We found 45125 price guide item(s) matching your search

Various garden tools, to include rake, spade, spirit level, etc. (a quantity)

The Balvenie Vintage Cask 1968 Single Malt Scotch Whisky, distilled 11th June 1968, bottled 19th Sept 2000 by The Balvenie Distillery, Banffshire; bottle no. 60 of 180 bottles, Single Vintage Cask No.7296, 50.8%, 70cl, with neck tag, level in neck, in original wooden presentation case

The Macallan Gran Reserva 1981 Single Highland Malt Scotch Whisky, distilled 1981, 40%, 70cl, level into neck, in wooden presentation case

The Macallan 1861 Replica Old Highland Malt Whisky, 42.7% vol, 700ml, level upper shoulder, in lined cardboard presentation box, with dress cork

Cadenhead's Authentic Collection Macallan-Glenlivet 1976 Highland Single Malt Scotch Whisky, Aged 22 Years, cask strength, bottled July 1998, matured in an oak cask, 53.5%, 70cl, level into neck, with box

Macallan Speymalt 1966 Gordon & MacPhail Single Speyside Malt Scotch Whisky, bottled 2001, 40%, 70cl, level upper shoulder

The Macallan 1841 Replica, labelled 'Season 1841, Macallan Malt Whisky of Speyside, Proprietors Priest & Davidson', 41.7% vol., 70cl, in fitted box with stopper, level top shoulder

The Macallan Cask Strength Single Highland Malt Scotch Whisky, 1980, bottled 2002 Swiss 'Fassbind' import sticker to rear, 51%, 500ml, level base of neck, with tube (lid rim slightly rusted)

Mortlach 1980 Gordon and MacPhail Single Malt Scotch Whisky, bottled June 2002, cask no. 3646, refill sherry butt, 63.8%, 70cl, level low neck, rear label damaged, with box

Chateau d'Yquem, Sauternes 1er Grand Cru 1980, 1 bottle, level top shoulder, stained chipped label; D'Arenberg 1997, McLaren Vale, 1 bottle (2)

Vintage Port, believed Dow's 1950, typed label, dated cork, 1 bottle, level above mid shoulder; another, possibly Taylor's 1950s (obscured wax capsule) (2)

The Macallan 1984 Single Highland Malt Scotch Whisky, 18 years old distilled in 1984 and in earlier years, 43%, 70cl, level into neck, with tube

The Macallan Cask Strength Single Highland Malt Scotch Whisky, 1990, bottled 2003, sherry butt no. 24680, 57.4%, 500ml, level low neck, with tube (lid inner rim slightly rusted)

Chateau Mouton Rothschild, Pauillac 1er Cru 1968, 1 bottle, stained and chipped label, level upper shoulder

Aberlour 1966 Pure Single Speyside Malt Whisky, aged 30 years, matured in two sherry butts and one bourbon hogshead, no. 718 of 1000 bottles, level into neck, 43%, 70cl, in wooden presentation case

Chartreuse, L. Garnier, Voiron, old style label, undated, tapering shape bottle with rear label in French and English, 1950s/60s bottling, level in shoulder

The Macallan 1961 Single Highland Malt Scotch Whisky, one of 379 bottles, matured in sherry wood, 54.1%, 700ml, level into neck, with leaflet, original oak presentation box, metal bands corroded in placesimage added of metal bands

The Macallan Cask Strength Single Highland Malt Scotch Whisky, 1990, bottled 2003, sherry butt no. 24680, 57.4%, 500ml, level low neck, with tube (inner lid rim slightly rusted)

watercolour on paper, signed, titled verso mounted, framed and under glass image size 34cm x 48cm, overall size 67cm x 80cm Handwritten artist's label verso Note: David M Graham lives and works in Scotland. He holds a Masters Degree from Edinburgh College of Art and a teaching qualification from Moray House School of Education. In addition to paintings he has lectured at Honours Degree level for most of his career but he has also enjoyed teaching short courses in visual communication and water colour painting. Working in a variety of mediums, at times, the imagery in David’s painting borders on abstraction while retaining intriguing yet recognisable elements that relate to the subject matter. The landscape provides the inspiration for much of his work, some of which is expressed in bold statements of colour and texture. David Graham is represented in a number of prominent art galleries in Scotland and England. His work is included in many private collections at home and abroad.

.A group of four, including two bone kohl bottles. One is stained red with incised decoration showing columns or niches on the lower part of each of its four sides, with columns of small circles and dots standing on four feet, with bands engraved around the circular upper part. The second is stained in green, a rectangular column standing on a base with four feet, decorated with dots and circles. Such-shaped kohl bottles have been found from both the Sassanian period and the early Islamic period. A similar example in the Louvre Museum in Paris was excavated in Susa, Western Iran, from the Sassanian level. Also included are two grey steatite (soap-rock) kohl bottles. One of half obelisk form standing on a four-footed base. The second of similar form, incised with five dots within circles below and one above on all four sides, standing on a shallow foot.Size: 100mm x 30mm (widest points); Weight: 175gProvenance: Henri René d’Allemagne Collection. 1979. Acquired by Ahuan U.K Ltd. from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne (1836 - 1950).

Ca. 1100-1300 AD. A brass basin with a distinctive scalloped edge and intricately engraved interior. This basin features a flat base that contrasts with the undulating edges, which give the basin a sense of fluidity and movement. The interior of the basin is adorned with an intricate design that radiates around a central rosette, forming concentric circles of geometric patterns, roundels, interlocking motifs and Kufic script around the walls. The engraved decoration on the basin is executed with exceptional skill and precision, reflecting the high level of craftsmanship and artistic sophistication that was typical of Islamic metalwork. Basins such as this were commonly used in the Islamic world for a range of purposes, including ritual ablutions, washing, and serving food and drink. They were often highly prized as luxury items, reflecting the wealth and status of their owners.

Four Hornby Dublo locomotives, including 3232 Co-Co Diesel Electric locomotive, together with two coaches, collection of goods wagons and a level crossing, some boxed

Vinyl - Approx 100 Rock, Pop, Soul 12" singles featuring test pressings, to include Quincy Jones, Ice T, KRS One, Hurrah, Heaven 17, Rolling Stones, The Heartthrobs, David Bowie, Rolling Stones, Hoodoo Gurus, Bebel Gilberto, Fleetwood Mag, The Jags, Faithless, Level 42, Katrina & The Waves, Elton John and more. Vg overall

RANGERS F.C., 125 YEAR ANNIVERSARY WHISKY DECANTER, ALONG WITH TWO FURTHER BOTTLES the first in Glencairn crystal, no stated strength or fill level, the others both Highland Malt comprising a 40%/100ml and 50 League Wins 40%/500mlQty: 3

WILLIE WOODBURN OF RANGERS AND SCOTLAND, SCOTTISH FOOTBALL LEAGUE GOLD MEDAL, 1946/47 vs. the Football League (of England), the obverse with central enamel lion rampant below a crown, inscribed SCOTTISH FOOTBALL LEAGUE INTERNATIONAL, the reverse inscribed S. V E. 1946-47 W. WOODBURN, in nine carat gold 4cm high Qty: 16.6g Note: 'William Alexander Woodburn (1919–2001) was a Scottish International footballer who represented Rangers at club level. He was the last footballer in Britain to receive a life ban from the game for indiscipline, although the ban was later rescinded and he has since been inducted into both the Scottish Football Hall of Fame and the Rangers Hall of Fame.'He was with the Govan side from 1937 until 1954. It was after World War II that he established himself in the Rangers side and won four Scottish league championships and four Scottish Cups with the club as a member of its strong defensive unit known as the 'Iron Curtain'. He appeared in the first Scottish League Cup Final in April 1947, when Rangers beat Aberdeen 4–0 and won it a second time two years later.

WILLIE WOODBURN OF RANGERS F.C., SCOTTISH CUP GOLD MEDAL, 1947/48 the obverse inscribed Scottish Football Association in blue enamelled lettering around a pierced oval depicting a lion rampant, beneath a thistle motif, the reverse inscribed SCOTTISH CUP 1947-48 Won by W.A. WOODBURN Rangers F.C., in nine carat gold 5cm high including suspension Qty: 12.8g Note: 'William Alexander Woodburn (1919–2001) was a Scottish International footballer who represented Rangers at club level. He was the last footballer in Britain to receive a life ban from the game for indiscipline, although the ban was later rescinded and he has since been inducted into both the Scottish Football Hall of Fame and the Rangers Hall of Fame.'He was with the Govan side from 1937 until 1954. It was after World War II that he established himself in the Rangers side and won four Scottish league championships and four Scottish Cups with the club as a member of its strong defensive unit known as the 'Iron Curtain'. He appeared in the first Scottish League Cup Final in April 1947, when Rangers beat Aberdeen 4–0 and won it a second time two years later.This medal comes from the 1948 victory over Morton.

ANDY CUNNINGHAM OF SCOTLAND, MATCH WORN JERSEY, 12TH FEBRUARY 1921 vs. Wales, embroidered crest, interior T. R. CHARLTON labelProvenance: Purchased from Sotheby's Auctions, February 1999. Note: Rangers legend Andy CunninghamBorn in Galston, Ayrshire, Cunningham '...began his career with local Junior side Newmilns before moving to Kilmarnock in 1909. After six seasons at Rugby Park he joined Rangers in 1915. He made his Rangers debut on 5 April 1915 in a 1–0 defeat to Partick Thistle, and made five appearances in his first season at Ibrox. Cunningham served as a lieutenant in the Royal Field Artillery during the First World War.Cunningham continued to be used infrequently by manager William Wilton before establishing himself in the Rangers team in 1918–19. He won seven League titles and played in Rangers' famous 1928 Scottish Cup Final triumph where they defeated Celtic 4–0 to win the trophy for the first time in 25 years. In total, he made 389 League and Scottish Cup appearances and scored 183 goals for the Govan clubCunningham was also capped at international level, playing 12 times for Scotland and scoring five goals; he lost just one of his matches for Scotland. Cunningham also represented the Scottish League XI 10 times.'

HARRY TITTENSOR FOR ROYAL DOULTON, TITANIAN GLAZE FIGURE, ONE OF THE FORTY an extremely rare experimental Titanian glaze figure, by Harry Tittensor, with Royal Doulton Titanian backstamp and impressed number 328 and 28818cm highCondition good to fair. Fracture to left wrist. Striations / lines in areas of glaze, these are just surface level. Areas of glaze imperfection, most notably to right hand fingers and left forearm. Likely hairline visible to left cheek. Additional images available.

CHÂTEAU DE LONGUEVILLE PAUILLAC 1948one 75cl bottle, level at mid shoulder, some label damage

FAVRE-LEUBA BIVOUAC REF. 53203, 60S RARE TOOL-WATCH FOR HIKERS WITH ALTIMETER AND BAROMETER Case: signed, in stainless steel, screwed ring on the caseback, graduated bezel with altitude indication from sea level in feet. Bracelet/Strap: signed, in stainless steel, déployante clasp. Dial: signed, silvered and slopped, applied indexes, scale indicating air pressure in mmHg, red barometric hand. Movement: signed, manual-winding caliber Peseux 320, aneroid barometer positioned above the caliber. Accessories: – Diameter Ø: 40 mm | Bracelet length: 18 cm Note: running at the time of cataloguing, but to be serviced; the functioning of the barometer is not guaranteed.

A Tibetan low level bed with Kelim scatter cushions, 70 cm x 65 cm approximately.

A oak farmhouse refectory table 19th century, French, with side drawer to freize raised on tapering square legs200cm long98cm deep80cm highCondition ReportFaded with some expected marks. Some of the planks are level, but the edge plank is not level. please see additional images. 

20th century assortment of spectacles and sunglasses together with silver plated box containing diary, cash and address books, silver cup (Birmingham 1925), trophy, 1961 Masonic steward medal, shot flask, boxed spirit level, gold collared smokers pipe and a selection of clay pipes, etc

A pair of Wolf-Garten garden 2-piece Tree Care high level loppers with extending handle (length 4.2 metres fully extended).

A Regency mahogany wheel barometer by L. Barnasconi of Bath - with boxwood and ebony edge stringing, swan neck pediment, silvered hygrometer, mercury thermometer, 8in silvered dial and signed level, the central convex mirror within an ebonised reeded frame, 98 cm long.  

A Marklin HO 3-Rail Model Railway layout to include un-tarnished track, AC controllers, level crossing, signals and switches (12500g) Over 140 items of track Marklin 5128 Traversee/Jonction/Double crossover Marklin 5202 Electro-magnetically operated points, two in each box (3) 3 x 5204 RH points/turn-outs 38 x various special track pieces including connector track and small straights/curves as shown 30 x 5106 straight 18cm 45 x 5100 curves (10 within box) 10 x 5120 curves (within box) 10 x 5200 curves 2 x 7188 Home light signal boxed 1 x 7039 Semaphore signal boxed 1 x 5112 Uncoupling track section boxed 2 x 7190 Stop block/buffers boxed 2 x 7075 Current supply boxed 4 x 7072 control plate (3 boxed) 1 x 7210 control plate 1 x Kibri level crossing 2 x Märklin 6177 Transformators/Transformers Alternating Current (both boxed, Very Good & Fair condition) Not tested Box of wires and misc items Condition Report - Fair/Good

Tri-ang Railways track-side accessories and track, many boxed (6400g)Includes Trian Railways:-R70 Level CrossingTwo boxes 12xR190 Straight track series 3Five points (Universal track)Universal track (straight 14, curves 16, damaged connector straight 1)R78 Girder Bridge (constructed) R60 Ticket OfficeR61 Signal BoxR62 Waiting RoomR71 FootbridgePlatform sectionsR77 Pair of Bridge supportsR79 Inclined Pier (two sets of six)R89 Elevated track side walls 3 pairs (x3)R68 Station name boards 2 pairsRT44 Lever frame section with leads Electric pointsStation kiosks & stepsMisc Dublo, Crescent, Triang metal diecast trackside items Condition Report - Fair/Good

7 OO Scenic model railway trackside building and accessories in Very Good condition, showing no dust and boxed(4200g)Bachmann Scenecraft:-44-069 Electrical Substation44-024 House under construction44-187 Great Central Signal box44-189 Gated Level CrossingHornby Skaledale:-R9633 Great Northern Station Building (box Fair)R9638 Great Northern Station Scale Regis Waiting Room (2), one appears unwrappedAll buildings checked, no chips or dust Condition Report - Buildings - Very GoodBoxes - Very Good

SELECTION OF MALT, BLENDED WHISKY & RUM including, 1970's Glenlivet 12yo, bottled at 70º proof and 26⅔ fl. ozs, front, rear and neck labels in good condition with minor stains, foil in good condition, fill level upper-mid shoulder, Glen Scotia 12yo, bottled at 40% and 70cl, label and foil in good condition, fill level mid-shoulder, Glen Moray Single Speyside, bottled at 40% and 70cl, 1970's bottle of Whyte & Mackays Whisky, bottled at 70º proof and 75.7cl/26⅔ fl. ozs plus 90's bottling of Wray & Nephew Appleton Estate Jamaica Rum, bottled at 40% and 700ml (5)Provenance: private collection SwanseaComments: in description

RARE 1970's LAPHROAIG 10YO ISLAY MALT WHISKY, bottled at 70º proof and 26⅔ fl. ozs, standard size screwcapProvenance: private collection SwanseaComments: fill level low shoulder, main label slightly stained but generally good, neck label missing, screwcap good

RARE 1970's BLAIR ATHOL 8YO HIGHLAND MALT WHISKY, bottled at 70º proof and 26⅔ fl. ozs, complete with original cardboard presentation boxProvenance: private collection SwanseaComments: fill level in-neck, main label in excellent condition, neck label with minor staining, screwcap in excellent condition, presentation box slightly bumped/dog-eared, torn and missing one side flap/top loose

RARE 1960'S THE MACALLAN 25YO ANNIVERSARY MALT 'MISSING YEARS', no distillation date and bottled at 75cl suggesting a 'missing year' distillation date of 1960 or '61, however this is research-based opinion, not stated fact, please conduct your own research to satisfy yourself of the likely age of this whisky - we would recommend visiting Mark Littler's online guide to 25yo MacallanProvenance: private collection TorfaenComments: missing wooden case, red '25' lettering slightly faded, stain to label, fill level upper/middle shoulder borders

HENNESSY PARADIS COGNAC, older bottling, 70cl, 40%Provenance: private collection TorfaenComments: labels, foil and fill level all excellent, unboxed

RARE 1960'S THE MACALLAN 25YO ANNIVERSARY MALT 'MISSING YEARS', no distillation date and bottled at 75cl suggesting a 'missing year' distillation date of 1960 or '61, however this is research-based opinion, not stated fact, please conduct your own research to satisfy yourself of the likely age of this whisky - we would recommend visiting Mark Littlers online guide to Macallan 25yoProvenance: private collection TorfaenComments: missing wooden case, red '25' lettering slightly faded, fill level base of neck, label slightly creased

A modern Art Deco style showwood maple veneered and inlaid club armchair with a low back and enclosed, level arms, upholstered in aubergine coloured, cut dralon, raised on short square legs

Quantity of Hornby Dublo model railway to include boxed EDG17 Tanks Goods Train BR set, boxed D1 Through Station, 2 x boxed TPO Mail Van Set, boxed A3 Power Controller, boxed rolling stock, boxed & unboxed various track, boxed D1 Level Crossing, etc

The particularly fine Second War immediate ‘Augsburg Raid’ D.F.C., D.F.M. group of seven awarded to Hampden and Lancaster navigator, Warrant Officer F. S. Kirke, Royal New Zealand Air Force, a veteran of at least 41 operational sorties prior to taking part in the Augsburg Raid, including on one, 5 November 1941, when he suffered a fractured skull and severe burns. Kirke distinguished himself during the famous low-level unescorted daylight raid on the M.A.N. diesel factory at Augsburg, 17 April 1942, when in a Lancaster piloted by ‘Ginger’ Garwell. Their Lancaster was the only one of 44 Squadron to reach the target - other than the one flown by Squadron Leader J. D. Nettleton, who was awarded the Victoria Cross for the raid. Garwell’s ‘aircraft was hit badly in the fuselage as it ran in towards the target, but Kirke, lying face down over the bomb sight in the nose, cooly directed his pilot. The aircraft lifted as its bombs went but it was streaming fire and doomed. A couple of miles out of the city Garwell found an open field and accomplished a masterly crash-landing. Four of the stunned and shaken crew, Kirke among them, stumbled from the blazing wreck. The other three died. The survivors were captured.’ Kirke was taken prisoner of war, and interned at the infamous Stalag Luft III, Sagan. He became, ‘the first member of the RNZAF to wear the dual ribbons of the D.F.C. and D.F.M...’ Distinguished Flying Cross, G.VI.R., reverse officially dated ‘1942’, and reverse additionally engraved ‘N.Z.39864 Sgt. F. S. Kirke RNZAF’; Distinguished Flying Medal, G.VI.R. (N.Z.39864. Sgt. F. S. Kirke. R.N.Z.A.F.) suspension claw re-pinned, and loose; 1939-45 Star; Air Crew Europe Star; Defence and War Medals 1939-45; New Zealand War Service Medal, mounted as worn - the DFM in reverse, cleaned, generally nearly very fine or better (lot) £4,000-£6,000 --- D.F.C. London Gazette 5 June 1942. Jointly listed with Flying Officer 65503 A. J. Garwell, D.F.M. (for the award of the DFC), and Sergeants 778173 L. L. Dando and 999625 J. Watson (both for the award of the D.F..M.): ‘On 17th April, 1942, Flying Officer Garwell, Warrant Officer Kirke and Sergeants Dando and Watson were members of the crew of a Lancaster aircraft which took part in the daring daylight attack on Augsburg, involving a flight of some 1,000 miles across enemy territory. Soon after crossing the enemy's coast their aircraft was damaged in a running fight with 25 to 30 enemy fighters. Despite this they pressed on until the target area was reached. In the face off fierce and accurate anti-aircraft fire which further damaged the bomber and set it on fire the bombs were released on the objective. The task accomplished, it was necessary to make a forced landing in a field some 2 miles from the target. In the most harassing circumstances this very gallant crew displayed great fortitude and skill which has set a magnificent example.’ D.F.M. London Gazette 6 June 1941. The original recommendation states: ‘This N.C.O. has carried out a total of 24 operations against the enemy during the course of which he has completed 172 hours flying as Navigator. He has always shown the greatest keenness at his work. His navigation in all kinds of weather has been of the very highest order. Throughout all these operations, he has shown outstanding ability, determination and devotion to duty.’ Frank Skipworth Kirke was born in Wellington, New Zealand in March 1917, and was educated at Marlborough College, Blenheim. He enlisted in the Royal New Zealand Air Force at Ohakea as a Leading Aircraftman in October 1939, advanced to Temporary Sergeant, and embarked for the UK in April 1940. Kirke was posted for training as a Navigator to No. 12 O.T.U. in June 1940, before briefly being posted to 106 Squadron in September 1940. He was posted for operational flying to 83 Squadron, 6 October 1940, and then on to 61 Squadron, 17 March 1941. Kirke was awarded the D.F.M. for his service with 83 Squadron, and the following is given in Night After Night: New Zealanders in Bomber Command by M. Lambert: ‘On the otherhand, Kirke, 25, was vastly experienced [by the time he joined 44 Squadron - February 1942] and held the D.F.M. He’d enlisted in the RNZAF in October 1939, and by May 1941 had flown 34 ops on Hampdens, 25 with 83 Squadron, the rest with 61 Squadron. He’d been decorated after all that, the citation saying his navigation ‘has been of the very highest order’. After five months instructing he was posted to 455 Squadron, RAAF, also on Hampdens. He did four trips with 455 before surviving a nasty crash on Guy Fawkes Day 1941, which left him with a fractured skull and burns. Recovered after four months, he joined 44, completing three ops on Lancasters before the Augsburg raid.’ Kirke wrote to his sister about his investiture at Buckingham Palace, 5 October 1941: ‘There was nothing in it really. I just staggered up to the King, he stuck the medal on my chest and away I went... There was the usual crowd of sightseers floating around outside the main gates so I sailed passed in lordly disdain inside the taxi... Naturally all the women were staring at the heroes and all the fellows were wish it was over so they could go and have a beer.... All the crowd cheered and created hell so I sneaked smartly into the nearest pub and did a spot of steady drinking....’ Kirke had advanced to Flight Sergeant in September 1941, and to Warrant Officer in April 1942. He served as an instructor at No. 25 O.T.U., Finningley, at the same time as A. J. Garwell [whose D.F.C., D.F.M. group was sold as part of the Ron Penhall Collection, in these rooms in September 2006]- whom he was to be later crewed up with at 44 (Rhodesia) Squadron for the Augsburg Raid. In November 1941, Garwell joined the ‘Intensive Flying (Lancaster) Flight’ at Boscombe Down, at which establishment he flew on occasion as 2nd Pilot to Squadron Leader J. D. Nettleton, a timely encounter for before too long they would be flying alongside each other in the Lancasters of 44 Squadron and, more significantly, in the famous daylight raid on Augsburg. By that stage - April 1942 - the recently commissioned Garwell had flown two further sorties to Germany with his new unit and had very much become Nettleton’s right-hand man. On the way out to dispersal in a squadron truck for the Augsburg raid, the pair of them agreed that they would not take evasive action if attacked by fighters, but rather hold their course. As Garwell put it, “The only thing to do is press straight on and keep flat on the ground. If anyone gets crippled I suggest he throttles back and belly-lands straight ahead.” Kirke was one of two Kiwis to fly on the Augsburg Raid. The Augsburg Daylight Raid, 17 April 1942 No better account of this extremely gallant enterprise may be quoted than that written by Chaz Bowyer in For Valour, The Air VCs: ‘At 3.12 p.m. John Nettleton lifted Lancaster R5508 ‘B’ off the Waddington runway, followed by six other Lancasters from 44 Squadron. Once all were airborne and beginning to close up in tight formation, the last Lancaster to leave circled and returned to base, being simply a reserve machine to slot into any gap at the start of the sortie. The remaining six aircraft settled into two Vics of three as they drummed low across Lincolnshire heading southwards. In front Nettleton had Warrant Officer G. T. Rhodes in Lancaster L7536 ‘H’ to his left, and Flying Officer J. Garwell, D.F.M. in R5510 ‘A’ to starboard. The second Vic close behind was led by Flight Lieutenant N. Sandford in R5506 ‘P’...

Laurence Stephen Lowry (British, 1887-1976), The Level Crossing, signed l.r., print in colours, 45 by 56cm, framed. Note: Artist Resale Rights apply

* GARRY BRANDER, MIND oil on canvas, signed, titled and dated 2010 versoframedimage size 15cm x 30cm, overall size 20cm x 35cm Note: Garry Brander began his studies in 2005 obtaining his HND in graphic design in 2007, winning several awards including the Trade House of Scotland ‘Best 2D Painting’. He began exhibiting his artwork in and around the west coast of Scotland and shortly after made the decision to attend the Glasgow School of Art. Graduating in 2011 with a BA Honours in Fine Art, he enjoyed a sell-out degree show. Garry spends much of his time painting the highlands and islands of Scotland, particularly the island of Tiree, where his family has lived and worked the old watermill and surrounding crofts for over 500 years. His love of the West Coast has inspired his paintings and living on the islands, learning about remoteness, isolation and the beauty of the beaches and landscapes, has forged the artist he has become. His upbeat and vibrant modern palette raises the viewer’s level of emotional engagement with his paintings and reminds them that Scotland is one of the most beautiful places on earth. Garry Brander’s contemporary artwork is in private collections all over the world and has been exhibited in Art Fairs from New York to London and Amsterdam. He also exhibits with many of Scotland’s best-known galleries and has had many successful solo exhibitions.

* DAVID M GRAHAM, RHUM AND EIGG FROM ARISAIG watercolour on paper, signed, titled versomounted, framed and under glass image size 34cm x 48cm, overall size 67cm x 80cm Handwritten artist's label versoNote: David M Graham lives and works in Scotland. He holds a Masters Degree from Edinburgh College of Art and a teaching qualification from Moray House School of Education. In addition to paintings he has lectured at Honours Degree level for most of his career but he has also enjoyed teaching short courses in visual communication and water colour painting. Working in a variety of mediums, at times, the imagery in David’s painting borders on abstraction while retaining intriguing yet recognisable elements that relate to the subject matter. The landscape provides the inspiration for much of his work, some of which is expressed in bold statements of colour and texture. David Graham is represented in a number of prominent art galleries in Scotland and England. His work is included in many private collections at home and abroad.

* GARRY BRANDER, GLENCOE oil on canvas, signed, titled and dated 2010 versoframedimage size 15cm x 30cm, overall size 30cm x 35cm Note: Garry Brander began his studies in 2005 obtaining his HND in graphic design in 2007, winning several awards including the Trade House of Scotland ‘Best 2D Painting’. He began exhibiting his artwork in and around the west coast of Scotland and shortly after made the decision to attend the Glasgow School of Art. Graduating in 2011 with a BA Honours in Fine Art, he enjoyed a sell-out degree show. Garry spends much of his time painting the highlands and islands of Scotland, particularly the island of Tiree, where his family has lived and worked the old watermill and surrounding crofts for over 500 years. His love of the West Coast has inspired his paintings and living on the islands, learning about remoteness, isolation and the beauty of the beaches and landscapes, has forged the artist he has become. His upbeat and vibrant modern palette raises the viewer’s level of emotional engagement with his paintings and reminds them that Scotland is one of the most beautiful places on earth. Garry Brander’s contemporary artwork is in private collections all over the world and has been exhibited in Art Fairs from New York to London and Amsterdam. He also exhibits with many of Scotland’s best-known galleries and has had many successful solo exhibitions.

Barocker Taschenuhrenständer 18. Jh. Holz, geschnitzt, vergoldet u. versilbert. In Fom eines Tabenakels auf zwei Volutenfüßen, vorgekehlter Kranz und durchbrochene Bekrönung, Draperie unter der Uhröffnung. H. 30 cm. Dazu: Silberne Taschenuhr . Chelsea. Improved Patent, English Level. Emailzifferblatt mit kleiner Sekunde (feine Spr. u. Randchips). Uhrwerk nicht geprüft. (61117)

A RARE ITALIAN BARBUTA, THE SKULL, MILANESE LATE 15TH CENTURY, ‡ STRUCK WITH THE MARKS OF TOMASSO MISSAGLIAthe skull formed in one piece with a rounded crown rising to a low medial ridge, extending downwards and flaring slightly outwards at each side to just above the level of the shoulders, projecting rearwards over the nape as a short integral "tail" and cut at the front with a T-shaped face-opening; its rear struck with the maker’s marks, a gothic letter ‘M’ beneath a split cross at each side, the face-opening reinforced, and the lower edge with a near square-section turn (the face-opening, neck-guard and a portion of the cheeks restored, small areas of light pitting), 29.5 cm high ProvenanceChristie's, 20th March 1967, lot 109Norman Fargo, Sandpoint, Idaho The marks appear to be those of the Missaglia workshop, the leading Milanese armorers in the fifteenth century. A sallet of circa 1440-50 marked by Tommaso dei Negroni da Ello, called Missaglia, considered to be the founder of the great Milanese dynasty of armourers, was sold in this room, 28th June 2023, lot 282. Rebuilt by Christopher Dobson, Suffolk, 2012.

A bottle of Chateau d'Yquem Sur-Saluces, 1953 Provenance: From a West Country House, stored in a temperature and humidity controlled wine cellar Slight slightly peeling with some staining, level high shoulder

A bottle of Chateau d'Yquem Sur-Saluces, 1953 Provenance: From a West Country House, stored in a temperature and humidity controlled wine cellar Label good, level high shoulder

A 20th Century wooden dolls house with red brick facade and red brick facade roof tiles, with bay window to first level and double door garage. The house opens at the front with electric switch, centre staircase over both levels, first level with hallway and front room with fireplace and second level with two bedrooms each with fireplaces. Both levels with original wallpaper and floor. Size 23½" (59.5cm) (W) x 17½" (44.5cm) (D) x 29½" (75cm) (H) (15)

A 20th Century dolls house named West Mead in cream paint with green painted flush edging with panelled front door, door to first level, 7 windows, some missing glass and one glass pane broken. The house opens on front to two rooms on two levels with original wallpaper, floor and detachable roof, size 21" (53.5cm) (W) x 12" (30.5cm) (D) x 21" (53.5cm) (H) (12)

A 20th Century dolls house with panelled door and five windows, with red brick facade and red tile effect roof and two chimneys. The house opens at the front with central staircase and two rooms on each level, with original wallpaper and floor. The house has two fireplaces and a little furniture. Size 28" (71cm (W) x 12" (30.5cm) (D) x 27" (68.5cm) (H) (17)

A 20th Century maisonette style dolls house with red brick facade and red tiled roof. The house opens at the front with 2 levels and one room on each level. First level has a kitchen layout and the second level room is bare. Size 13¾" (35cm) (W) x 16" (41cm) (D) x 24" (61cm (H) (19)

John Frederick Herring II (1815-1907) Horses and Farm Animals grazing in a field beside a pond, with hayricks beyond, signed lower left, oil on canvas, 18 x 39 cm, frame frame 30 x 52 cmProvenance: private Shropshire collection, label to verso for E Stacy-Marks gallery dated 6th March 1973, gives details of a previous owner R.B.T. Castle Esq of Sussex Condition:The painting is an oil on canvas, framed without glazing. The canvas appears to have been relined, there are no obvious losses, holes or tears visible. The paint surface appears stable and well preserved, there is surface- level craquelure but no obvious losses or deterioration. Colours are good. Frame has sound joints, some general wear and tear. Please refer to additional images