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A late 19th/early 20th century Meissen porcelain group, Je Decouvrelout, some loss, 12 cm high, a set of four Victorian Staffordshire figures, The Four Seasons, 11.5 cm high, and other ceramics (box)Various damage and lossesMeissen figure: there looks to be most of the 'lace' missing, otherwise (fingers, toes, arrow, quiver of arrows, wings) good

French school. Nancy. 18th century. Attributed to the Guillot Brothers' workshop..Nativity scene with dressed wax figures. ‘Crèche en Cire Habillée’,Diorama measurements: 57 x 70 x 41 cm.Showcase dimensions: 67 x 75 x 53 cm.Diorama, and small showcase. Framed with a golden frame, the showcase contains a religious scene with figures made of wax, paper, cloth, mirror, moss and remains of shells representing a Nativity scene comprising the Virgin Mary, Saint Joseph and the Child and around them the Three Wise Men, shepherds, washerwomen, angels holding palm leaves and cherubs' heads between mountains decorated with paper flowers, animals and bushes in the background.The delicately painted figures wear clothes in the style of the court of Louis XVI, delicately embroidered with brocade, silk and muslin fabrics. The figures in the diorama are of different sizes, which, when placed on different planes, creates perspective.This remarkable work of exquisite detail is typical of those made in the 18th-century city of Nancy, famous for ‘Cires habillées’ or ‘dressed wax figures’. These wax figure scenes from Nancy are presented in lined cardboard boxes or wooden cases decorated with shells, beads, crystals, mirrors and other materials such as moss, wood or straw, etc. Mostly religious figures were made, but also secular ones, both in relief and in the round figures.According to specialists in this type of object, Nancy's wax figures were small dolls with heads, arms and limbs made of hard wax and a padded body, the eyes were made of glass and were completed with natural hair and eyelashes. As for the other components of this type of work from Nancy, including this example, the background and decoration were created with coloured paper, ribbons, sparkles, pieces of fabric, braids and lace and some natural materials such as wood or shells. To fix all the elements in the correct place, the characters and clothes were sewn onto the bottom of the box.The workshop of the Guillot Brothers (Nicolas and François) was the best known of Nancy's wax artists. Their workshop produced creations that were highly prized by the French elite of the 18th century.This example is closely related to some of the creations by Guillot Brothers' workshop, exquisite pieces that are kept in several European museums. Reference bibliography:-Aptel, Claire; Hochart, Brigitte et Choux, Jaques. Les cires habillées nancéiennes : tableaux de cire et d'étoffes, Nancy : Éditions du Musée Lorrain, 1989, 72 pages.-Cugy, Pascale; Letourmy-Bordier, Georgina et Selbach, Vanessa. « Les "estampes habillées" : acteurs, pratiques et publics en France aux XVIIe et XVIIIe siècles », Perspective 1, 2016, p. 163-170.-Letourmy Georgina et De Los Llanos, José. Le siècle d’or de l’éventail : du Roi-Soleil à Marie-Antoinette, Dijon : Éditions Faton, 2013.-Malherbe Anne, «La Vierge au voile», Labyrinthe 4, 1999, p. 59-72.-Chaidron Meggy,  « Honore l'Éternel avec tes biens » :  Les cires habillées, œuvres de dévotion privée. Catalogue de Expositions temporaires, Les objets insolites nº 4. Erasmus House Museum, Bruselas, 2024.Catalogue de l’exposition Cires de Nancy, paradis de cires et d’étoffes

Diego de Aliaga (Andean Viceroyalty, Active between 1770 - 1780)‘Patronage of Saint Joseph’.Oil on canvas. Signed ‘Didacus ab Aliaga mi P...’ and dated in Jujuy, 1774.90 x 71 cm. A work comparable to this one, although smaller in size and depicting Our Lady of Mercy with the Holy Trinity, also dated in Jujuy a year earlier, 1773, was auctioned at Christie's on 19 May 2019, fetching $52,000 (auction no. 15922 Latin American Art).As noted by Arca (Colonial art project at the University of the Andes): ‘Aliaga was an artist active in the region of Jujuy, Argentina. He is best known for ‘The Way of the Cross,’ painted in the church of San Francisco in Jujuy, Argentina, between 1772 and 1776’.This is a wonderful canvas from New Spain with one of the most popular images in New Spanish art, showing a saint (in this case) or the Virgin Mary protecting communities, religious orders, corporations and authorities under her mantle (appealing to clientelism and corporations in a way typical of the Ancient Regime), the main recipients of her heavenly benefits. Saint Joseph is crowned ‘as King’ of heaven by two flying angels, with Mary his wife portrayed in the flaming sun of his tunic, who is also protector and mediator.  Under his broad mantle, raised and supported by two other figures who serve and adore, the saint protects the King and the Pope, in short, the rulers and the faithful (almost always nobles) and the bishops and clerics of the pilgrim church, including religious orders. Clement XIV and Charles III, King by the Grace of God of Spain and the Indies, the Pope who suppressed the Society of Jesus in 1773, and the sovereign who pointed out ‘their good deeds’, since he had already expelled them from Spain in 1767, are named. They all wear a special gala costume, and the two orders are distinguished by the colour of their habit, brown on the left and black in the background. The common folk are distinguished by their colourful coats, all of them thus demanding respect for this convention.Clientelism, the link between courtiers and the king, or lower-ranking nobles and relatives, established a relationship of submission and dependence. This clientelistic scheme ‘extended to heaven’, and the saints were seen as patrons of their faithful, and from there ‘their patronage’ descended to the court, where the monarch was compared to God, as he protected and preserved his officials, who were considered ‘his creatures and his workmanship’.  However, the great distance that separated earthly sovereigns (civil or religious) from the heavenly sovereign is emphasised by these signs: before the king, the subject puts only one knee on the ground, but before God, present in the Eucharist, or before the Virgin Queen, getting down on both knees was the greatest sign of submission, as we see in this painting.A low, centred cartouche gives the location as Jujuy, a province in Argentina, and the date 1774, and those who commissioned the painting appear, ‘as humble slaves of Saint Joseph’: ‘Devajo del Poderozo Nsanto de tu Soberano Patrosino Señor Patriarca Sn Joseph, viven, y morirán Voestros humildes esclavos Dn Francisco Joseph Dias y su esposa Da Maria Petrona Araoz: Jujuy, año 1774.Didacus (Diego) ab Aliaga mi p...(pingebat)’. (Under the powerful sanctity of your sovereignty, Lord Patriarch Saint Joseph, live and die your slaves Francisco Joseph Dias and his wife Maria Petrona Araoz: Jujuy, in the year 1774, followed by the painter's name).Its imposingt period frame is outstanding, the openwork basketry and scrolls of vegetation decoration, similar to those seen in lace are finely carved and gilded.  It draws attention to the nobility and quality of this work, not only from the historical point of view, but also from the artistic point of view. Bibliographic reference: - https://arcav1.uniandes.edu.co/artworks/8694 

A diamond stick pin, mid 19th century, designed as a hand in a lace cuff holding a cushion-shaped diamond between thumb and forefinger, mounted in gold, connected by a length of chain to a smaller stick pin capped with a cube motif, mounted in gold, longest stick pin 7.4cm, case

A 1950's grey lace strapless evening dress, ruched bodice, the lace overlaid, a pale pink satin and grey net under dress, side zip fastening and hook and eye, there are some pulled threads, with a stunning cream 1950's full length evening dress, cream printed with white flowers, fitted bodice with scalloped detail to the slightly dropped waist, with frilled shoulder straps and neckline, the skirt is full and sweeping, it has a separate stiff petticoat (both small), and 1950's gold and cream brocade full length evening dress, the skirt bias cut and full, the bodice ruched, with scoop back and broad double shoulder straps (4)

1940's/50's brown jacquard cocktail dress, three quarter length sleeves, peplum waist, brown velvet trim to the bodice, the skirt with a split showing a brown velvet panel, a Peggy French Couture brown cocktail dress, draped bodice, square neck, three quarter length sleeves, a Simpson's St. Regis Room silk cocktail dress brown paisley style pattern, draped bodice with grosgrain ribbon detail to the waist, a black satin cocktail dress, a black lace cocktail dress with a chiffon drape to one side and a moire silk full circle skirt (6)

Various 19th century bonnets/caps - to include a lace cap, Ayrshire style embroidery, three cotton mob caps with lace trim, ruched sides and ribbon ties, two small net and embroidered caps, and eight mixed lace and cotton babies' bonnets, and a cotton baby petticoat and another with pin tucked hem, a pair of cream kid long evening gloves and various other leather gloves (1 box)

An Edwardian lawn blouse, sleeveless,  ( there is a tear under one arm)1930's cream lace blouse over apricot chiffon, a white cotton pinny with detailed crochet hem and a full white Victorian petticoat treble layered with a lace overhemCondition ReportThere is a tear under the arm of the sleeveless blouse, and staining under the arms, the lace longsleeved blouse appears to be without damage or repair, the cut and drawn thread edge of the pinny is pulled slightly at the the tie one one side, also a slight mark to the middle of the apron, the full petticoat has a tiny whole in the front of the skirt, middle ad there is a tiny , yellowish mark in the hem of one layer of net . otherwise this is in good order

Various mid-20th century nightware to include a cotton turquoise house coat, a David Nieper negligee, a pink nylon and white lace dressing gown with matching night gown, a cream and blue shortie night gown, a purple nylon Kayser night gown trimmed with lace, a St Michael shortie blue nylon night gown with ruffled V-neck, ruffled hem and ruched waistline, an apricot night gown with lace bodice and a blue crepe mid-century slip/night gown with blue lace neckline and later added straps (8) 

Black crepe 1920's dress with an embroidered and sequin detail panel to the front, the drop waist with a tie, the chiffon sleeves with split to the elbow, there is an extra detailed piece of embroidery, probably a collar as it looks to have been removed, a wool and coney cream coat, the lining panels of coney, shawl collar and cuffs in coney, a 1920's plum-coloured satin dress, V-neck, diamante detail to the shoulders and neckline, a lace three-quarter length jacket with two belts, 1920's/30's buttons to the front and detail to the belts, a pink satin possible nightgown trimmed with lace, with puff sleeves, a cotton blouse in apricot with floral insert, square neckline and ruched bodice, a black silk slip with drop waist with box pleats, V-neck, labelled 'KB Art Silk Fabric, English Made' and a 1920's cotton peasant-style dress with cross-stitch embroidery, red tassels to the bodice and sleeves (8) Condition ReportThe black dress with embroidered and sequin panel is as described in the catalogue description. The wool and coney coat has slight discolouration to the fur lapels and the the back of the coat skirt. Possibly from being folded and put away, the pink dress has a slight hole by the drop waist and a small mark, the peasant style dress has an ink stain to the front of the skirt, the black slip has the faintest white mark just under the waist to the front.

Various Edwardian late 19th century nightgowns, to include with broderie anglaise, lace trimmed, a cotton bed jacket with pink ribbon threaded through cuffs, hem and collar, and a pale yellow crepe nightgown labelled 'The Miranda' (this has moth damage) (8)

Various black evening dresses and jackets 1920's/1930's to include a black lace jacket, a black velvet short dress labelled 'Roecliff & Chapman, Grosvenor St.' with an elaborate beaded detail to one shoulder, three-quarter length sleeves, a dark blue chiffon dress with embroidered sleeves, a plaited belt fastened with a rosette, a black chiffon dress with lace insert faux flowers and diamante buckle, possibly a later edition (a/f) and six other black evening items (10)Condition ReportLace jacket approx size S/M appears in good condition with no obvious splits or holes. Velvet dress size 38 few white marks to back, small brown stain R/H side on skirt, various small marks and velvet 'crushed' in places otherwise god condition with no holes or splits. Blue dress approx size 14 embroidery to sleeves badly damaged.  Dress around neck very damaged. Black chiffon dress wit pink flowers approx size 10/12 damage under both arms, some beading to front off, staining to back and some holes in lace bottom trim. Lace layered dress approx size 10, damage to R/H shoulder strap, lace split down hook and eye fastenings, some lace to hem damaged. Black dress with lace trim approx size 12/14 lace to hem damaged, lace to L/H arm damaged, neck seam stitching coming away, spot marks on dress. Black and pink chiffon dress approx size 10/12 pink chiffon to top of dress stained and damaged, chiffon over dress colour damage with a few small holes. Lace dress approx size 12/14 damage to lace on both shoulders, lace has some damage throughout. Velvet sleeveless top size 34 in relatively good condition Short velvet jacket approx size 10 seems in good condition.

Part of a disassembled 1920's lace dress, embellished with  silver coloured sequins and flat beads ( 1 bag)

Collection of early-mid 20th century dress collars and cuffs, including: embroidered blue flower collars, lace, cream and pink silk, two pink silk jacket faux-sleeve inserts and other items 

Victorian petticoats and a pinny, to include a petticoat with lace panels and ribbon threaded through and pintucks, an embroidered petticoat, other lace petticoats, a broderie anglaise frilled petticoat, one petticoat with elaborate scalloped frilled hem, but this is damaged and stained (many of these need attention and cleaning) (11)Condition ReportAll of these items need washing and and tidying up. The condition of all is fair but they do attention

Victorian dress - cream silk with black velvet stripes, trimmed with a bobbin lace lappet ,  possibly a later edtion, the dress has been greatly altered perhaps for theatrical reasons

Two late 19th century painted silk folding fans, the first painted with pink and orange flowers on cream gauze silk, with pierced and engraved sticks and guards, the second painted with butterflies and applied with sequins on gold lace and silk, with gilt lacquered sticks and guards, each boxed, each approx. 34 cm long 

A large quantity of vintage evening bags to include beaded, petit point, faux pearls, embroidered, silk ruched, fixed frame leather, lace and an Edwardian leather bag etc (1 box)

Various 1960's evening dresses to include a green and cream brocade full length evening dress labelled 'Lee Delman' trimmed with green chiffon on the bust and with an attached shawl, a red satin evening dress 'V' neck, a dark blue evening dress with a ruched bodice and bow, with spaghetti straps, an emerald green silk halter neck evening gown with a ruched bodice, a pale yellow and cream cocktail dress empire waist, bell skirt, the cream bodice decorated with sequins, a black crepe cocktail dress, pleated skirt, short capped sleeves, 'V' neck, the bodice decorated with black sequins and a red lace strapless evening gown, full skirt, ruched bodice (7)

Two late 19th century painted silk and bone folding fans, the first painted with bees amongst flowers applied with sequins, the second with lace and gauze silk painted with white and blue flowers applied with sequins, each with pierced and engraved bone guards and sticks, approx. 35cm long max, in boxes (2)

Various Victorian nightgowns, blouses to include a full petticoat, a broderie anglaise nightgown, an Edwardian white blouse, embroidery detail to the yoke, another Edwardian blouse with small peplum cut and drawn thread with embroidery anglaise, another with pintuck and lace detail, another blouse with embroidery anglaise, another petticoat  a pair of Victorian pantaloons and a Red Cross nurse's pinny (stained) (9)Condition Reportoverall fair, one blouse has stain under arms, another slight tear in lace, one petticoat/night as small whole in the front of the skirt., the bloomers are stained and damaged , the 'red cross' pinny has stains.

A Victorian black beaded half mourning collar with various piece of black lace, mainly pieces cut from costume, and some collars ( 1 bag)

An embroidered large fichu that the vendor has added that was 'embroidered to wear on her wedding day in 1819, Polly Mercy Riley...' , a Honiton undyed lace collar, a small Honiton lace piece, another small scarf, parts of an embroidered lappet, part of net and lace veil, a pair of lace cuffs with drawstring fastening, a pair of cotton and embroidered sleeves with crochet trim, a pair of cotton and pin tucked sleeves, an embroidered shawl, part of an embroidered shawl modified to a fichu, and other lace and cotton pieces ( 1 bag)

Three late 19th century silk, lace and bone mounted folding fans, the largest with flowered lace applied with sequins, with silvered pique bone guards and sticks, 35cm long, together with two smaller painted lace and cream silk fans, painted with flowers and/or butterflies, applied with sequins, one with silvered pique sticks and guards, the other with pierced sticks, 24cm long (3)

A quantity of assorted embroidered and printed table linen and textiles, two lace making pillows, a quantity of vintage handkerchiefs, assorted lace and crochet table mats etc., a 1940's vintage pinny, two Victorian bonnets etc. (2 boxes)

Baby gowns - including a cream silk and lace gown (af), various, trimmed with lace, embroidery, broderie anglaise, petticoats and under dresses, three cotton and lace baby bonnets, two cotton bibs and a Honiton lace baby cap with later added pink satin rose and ribbons (af) (1 box) (14 gowns)

Victorian silk dress in blue, fitted as a jacket over a skirt, with belt, net fichu, the bodice with a label 'Lugar and Peat, 48 Cambridge Street, Ecclestone Square, SW', a Victorian cotton jacket with fitted waist, lace collar around a ruffled collar, with original blue buttons, leg o'mutton sleeves trimmed with lace, a Victorian silk petticoat with deep tier and lace inserts, a full-length satin petticoat and another cream petticoat/underskirt with ruffled hem (the waist band removed) (5) Condition ReportBlue Silk Dress: Commensurate with Age. Some discolouration on skirt, net trim on sleeves and neck line. Cotton Jacket: Commensurate with Age.  All buttons present and in goof order. Lace trim intact. Victorian silk petticoat:  Commensurate with Age. Lace in good order, Slight staining on front of garment. Satin petticoat, commensurate with Age. Dirt discolouration on hem/  Small tears and fraying at front waistline. Cream Petticoat: commensurate with Age. Hem discolouration with dirt and wear.

A Victorian lace blouse with ties at the waist over white net

Mid-century vintage evening gown in blue and grey swirls printed, puff sleeves, a quilted pintucked cowl neck (belt lacking and skirt cut on the bias), a purple satin evening dress, the collar with tiny pintucks, puff sleeves to the elbow, pintucked cuffs, ruched bodice with tie belt side fastening, a blue lace evening dress, the lace depicting as big blue flowers over net, with a sailor collar, pintucked frill, three-quarter length puff sleeves to the elbow with blue satin pintuck detail to the cuffs, with a blue satin slip which has the same lace trim to the bodice, a 1920's/30's black chiffon evening dress with lace bodice, full-length lace sleeves with chiffon insert, the lining apricot and black, lace inserts to the skirt, a black satin underskirt with pintucked detail to the hem, a 1970's Anna Belinda-style shot silk burnt orange coloured party dress with two small rosettes to the back of the dropped waist, puff sleeves with rosette detail, scooped neck, and a midnight blue velvet evening jacket with four button fastening, apricot chiffon lining, three velvet button detail to the sleeves, with padded shoulders (7) 

Three Victorian nightgowns to include lace and pin tuck detail, crochet bodice, a full sleeved and collared nightgown, a pair of Victorian bloomers, another pair of Victorian bloomers, a child's nightgown with ruffled bib front, collar and sleeves, and three baby gowns (9)

Collection of vintage lace shawls and lace fragments, in cream, red and black, together with a framed sample of bobbin lace made by Anne Hildreth, 1998

A Victorian Royal Artillery officer's dress pouch, the face edged with gold lace of regimental pattern. To the centre, heavily gold embroidered Royal Arms and crimson velvet cushion scroll 'UBIQUE' between embroidered oak leaves and acorns; an applied gilt metal gun to the base of the wreath which rests on a padded tri-part crimson velvet cushion scroll inscribed 'QUO FAS ET GLORIA DUCUNT'. Reverse complete with leather lined wallet, with brass belt loops to the sides, complete with foul weather cover for the pouch, 17.5cm wide Shipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportWear commensurate with age and use. The leather dry and a little worn. The embroidery and gold a little dull and dirty.

A collection of table linens and lace, 20th century, possibly Armeniam, to inlcude runners, coasters and tray cloths, 73 x 55cm the tray clothCondition ReportStaining and marks throughout.

A pair of Berlin porcelain figures late 19th century, modelled as a dandy and companion in traditional costume21.5cm hightogether with a pair of Vienna porcelain figures,modelled as a lute player and dancer,the largest 19.5cm (4)Condition ReportMinor losses to the lace dresses. The dandy is missing his fingers to one hand. Please see the additional images.

A Irish Dresden porcelain figure group 'The Champagne Party', depicting a group of five figures sat at a table, drinking champagne, painted marks,53cm wide31cm hightogether with another Irish Dresden porcelain figure,'Sinead', of a lady in a green dress, playing the harp, painted marks,19cm highCondition ReportNo apparent chips or crack. Only minor losses to the lace dresses, but no large patches missing.

A vintage 1980s silk moire and net dance dress by Alison Dowell Designs sold by Lucian Philips London, a 1980s black velvet and lace dance dress, a pale gold translucent over dress, a blue cotton kaftan with gold embroidery (all size 10-12) together with a 1980s Jacques Vert three piece outfit, a dressmaker made blue tie necked dress and six pairs of ladies trousers (all sizes 14-16)

A box containing a hand crocheted table runner approx. 200 cm x 60 cm, an incomplete hand crocheted bed cover approx. 130 cm x 220 cm, an incomplete table cover approx. 188 cm x 173 cm, a crocheted stole approx. 150 cm x 60 cm, a crocheted table cover approx. 85 cm x 85 cm together with a felted burgundy table cover with fringed edges approx. 150 cm x 137 cm together with a box of vintage domestic linen to include embroidered, lace-edged and other tablecloths, napkins, table mats, doilies, etc. (2 boxes)

John SouterEtching titled ''A Lady Making Lace', signed. Copy 19/80[49x55cm]

Box of vintage fabrics and linens, cotton and lace trimmed undergarments etc

English school (19th century)Portrait of a gentleman in 17th century dress, wearing a lace collar and tan coloured tunic, variously inscribed in ink to backing paper verso, watercolour, 10.5 x 9cm oval, mounted but unframed Prov: The Estate of the late Sabih Aykoler

English School (19th century)Portrait of Richard Tandy (1776-1854), Lace Dealer of Sherington, Bucks, oil on canvas, 75 x 62cm

DANIEL GARDNER (1750-1805) A portrait of Frances Egerton circa 1778, wearing a pearl grey dress with white lace apron and cuffs and a white bonnet, seated at a wool winder in a draped portico, a distant landscape beyond, pastel and bodycolour, 82cm x 61cm (oval)Provenance: The Grey-Egerton Family, formerly of Oulton Hall.Note: Frances Egerton was the daughter of the Rev. Philip Egerton (d. 1726) and the sister of John Egerton of Broxton, Cheshire.Literature: 'Sir Philip de Malpas, The descriptive catalogue of the pictures and other works of art at Oulton Park, Cheshire, published 1864, page 48.Originally listed as 'Mrs Puleston' but then included in the additions and corrections on page 102 as Frances Egerton.

ENGLISH SCHOOL, 17TH CENTURY A portrait of a gentleman depicted half-length, wearing black robe with white lace collar, his right hand raised to show his gold signet ring, landscape beyond, oil on canvas, 75cm x 63cmProvenance: The Digby family.

Claire Herczeg (Hungarian, 1906-1997), a Goldscheider pottery figure of a lady, c.1940, model no. 8169/3, wearing a black dress with gold and red patterns, with 'lace' detailing to the skirt, printed and impressed marks, 31cm highCondition ReportSmall bleamishes and chips to the front edge of the skirt, the edge of the blouse - two areas with restoration.

Studio of Michiel Jansz. van Mierevelt (1567-1641)Portrait of a Non-Conformist (Puritan) Ministerthree-quarter length, wearing a cap and a lace collaroil on canvas108cm x 82cm Framed. The painting has been relined and restored extensively. Picture surface is stable.

After Harry B Neilson, Mr Foxes Hunt Breakfast On Xmas Day, print, 40 x 76 cm, and a tapestry, decorated hunt scene, a watercolour of flowers, and a lace collar framed, and assorted prints (qty) Please note collection is from TA9 4LJ only on 22nd, 23rd, 24th & 25th October. Payment to  be made beforehand as there is no facility to pay on site

Two Purple Eyed Bisque Dolls, the female with purple set eyes, painted eyelashes, eyebrows and lips, auburn coloured wig with full fringe, the weighted cloth torso wearing period style clothing comprising underskirt, green and cream collared dress, cream ribbon in hair, together with a male of the same features, wearing long trousers, cream shirt and knitted vest, marked "Sue Savil" behind ears, both 60cm high together with A Bisque Headed Doll, with blue set eyes, painted eyelashes, lips and eyebrows, dark blonde ringlet wig (unglued), pierced ears, weighted cloth body with bisque lower legs and hands, period style outfit including undergarments, blue and cream lace dress, lace stockings and cream floral shoes, back of head stamped "BRU 1 1/2 84 - 3/90 M26", 65cm in height. (3)

Two bisque headed dolls conprising of A J.D.K Kenster Bisque Baby Doll, large blue set eyes with painted eyelashes, eyebrows and lips, auburn ringlet wig (detached), the weighted cloth body wearing period style clothing, comprising blue bloomers, underskirt and blue frilly collared dress, knitted socks and black shoes, head stamped "Made In Germany J.D.K 221", 39cm high. and A Simon & Halbig Bisque Headed Composition Doll, with brown set eyes, painted eyelashes, eyebrows and mouth, brunette wig with fringe, outfit comprising bloomers and knitted vest, underskirt, white floral dress, knitted socks and brown lace up boots, stamped "117/Al", no obvious signs of repair, some wear to paint around articulated joints, 45cm high. (2)

Two boxes of Antique linens, crochet wear, lace, embroidered dresses, shirts, collars, ladies handbags, handkerchiefs etc

An oval miniature of Lady with lace dress

Costume Jewellery, including modern black fox necklace, brooches, beads for restringing, dainty marcasite set bell necklace, carved dragon, lace butterfly etc.

A 19th century silkwork panel of a jardiniere of spring flowers - on an ivory silk ground, within a shell ornamented silver thread lace border with a silk three-colour banded outer fringe, 34.5 x 33cm, in a gilt and green silk glazed box frame, 47 x 45cm.

ROYAL EQUERRY'S UNIFORMS OF THE HON. ALEXANDER GRANTHAM YORKE (B.1847-1911) THIRD QUARTER 19TH CENTURY Comprising a scarlet tunic with blue facings and gold embroidery, blue trousers with gold lace, a blue frock coat with mourning bands, a great coat, a cocked hat with gold embroidered loop, a crimson and gold dress sash, a dress waist belt and sling, a pair of brass spurs and two uniform trunks, one labelled for Manning & Co, London. Provenance:The Hon. Alexander Grantham Yorke, and thence by descent  Prior to becoming the groom in waiting to Queen Victoria, The Hon. Alexander Yorke was an equerry to H.R.H The Duke of Albany between 1874-1884   Condition Report: Condition is worn, signs of long term storage, evidence of moth throughout. For the scarlet tunic, colour remains good overall. Buttons and braiding all present. The exterior black braiding on the blue frock coat is fraying. all buttons present. Tailored holes for epaulettes to shoulders. Lining intact. Great coat with some evidence of moth mainly to lining. All buttons appear to be present. Hat somewhat worn with button and lining intact. Large moth-hole to rear of trousers.Chest size 34-36" approximately Bicorne circumference 50cm approximatelyCondition Report Disclaimer

A 1920s lace and silk gown in peach silk satin, housed in a cardboard box addressed to “Bowes-Lyon 37 St. James's Place London from H Huntsman & Sons” and in pencil “To go to St. Paul's Waldon Brussels Lace”

A quantity of vintage clothing to include a brown wool cape with hood and leather trims and ties by Elgee of London, a WWII Red Cross ambulance driver's outfit comprising overall with tied belt, dungarees and elasticated belt with pocket, a vintage silk striped jacket with fine wool lining, peplum and button and loop closing, bust approx. 80 cm, a Liberty silk 1930s waisted blouse with large collar and smocked detailing, button holes and self-covered buttons, bust approx. 92 cm, a purple silk short-sleeved blouse with peplum, dressmaker made, with gilt buttons and button loops, bust approx. 84 cm, a cream cotton voile blouse with button back fastening and insert lace detail to the front and collars, bust approx. 76 cm, a dress by Anna Belinda of Oxford in floral Liberty print cotton lawn with button front yoke to dress and blue and white striped edging to yoke pockets and hem, bust approx. 96 cm, a smock top blouse by Antony Sheppard Machynlleth Wales in Liberty lawn fabrics with elastic gathered sleeves, size Small, a turquoise smocked top cotton skirt by Simran, label showing size 14 and a box containing a child's kilt and braces by Rob Roy, size 32”, a small quantity of household linen, a pair of crochet gloves, a knitted child's waistcoat and a Sam Brown belt, complete with whistle and a lady's belt decorated with applique felt flowers, hearts, birds, etc. for waist approx. 77 cm

A quantity of vintage clothing to include top of an early 20th Century evening gown with heavily beaded bodice and silk chiffon sleeves, an early 20th Century silk day dress with lace detailing to sleeves and embroidered sections to sides and back, a bias cut purple silk evening gown with lace overlay, together with an evening jacket with fur trim to the sleeves, a double layered silk cream shawl with self-coloured embroidery and deep fringing to bottom and top tier, a Victorian half mourning bonnet in lilac with cream lace and dyed ostrich feather decoration, a 1930s silk camisole cami-knicker set, a lace bonnet, a canvas bonnet and a further shawl (1 box)

19TH CENTURY SCHOOL "Study of old woman in lace-trimmed cap in a parlour", watercolour, unsigned, 26.5 cm x 23 cm, 19TH CENTURY SCHOOL "Chronological tables of the English History of the Instruction of Youth", black and white engraving, 40 cm x 57 cm, J FITZGERALD "Elizabeth Fort and Old Saint Finbar's", pencil drawing heightened with colour and white, signed lower right and housed in a verre eglomise frame, 25 cm x 36 cm, a box containing three carved wood and gilt picture frames, each containing miniature portraits / prints, a 19th Century sand picture depicting a "Row of alms type houses", 11 cm x 17.5 cm, together with other various pictures and prints (23)

A yellow satin dressmaker made dress with puff sleeves and white lace trim, a black satin strapless evening gown by John Charles with velvet neckline trim and net petticoats, a black taffeta evening skirt with high boned waist, embellished with diamante and pearl buttons by Carnival, a cocktail dress with black stretch velvet top and patchwork ra-ra skirt in shades of turquoise with net petticoat, by Alan Pope Originals, a cream wedding dress by Berketex consisting of a lace overlay over satin ballerina length dress and a matching long-sleeved lace jacket, a wool high waisted gathered skirt by Cache D'Or with poppy design and black detailing, a suede sleeveless waistcoat with breast pockets and belt by Laura Ashley, together with a green suitcase by Equator

Hand embroidered and Lace edged linen table clothes; embroidered bedcover; (QTY). With vintage suitcase.

A large selection of lace and linen.