We found 508875 price guide item(s) matching your search

Bob BERRY (XX-XXI) Holding the Light Photograph, signed and titled verso, 49cm x 51cm, 69cm x 69cm framed.

Michael SEVER (1929) Windows of Light No.2 - Emerging Light in Darkness, 1987 Oil on board, signed and titled verso with further painting, originally priced at £280 in his 1990 exhibition at The Acorn, Penzance, 73.5cm x 51cm.

Manner of Conrad Oscar CARLSON (1840-1864) From A Light Room, Into The Dark Oil on canvas, 23.5cm x 17.5cm.

A 1970s/80s dining room suite, comprising a sideboard, 164 cm, an extending dining table and six dining chairs (8)Some threads are loose on the chairs but not major, structurally sound. Variation of colour to the table with some marks probably due to use, sideboard has some marks and light scuffs, drawers and doors function as should

A Jasper Conran Vienna Collection glass bedside table, circa 198569 cm high, 50 cm wide, 29 cm depth,Light scratches to the glass but not major, some marks and scuffs to the frame, but no major faults found.

A brass wall hanging light, 55 cm diameter

A Georg Jensen silver pendant, and chain, and a pair of matching earrings, 24.1 g, in a Georg Jensen box, a Georg Jensen silver pendant, decorated flower, a matching pair of earrings, 21.5 g, in a Georg Jensen box, a Georg Jensen silver pendant, decorated leaves, and a pair of matching earrings, 27.2 g, in a Georg Jensen box(Georg Jensen silver pendant, decorated flower, and a matching pair of earrings) light surface wear, clasp securely shuts, marks clear.

A cut glass and gilt metal mounted domed ceiling light, 32 cm diameter

A teak sideboard, having three central drawers, flanked by two cupboard doors, 174 cm wideGeneral wear and tear, some light marks to the top including some small watermarks, drawers and doors function as should, structurally sound and no major faults found

A pair of Bentwood square bedside tables, and an acrylic bedside table (3)Light wear, probably due to use, structurally sound. No obvious repairs or restoration.

A Habitat chrome metal and glass deskGlass top 60 x 150 cm wire racks 40 x 68 cm each Some light wear through the lot, due to use, no major faults found in generally good order

A 20th century light oak bench, 183 cm wide

A Habitat chrome metal and glass deskGlass top 60 x 150 cm wire racks 40 x 68 cm each Some light wear through the lot, due to use, no major faults found in generally good order

A pair of Habitat light oak single bed frames (2)

After William Morris, an embroidered frame surround, 45 x 38 cmRear of the frame worn with some losses, no chips or cracks to the glass, some light staining to the embroidery but in generally ok order

A Elizabeth II silver trinket box, hallmarked Sheffield 2000 by Asprey & Garrard, commemorating the Millennium, circular design, personalised engraving to interior of lid, 12.5 x 13 cm, 11.6 ozt / 362 grams. Condition Report: In good condition with light scratching to exterior and minor tarnishing, hallmarks clear and defined.

An Art Nouveau silver and wood photo frame, hallmarked for Chester 1905 by William Neale, with impressed birds and floral decoration, 22.5cm length x 17cm width. Condition Report:  The photo frame has various small dents and light marks, a couple of large dents to each lower corner, decoration generally in good order. Oak frame in good order with no damage. Easel mount with slight play.

A 1970's Omega De Ville 18ct yellow gold automatic wristwatch, the champagne dial with gilt and black hands and black baton indices, date aperture, with an integrated 18ct gold mesh textured bracelet, the case back numbered 162025, with calibre 565 24 jewel automatic movement, numbered 28998890, case size 31 mm, length 19cm. Condition Report: Total Weight; 90.65 grams. Marked '750'. In working order, winds sets and runs, date advances correctly, not tested for time keeping. Generally in good condition, acceptable in accordance with age. There is a small fracture on the bracelet, dust on the dial and light areas of scratching to dial commensurate with wear.

A collection of Commemorative Coronation silver, silvered and bronze medals, a cased triple medal set of the Three British Kings of 1936 in silver, George and Mary Borough of Lancaster Jubilee Celebrations, George and Mary Handsworth Urban District Council Coronation, HRH The Prince Philip Duke of Edinburgh Royal Visit to North America, Coronation of King George VI and Queen Elizabeth United British Empire, Heathfield, Sussex Natural Gas First Used for Light & Power; George V and Mary Hotel Victoria, all in fitted boxes. (11)

A Victorian silver bon bon dish, hallmarked England 1859 by C.F, boat shaped with half ribbed decoration and lion mask handles, inscribed to base 'W.E. to W.C.E. and E.E. 1859..1884.', 20.5 x 11cm, 7.8 ozt / 244 grams. Condition Report: In good condition with light scratching, and very minor tarnishing, clear engraving and hallmarks.

Mid Century Design - various 1970's glass light shades (6)

A cast iron fire side sylised dragon, 28cm wide;   an antler three light candlesticks;  three horn eggcups

Mid 20th Century Design - various chrome light shades, ceiling lights, table lamps, etc

A pair of E.P. on Copper three light, two branch candleabra;  an chrome plated candleabrum;   an ice bucket;  a three piece cruet set, cased

4 INDUSTRIAL ALUMINIUM LIGHT FITTINGS

45", MID CENTURY ERCOL LIGHT OAK SIDEBOARD

Ca. AD 600 - 700. A gold cross with cylindrical arms. Each arm of the cross is rounded in profile, creating a distinctive, sculptural form that reflects light from all angles. At the intersection of the arms, a central red garnet is set within a bezel, its deep hue contrasting vividly against the gold, symbolizing divine light and protection. A round loop is on the top of the upper arm. For similar see: The British Museum, Museum number 1949,1007.8; Christie's, Live Auction 2491, Ancient Jewelry, Lot. 450. Size: 38.5mm x 27.7mm; Weight: 9.64g Provenance: Private UK collection; previously acquired on the Austrian art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece comes with an authentication report by Sami Fortune, ancient jewellery specialist.

Ca. 350 - 300 BC. An epichisis, originating from the southern Italian region of Apulia. The cylindrical body has domed shoulders leading to a thin neck with a narrow, steeply angled spout to provide control over the flow of liquid when poured. The thin handle rises above the spout in an elegant curve, before bending back down into a straight vertical to join the body. The elaborate geometric and floral decoration in red, white and yellow pigment stands out against the ground of buff light clay coated in shiny black gloss. The neck is adorned with vertical lines, splaying outwards along the curve as it joins the body, where they meet a ring of small dots. The main decoration of the body is a repeating pattern of grape bunches, leaves, and vine tendrils above and below a central red band. For similar see: The Metropolitan Museum of Art, Accession Number: 69.11.69. Size: 200mm x 100mm; Weight: 340g Provenance: Private UK collection; previously acquired on the German art market in the 1990s. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. AD 1 - 200. A free-blown glass unguentarium, made from pale blue glass. It features a slight concave base, a rough pontil, a pyriform body, a tubular spout, and a rolled rim. The neck is likely deformed due to the high temperature in the furnace during firing. Light areas of silvery and rainbow iridescence appear on the surface, and light earthen deposits contribute to an elegant appearance. Size: 80mm x 25mm; Weight: 15g Provenance: Prince collection, 1990s-2014, acquired from Jean-David Cahn Auktionen. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 100 - 300. A stunning mosaic glass bowl of a traditional form of the period. This patella cup presents a mesmerising pattern comprised of red and black canes, sectioned and floating in a matrix of dark green glass. The green glass is translucent, and other hues are opaque, making for a lovely pattern when held to the light. The body of the cup is supported by a tooled base ring of green glass with a blackened appearance. For similar see: The Metropolitan Museum of Art, Accession Number: 1972.118.178. Size: 125mm x 50mm; Weight: 110g Provenance: Prince collection, 1990s-2014; Ex. Bakhtar Art. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Southern period, Song Dynasty, Ca. AD 960-1279.A Jian tea bowl with hare’s fur glaze. The glaze is at its lightest at the rim, slowly coating the bowl, a thick layer stopping right above the bare base. Such type of tea bowls were closely related to Song dynasty tea culture. It was the fashion of the time to prepare tea by whisking powdered tea leaves, producing a light-coloured froth that stands out against this type of thick brown glazes. For similar see: The Metropolitan Museum of Art, Accession Number 91.1.226.Size: 120mm x 60mm; Weight: 200gProvenance: Japanese private collection since 1990s.

Ca. 19th - 20th century AD . A fragment of a hanging panel of the inner kiswa with an inscribed weave in cream colour over a light green silk ground. Embellished with a prominent inscription within a broad border in the thuluth script. Size: 920mm x 725mm; Weight: 2.2kg Provenance: Previous property of a UK Islamic art professional. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Mid-20th century light oak cabinet, rectangular form with twin cupboard doors and recessed pulls, interior fitted with single shelf, on plinth baseDimensions: Height: 66cm  Length/Width: 56cm  Depth/Diameter: 53cm

Vinyl - Organisation (Kraftwerk) – Tone Float LP on RCA Victor – SF 8111 original UK 1970 1st pressing album. VG (loss to front that has been coloured in), Vinyl EX- (light non feelable scuffs)

Vinyl - Black Sabbath self titled LP on Vertigo Records VO 6. Original UK 1st pressing, large Vertigo swirl, 'A Philips Record Product’ text and “Copyright subsists in all Stereo recordings…” mis-pressing on inner gatefold, with original inner swirl sleeve with 800513 & 973939. VG+ (minor waving), EX- (couple of light marks).

Vinyl - Julie Driscoll, Brian Auger & The Trinity – Streetnoise LP on Marmalade records – 608005/6, original UK 1969 1st pressing double album with textured gatefold sleeve. VG+ (light stains on sleeve) / both vinyl EX+

Vinyl - Brian Eno – Before And After Science LP on Polydor – 2302 071. Original UK 1977 early pressing A3 / B2 matrices with grey / light blue portfolio with four offset prints on rough paper by Peter Schmidt. VG+ (minor foxing and small pen mark at bottom of front sleeve) / Vinyl EX- (one non feelable mark on side B.) / Portfolio complete and in EX condition

Vinyl - Over 300 mainly 1960s rock, pop & soul 7" singles to include Greyhound, JJ Light, Byron Lee, The Supremes, Billy Fury, The Federals, The Pioneers, Traffic, Ruby & The Romanics, Rolling Stones, Jimmy Ruffin, Desmond Dekker, Elvis Presley, The Beatles, Dave & Ansil Collins, Aretha Franklin, Pigmeat Markham, Mary Wells, Georgie Fame, The Move, The Truth, Shirley Ellis, Bonzo Dog Band, Lee Dorsey, Dusty Springfield and many more. Vg overall

Vinyl - Pink Floyd – Wish You Were Here LP on Harvest Records SHVL 814. UK 1st pressing black shrink wrap with a round Wish You Were Here sticker, jagged edges postcard and inner sleeve which is die cut on 3 of the 4 corners, SHVL 814 A-1, SHVL 814 B-3 matrices. EX (in open black shrink with sticker), Vinyl EX- (light scuffs only).

Vinyl - Spirogyra – Bells, Boots And Shambles LP on Brain Records - brain 1024. Original German 1973 1st pressing, green Brain labels with Metronome printed underneath, matrices: Side A st-1024-A 0664.275 S1 PF / Side B:st-1024-B 0664.275 S2 PF. EX- / EX (one light scuff on side 1)

A Pair of Royal Worcester Porcelain Cabinet Plates, painted by J. Birbeck (Sen) with 'American Golden Plover' and 'Red Grouse', retailed by Richard Briggs, Co, Boston, puce marks, 23cm diameter and a circular Royal Worcester dish painted by E. Spilsbury, signed, with pink roses, puce marks, 23cm diameter. (3)No chips, cracks or crazing, some dirt on plates (rubs off), light wear to gilt.

A Royal Worcester Porcelain Cabinet Plate, painted by Robert Sebright, signed, with ripening fruit against a mossy woodland bank within a dark blue and gilt border, puce mark, date code for 1930, 23cm diameter.dirt it all rubs off, very light crazing to back edge, one small area of paint chip

A Royal Worcester Cabinet Plate, painted by J. Stinton, signed, with Highland cattle in a misty mountainous landscape, within a dark blue and tooled gilt border, puce mark, date code for 1917, 26cm diameter.light wear to gilt on base, otherwise good condition

A Linthorpe Pottery Ewer, of compressed globular form with tapered neck, designed by Henry Tooth, signed in monogram and decorated in streaked green and brown glazes, impressed marks, 15cm high.some light crazing to base, no chips of cracks

A Royal Doulton Pottery Two-Handled Loving Cup, to commemorate the coronation of George VI and Elizabeth, 1937, number 132 of a limited edition of 2000, 26cm high.Some light crazing to base, no chips, cracks.

A German Early XX Century Porcelain Cabaret Set, the dark blue grounds decorated in panels with harbour and other scenes, all within gilt borders, comprising: shaped oval tray, coffee pot and cover, sucrier and cover, milk jug and two cups and saucers. (A/f)Teapot lid with chip to underside rim, light rub to gilt throughout, both lids with flowers with small chips, sucrier lid restored, milk jug with handle repaired, tray is restored throughout, also impressed 'Meissen', gilt rubbed, cup and saucer marked with a crowned D.

A Large Chinese Pottery Bottle Vase, decorated in a sang de boeuf glaze, six character mark to base, 41cm high,Base has been restored including crude overpainting with chips to this, some fritting, light crackle to glaze.

A Moorcroft Pottery Vase, of ovoid form, painted in the 'Pomegranate' pattern against a dark blue ground, impressed marks, signed in green, 26cm high.light crackle to glaze throughout, one chip to base rim

A Doulton Lambeth Stoneware Circular Salad Bowl, designed by Hannah Barlow, signed in monogram, with silver plated rim, incised with a band of a boy amongst horses within scrolling and beadwork borders, impressed marks, 20cm diameter.some small cracks to rim and one part that appears dented, very light crack to side, one small chip to decoration.

A Pair of Doulton Lambeth Stoneware Vases, of ovoid form, designed by Mary Mitchen, signed in monogram, with incised panels of children within floral moulded borders, impressed marks, 21cm high. (2)some light hairlines to body of both

A R. Lalique, France, Opalescent Glass Vase in the 'Bagatelle' Pattern, with finches perched on branches, stencilled mark, 18cm high.Light surface scratches to base a few nibbles and tiny chips to base

A Pair of Georgian Glass Decanters and Stoppers, the part fluted bodies with cut bands, the necks with two ring bands, 21cm high and a silver topped cut glass dressing table jar, hallmarked for Birmingham 1901, 7cm high. (5)Size approximately 17.5cm high without stopper and approximately 27cm diameter, stoppers both flush and appear to be original. Decanters both with light surface scratches to base, stoppers with chip the other with crack and imperfection within glass. Jar appears in good condition.

An Anglo India Carved Hardwood Camel Table, circa 1900, the top and base of octagonal form and carved with leaves and flowers, 66cm high.Top with some light staining, One tassel with glue repair, base with some wear and small areas of loss, head detaches, screw off top with marks to underside.Approx. 73cm high to top of camel head, table top 49cm wide.

Four Early XIX Century Porcelain Cream Jugs, each with floral painted decoration, 9-11cm high and a Continental porcelain plate bearing pseudo Rockingham marks. (5)One jug with large pink flower decoration with crazing and small chip to base rim, jug with wavy rim, with rub to gilt, other with very light crazing.

A Royal Dux Porcelain Centrepiece, modelled as a lady in a flowing dress seated on a rock beside a pond edged with flowers, pink triangle mark, shape number 503, 34cm high.one flower on base with chip, nibbles throughout, small chip to petal on head, some light rub to gilt.

A Royal Doulton Stoneware Jardiniére, designed by Ethel Beard and Francis C. Pope, signed in monogram, with an Art Nouveau design of white roses and stylised foliage within a blue ground, 19.5cm high; A Royal Worcester 'Kingfisher' Spill Vase, printed marks, C.W. 240, date code for 1925. (2)Bird with light crazing, no chips or cracks.

A Boosey and Co. Trumpet, Class A light valve, numbered 60046, in fitted case.

CELTIC F.C. INTEREST - PETER HOWSON (SCOTTISH, 1958-), BROTHER WALFRID, LIMITED EDITION BOXED SET comprising one signed and numbered 472/1,888 print, a certificate dated 6th November 2014, and DVD, in gilt tooled simulated snake skin card boxPrint 41.5x29cm overallCondition generally good. Light wear to outer box. Print well preserved. Additional images now available.

A Dutch bureauOak and walnut of floral and flower vases walnut marquetry decorationUpper section of two doors, inner textile lining and two shelves (wired for electricity)Lower section of undulating front, fall front, two small drawers and three long drawersInner central door, eight drawers, pigeonholes and compartmentTooled and gilt red leather lined writing surfaceFoliage reliefs bronze hardwareClaw and ball front feet19th century(wear, light restoration and minor faults)246x130x65 cm 

A jugSilver 833/000Part segmented decorationOporto hallmark (1938-1984) and goldsmith's mark Francisco Ferreira Valente (regd. 1910)(light wear)Height: 24 cm758 g