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Lot 52
ARR David Leach (1911-2005) for Lowerdown Pottery a stoneware lidded teapot decorated cream glaze with iron speckle, an iron and blue brush wave and dot pattern repeated around the body, mounted with a cane handle, impressed LD and Lowerdown Pottery marks, 28cm high including handleIn good condition - no damage, repairs or restoration.
Lot 653
William 'Bill' Marshall (1923-2007) at Leach Pottery Tall pitcher or jugiron glazeimpressed potter's and pottery seal marks near the footrim35cm high. Minimal glaze and firing faults as expected. Chip to spout circa 4mm. Section to internal rim which appears different from the rest, this about 4cm in length, 2cm deep. Looks like a bit of patching up. New photos added.
Lot 681
Svend Bayer (b.1946) Shallow bowl or dishdecorated with two fish in blue glazeimpressed potter's marks to the base24.5cm acrossand a Leach Pottery wave bowl or shallow dish, impressed pottery seal mark to the footrim, 22cm across (2). Overall both seem ok with minimal glaze faults due to the firing. No damage that we can see.
Lot 508
Leach Pottery Coffee pot and coverimpressed seal mark to the foot and two other smaller piecescoffee pot measures 21cm high approx (3). Provenance:The late Oliver Watson (1949-2023), British Studio Pottery expert at the V & A, Emeritus Professor of Islamic Art and Architecture and curator of Islamic Art at the Ashmolean Museum, Oxford, and the School of Oriental Studies, London.Oliver Watson curated the pottery component of the 1985 Tate Britain exhibition St. Ives 1936–64 and contributed an essay on ceramics to the 1989 catalogue of the first major exhibition outside Britain to celebrate the work of St. Ives artists and potters, when St Ives potters toured Japan. In 1990 he published his groundbreaking book, British Studio Ceramics: a catalogue of the collection of the Victoria and Albert Museum, which was reprinted in 1993 as Studio Pottery: Twentieth-Century British Ceramics in the Victoria and Albert Museum Collection. At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Lot 523
Trevor Corser (1938-2015) A Leach Pottery, St. Ives jar and cover, glazed stoneware impressed pottery and personal monogram marks, 23cm high; sold together with one further St. Ives vase, probably also by Trevor Corser, but with marks obscured by the glaze, 19cm high (2)Condition:Good condition with no damages or repairs. A small section of glaze loss to the rim of the cover, possibly on manufacture.
Lot 163
A large David Leach foxglove pattern studio pottery stoneware bowl The brown and blue /grey decoration depicting a stylised foliate spray to each side, above two concentric brown bands, the oatmeal ground with brown speckles throughout, with impressed Lowerdown pottery seal mark, 25cm diameter.
Lot 180
Tim Andrews (B. 1960) - A vintage late 20th-century ceramic raku vase, with smoky yellow, blue, and pink colours to a charcoal background to the exterior and a crackle glaze to the interior. Bublous shaped body. Impressed 'TA' mark to the bottom of the vase. Measuring approx. 15cm tall.Tim Andrews is an English studio potter, who specialises in smoke-fired and raku ceramics. Andrews trained as an apprentice to David Leach and studied at Dartington Pottery Training Workshop before setting up his first studio in 1981. In 1986 he returned to Lowerdown and now has a studio at Woodbury in Devon. He is a part of the Craft Potters Association and has published a number of books on the craft of raku. He exhibits his work internationally and is found in both public and private collections including, the Ashmolean Museum, St John's College, Oxford, New York, Lord Chancellor Lord Irving, and more.
Lot 141
'Studio Pottery', a presentation pack of four stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987. Provenance: Andy & Di McInnes collection. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 281
† DAVID LEACH (1911-2005) for Lowerdown Pottery; a globular stoneware jar partially washed in blue/grey glaze with iron and cobalt decoration and iron red spots, impressed DL mark, made circa 1985, height 21cm. Literature: For a similar example see 'David Leach' by Emmanuel Cooper & Kathy Niblett (Richard Dennis, 2003), no. 89. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 411
† JOHN LEACH (1939-2021) for Muchelney Pottery; a stoneware basket with cane handle covered in mottled grey and iron glaze, impressed JHL and pottery marks dated 2003, height 11.5cm (excluding handle), and a Muchelney Pottery chicken brick, length 25cm (2).Provenance: Basket purchased from the artist.Condition Report: Rim chip to chicken brick, otherwise appears good with no further signs of faults, damage or restorations.
Lot 208
† Attributed to BERNARD LEACH (1887-1979) for Leach Pottery; a stoneware bowl covered in dark blue glaze with wax resist decoration and kintsugi repair to the rim, impressed pottery mark, diameter 24cm, and smaller example (2). Condition Report: As well as the kintsugi, the larger bowl has a tight hairline extending 6.5cm from the rim, otherwise appears good with no further signs of faults, damage or restorations.
Lot 25
† DAVID LEACH (1911-2005) for Lowerdown Pottery; a bulbous stoneware vase covered in dolomite glaze with foxglove decoration, impressed DL and pottery marks, height 15.5cm. Provenance: Alan & Sheila Birchall collection; purchased from the Where I Fell in Love Gallery, Shipston on Stour, 2006.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 7
† AMANDA BRIER (born 1978) for Leach Pottery; a fluted porcelain bowl covered in copper red glaze, impressed AB and pottery marks, diameter 14cm, a deep bowl decorated with layered bands by Charlotte Jones, a bowl covered in white crackle glaze by Sonia Lewis, and a bowl decorated with a fox by Andrew McGarva, largest diameter 18cm (4).Provenance: Alan & Sheila Birchall collection; Brier purchased from the artist, 2002; Jones from the Trelissick Gallery, 2003; Lewis from the Where I Fell in Love Gallery, Shipston on Stour, 2006; McGarva from the artist, 2013.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 487
† MICHEL FRANCOIS; a large stoneware moon jar covered in iron and streaky cobalt glaze, incised signature, height 34.5cm.Francois graduated from Falmouth University in 2002, followed by a residency at the Leach Pottery, St Ives, Cornwall before setting up his own studio in Falmouth. His work was exhibited at the London Design Fair, the Leach Pottery Museum in 2019 and Collect in 2020, and in 2021 his moon jars featured in the ‘Moon Jar a Piece of Happiness' exhibition at the Han Collection in London. Provenance: Purchased from the artist. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 206
† Attributed to BERNARD LEACH (1887-1979) for Leach Pottery; a large stoneware bowl covered in blue/grey glaze washed with iron to the exterior and rim, kintsugi repair to the rim, and pale grey glaze with iron and cobalt decoration to the interior, impressed pottery mark, diameter 30.5cm.Condition Report: Apart from the kintsugi, appears good with no further signs of faults, damage or restorations.
Lot 640
Attributed to SHOJI HAMADA (1894-1978) for Leach Pottery; an early bulbous stoneware vessel on tripod feet covered in dark green glaze with copper red decoration, height 12.5cm, and a similar small dish, impressed pottery mark (personal mark is glaze filled), diameter 11cm (2). Condition Report: Tight hairline to dish extending from rim and across well, otherwise appears good with no further signs of faults, damage or restorations.
Lot 205
† BERNARD LEACH (1887-1979) for Leach Pottery; a stoneware saucer covered in dark oatmeal glaze with iron decoration, painted BL and impressed pottery marks, diameter 14cm, and two Leach Pottery slipware egg cups (3). Condition Report: Small rim chips and a re-glued rim chip to saucer, otherwise appears good with no further signs of faults, damage or restorations.
Lot 338
† JANET LEACH (1918-1997) for Leach Pottery; a lugged stoneware 'Bizen' style vessel, impressed JL and St Ives marks, height 11cm. Provenance: Estate of Chris Jensen.Condition Report: Professional restoration to body and rim, otherwise appears good with no further signs of faults, damage or restorations.
Lot 51
† JOANNA WASON (born 1952) for Leach Pottery; a square stoneware bottle partially covered in running green ash glaze with dolomite decoration, impressed JW and pottery marks, height 30.5cm, and a smaller globular vase covered in pale grey glaze with cobalt decoration (2).Provenance: Alan & Sheila Birchall collection; purchased from the artist, 2002.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 52
† JOHN LEACH (1939-2021) for Muchelney Pottery; a stoneware jug partially covered in running green ash glaze, impressed JHL and pottery marks dated 2002, height 11.5cm, and flagon by Tim Hurn, height 18.5cm (2).Provenance: Alan & Sheila Birchall collection; Leach purchased from the artist, 2010.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 142
'Studio Pottery', a presentation pack of four stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987.Provenance: Andy & Di McInnes collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 141
Warren MacKenzie (American, 1924-2018). A small studio pottery ceramic chawan tea bowl or cup. Stoneware with a shino glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 3/4 in x diameter: 5 3/4 in.Condition: No chips, cracks, losses, or signs of restoration when examined under UV light. Extremely light crazing throughout. There is extremely light wear along the footrim consistent with age and use.
Lot 143
Warren MacKenzie (American, 1924-2018) and Alix MacKenzie (American, 1922-1962). Group of two studio pottery cups or chawan (tea bowls), 20th century. Stoneware, one cup with navy tenmoku glaze, rendered by Alix MacKenzie; the second cup with a mottled gray sodium carbide glaze. Each stamped along the footrim with an early Warren MacKenzie stamp.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.(Blue) height: 3 1/2 in x diameter: 3 1/4 in. (Gray) height: 3 1/2 in x diameter: 3 1/2 in.Condition: There are no visible cracks, losses, or restorations. Faint crazing along the interior of the bowl. Light wear to the footrim.
Lot 139
Warren MacKenzie (American, 1924-2018). Studio pottery ceramic three-footed plate or shallow bowl. Stoneware with shino glaze and slip trailing along the surface of the plate, resting atop three tripod feet. Not marked.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 2 1/2 in x diameter: 10 in.Condition: No visible cracks, chips, or losses. There is minute wear to the feet, as expected from age and use. There are no signs of restoration under UV light.
Lot 142
Warren MacKenzie (American, 1924-2018). A studio pottery ceramic chawan tea bowl. Stoneware with titanium matte glaze. Stamped along the footrim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height: 3 1/4 in x diameter: 4 1/2 in.Condition: No chips, cracks, or signs of restoration when examined under UV light. Extremely light wear to the footrim consistent with age age and use.
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4484 item(s)/page