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Lot 521
A brass lamp base, another in the form of a column, a set of six wine glasses, a cut glass bowl and assorted glassware, a Chinese blue and white vase, with four character mark to base, converted to a lamp, 30 cm high, a Chinese embroidered panel, decorated a scene from the Hundred Boys, 56 x 62 cm (qty)Blue and white vase - old repair and a large loss
Lot 231
Ca. AD 100 - 300. A cast-bronze oil lamp. The globular-shaped body has a rounded spout adorned with stylised volutes, raised shoulders which surround a recessed tondo adorned with a large fill hole, and a semicircular handle, all supported atop a concave foot embellished with concentric circles. For similar see: The British Museum, Museum number 1926,0216.10.a. Size: 45mm x 180mm; Weight: 700g Provenance: Private UK collection; previously acquired on the Holland art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 310
Ca. AD 400 - 600. A very fine and beautifully moulded bright red terracotta oil lamp featuring an intricately decorated discus and shoulder in low relief. The body of the lamp bears a round shape and circular discus surrounded by a low ridge that continues around a large nozzle hole to form a broad channel. At the top, a solid blade-shaped handle flattened on both sides is attached. A circular ridge on the base extends in a straight line to the handle. The primary iconography is two Doves on top of a two-handled jug or amphora on a high pedestal. The shoulder surrounding the discus bears an ornate pattern comprised of heart-shaped leaves in contrapposto. Size: 150mm x 85mm; Weight: 200g Provenance: Private UK collection; From an old British collection formed in the 1990s.
Lot 157
Ca. 350 - 300 BC. A black-glazed pottery guttus (or guttos, oil-lamp filler) bearing the feminine face of a gorgon atop the tondo representative of Medusa. The vessel exhibits a spool-shaped foot, a wheel-form body with dozens of vertical incisions around the periphery, a protruding ring handle, and a cylindrical spout with an everted rim, all enveloped in lustrous black glaze. For similar see: MET Museum Accession Number: 41.162.56 Size: 130mm x 120mm; Weight: 290g Provenance: Private UK collection, acquired on the Dutch art market; previously acquired on the Dutch art market; Frederik Van Driel, Maastricht 1993.
Lot 204
Ca. AD 100 - 300 . A bronze oil lamp cast via the lost wax (cire perdue) method with a projecting ring base attached with a small tang, a rounded body, a concave discoid wick spout, a pair of perforated lugs for holding a shell-shaped lid and a head of griffon on the top of the curve handle. Covered in thick layers of matte green and dark brown patina. Size: 135mm x 100mm; Weight: 310g Provenance: Property of a European collector; formerly in the famous Alison Barker collection, a retired London barrister; acquired between the early1960s to 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 211
Ca. AD 40 - 100. A pottery oil lamp presenting a recessed tondo with the relief image of a fighting gladiator wearing a high helmet and holding his square shield. The wicked spout features an arrow-shaped head and a thick neck flanked by volutes. For similar see: The Cesnola collection of Cypriot art; the oil lamps, n. 400. Size: 27mm x 101.3mm; Weight: 101g Provenance: Private UK collection; previously acquired on the French art market in the 1990s.
Lot 205
Ca. AD 100 - 300. A cast bronze oil lamp with a pear-shaped body leading to a curvaceous spout. The lamp features an impressive handle with lion terminasl with realistically rendered muzzles. The fill hole presents an intriguing form. The lamp sits upon a sturdy concave base marked in concentric circles. Size: 160mm x 200mm; Weight: 960g Provenance: Property of a European collector, acquired on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Lot 253
Ca. AD 50 - 200. A mould-made round terracotta oil lamp with a convex lower part and a flat top. In the concave disc, there is a vertical figure of the imperial eagle. A channel runs from the rim to the top of the flat nozzle. The shoulder features a laurel-like pattern and it has a pierced round handle on the back. Size: 140mm x 100mm; Weight: 170g Provenance: Private UK collection; From an old British collection formed in the 1990s.
Lot 252
Ca. AD 100 - 300. A cast-bronze oil lamp depicting a pomegranate flower at the end of the handle. The elongated, pear-shaped body has a rounded, hooked wick spout, raised shoulders, and a fill hole in the pistil of the flower, all supported atop a concave conical foot. For similar see: The British Museum, Museum number 2005,0927.96. Size: 60mm x 160mm; Weight: 275g Provenance: Private UK collection; previously acquired on the Holland art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 210
Ca. AD 400 - 500 . A terracotta oil lamp presenting a recessed tondo with the relief image of a leaping horned stag. The elongated spout features a channel with a fire hole. A moulded frieze depicting flowers and leaves surrounds the central decoration, and a petite strap handle protrudes on the back. For similar see: The Cesnola collection of Cypriot art; the oil lamps, n. 416 Size: 53mm x 127mm; Weight: 156.5g Provenance: Private UK collection; previously acquired on the French art market in the 1990s.
Lot 82
Ca. 9th - 10th century AD; Ca. 9th - 10th century AD; Ca. 12th - 13th century AD; Ca. 17th century AD; Ca. 17th - 18th century AD; Ca. 18th century AD. A large group of metalwork, including an Indian brass bottle with a screw top, two Fatimid bronze sprinkler bottles of footed globular form, the neck decorated with six knobs, one with an inner base missing, a Khorassan spouted jug with copper inlay, of bottle form, with a lamp-shaped spout with a lion-faced hinged lid, complete with its handle. The jug has incised decoration with two panels engraved with animals, two rounded with birds, and three panels of calligraphy, one inlaid with copper, with a bell or mihrab-shaped lozenge surrounded by a copper inlay. Also included are two bronze candlestick tops, two shallow bronze dishes, one of which is decorated with four panels of calligraphy, four silver-inlaid crescent moons, and a central arabesque knot with six floral panels on the rim. The outer edge is adorned with six panels of calligraphy and has an old collection label marked 'R.s 21'. The second dish is engraved with a central roundel showing a winged horse against floral arabesques, surrounded by four panels of calligraphy and four roundels, with the edge separated by six panels of calligraphy and six roundels, and the side with five panels of calligraphy and five roundels. A shallow bronze dish stands on three feet, with the upper rim decorated with nine circular stamps and traces of calligraphy, now illegible, and the outer rim decorated with six panels engraved with animals, some retaining traces of inlaid silver wire. Additionally, there is an Islamic brass bottle with oxidised silver inlay, decorated with horizontal bands and vertical stripes of inlaid floral decoration. A Seljuk brass dish of scalloped form, decorated with engraved Kufic inscriptions and arabesque panels around a central geometric knot with eight lobes, is also included. This type of scalloped dish is evidence of the origin of the shapes of later Chinese celadon ware. An Islamic brass stand of octagonal form stands on eight attached feet, decorated with repoussé ovals between the feet, four with calligraphy and four with floral and geometric decoration above. The size is 30 cm in width, including feet, by 6.5 cm in height, with a diameter of 16.5 cm. Finally, an early Islamic cup, made of brass with high copper content, is circular with a lead-shaped handle engraved with a bird, and the outer rim is engraved with a rope pattern, with the base curiously ‘scratched’ with a spiralling ‘movement’ of hatching. Size: 490-560mm x 375-450mm; Weight: 9.2kg Provenance: Previous property of an Islamic art professional, previously apart of the Henri René d’Allemagne Collection, 1979. Acquired by Ahuan U.K Ltd. from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne (1836 - 1950.) This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 104
12th Century CE - 13th Century CE. A superb cast bronze Khorasan oil lamp with large pedestal and stand. The lamp with octagonal pedestal base, broad bowl with finger holds at sides, bird final lid, loop handle with zoomorphic final as thumb rest. Incised decorative designs throughout. Composed of four removable pieces: base, column or stem, tray and lamp.
Lot 59
.A bronze oil lamp and bowl, the oil lamp stylised with a leaf shaped thumb-rest and lid in the form of a shell. Size: 170mm (longest points) x 110mm (widest points); Weight: 476gProvenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.
Lot 79
Ca. 12-13th century .A collection of four Islamic thimbles incised with a dotted design, two bronze candlestick necks, both of similar form, one with a band of calligraphy, each with key shaped fittings at the base. A small bronze oil lamp of globular form, with an open neck and three protruding pierced hanging loops. Engraved with incised bands of decoration, along with a bronze polygon set with a four sided large pyramid and eight smaller three sided pyramids, Interspersed with twelve knobs connecting double lines of dots, with two circular openings. This bronze decorative element may have been part of a window grille.Size: 30mm-120mm, 20mm-80mm; Weight; 890gProvenance: Previous property of an Islamic art professional.
Lot 105
Ca. AD 1100 - 1200. A bronze oil lamp featuring a discoid body, covered by a hinged lid with a zoomorphic, openwork design. The front of the lamp displays three channels, each with ivy leaf-shaped spout, while the rear boasts a handle with a loop and a decorative finial. Size: L:180mm / W:200mm ; 800g Provenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.
Lot 96
Ca. 8th - 9th century AD. A bronze ewer decorated with decorative cartouches on its pear-shaped body. The jug tapers into a narrow neck, with the top of the jug in the form of an oil lamp. Size: 280mm x 140mm; Weight: 1.09kg Provenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.
Lot 37
Ca. AD 1100 - 1300. A copper-alloy oil lamp with a bird-shaped handle terminal and an attractive green patina. The lamp stands on a wide, splayed foot, and features a large protruding spout. The oil compartment is topped with a feline head. Each section of the lamp is densely engraved with Kufic inscriptions, rectangular aviary panels, arabesque palmettes, a vegetal trellis, and geometric fretwork bands. Size: 255mm x 240mm; Weight: 1.45kg Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK.
Lot 77
.A beautiful leaded copper alloy lamp or candle holder of a broad form. The openwork lamp exhibits an inverted piriform body resting atop a circular base and has dozens of fluted panels lining the lower body, eight discoid panels with intricate geometric motifs perforated through the bodySize: 170mm x 110mm; Weight: 915gProvenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Lot 1323
VICTORIAN SILVER PLATED TABLE LAMP, with urn form sconce over a tapered faceted column support to shaped foot, cast with scrolls and foliage, on burr walnut base, with associated opaque glass shade, wired for electricity44cm highIn overall good condition. Surface scratches. Base with some flaking. Evidence of polishing. Some light brown marks to area of shade and two small white spots. Shade loose. Additional images now available a
Lot 1309
THREE VICTORIAN OIL LAMPS, LATE 19TH CENTURY comprising one brass and onyx, one cranberry glass and brass and one bronzed spelter example, with glass shades and funnelsthe largest 81cm high overallQty: 3Damage to one applied clear glass moulding on cranberry glass font, though font itself is good. Green tinted shade without damage.Each lamp is subject to typical wear as per use and age. No drill holes.
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297507 item(s)/page