova figures (one has a chipped foot), Dobbin, Totty, Barney, Pooch, Victoria, Wakey, Twins, Peeps, Poppet, Dodger, Snuggles, an earlier figure of Moorcroft 'Tinker' (chipped lip), etc. (38) (Condition Report: most obvious damage is mentioned in description, most appear in good condition)

A boxed Parker Vacumatic fountain pen and propelling pencil in Golden web pattern with two narrow gold cap bands having Parker Vacumatic Reg TM made in USA nib. Condition Report  slight crack to the cap lip

A Parker Vacumatic fountain pen Golden web pattern with two narrow gold cap bands having Parker USA 6 nib . Condition Report small crack to lip of cap

A CHRISTOFLE 'ANEMONE BELLE-EPOQUE' PITCHER JUG France, silver plated jug with anemone flower stem to handle and everted lip, Christofle mark to base, with anti-tarnish cloth bag 26cm high Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A blue and white Chinese teapot and another lacking cover, together with a vase (3)Lidless teapot – some dirt marks to base and interior, bottom of handle appears to have broken and been repaired, hairline crack above spout.Vase – lip appears to have broken and been repaired, some chips to foot rim.Other teapot – ball on the lid glued down, lid dirty otherwise in good condition, teapot with hairline crack from top, top of handle appears to have been broken and repaired, chipping to glaze and paint around base, some interior cracks/dents, glaze worn down around lid, lid doesn’t sit flush.

A Chinese crackle glazed porcelain vase, enamel decorated with birds amongst trees, h. 30cm, together with a pair of pottery temple dogsTemple dogs – dirty, left facing dog’s rear right leg broken and restored, right facing dog with chips to nose.Vase – restored breakage to lip and base is dirty.

A Chinese vase and cover, marked to the base; together with a Canton plate decorated with typical scenesPlate – chipping and scuffing to the edge, dirty.Vase – some scuffing to the paint, glazing scuffed away from lip and base, dirty.

A magnificent Blue John urn Of yellowish and pale purple hue. With ormolu rope twist lip and foliate ormolu decorative handles on an ornate foliate stand. Property of a gentleman From the collection of Peter Roe Provenance: Christie's, 22nd November 1984, lot 89 Dimensions: (Including stand) 11.5 in. (H) x 14 in. (W)

An 18th Century Italian School - Brown patinated bronze - Bust of a man, wearing paludamentum and on later square socle and marble plinth, 10.5ins highThe bronze appears to be in good condition with no obvious damage, loss or restoration. The marble base has minimal wear to upper lip. Otherwise again in good general condition. 

David LEACH (1911-2005) Vase Stoneware, impressed seal to base, height 29cm.In excellent order. A firing flaw to the lip where the glaze has not attached itself. From the same estate as lot 551.

TWO PIECES OF CHINESE BLUE AND WHITE 'SHIPWRECK' PORCELAINQing dynasty, including a plate decorated with peonies, 20cm diameter, and a bowl, with flared lip and narrow foot, decorated with flowers and leafy tendrils, 6.5cm high x 15cm diameter (2)

A 19th century Rockingham style desk stand, with two inkwells and candle holder. Length 40 cm (see illustration). CONDITION REPORT: The main stand is in very good condition with no chips, no damage, no repairs and no restoration. There is some minor rubbing to the gilding at the extremities. Inkwell 1 is structurally in good order with no issues to the base. The interior has sparse glazing and missing glazing. The lid has a faint hairline crack running from the centre of the lid to the edge. Inkwell 2 has more pronounced interior glaze losses and a missing section around the inner lip. The lid is in good condition. Both inkwells have losses to the gilding. The taper stick holder is in generally good order with only minor losses to the gilding and a glaze firing mark to the inside of the sconce.

Warren MacKenzie (1924-2018), a studio pottery bowl, with impressed mark to the underside. Height 9 cm, lid diameter 19 cm (see illustration). CONDITION REPORT: The bowl is in generally very good order with no chips, no damage, no repairs and no restoration. There is a small glaze firing mark to the top lip and other minor firing marks to the interior. There is no evidence of any crazing. The interior of the bowl has some minor liquid marks and is a little scratched but not significantly so to the centre.

A pair of late 19th century Chinese lidded bottle shaped vases, with blue decoration and gilded overlay. Height 48 cm and 38 cm (see illustration). CONDITION REPORT: One vase has a faint hairline crack running from the top rim down into the neck for +/- 2 cm vertically and 1 cm horizontally. The remainder of the base of the vase has no issues. There is some minor rubbing to the gilding on the top lip. The vase lid has three significant chips and the knop is also damaged. Vase two also has a hairline crack running from the top lip down into the vase for +/- 4 cm. Other than this and minor rubbing to the gilding the vase itself is in good condition. The lid has a chip to the knop and several chips and nibbles to the bottom rim. There is rubbing and losses to the gilding. Both vases are similar in height. One is 38 cm and the slightly lower one just short of 37 cm. They are to all intents and purposes a pair but do have this slight differentiation in height.

A pair of Victorian circa 1880 red glass vases with gilded overlay, Gothic arch design. Height 37.5 cm. CONDITION REPORT: Both vases have rubbing to the gilding on the top lip and they also both have minor tiny nibbles and chips to this top rim. There are no significant chips and no cracks, no repairs and no restoration. The gilding to the main body of both vases is good. The bases are a little scuffed and marked to the underside but there are no serious issues.

The Great War M.C. group to Major Stanley Cornell Deed, 10th Hussars: Military Cross, George V; 1914-15 Star (LIEUT. S. C. DEED. 10/HRS.); British War Medal 1914-20 and Victory Medal (MAJOR S. C. DEED.); 1939-45 Star; France & Germany Star; Defence Medal; War Medal 1939-45; Egypt: the Order of the Nile, 4th Class breast badge; later mounted for display, Nile badge with light enamel damage and loose (rotating) central device, others good very fine. [9] 36mm diameter of round medals M.C. London Gazette 30/03/1916Stanley Cornell Deed was born in London on the 2nd of April 1881, and was educated at Horton Hall, Eastbourne College, and Merton College Oxford. He saw home service with the Berkshire Yeomanry 1899-1902, and subsequently devoted himself to farming in South Africa and Argentina, acquiring a profound knowledge of horses. He returned to England in 1914 and was commissioned in the 2nd King Edward's Horse, before transferring via the 11th Reserve Cavalry to the 10th Hussars in France in May 1915. The action for which he received the M.C. was carried out at the Hog's Back, Vermelles, on the 2nd and 3rd February 1916, and is described in the citation as follows:"For conspicuous gallantry as Bombing Officer in the trenches. When the enemy suddenly and unexpectedly exploded a mine, he forstalled them and occupied the crater, and drove off their bombers. Later, when the enemy had occupied their lip of the crater he led out his bombers again and turned them out."Deed went on to serve as Staff Captain with the 7th and then the 6th Cavalry Brigades. He was in Egypt and Palestine from October 1917, and was Liason Officer to the New Zealand Cavalry Brigade. He was made D.A.A.G. 5th Cavalry Division in Syria and Palestine in May 1918. He was twice mentioned in despatches, including that of General Allenby on the 5th of March 1919. He was honoured with the Order of the Nile (London Gazette 26/11/19) for services to the Egyptian government in connection with horse husbandry.

Two Chinese Export porcelain tea caddies, one decorated in puce with iron red enamels, the other in Meissen 'Famille Rose' style. 11.5cm high and 10.5cm high approx. (2) (B.P. 21% + VAT) Both lack their covers, the larger has restoration to the lip.

A WORCESTER PORCELAIN HIGH-FOOTED SAUCEBOAT, c.1755, of shaped oval form with moulded panels, painted in famille verte type enamels with a Long Eliza in a fenced garden and a chinoiserie figure on a bridge, the interior with foliage and Buddhistic emblems, unmarked, 7 1/2" long (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Several very small chips to to lip, interior somewhat scratched, firing flaw. No restoration. Purchased in 1996 from Ravenwood for £495.

AN ART DECO LENCI POTTERY WALL MASK, the stylised heavy lidded face wearing a small blue and primrose yellow top hat on her grey hair painted with street scenes with buildings and figures under lamp-posts, indistinct incised initials and GA (?), black script mark, 14 1/2" high (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: No chips or restoration, there is a 1.5cms firing crack to reverse on 'lip' of hair fold. Minor paint flake to inner rim of hair at top on reverse.

A COLLECTION OF CHINESE BLUE AND WHITE PAINTED PORCELAIN comprising a canted oblong meat dish with two deer in landscape, 14" wide, a small inverted baluster vase, 7" high, with hardwood stand and cover, an export teapot, sparrow beak jug and another similar jug (5) (Est. plus 24% premium inc. VAT)Condition Report: Dish has no damage or restoration, vase has 3 extended firing cracks to footrim and lacks cover (hardwood cover lacks knop), teapot has minute nibbles to end of spout, spaarow beak has firning crack to lip, none have covers.

ARCHIBALD KNOX FOR LIBERTY - an English Pewter hot milk jug of cylindrical form, the lower section with entwined entrelacs, the hinged cover with solid plan thumbpiece and caned C scroll handle, numbered 0967, 6 1/4" high (Est. plus 24% premium inc. VAT)Condition Report: Caning good, hinge good but cover does not really fit correctly at the lip.

A Britannia silver champagne goblet by Louis Osman, 1974, of faceted squat gently ovoid form on a square pedestal foot, with hammered finish, hallmarked for Britannia silver, London 1974, with maker’s mark ‘LO’, goblet height 7.8cm. £800-£1,200 Please note ARR may apply to this lot (Artist’s Resale Rights). --- This goblet was originally purchased by James Smith - ‘Uncle James’, a close family friend of the Jenkins and godfather of the three children, Victoria, Claire and Toby. It was one of a set designed by Louis for the Anglo-Swedish exhibition Modern British Silver and Jewels, in 1970. The precious metal refiners Johnson Matthey sponsored the exhibition, donating 500 ounces of silver to The Crafts Centre, London. 13 designers were then allocated 80 ounces each to create works for the exhibition. Louis produced a standing salt, dishes for traditional Swedish fish courses and a selection of goblets. Other exhibitors included Gerald Benney, John Donald, Gerda Flockinger and Tom Scott. The exhibition was shown first at The Crafts Centre of Great Britain, in London (now Contemporary Applied Arts) and then at the Handicrafts Office (Hantverkets lokaler), in Stockholm. Matching champagne and wine goblets are held in the permanent collections of the Goldsmiths’ Company, London. In correspondence Louis makes reference to further whiskey, sherry and schnapps goblets he had made in the same suite. An original pen and watercolour design for similar goblets was sold as part of The Personal Archive of Louis Osman at Noonans on 27 March 2018 (Lot 292). Exhibited: Modern British Silver and Jewels, held at The Crafts Centre, London and at the Hantverkets lokaler i Superellipsen vid Sergels torg, Stockholm, in February and May 1970. Treasure of the 20th century, Silver, jewellery and art medals from the 20th Century Collection of the Worshipful Company of Goldsmiths, held at Goldsmiths’ Hall, in 2000, no. 209. An original pen and watercolour design for the three goblets was sold in as part of The Personal Archive of Louis Osman at Noonans in March 2018 (lot 292). This design was also illustrated in the catalogue of The Observer Jewellery Exhibition, organised by the Welsh Arts Council, in 1973. This lot is accompanied by further related correspondence, copies of press cuttings relating to the Stockholm exhibition, 1970 and the exhibition: Celebration - In gold and Silver at Goldsmiths’ Hall, 2002. Condition Report Diameter at lip 9.2cm. Foot dimensions 49 x 49.5mm. Weight 307.9gm. This lot is accompanied by an original hand written valuation by Osman, dated 10 August 1976 for Mr J. A. Smith, Esq. for the three silver goblets; and copies of press cuttings relating to the Stockholm exhibition of 1970 and copies of paperwork relating to the exhibition: Celebration - In gold and silver, at Goldsmiths’ Hall, 2002.

A Britannia silver and enamel ‘Aquarius’ goblet by Louis Osman, 1976, the silver beaker of gently ovoid form, on a cylindrical base, to an undulating skirt foot, engraved all over with a rippling water pattern and with raised collet set seed pearl ‘bubbles’, the cylindrical base applied with a double wave motif highlighted with bright blue enamel, hallmarked for Britannia silver, London 1976, with maker’s mark ‘LO’, height 9cm. £2,000-£3,000 Please note ARR will apply to this lot (Artist’s Resale Rights). --- This cup was commissioned by Mr and Mrs Jenkins for their son Toby, on the occasion of his 21st birthday. The enamelling to the cup was executed by Dilys Osman, Louis’ wife. In a letter to Mrs Jenkins, dated 3 November 1976, Louis says: “Toby’s cup is finished […] and enamelled –– very blue & watery & Aquarian. I have decided that I would like to have the whole outside surface engraved with wave’y watery ‘Aquarian’ lines too by an artist/engraver but didn’t want to exceed the [quotation] without consulting you. Of course if you don’t want the additional cost I fully understand (if you do I would of course be pleased) and if you don’t I would be quite happy to pay the Engraver myself” (3 November 1976). Exhibited: In Celebration of Gold and Silver: An exhibition of exquisite jewellery and magnificent silver made during the reign of Queen Elizabeth II, a Goldsmiths’ Company exhibition at Goldsmiths’ Hall, May - July 2002, exhibition catalogue no. 150. Explosion, Talent today: the 650th birthday of the Worshipful Company of Goldsmiths, December 1977, exhibition catalogue no. 120 (illustrated). Copies of these catalogues and of J. Moore’s biography accompany this lot together with further related correspondence. Condition Report Some chipping and loss to the blue enamel. Diameter at lip, 58mm. Weight 176.6gm. This lot is accompanied by: A hand written letter from Louis Osman to Mrs Jenkins explaining that the design is to include engraved decoration, dated 3 November 1976. A copy of a hand written valuation, including the goblet, dated 26 April 1978. Photocopies of paperwork relating to the two exhibitions.

A Britannia silver red wine goblet, by Louis Osman, 1974, of faceted gently ovoid form, on square pedestal foot, with hammered finish, hallmarked for Britannia silver, London 1974 and with maker’s mark ‘LO’, goblet height 13.4cm. £800-£1,200 Please note ARR may apply to this lot (Artist’s Resale Rights). --- This goblet was originally purchased by James Smith - ‘Uncle James’, a close family friend of the Jenkins and godfather of the three children. Victoria, Claire and Toby, It was one of a set designed by Louis for the Anglo-Swedish exhibition Modern British Silver and Jewels, in 1970. The precious metal refiners Johnson Matthey sponsored the exhibition, donating 500 ounces of silver to The Crafts Centre, London. 13 designers were then allocated 80 ounces each to create works for the exhibition. Louis produced a standing salt, dishes for traditional Swedish fish courses and a selection of goblets. Other exhibitors included Gerald Benney, John Donald, Gerda Flockinger and Tom Scott. The exhibition was shown first at The Crafts Centre of Great Britain, in London (now Contemporary Applied Arts) and then at the Handicrafts Office (Hantverkets lokaler), in Stockholm. Matching champagne and wine goblets are held in the permanent collections of the Goldsmiths’ Company, London. In correspondence Louis make reference to further whiskey, sherry and schnapps goblets he had made in the same suite. Exhibited: Modern British Silver and Jewels, held at The Crafts Centre, London and at the Hantverkets lokaler i Superellipsen vid Sergels torg, Stockholm, in February and May 1970. Treasure of the 20th century, Silver, jewellery and art medals from the 20th Century Collection of the Worshipful Company of Goldsmiths, held at Goldsmiths’ Hall, in 2000, no. 209. An original pen and watercolour design for the three goblets was sold as part of The Personal Archive of Louis Osman at Noonans in March 2018 (lot 292). This design was also illustrated in the catalogue of The Observer Jewellery Exhibition, organised by the Welsh Arts Council, in 1973. This lot is accompanied by further copies of related correspondence and press cuttings regarding the Stockholm exhibition, 1970 and the exhibition: Celebration - In gold and Silver at Goldsmiths’ Hall, 2002. Condition Report Diameter at lip 54mm. Square foot dimensions 49 x 49mm. Weight 307gm. This lot is accompanied by a photocopy of a hand written valuation by Osman, dated 10 August 1976 for Mr J. A. Smith, Esq. for the three silver goblets; and copies of press cuttings relating to the Stockholm exhibition of 1970 and copies of paperwork relating to the exhibition: Celebration - In gold and silver, at Goldsmiths’ Hall, 2002.

A Britannia silver white wine goblet, by Louis Osman, 1969, of faceted gently ovoid form, with hammered finish, hallmarked for Britannia silver, London 1969 and bearing maker’s mark ‘LO’, goblet height 10.5cm. £800-£1,200 Please note ARR may apply to this lot (Artist’s Resale Rights). --- This goblet was originally purchased by James Smith - ‘Uncle James’, a close family friend of the Jenkins and godfather of the three children, Victoria, Claire and Toby. It was one of a set designed by Louis for the Anglo-Swedish exhibition Modern British Silver and Jewels, in 1970. The precious metal refiners Johnson Matthey sponsored the exhibition, donating 500 ounces of silver to The Crafts Centre, London. 13 designers were then allocated 80 ounces each to create works for the exhibition. Louis produced a standing salt, dishes for traditional Swedish fish courses and a selection of goblets. Other exhibitors included Gerald Benney, John Donald, Gerda Flockinger and Tom Scott. The exhibition was shown first at The Crafts Centre of Great Britain, in London (now Contemporary Applied Arts) and then at the Handicrafts Office (Hantverkets lokaler), in Stockholm. Matching champagne and wine goblets are held in the permanent collections of the Goldsmiths’ Company, London. In correspondence Louis makes reference to further whiskey, sherry and schnapps goblets he had made in the same suite. Exhibited: Modern British Silver and Jewels, held at The Crafts Centre, London and at the Hantverkets lokaler i Superellipsen vid Sergels torg, Stockholm, in February and May 1970. Treasure of the 20th century, Silver, jewellery and art medals from the 20th Century Collection of the Worshipful Company of Goldsmiths, held at Goldsmiths’ Hall, in 2000, no. 209. An original pen and watercolour design for the three goblets was sold as part of The Personal Archive of Louis Osman at Noonans in March 2018 (lot 292). This design was also illustrated in the catalogue of The Observer Jewellery Exhibition, organised by the Welsh Arts Council, in 1973. This lot is accompanied by further copies of related correspondence and press cuttings regarding the Stockholm exhibition, 1970 and the exhibition: Celebration - In gold and Silver at Goldsmiths’ Hall, 2002. Condition Report Diameter at lip 57mm. Square foot dimensions 48 x 48.5mm. Weight 197.6gm. This lot is accompanied by a photocopy of a hand written valuation by Osman, dated 10 August 1976 for Mr J. A. Smith, Esq. for the three silver goblets; and copies of press cuttings relating to the Stockholm exhibition of 1970 and copies of paperwork relating to the exhibition: Celebration - In gold and silver, at Goldsmiths’ Hall, 2002.

1st millennium A.D. or later. Ellipsoid in pan with bulbous profile, broad rounded rim and pouring lip. 1.01 kg, 12.3 cm (4 7/8 in.). [No Reserve]From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

15th-16th century A.D. With broad base and squat profile, sloping shoulder and tall tubular neck, rounded rim, single lateral loop handle below; signs of green glaze remaining around the lip. 569 grams, 20.5 cm (8 in.). [No Reserve]From a family collection mostly formed in the 1940s-1950s, thence by descent.

6th-5th century B.C. With trefoil mouth, applied D-section handle and carinated foot, applied decorative trails and polychrome geometric bands to the upper body, lip and foot. Cf. The Metropolitan Museum, accession numbers 81.10.337 and 17.194.743, for similar. 28.2 grams, 60 mm (2 3/8 in.).Francesc Cambó i Batlle (1876-1947) a prominent Spanish politician, art patron and philanthropist. Gifted to his friend, the archaeologist, Josep Gilbert i Buch. Acquired from Gilbert's family by the present owner's grandfather in the early 1980s. Private collection of a European noble.Francesco Cambó i Batlle was a notable figure in early 20th century Spain, best known for his role in politics as a leader of the Catalan nationalist movement and as a patron of the arts. He was a key benefactor of the Museo del Prado and left a significant legacy through his art collections. His deep connection to the cultural and artistic life of Spain makes items from his collection particularly valuable and historically significant.

1st millennium B.C. With convex underside and shallow recessed centre to the upper face, pouring lip to edge; mounted on a display base. 1.7 kg, 16.5 cm (6 1/2 in.). [No Reserve]From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

2nd century A.D. Two fragments of the returned rim of a mortarium, one with the convergent ribs for the pouring lip; each stamped with legend 'Q[I]V[S]-A / CRE[S]C = Quintus Iustius Crescens ?' in tabula ansata. See Darling, M.J., Roman Pottery from the Upper Defences, Lincoln Archaeological Trust. Monograph, 16/2, Council for British Archaeology for the Lincoln Archaeological Trust, London, (1984), pp.69-73, for similar. 707 grams total, 17.5-19.8 cm (6 7/8 - 7 3/4 in.). [2, No Reserve]Found UK, possibly from Lincolnshire. From the collection of a late East Anglian teacher and antiquarian who retired to the Isle of Wight in Hampshire, UK. He amassed a large collection of objects between the 1960s-1980s.Significant mortaria were manufactured at several sites in and around Lincoln during 2nd century A.D.; they had a wide distribution across northern England and southern Scotland. Quintus Iustius Crescens was active producer in Lincolnshire during 100-140 A.D.

1st millennium B.C. With flared profile and rounded lip; rim chipped. 1.11 kg, 11.5 cm (4 1/2 in.). [No Reserve]From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

4th century B.C. Comprising red-figured jug with a profile female head between volutes, with a diademed sakkos and chignon to the rear; reel-shaped body with a tall angled handle showing two human-headed rotelles at the join to the beak; glazed tongues at the base of the neck, radiating strokes on the upper lip; to the body, a white laurel wreath along an incised line. Cf. Gorny & Mosch Auktionen Munich, June 2016 sale, lot no. 204; see also Edinburgh, National Museums of Scotland, 1964.1; Beazley vase no. 1000850; CVA Edinburgh, National Museum of Scotland, 32, pl. (749) 32.7-8. 208 grams, 15.5 cm (6 1/8 in.).Acquired on the German art market. Formerly in a private German collection. Acquired HannoVerum GmbH Auktions - und Handelshaus, Hanover, Germany. Ex property of a Swiss collector.

Circa 16th-18th century A.D. Comprising: a broad brown-glazed pot with openwork detailing, low tripod legs; squat red and yellow-glazed jar with lateral loop handles; brown-glazed biconvex bowl with lateral loop handles; biconvex pot with strap handle and pouring lip. 2 kg total, 14.3-20.5 cm (5 5/8 - 8 in.). [4, No Reserve]Acquired 1990s-early 2000s. Ex East Anglian private collection.