Lionel Bulmer (1919-1992) Oil on canvas board No.46 "Southwold Impression", figures, signed and dated 57, Messum's label verso, 20cm x 26cm Messums label verso from exhibition 'Southwold Impressions No.46', LB/067 with Messums invoice no.08352 dated 22nd December 2004 (copy). From the collection of the late Maurice CostleyCondition ReportOverall in good order. Small white flecks and patches of ground are visible throughout, areas of thick impasto which all appear to be original. Uninspected out of the frame.
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Lionel Bulmer (1919-1992) Oil on canvas board "Girls at the Shop Window", with Messum's Exhibition label exhibited 2002, 29.5cm x 13.5cm Messums Exhibition label verso LB.075 'From City to Sea, 2002' with original Messums receipt invoice no.08352 from 22nd December 2004. From the collection of the late Maurice CostleyCondition ReportIn good order overall. There is some very minor surface wear, the board is partially obscured by the Messum's label.
§ Lionel Bulmer (1919-1992) Golden Morning, Southwoldsigned 'L Bulmer' (lower right)oil on canvas76 x 101cmProvenance: Collection of the late Samuel Alper, OBE (1924-2002)Overall the painting is in good condition. There is a little scuffing around the edges, in particular to the two bottom corners. Two very small arears of discolouration towards the bottom of the painting.
ARR Lionel Dalhousie Robertson Edwards (1878-1966)Old Berkeley Huntsigned in pencil to lower right marginoffset lithograph in colours24.5cm x 36cmwith another signed offset lithographic hunting print by the same artist (2) Framed and glazed. Both prints are quite faded, with undulation to the sheets. The paper mounts are clearly foxed; these are inetgral to the artworks as they bear the artist's signature in both cases.
**Lionel Dalhousie Robertson Edwards (1878-1966)'Water'; 'The Unlucky Man'coloured lithographs, copyright 'Lawrence & Jellicoe Ltd., 34 Henrietta Street, Covent Garden, London, W.C.', 'J.L.Goffart printer, Brussels.', gilt and ebonised frames27.5 x 70.5cm, the frames 41.75 x 84.5cm. **(Subject to ARR)
A collection of sporting related books to include LIONEL EDWARDS "My Irish Sketchbook", published Collins London 1938, LIONEL EDWARDS "Seen from the saddle", published Eyre & Spottiswoode London 1937, CECIL ALDIN "Hunting Scenes", published Eyre & Spottiswoode London 1936, WILL H OGILWIE "Scattered Scarlet", illustrated by Lionel Edwards, published Constable & Company London, etc. (9 volumes) together with four boxes of assorted racehorse and yearling sale books, etc., together with a small quantity of other racing books (5 boxes)
Lionel Lindsay (1874-1961) Etching with drypoint on paper 'A bridge Estremadura, 1926', signed in pencil, with plate tone, from the edition of 75 artist's proofs, published by P. & D. Colnaghi, London, Eveling & Tress label to frame verso, plate size 17.5cm x 25cm, framed and glazed (39 x 47.5 cm), together with Hendrik 'Rik' Frans Schaefels (1827-1904) etching on paper 'Longboats at Arnemuiden, 1882', signed within plate 'Rik Schaefels', image size 14cm x 21.5 cm), framed and glazed (35 x 43.5 cm) (2) A bridge Estremadura, Mendelssohn 388. A trial proof of this print is held in the National Gallery of Victoria, Australia - Accession Number 1021-4.
ONE BOX OF APPROXIMATELY SIXTY LPS to include The Beatles 'Please Please Me' Mono PMC 1202 XEX 421-422 black and yellow label later reissue, The Beatles 'With The Beatles' Mono PMC 1206, The Beatles 1967-1970 PCSP 718, Elvis Presley Sun Limited Edition No. 5032 2004 print, a boxset of Elvis Worldwide 50 Gold Award LPM 6401, Lionel Richie 'Can't Slow Down,' Sheena Easton, Bee-Gees, assorted compilations, easy listening LPs (1 box) (s.d)
Armstrong (Archie), Archie Armstrong's Banquet of Jests, Edinburgh, 1872, limited to 252 copies, finely bound in full brown morocco; together with Lamb (Charles), Specimens of English Dramatic Poets, 1 of 100 large paper copies, signed presentation copy from the editor C Gollanz to Lionel Rothschild, 2 vols, 1893; and Cibber (Colley), An Apology for Life of Mr Cibber Colley, 2 vols, limited to 510 copies, 1899. (5)Provenance: From the library of Exbury House (property of the de Rothschild's).
Lionel Hampton (1908-2002), a vintage signed and dedicated 10x8 photo. A legendary Jazz musician who worked with Teddy Wilson, Benny Goodman to Charlie Parker, Charles Mingus, and Quincy Jones. Pencil notes to back reads, 'Lionel Hampton - 1958 8.1. Casino Bern'. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
William Lionel Wyllie (1851-1931)Sailboats on choppy watersPencil signed etching, 35cm by 47cm; together with a further maratime print signed Wyllie and a Langmaide Thames view etching (3)Sailboats on choppy waters - overall good condition. Dust and debris trapped under glass. Sporadic small marks.Not examined out of the frame.
Edwards (Lionel) A Sportsman's Bag, one of 650 copies, pictorial title, 18 mounted colour plates, captioned tissue-guards, occasional spotting, mainly to margins, some light marginal toning, 20th century green half morocco, spine gilt and with double red morocco labels, some faint staining to spine, t.e.g., others uncut, folio, Country Life, [1926].
EDWARDS (L) The Passing Seasons, Depicted by Lionel Edwards, and Some Fleeting Thoughts of Crascredo. London: Country Life Ltd, [1927], large folio, 18 colour plates as called for, each signed below in pencil, uncut, original orrange cloth, slightly stainedlacks signed limited edition leaf (?)
§ A Group Of Three Pictures To include a pen and ink illustration drawing by Douglas Lionel Mays (British, 1900-1991), titled 'Got the time sir?, No I spose you wouldn't ave', signed, 15cm x 13cm; a pen and watercolour by DINSDALE (20th Century British), titled 'Wolf Club Island', signed, With a further pencil design on tracing paper relating to the same novel mentioned in the footnote, 28 x 24.5cm; and a colour lithograph after Edward Detmold and Maurice Detmold, titled 'Mowgli and Bagheera', 30cm x 24.5cmProvenance:William Douglas Mays - Chris Beetles LtdIllustrated:William Douglas Mays: Noel Streatfield, The House in Cornwall, London: J.M. Dent, 1940DINSDALE: This is the original finished artwork for the dust jacket for the book of the same title by Showell Styles -1966.
NIMROD, MEMOIRS OF THE LIFE OF JOHN MYTTON ESQ OF HALSTON SHROPSHIRE, title vignette and hand coloured plates after Alken and Rawlins, , ¾ red leather with cloth boards, London, Kegan Paul; THE LONSDALE LIBRARY, THE WAY OF A MAN WITH A HORSE, limited edition, 204/750, signed by Geoffrey Brooke and frontis plate signed by Lionel Edwards, full Morocco, London, Seeley, Service & Co, 1929, ex-book plate for Allan Peter Dodds; SURTEES (R). JORROCKS’S JAUNTS AND JOLITIES, hand coloured plates, pictorial green cloth, London, Downey & Co, 1901 (3).
LIONEL THOMAS CASWALL ROLT, INDUSTRIAL ARCHAEOLOGY SERIES, 11 vols, Navigable Waterways, 1969; Iron and Steel, 1969; Roads and Vehicles, 1969; The Textile Industry, 1969, Civil Engineering: Railways, 1971; Mechanical Engineering: Railways, 1971; Coalmining, 1971; Building Materials 1972; The Craft Industries, 1972; Hydraulic Power, 1972; Stationary Steam Engine, 1976; with nineteen other books by Rolt, including, Inland Waterways, 1958; Isambard Kingdom Brunel, 1957; and smaller booklets (qty)
Boxed Corgi and Dinky model vehicles. Dinky Recovery Tractor 661; Dinky Kit metal Lunar Roving Vehicle 1027; Dinky Plymouth Yellow Cab 278; Dinky Cinderella's Coach 111; Corgi 1902 State Landau Silver Jubilee 1977; Corgi Ford Thunderbird 801; Corgi GM 5301 Fishbowl Lionel City Transit 54302; John Deere 3120 Tractor; Corgi limited edition Mack LJ semi skirted tanker Flying 'A' Gasoline. (9)
Johnson Payne (Charles, pseud. Snaffles). Flower (Mark, Donald Crawford & Caroline Juler), Charles Johnson Payne, Snaffles, Being a Selection of his Hunting and Racing Prints, Millwood Press, Wellington, New Zealand, 1983, additional half-title, tipped in letter from H.R.H. Princess Anne with auto-pen signature, 82 tipped in colour prints, including several folding (complete as list) each with facing explanatory text, catalogue of the artist's work at rear, signed and limited by publisher on a label to the front pastedown, limited edition of 314/750, publisher's quarter morocco gilt, contained in the publisher's red cloth book box, with additional printed label to the upper siding, oblong folio, together with Jones (Henry). The Wildfowl Paintings of Henry Jones, text by Peter J. S. Olney, Foreword by Sir Peter Scott C.B.E. DSC, London: Threshold Harrap, 1987, additional half-title with limitation of 244/350 and signed by Peter Olney, 60 tipped-in colour prints, publisher's blue half morocco gilt, oblong folio, contained in a contemporary blue cloth solander box, solander box a little dusty, with Edwards (Lionel). A Sportsman's Bag, Country Life Books Ltd. 1937. additional half-title, colour printed frontispiece and 17 (complete) colour plates, publisher's green cloth gilt, boards a little stained and rubbed, 4to, with Johnson Payne (Charles, pseud. Snaffles). 'Osses and Obstacles, published by Collins, 1935, additional half-title, numerous monochrome plates and vignettes throughout, publisher's cloth, boards faded, worn and a little rubbed, 4to, plus De Trafford (Sir Humphrey F., editor). The Foxhounds of Great Britain and Ireland, Their Masters and Huntsmen, London: Walter Southwood & Company, 1906, colour frontispiece, inserted errata slip, numerous black and white illustrations throughout including 3 full-page gravures, marbled endpapers with the bookplate of Dennis Fortescue Bowles to the front pastedown, publisher's red half-morocco gilt, faded and a little rubbed, folio, with another 11 books similar, including examples by or after, Lionel Edwards, Alfred Munnings, Cecil Aldin and Michael Lyne, various sizes and conditionQTY: (16)
Twenty two LPs including ELO, Whispers, Diana Ross, Lionel Richie, Michael Jackson, Jermaine Jackson, Culture Club, Paul McCartney, Bee Gees, Barry Manilow, Abba, Shadows, Osmonds, Elvis Presley etc together with four 12" singles including Michael Jackson Beat It and Thriller. Very clean covers and vinyl generally appears Ex
Approximately forty Pop & Soul / Dance LPs including Soft Cell, Ultravox, Dionne Warwick, Donna Summer, Three Degrees, Jackson 5, Michael Jackson, Lionel Richie, Randy Crawford, Sade, Diana Ross, Kool & the Gang, Ray Charles, Nancy Wilson, The Montgomery Brothers, James Brown and the Motown Sound Big Hits Vol 4
After William Lionel Wyllie 'P&O Medina leaving Portsmouth, 11th November 1911 carrying King George V and Queen Mary to the Delhi Durbar' Print, 23cm x 45cm, also a print 'The Great British Naval Victory in the North Sea - The First Battle Between the Dreadnoughts', and a print of 'The Victoria - Wooden Barque built 1874 in New Bideford, Prince Edward Island, Canada', all framed and glazed. (3)
A collection of 1980s vinyl LP records & 45 rpm singles. Comprising of: Alexander O'Neil, Go West, Manilow Magic, Gloria Estefan, Diana Ross, The Hollies, Neil Diamond, Lionel Richie, Spandau Ballet, Elton John, The Proclaimers, Duran Duran, Simply Red, Madonna, Streisand, Wet Wet Wet, Earth Wind Fire, Bee Gees, amongst other examples.
US NORTHERN SOUL SINGLES COLLECTION - a collection of 7 US Northern Soul Singles. Collection to include: The Voices Of East Harlem - Can You Feel It c/w Can You Feel It (promo) - Just Sunshine Records (JSA-517), Astors - Candy c/w I Found Out - Stax (STX-8922), Lionel Robinson - Warning c/w One Woman Man - Knight (KN-7-778), The Profiles - I Still Love You c/w Be Careful - Bamboo (BMB 108), Lenis Guess - Just Ak Me c/w Some Woman's Bedroom - Legrand (2000), Ronnie & Joyce - On The Stage Of Love c/w Yes, I'm Falling In Love - Alpha (005), The Impressions - You Ought To Be In Heaven c/w I Can't Stay Away From You - ABC (10964). Collection generally in Ex to Ex+ condition.
60S AND 70S US NORTHERN SOUL 7" COLLECTION - a collection of 21 US 60s and 70s Soul 7"s. Collection to include: Dejah Ahres - Real Jive Guy c/w Let Me Be Your Girl - Verve (VK 10614), Ronnie & Joyce - Yes, I'm Falling In Love c/w On The Stage Of Love - Alpha (005), Lee Bates - Bad, Bad Understanding c/w Simon Says (promo) - Instant (219-4181), Dave Newman, Betty Harris, Holidays, The Rubies, Lionel Robinson, Kenny Gamble, The Superlatives, Kimmy Norman, Johnny Moffett, Little Milton, Azie Mortimer, The Manhattans, The Young Hearts, Gene Chandler, G. C. Cameron, Chuck Corby and Quiet Storm, The Larks, Gerry & Paul. The collection is generally in VG to Ex condition
***Gordon Lionel Davies (1926-2007) - Oil painting - "King's Parade, Cambridge", signed and dated 1955, canvas 20ins x 24ins, unframed - Unframed. Canvas has a slight layer of dirt. White paint mark to upper left hand corner. Pinhead puncture to canvas in lower right hand corner. Speckled thinning of paint surface to lower right hand corner to signature and date. Label to verso (please refer to condition report photos).
BOOKS, FOXHUNTING. LONGRIGG, Roger, 'The History of Foxhunting', Macmillan, 1st 1975, VG/VG; MEADS, Frank, 'They Meet at Eleven' (illus. Lionel Edwards), Newnes 1st, 1956 (no d/j); EDWARDS, Lionel, 'Famous Foxhunters', Eyre and Spottiswoode, 1st 1932 jacket (with some loss) reasonable, book VG; HARDAWAY, Benjamin, 'Never Outfoxed', VG/VG. And one other: 'Foxhunting in the 20th C.', W. SCARTH DIXON.
LAW INTEREST. A JUDGE'S WIGBY EDE & RAVENSCROFTin an ebonised and gilt japanned tole box inscribed with the owner's name 'Judge Bernard Gillis. Q.C', the underside of the lid inscribed 'Ede & Ravenscroft Law Wig & Robe Makers, 93/4 Chancery Lane, London', together with another wig box inscribed 'Lionel Abel Smith Esq' (2)29.5cm high (max)Catalogue NoteJudge Bernard Gillis (1905‒96).Lionel Abel-Smith, Lord of the Manor of Wendover, Buckinghamshire (1924–2011).
⊕ Lionel Bulmer (lots 158-169) Introduction Lionel Bulmer’s coastal views of summer on the Suffolk coast came to define his career. His impressionistic style was ideally suited to evoking the realism of a hot summers day on the sand dunes. The critic Ian Collins noted of Bulmer’s work: ‘the season appears to be one of permanent summer.’The son of an architect, Bulmer's studies at Clapham School of Art were interrupted by being conscripted at the outbreak of the Second World War. On being de-mobbed he studied at the Royal College of Art, at that time relocated in Ambleside in the Lake District, where he met fellow artist and life partner to be Margaret Green. When the RCA returned to Kensington Bulmer and Green were taught by, among others, Ruskin Spear and Carel Weight. When Green received an RCA travel scholarship the couple embarked on a tour of discovery, painting their way through France and Italy for the best part of a year. On their return to London they settled in Chelsea, Bulmer taught at Kingston School of Art while Green taught at Walthamstow School of Art and they both exhibited at the Royal Academy and New English Art Club. Tiring of the austerity and smog of post-war London they sought out life in the countryside. Initially they lived above a boat house in Littlehampton, on the Sussex coast, but soon moved to an ancient thatched cottage surrounded by run down gardens in Shelland, near Stowmarket, Suffolk (lots 166-168), which they lovingly restored. From there they set out on their frequent painting expeditions to the coastal communities of Southwold and Walberswick.Untouched by heavy industry, the area represented a rural an idyll that was to become the central motif of Bulmer’s work. Popular since the 18th century as a destination for seawater swimming, and following in the footsteps of the painter Philip Wilson Steer (1860-1942), Bulmer was drawn to recording beach scenes and bathers (lot 160 & 169). Steer had made the East Coast his painting ground after returning from studying on the Continent and brought Impressionist painting to England. Bulmer’s pointillist style reflects both Steer's influence and also more directly that of the Neo-Impressionists, Georges Seurat (1859-1891) in particular.LIONEL BULMER (BRITISH 1919-1992)COUPLE BY A TERRACEsigned L.Bulmer lower rightoil on board61 x 61cm; 24 x 24inunframedwith the artist's estate number LB 781 on the reverseNo retouching apparent under UV. In very good original condition.
⊕ BRIDAL PATHsigned, titled and inscribed with the artist's address LIONEL BULMER / BRIDAL PATH / 3 CURRAN STUDIOS SW3 / LUCAN PLACE on the reverseoil on the artist's prepared canvas board91 x 122cm; 35 3/4 x 48inunframedwith the artist's estate number LB 1015 on the reverseNo retouching apparent under UV. Some occasional scuffing/ paint loss mostly at the edges and to the corners. Overall fair condition.
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