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Click here to subscribeCa. AD 100 - 300. A Roman pottery oil lamp embellished with three vessels. In the centre is a krater, on a high pedestal with two handles under its flared rim. On either side are two large unguentaria. Size: 105mm x 75mm; Weight: 50g Provenance: Private UK collection; From an old British collection formed in the 1990s.
Ca. 400 BC.A rare ceramic krater with a deep funnel-shaped neck, twin loop handles on the shoulder and a vertical zoomorphic protome in the form of donkey heads, each with an impressive pair of horns. The body, including the inside of the funnel, is decorated with red and brown encircling bands and panels. For similar see: The Museum of Fine Arts, Budapest, Inventory number T.687.Size: 360mm x 320mm; Weight: 4KgProvenance: Private collection, London; acquired in Geneva from Alara gallery in 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 400 - 350 BC.A red-figure volute krater in the ornate style with handles depicting Medusa. The intricate scenes on the krater include female figures, naiskos and symbolic offerings. Decorative elements, such as palmettes and abstract designs, adorn the neck and sides. For similar see: Cf. Greek section, Civic Archaeological Museum, Milan. Inv. No. St. 135026.Size: 650mm x 360mm; Weight: 7.9KgProvenance: Property of a central London Gallery; formerly in a South English estate collection; acquired in the 1990s from Andre de Munter, Brussels, Belgium; previously in and old European collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Apollo 11.: 12 Farboffset-Photos der NASA zur ersten Mondlandung von Apollo 11. Blgr. 28 x 35,5 cm. Lose. Enthält u.a. die Portaits der Astronauten, Ansicht der Erde von Apollo 11, Ausstieg von E.Aldrin u. verschied. Szenen auf dem Mond, Aufstellen der US-Flagge, Start von Apollo 11, das Lunar-Modul über dem Mond , Krater nahe dem Landungsplatz etc. R
ZEHN-TEILIGES KONVOLUT SILBEROBJEKTE England, Chester/London/Sheffield/Birmingham, 1902 - 1944 Silber, Glas, Holz. H. 3,7 - 19 cm. Teils punziert mit Feingehaltsangabe, Stadt- sowie Herstellermarke und Jahresbuchstaben. Bestehend aus: zwei Krater-Vasen, Doppelhenkel-Becher, zwei Kerzenleuchter, Glocke, Siegelstempel, Teesieb mit Schälchen und Schale mit hölzernem Boden. Gebrauchsspuren.
Kaffeeservice mit Dekor "Roter reicher Drache"60-tlg.; Kaffeekanne, Sahnegießer, 6 Kaffeetassen mit Untertassen, 6 Kuchen- und 3 Zierteller, Zucker-, Tee- und 6 Zierdosen, Schreibzeug mit Tintenfass, Paar Miniaturpantoffeln, 2 Kerzenständer, Löschhütchen, Kerzentropfschutz, 2 Ascher, Saliere, Gewürznapf mit Löffelchen, 2 Schneidebretter, Tablett, Beilagen- und Bratenplatte, Tischglocke, Konfektblatt, Trompeten-, Krater,- Enghals-, Füllhorn und Füßchenvase, Fuß-, Füßchen-, 2 Blatt- und 8 Zierschalen. Unterschiedliche Reliefdekore, teils mit Ajour-Rand. Dekor "Roter reicher Drache" mit zwei kreisförmig angeordneten Phönixen, gerahmt von zwei chinesischen Drachen sowie Arrangements aus chinesischen Symbolen der "Acht Kostbarkeiten" in eisenroter, goldgehöhter Camaieumalerei. Goldrand. Tasse minim. best.; Kerzentropfschutz mit Haarriss; Schwertermarke. Kannen-H. 25 cm. Bratenplatten-L. 43 cm.A 60-piece porcelain coffee set with decor "Red rich dragon". Cup minor chipped, candle drip protection with hairline crack. Crossed swords mark.Meissen. 2. Hälfte 20. Jh.
Circa 458-456 BC.. Volute krater decorated with parallel circle lines, ?-? flanking / Quadripartite incuse square. Unpublished in the most references; for a similar specimen see Traité III, p.220, 205 / pl.CXCIX, 1 (diobol). 3.09gr, 14mm (). This very special coin struck during the short period after the end of the Persian Wars (478 BC) and up to the Battle of Oenophyta (457 BC), when after the conflict between the Thebans and the Athenians, the latter managed to regain control of Boeotia and Phocis. This was the period of transition of Theban coinage from the early period, when the multiple variations of the incuse on the reverse were replaced by the krater depiction, characteristic for all the denominations. Abandoned is the local use of the initial Theta ? in its classical form ?. The only known similar example of Traité depicts a krater with the leaf of an ivy, a symbol of Dionysian worship, hanging from its left handle. Its incuse in the form of a swastika reminds those of the archaic coinage of Corinth and probably dates earlier than our example.Property of a North London, UK, gentleman. Very Fine. Toned. The only known issue of this short period of Theban coinage and possibly unique. [No Reserve]
Roman Period, 1st-2nd century A.D.. A turquoise blue faience jar probably made in Roman Egypt, in a form similar to that of a Greek column krater, with a broad shoulder and rim, two angled strap handles with scalloped ends, band of raised scales to the shoulder, lotus leaves to the body and shoulder; restored. Cf. The Metropolitan Museum, accession number 2021.41.171, for a very similar example; cf. Grimm, G., 'Two Early Imperial Faience Vessels from Egypt', in Thompson, D. (ed.), Miscellanea Wilbouriana 1, The Brooklyn Museum, New York, 1972, pp.71-100, fig.10, for a discussion of a vessel similar in style and almost identical in height (17cm) in the Egyptian Museum in Cairo. 2.2 kg, 21 cm wide (8 1/4 in.). Acquired on the European art market mid 1990s. with Bonhams, Knightsbridge, 22 September 1998, lot 31. with Bonhams, Knightsbridge, 22 April 1999, lot 641. with Christie's, London, 18 October 2005, lot 10. Previously with Mansour Gallery, London W1. Property of a North West London gentleman. Accompanied by a copy of the relevant Christie's and Bonhams catalogue pages.
Ca. 500 - 300 BCA wheel-thrown pottery krater covered in cream slip atop a natural russet-hued buffwear colour. The sizable vessel has a spherical body with a tapered bottom that rests upon a discoid foot. It has a pair of applied handles on either side of the shoulder, and a short vertical rim surrounding the deep basin. Extensive red/brown stripes course across the body and the shoulder is adorned with a register of olive leaves. Size: 173mm x 164mm; Weight: 765gProvenance: Property of a central London Gallery; formerly in a South English estate collection; acquired in the 1990s from Andre de Munter, Brussels, Belgium; previously in an old European collection.
Ca. 350 - 300 BC An Apulian red-figure pottery bell krater with a large body and two horizontal handles. The krater features traditional patterns, such as the laurel wreath under the lip, the Palmette motif under the handles, and the meander and geometric symbols pattern with crosses along the bottom of the body. Side ‘A’ is decorated with a scene where a dressed mend offer a large case to a crowned youth most likely Dionysus, seated and looking at the servant. Between them, a high plant indicates that the scene takes place in a Sacellum in the countryside. On side "B" there are two men conversing, wearing long tunics and one-shouldered cloaks. For similar see: Trendall, 1983, Plate I, n. 3-4. Size: 340mm x 330mm; Weight: 3.19kg Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 350 - 300 BCA rare red-figure pottery bell krater with a large body and two horizontal handles. The krater features traditional patterns, such as the laurel wreath under the lip, the Palmette motif under the handles, and the meander pattern with crosses along the bottom of the body. Side ‘A’ is decorated with a scene inside of the temple of Dionysus, shown by a plate with an inscription about the God, under which two men conversing, wearing long tunics and one-shouldered cloaks. On side "B," there is a naked youth, likely Dionysus, standing before an altar. He holds a long Thyrsus in his left hand. In front of him is a Maenad, who holds a Thyrsos in her right hand, and her left hand is outstretched, holding a deep patera. For similar see: Christie's Live Auction 2056 Antiquities, 9 December 2008; Trendall, 1983, Plate XVIII, n. 3-4.Size: 390mm x 365mm; Weight: 3.6kgProvenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 340 - 300 BC A red-figure pottery bell krater with a large body, short splayed foot, a flanged mouth and two well-preserved horizontal handles. The krater features traditional patterns, such as the laurel wreath under the lip, pamela motif under the handles, and meander pattern with crosses along the bottom of the body. Side “A” is decorated with a maenad seated on a pile of rocks. She faces a Satyr, holding a large patera out to him with her right hand, and a mirror in her left. Side “B” is decorated with two standing and facing figures representing two old men, who support themselves on two wooden sticks. For similar see: Christie's Live Auction 2056 Antiquities, 9 December 2008; Trendall, 1983, Plate XVIII, n. 4 and 6. Size: 320mm x 290mm; Weight: 2.46kg Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 340 - 300 BC A rare red-figure pottery bell krater depicting two ladies of fashion. The Krater has a large body with a short, splayed foot, a flanged mouth and two horizontal handles. Traditional patterns feature across the Krater, including small tongues under the rim, the palmetta motif is under the handles, and a stylised meander pattern on the bottom of the body. On side "A" there is a woman facing left adorned with a beaded necklace and bracelet, a white sakkos, a large diadem on the front, and round pendant earrings. On side "B" there is another head of a woman who looks very similar to side A. However, she wears a sakkos that holds her hair in a highly decorated manner and is enriched with pearls. The empty spaces of the decorations are embellished with rosette motifs. For similar see: Trendall, first supplement red figures, n. 6, 7 Plate II. Size: 270mm x 270mm; Weight: 2.01kg Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 400 - 300 BC A red-figure bell krater, a vessel for mixing wine and water during the symposium, crafted from terracotta and decorated with white and yellow details over black glaze. It features a large, deep body with a flared rim supported by a stemmed round foot. Two upturned handles facilitate ease of handling. Side "A" of the krater most likely depicts a seated Apollo taking centre stage, draped in a fastened below his belt. He holds a decorated patera in his left hand and a long sceptre with thyrsus in his right. Adorned with a radiant Stephane in his hair, a naked man is in front of him, and a dressed woman is holding a torch at his back. Side "B" features a similar scene. A laurel leaf wreath runs beneath the rim, stylised palmettes are below the handles framed by tongues and rays, and a meander pattern encircles the bottom of the vessel. Size: 430mm x 450mm; Weight: 6kg Provenance: Private UK collection; From an old London collection formed in the 1990s; Ex. Christie's, 1996. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 340 - 300 BC A superb red-figure pottery bell krater with a large body and two horizontal handles. The krater features traditional patterns, such as the laurel wreath under the lip, pamela motif under the handles, and meander pattern with crosses along the bottom of the body. Side ‘A’ of the krater is decorated with two women conversing, wearing long tunics and one-shouldered cloaks. On side "B," there is a naked youth, likely Dionysus, seated on a throne. He holds a large adorned patera in his right hand and a Thyrsus in his left. In front of him is a Maenad, who holds a mirror in her right hand, and her left hand is outstretched, holding a torch. For similar see, Christie's Live Auction 2056 Antiquities, 9 December 2008; Trendall, 1983, Plate XVIII, n. 4 and 6. Size: 290mm x 275mm; Weight: 2.26kg Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 500 - 400 BC A fine Greek column-krater possibly attributed to Onesimos painter. The krater has a pear-shaped body connected to a large neck decorated with stylised plant motifs. A band with a vine leaf motif decorates the area below the rim. There are two scenes on the main body of the krater. Side “A” depicts Dionysus holding a kantharos in his left hand and a thyrsos in his right. He is surrounded by two naked satyrs holding vases for the Bacchanalia. On Side “B,” a dressed Menade faces left and raises their right hand between two dancing Satyrs, depicted naked with long tails. For similar see: The Metropolitan Museum of Art, Accession Number: 07.286.74; Boardman, fig 230. Size: 480mm x 445mm; Weight: 6.7kg Provenance: Private UK collection; Ex. Dawsons collection, London, acquired on the UK art market in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 400 - 300 BC A black-glazed pottery bell krater featuring red-figure decorations. Side “A” portrays a maenad standing to the left, draped and with her hair elegantly arranged. A thyrsus is placed in her right hand while she extends her outstretched left hand to a decorated patera. Near an ornate altar stands Victory with elegant wings, offering a wreath with her right hand. Side “B” depicts two ephebi in a confrontational stance. Both are wearing a himation that falls over their left shoulder. The ephebi on the left is holding a staff as a prop, while the ephebi on the right is holding a long sickle in his left hand. Above the intricate designs on both sides, there is a laurel wreath motif, while below a meander and a cross accentuate the lower border. Large palmettes are positioned beneath the handles. For similar, see: The British Museum, Museum number 1978,0414.33. Size: 350mm x 345mm; Weight: 2.87kg Provenance: Private London collection, acquired on the Dutch art market; previously acquired on the German art market; E. Hoppe, Frankfurt, 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
A GROUP OF TABLE LIGHTS 20TH CENTURY To include: A volute krater form lamp base in the Antique manner, 68cm high; two silver coloured vase shape bases, tallest 45cm high; a pair of black ceramic bases with black and gilt shades, 59.5cm high including current shades; and a red hardstone and brass lamp base with red and gilt shade, 47cm high including current shade Condition Report: wear to all, some loss and spotting and marks to existing shades. Base to first damagedCondition Report Disclaimer
Krater-Vase, KPM Berlin, 1844 - 1847 Porzellan, polychrom bemalt, Goldstaffage. Auf einem quadratischen Stand. Vorder- und Rückseite mit bunter Darstellung einer Dame mit Kavalier. Ausladender, vergoldeter Rand. Seitlich zwei vergoldete Handhaben. Unterseite mit Manufakturmarke (1844 - 1847) sowie gepresster Marke "F". Gold leicht berieben. Höhe 31 cm. A German porcelain vase, KPM Berlin, 1844 - 1847 A German porcelain vase, KPM Berlin, 1844 - 1847Porzellan, polychrom bemalt, Goldstaffage. Auf einem quadratischen Stand. Vorder- und Rückseite mit bunter Darstellung einer Dame mit Kavalier. Ausladender, vergoldeter Rand. Seitlich zwei vergoldete Handhaben. Unterseite mit Manufakturmarke (1844 - 1847) sowie gepresster Marke "F". Gold leicht berieben. Höhe 31 cm.Condition: II +
A Meissen porcelain vase, circa 1820Of Krater form painted with a continuous landscape scene depicting Prussian cavalry and French soldiers in battle and soldiers after a battle, between tooled gilt borders, the lower body with a tooled gilt ground above moulded gilt acanthus leaves, the flared, burnished gilt foot with moulded fluting, reserved with a biscuit stiff-leaf border at the rim, the gilt handles burnished, the gilt inside rim with a tooled foliate band, 33.9cm high, crossed swords mark and I in underglaze-blue, impressed 58, 8 and IFootnotes:Provenance:East German private collection, sold Lempertz Berlin, 6 April 2019, lot 120;The Twinight CollectionThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A PAIR OF BRONZED METAL TWIN HANDLED URNS OF KRATER FORM LATE 19TH CENTURY Each with Apulian style scrolling handles above bodies with male and female charioteers, giallo marble bases 46.5cm high, bases 14cm wide Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both with removable inner sleeves- slightly rough surface finish. One with small dent to side- the other with some scratching around female charioteer. One with later interior screw fitment to base which has some old damage and repair. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Zwiebelmuster-Vase und -Flakon. Meissen. Knaufschwerter, ab 1850-1924, 1. Wahl und Schwertermarke, 2. H. 20. Jh., 3 Schleifstriche. Unterglasurblaue Malerei. 1x Kratervase mit zwei Handhaben und Rundfuß (H 24,5 cm). / 1x Enghalsväschen als Flakon (H 8 cm). Knauf des Flakons bestoßen. Aufrufzeit 14. | Juni 2024 | voraussichtlich 13:16 Uhr (CET)Onion pattern vase and bottle. Meissen. Pommel swords, from 1850-1924, 1st choice and sword mark, 2nd half 20th century, 3 grinding marks. Underglaze blue painting. 1x krater vase with two handles and round foot (h 24.5 cm). / 1x narrow-necked vase as flacon (H 8 cm). Knob of the flacon bumped. Call time 14 | June 2024 | probably 13:16 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
7 Zwiebelmuster-Porzellane. Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl, 1x 4 Schleifstriche. Unterglasurblaue Malerei. 2 Füllhornvasen (H 12,5 cm), 1 Kratervase (H 13 cm), 1 Becher, 1 Vierpassschale, 1 Durchbruchteller und 1 runde Dose (Ø 15 cm). Aufrufzeit 14. | Juni 2024 | voraussichtlich 13:30 Uhr (CET)7 onion pattern porcelains. Meissen. Sword mark, 2nd half 20th century, 1st choice, 1x 4 grinding marks. Unglazed blue painting. 2 cornucopia vases (H 12.5 cm), 1 krater vase (H 13 cm), 1 beaker, 1 quatrefoil bowl, 1 pierced plate and 1 round box (Ø 15 cm). Call time 14 | June 2024 | probably 13:30 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Vase mit Capodimontedekor. Meissen. Schwertermarke, 1934-1945, 1. Wahl. Modell-Nr.: D 197. Entwurf: 1860/63. LEUTERITZ, Ernst August (1818 Meißen - 1886 ebd.) Polychrom bemalt, goldstaffiert. H 25 cm. Gefußte Kratervase mit der umlaufenden Reliefdarstellung der von Putten umringten Venus in einer Muschel, einer Meerjungfrau in einer Muschel sowie von Schwänen und Meereswesen. Aufrufzeit 14. | Juni 2024 | voraussichtlich 16:16 Uhr (CET)Vase with capodimonte decoration. Meissen. Sword mark, 1934-1945, 1st choice. Model no.: D 197. design: 1860/63. LEUTERITZ, Ernst August (1818 Meissen - 1886 ibid.) Polychrome painted, gilt. H 25 cm. Footed krater vase with the surrounding relief depiction of Venus in a shell surrounded by putti, a mermaid in a shell as well as swans and sea creatures. Call time 14 | June 2024 | presumably 16:16 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
3 Vasen mit Blumenmalerei. Meissen. Knaufschwerter, ab 1850-1924 und Schwertermarke, 2. H. 20. Jh., 1. Wahl und 3 Schleifstriche. 1x Kratervase mit zwei Henkeln, Rundfuß und blauer Blumenmalerei (H 25 cm). / 2x Kratervasen mit polychromer Blumenmalerei und Goldstaffage (H 10 und 13,5 cm). Aufrufzeit 14. | Juni 2024 | voraussichtlich 16:34 Uhr (CET)3 vases with flower painting. Meissen. Pommel swords, from 1850-1924 and sword mark, 2nd half 20th century, 1st choice and 3 grinding marks. 1x krater vase with two handles, round foot and blue flower painting (H 25 cm). / 2x krater vases with polychrome flower painting and gold decoration (H 10 and 13.5 cm). Call time 14 | June 2024 | presumably 16:34 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Jagdpokal, Vase und Jagdbecher. 2. H. 19. Jh./1. H. 20. Jh. 1x Jagdpokal: Glockenkuppa, gedrehter Schaft und Rundfuß, auf der Kuppa eine geschnittene, vergoldete Darstellung einer Waldlandschaft mit springendem Rehbock (H 24 cm). / 1x Kratervase aus farblosem Glas mit schwarzlotgemalter Landschaftsmalerei (H 20 cm). / 1x sechsfach facettierter kleiner Becher mit der geschnittenen Darstellung einer Waldlandschaft mit Hirsch (H 11,5 cm). Chip am Vasenrand. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 13. | Juni 2024 | voraussichtlich 18:01 Uhr (CET)Hunting cup, vase and hunting cup. 2nd half 19th century/1st half 20th century 1x hunting cup: bell-shaped bowl, turned shaft and round foot, the bowl with a cut, gilded depiction of a forest landscape with a leaping roebuck (h 24 cm). / 1x clear glass krater vase with black solder painted landscape (H 20 cm). / 1x six-faceted small beaker with a cut depiction of a forest landscape with deer (H 11.5 cm). Chip on the rim of the vase. Provenance : From Thuringian aristocratic property. Restitution item with inventory number of the Altenburg Residential Palace, formerly part of the von der Gabelentz family collection at Poschwitz Castle. Call time 13 June 2024 | probably 18:01 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Zwiebelmuster-Kaffeeservice. Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl sowie 2 und 4 Schleifstriche. Unterglasurblaue Malerei. 7,35 kg. 23 Teile. Form "Neuer Ausschnitt". Kaffeekanne (H 23,5 cm), MIlchkännchen, Zuckerdose, 6 Tassen, 6 Untertassen, 6 Frühstücksteller, 1 Kratervase (H 9,5 cm) und 1 Untersetzer (Ø 16 cm). Bestoßung an 1 Untertassenrand. Aufrufzeit 14. | Juni 2024 | voraussichtlich 13:40 Uhr (CET)Onion pattern coffee service. Meissen. Sword mark, 2nd half 20th century, 1st choice and 2 and 4 grind marks. Painted underglaze blue. 7.35 kg. 23 pieces. "New cut-out" shape. Coffee pot (H 23.5 cm), milk jug, sugar bowl, 6 cups, 6 saucers, 6 breakfast plates, 1 krater vase (H 9.5 cm) and 1 saucer (Ø 16 cm). Bump on 1 saucer rim. Call time 14 | June 2024 | probably 13:40 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Fächerteller und Kratervase. Meissen. Schwertermarke mit Punkt, Pfeifferzeit, 1934-1945 und Schwertermarke, 2. H. 20. Jh., 1. Wahl. Polychrom bemalt, goldstaffiert. 1x Fächerteller mit Fruchtmalerei (Ø 28 cm). / 1x Kratervase mit blauem Fond und einem schauseitigen Blumenbukett (H 13,5 cm). Haarriss in der Vase. Aufrufzeit 14. | Juni 2024 | voraussichtlich 16:44 Uhr (CET)Fan plate and krater vase. Meissen. Sword mark with dot, Pfeiffer period, 1934-1945 and sword mark, 2nd half 20th century, 1st choice. Polychrome-painted, decorated in gold. 1x fan-shaped plate with fruit painting (Ø 28 cm). / 1x crater vase with blue background and a bouquet of flowers on the front (h 13.5 cm). Hairline crack in the vase. Call time 14 | June 2024 | presumably 16:44 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
20 Teile eines Teeservice mit Weinlaubdekor. Meissen. Verschiedene Schwertermarken, ab 1850 - 2. H. 20. Jh., 1. Wahl und 2 Schleifstriche. Unterglasurgrüne Malerei, Goldstaffage. 6 kg. Form "Neuer Ausschnitt". Milchkännchen (H 11,5 cm), 5 Teetassen, 5 Untertassen, 6 Frühstücksteller, 1 glatter Teller (Ø 17 cm), 1 Kratervase (H 13,5 cm) und 1 Reliefteller (Ø 24 cm). Goldrand der Vase berieben, unterer Henkelansatz des Milchkännchens bestoßen, 1 Tasse mit 2 Randbestoßungen, 2 Tassen mit Randchip. Aufrufzeit 14. | Juni 2024 | voraussichtlich 14:21 Uhr (CET)20 pieces of a tea service with vine leaf decoration. Meissen. Various sword marks, from 1850 - 2nd half of the 20th century, 1st choice and 2 grinding marks. Unglazed green painting, gold decoration. 6 kg. "New cut-out" shape. Milk jug (h 11.5 cm), 5 teacups, 5 saucers, 6 breakfast plates, 1 smooth plate (Ø 17 cm), 1 krater vase (h 13.5 cm) and 1 relief plate (Ø 24 cm). Gold rim of the vase rubbed, lower handle of the milk jug chipped, 1 cup with 2 rim chips, 2 cups with rim chip. Call time 14 | June 2024 | probably 14:21 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
4 Zwiebelmuster-Vasen. Meissen. Knaufschwerter, ab 1850-1924 und Schwertermarke, 2. H. 20. Jh., 1. Wahl und 2 Schleifstriche. Unterglasurblaue Malerei. 2 Flötenvasen (davon 1x mit Holzsockel; H 23,5 und 29 cm). / 1 Kratervase (H 14 cm). / 1 konische Vase (H 10,5 cm). 1x mit Randbestoßung und Randchip. Aufrufzeit 14. | Juni 2024 | voraussichtlich 13:44 Uhr (CET)4 onion pattern vases. Meissen. Pommel swords, from 1850-1924 and sword mark, 2nd half 20th century, 1st choice and 2 grinding marks. Underglaze blue painting. 2 flute vases (1x with wooden base; h 23.5 and 29 cm). / 1 krater vase (H 14 cm). / 1 conical vase (H 10.5 cm). 1x with rim trim and rim chip. Call time 14 | June 2024 | probably 13:44 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Kratervasen mit Weinlaubdekor. Meissen. Schwertermarken, 20. Jh., 1. Wahl. Unterglasurgrüne Malerei. H 13,5 und 29 cm. Aufrufzeit 14. | Juni 2024 | voraussichtlich 14:24 Uhr (CET)2 krater vases with vine leaf decoration. Meissen. Sword marks, 20th century, 1st choice. Unglazed green painting. H 13.5 and 29 cm. Call time 14 | June 2024 | probably 14:24 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
SCHADE, TITUS1984 LeipzigTitel: "Der Krater". Datierung: 2008-2010. Technik: Öl und Acryl auf Leinwand. Maße: 150 x 200cm. Bezeichnung: Betitelt, signiert und datiert auf der ungeschlagenen Leinwand verso oben: "Der Krater" Titus Schade 2008-2010. Zudem signiert und datiert auf der rechten Aussenkante der Leinwand: Schade 2010.Provenienz:- Privatsammlung Niedersachsen Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog Titus Schade Deutschland Zeitgenössische Kunst Unikate 2000er Landschaft Gemälde Öl und Acryl Architektur
Athanasius Kircher Mundus subterraneus, in XII libros digestus. Editio tertia. 2 Bände in 1. Amsterdam, Janssonius-Waesberge 1678. Kirchers großes naturwissenschaftliches Sammelwerk zur Geophysik und Geologie. Die dritte und wohl beste Ausgabe des berühmten Werkes, - 'einer der ersten Versuche, die Erde und deren Struktur von einem physikalischen Standpunkt aus zu beschreiben.' (Kircher-Katalog Rastatt) Eines der Hauptwerke des gelehrten Jesuiten und Professor für Mathematik, Philosophie und orientalische Sprachen Athanasius Kircher. Es ist sein Versuch Kirchers, die Erde und deren Struktur von einem physikalischen Standpunkt aus zu beschreiben. Kircher erlebte auf seiner Rückreise aus Malta im Frühjahr 1638 Erdbeben und Vulkanausbruche in der seismischen Zone um Sizilien und ließ sich nach seiner Ankunft in Neapel nachts in den Krater des Vesuvs abseilen, um dort Messungen vorzunehmen. Sein umfassendes Kompendium behandelt neben Erdgeschichte, Geologie, Vulkanismus, Mineralogie, Paläontologie und Hydrologie auch Bergbau, Chemie und Metallurgie. Das zuerst 1665 gedruckte Werk enthält zudem die erste physikalische Weltkarte (Shirley Tafel 322). - 'Le plus curieux des nombres ouvrages de ce savant.' (Caillet) EINBAND: Zeitgenössischer Lederband über Holzdeckeln auf 6 Bünden mit 2 Messingschließen mit floralen Ornamenten. Folio. 39,5 : 25 cm. - ILLUSTRATION: Mit 2 Kupfertiteln, 1 gestochenen Titelvignette und 15 Kupfertafeln und -karten (st. 21) sowie 5 Tabellen und 73 (6 blattgr.) Textkupfern und zahlreichen Holzschnitt-Illustrationen. - KOLLATION: 9 Bll., 366 S., 3 Bll.; 4 Bll., 507 S., 4 Bll. - PROVENIENZ: Exemplar aus der Bibliothek des Bonner Geologen und Paläontologen Prof. Dr. Wolfhart Langer (1933-2017), der es vor ca. 40 Jahren erwarb. Mit gelöschtem Stempel auf dem ersten w. Vorblatt sowie mit handschriftl. Besitzvermerk eines alten Jesuitenkollegs. - ZUSTAND: Auf Anfrage. - LITERATUR: Ferguson I, 467. - Caillet 5783. - Duveen S. 322. - Sabin 37967. - Nissen 2196. - Kircher-Kat. Rastatt 3.1. - Dünnhaupt 2339, 16.3. - Vgl. Hoover 483 und Honeyman Coll. 1823 sowie Norman Coll. 1218. Kircher's great scientific anthology on geophysics and geology. Third and best edition of this famous work, 'perhaps the most popular of Kircher's works in his day and the best known in ours' (Merrill). - With 2 engr. titles, 1 engr. title-vignette, 15 copperplates (of 21) and 73 (6 fullpage) text engravings as well as numerous woodcut illustrations and 5 tables. Contemp. calf over wooden boards on six raised bands. - Without 6 plates and the often lacking portrait. Some foxing and browning, binding rubbed, capitals somewhat damaged. In general good and attractive copy, from the library of Prof. Langer, Bonn. Dieses Objekt wird regel- oder differenzbesteuert angeboten.
MEISSEN Konvolut 'Blaue Blume', 1. und 2. Wahl, 20. Jh.: 30 Teile: 6 Mokkatassen (1x 1. Wahl), 6 Untertassen (1x 1. Wahl), 3 Kuchenteller, 1 Mokkakanne, 1 Zuckerdose (Deckelröschen bestoßen), 1 Sahnegießer, 2 Kratervasen (1. Wahl, H. ca. 9,5 cm), 1 Schälchen (1. Wahl, D. ca. 14,5), 1 ovale Deckeldose (1. Wahl, L. ca. 12), 2 Humpen (H. ca. 12,5), 3 Wandteller (1. Wahl, D. ca. 18), 2 ovale Wandplatten (1. Wahl, H. ca. 17) und 1 kleiner Meissen-Aufsteller. Leichte Alters- und Gebrauchsspuren.| MEISSEN convolute 'Blue Flower', 1st and 2nd choice, 20th cent: 30 pieces: 6 mocha cups (1x 1st choice), 6 saucers (1x 1st choice), 3 cake plates, 1 mocha pot, 1 sugar bowl (lid flower chipped), 1 cream jug, 2 krater vases (1st choice, h. approx. 9.5 cm), 1 small bowl (1st choice, d. approx. 14.5 cm), 1 oval lidded box (1st choice, l. approx. 12 cm), 2 tankards (h. approx. 12.5 cm), 3 wall plates (1st choice, d. approx. 14.5 cm), 2 oval wall plates (1st choice, h. approx. 17) and 1 small Meissen stand. Slight signs of age and use.
MEISSEN 44 Serviceteile 'Zwiebelmuster', 1. und 2. Wahl, 20. Jh. 6 Teetassen (1 beschädigt, 3x 2. Wahl), 6 Untertassen (3x 2. Wahl), 7 Teller D. ca.20, 2. Wahl), 1 Teekanne (H. ca. 13, 2. Wahl), 1 Kaffeekanne (H. ca. 22), 1 Stövchen mit 1 Einsatz für Teelicht (2. Wahl), 3 unterschiedliche Sahnegießer (2x 2. Wahl), 1 Zuckerdose (D. ca. 10, 2. Wahl), 1 Platte (L. ca. 29,5, 2. Wahl), 1 Tortenplatte (D. ca. 32,5, 2. Wahl), 1 Teller (vor 1888, D. ca. 24, 2. Wahl), 1 Fußschale (H. ca. 15,5), 1 Fächerschale (D. ca. 21,5, 2. Wahl), 1 Blattschale (L. ca. 22), 2 unterschiedlich große Muschelschalen (L. ca. 9-11), 1 Schälchen (D. ca. 12, 2. Wahl), 1 Blattschälchen (L. ca. 10, 2. Wahl), 1 Durchbruchteller (D. ca. 15,5), 1 Aschenbecher (D. ca. 12,5, 2. Wahl), 1 einflammiger Kerzenhalter (H. ca. 15, 2. Wahl), 1 Amphorenvase (H. ca. 19,5), 1 Kratervase (H. ca. 19) und 2 unterschiedliche Vasen (H. ca. 8,5-14,5, 1x 2. Wahl). Teilweise mit leichten Alters- und Gebrauchsspuren.| MEISSEN 44 service pieces 'Onion pattern', 1st and 2nd choice, 20th. century. 6 teacups (1 damaged, 3x 2nd choice), 6 saucers (3x 2nd choice), 7 plates D. approx.20, 2nd choice), 1 teapot (h. approx. 13, 2nd choice), 1 coffee pot (h. approx. 22), 1 teapot warmer with 1 insert for tea light (2nd choice), 3 different cream jugs (2x 2nd choice), 1 sugar bowl (d. approx. 10, 2nd choice), 1 platter (l. approx. 29.5, 2nd choice). choice), 1 cake plate (d. approx. 32.5, 2nd choice), 1 plate (before 1888, d. approx. 24, 2nd choice), 1 footed bowl (h. approx. 15.5), 1 fan bowl (d. approx. 21.5, 2nd choice), 1 leaf bowl (l. approx. 22), 2 clam shells of different sizes (l. approx. 9-11), 1 small bowl (d. approx. 12, 2nd choice), 1 small leaf bowl (l. approx. 10, 2nd choice), 1 openwork plate (d. approx. 15.5), 1 ashtray (d. approx. 12.5, 2nd choice), 1 single-flame candlestick (h. approx. 15, 2nd choice), 1 amphora vase (h. approx. 19.5), 1 krater vase (h. approx. 19) and 2 different vases (h. approx. 8.5-14.5, 1x 2nd choice). Some with slight signs of age and use.
Vermeil-Sockel für den Earl of BridgewaterSilber, vergoldet. Quaderförmiges Postament, wohl für einen Krater. Der Fuß mit umlaufendem Palmettfries; das Kranzgesims mit Eierstab. Zwei Schauseiten mit dem gravierten Crest des Earl of Bridgewater in äußerst fein ausgeführten Akanthuskartuschen. Marken: BZ London für 1822, kein MZ. H 19,5; B 17,8; T 17,8 cm, Gewicht 2.403 g.London, 1822.Francis Henry Egerton (1756 -1829) war der jüngere Sohn von John Egerton, Bischof von Durham, und Anne Sophia Grey, einer Tochter des Herzogs von Kent. Nach dem Tod seines älteren Bruders 1823 zum 8. Earl of Bridgewater ernannt, führte er viele Jahre ein exzentrisches Leben in Paris, in einem Haus voller Katzen und Hunde. Zeitgenossen berichten von legendären Diners, bei denen jeweils zwei seiner Vierbeiner in maßgeschneiderten Kleidern an seinem Tisch saßen und von silbernen Tellern aßen.
Mond-Reliefglobus von Alfred Schlegel, 1964Hersteller: Porzellangraveur Alfred Schlegel, Selb. Bronzefarbener Kunststoff, Ø 32 cm. Die der Erde zugewandte Seite wird mit kleinsten Details dargestellt (Krater, Maare und Gebirge), die Rückseite ist nur spärlich ausgearbeitet mit wenigen Details, damals bekannt durch die zur Erde gesandten Aufnahmen der sowjetischen Raumsonde Lunik 3 im Jahr 1959. Zusätzlich mit Markierung der Absturzstelle der US-Mondsonde Ranger IV. - Dieses Mondmodell mit seinen topographischen Feinheiten ist ein Stück Wissenschaftsgeschichte und ein Dokument aus der Pionierzeit der Raumfahrt, in der sich die Sowjetunion und die USA einen Wettlauf im All lieferten. Schon 4 Jahre nach seiner Ausführung war der Globus veraltet, denn mit der Weltraumission Apollo 8 sahen die ersten Menschen die Rückseite des Mondes mit eigenen Augen. Genaue Globen des gesamten Mondes konnten hergestellt werden. Start Price: EUR 350 Zustand: (2-3/-)Moon Relief Globe by Alfred Schlegel, 1964Porcelain engraver Alfred Schlegel, Selb, Germany. Bronze-coloured plastic, Ø 12 ½ in., the side facing the earth depicted in greatest detail (craters, maria and mountains), the reverse sparsely elaborated with a few details (images sent to earth by the Soviet space probe Lunik 3 in 1959), additionally marked with the crash site of the US lunar probe Ranger IV. - Note: This lunar model with its topographical details is a piece of scientific history and a document from the pioneering era of space travel and the space race. Just four years after its completion, it was already obsolete; with the Apollo 8 space mission, the first people saw the far side of the moon with their own eyes. Accurate globes of the entire moon could then be produced. Start Price: EUR 350 Condition: (2-3/-)
AN APULIAN POTTERY BELL KRATER ATTRIBUTED TO THE BARLETTA PAINTER CIRCA 4TH CENTURY BC, 37.8cm H x 38.5cm D Purchased at Sotheby’s, 'Antiquities' London 7th-8th July 1994, Lot 463. Provenance: From the Collection of the late William Gladstone Stewart (1933-2017), host of television show 'Fifteen to One'. Fifteen to One was a British general knowledge quiz show broadcast on Channel 4. It originally ran from 11 January 1988 to 19 December 2003 and had a reputation for being one of the toughest quizzes on TV. Throughout the show's original run, it was presented and produced by William G. Stewart. Thousands of contestants appeared on the programme, which had very little of the chatting between host and contestants that is often a feature of other television quiz shows. The series prize tended to be a classical artefact (for example an ancient Greek vase). Prizes were occasionally valued at several million pounds by archaeologists.
Magna Graecia, South Italy, Ca. 300 BC.A volute krater crafted from terracotta, characterized by an egg-shaped body that tapers onto a stem, ultimately resting upon a flared foot. The vessel features two handles positioned on the sides. These handles take the distinctive form of volutes, with decorative details painted in white and red hues. The obverse of the krater reveals elaborate depictions of the "Lady of Fashion" on the main body and the neck. Each female head is illustrated facing left, adorned with a radiate stephane, a ribbon sakkos, earrings, and a necklace. On the reverse side, the representation of the "Lady of Fashion" is confined to the body, while the neck features a horizontal stylised motif. For similar see, Antiquities and Artifacts, Archeologie, Ancient Art. A CANOSAN POLYCHROME POTTERY VOLUTE-KRATER, 16.5" Tall. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 390mm x 200mm; Weight: 1.3kg Provenance: Property of a central London gallery, previously acquired on the Dutch art market; Ex. Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 390 BC.A pottery bell krater with a black glazed body adorned with red figure decorations. Its composition includes a circular base, a short stem, a bell-shaped body, two handles, and a broad everted rim. Side A of the krater depicts a satyr striding right, holding a tympanum, a percussion instrument. On the right side of the scene, a nude Dionysus with a himation thrown over his right shoulder is seen holding a thyrsus, a long staff topped with a pine cone. Side B features a pair of male youths, known as ephebi, wearing himations and engaged in discussion. Both scenes are framed with a laurel leaf motif above and a meander motif below. Additionally, large palmettes are positioned below the handles. This piece is accompanied by a TL report from QED. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 310mm x 310mm; Weight: 2.6kg Provenance: Property of a London ancient art gallery; formerly acquired on the Spanish art market; formerly in a private collection, Cannes, France; previously acquired at Pierre-Eric Becker Gallery, Cannes, 1998. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 400 - 300 BC.A terracotta footed krater. This was a vessel traditionally employed for mixing wine and water in ancient Greece. Characterized by a bulbous body resting on a flaring foot, the krater exhibits an everted rim. Two handles, symmetrically positioned on opposite sides, seamlessly connecting the shoulder to the rim. The surface is decorated with bichrome glazes, featuring abstract bands around the upper body and plain bands encircling the foot. For similar see: Christie's, Live Auction 1163, Antiquities, Lot. 65. Size: 255mm x 240mm; Weight: 910g Provenance: Private London collection, B.A.; formerly in pre-2000 European collection.
Ca. 340 - 320 BC.An Apulian red figure bell Krater depicting a swan, close in the style of the Painter of Truro Pelike and the Haifa Painter. Side A depicts a woman dressed holding a large Patera in her left hand and a Thyrsos in her right. On side B a swan is depicted to be facing to the left, rendered in a naturalistic manner with diluted paint and touches of yellow, accompanied by a typical Palmetta below each handle. A decorative line with waves is added under the main scene with a 'zig-zag' decoration beneath the neck of the vase. For similar see, Christie’s live auction 5952 antiquities lot. 16. Size: 245mm x 245mm; Weight: 1.26kg Provenance: Property of a central London gallery, previously acquired on the Dutch art market; Ex. Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 350 BC.A pottery bell krater composed of a bell-shaped body with a broad flange featuring a round rim and a pair of handles on its sides. The vessel is supported by a stemmed foot with a circular base. The krater is adorned with a black glaze and red figure decoration. On Side A, a maenad, elegantly draped in a long tunic fastened at her shoulders and cinched at the waist, stands with a subtle weight on her left leg. Holding a thyrsus and tympanum, she faces a seated, nude and winged Eros. Turning to Side B, the scene features two himation-clad ephebi, with the left figure holding a staff. The lower border of the krater is adorned with a Greek key pattern interspersed with crosses. Additionally, a laurel band encircles the underside of the flange, with palmettes embellishing the handle plates. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 295mm x 260mm; Weight: 2.37kg Provenance: Property of a central London gallery, previously acquired on the Dutch art market; Ex. Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 300 BC.A Canosan volute krater crafted from terracotta, characterised by an egg-shaped body that tapers on a stem, ultimately resting upon a flared foot. The vessel features two handles positioned on the sides. These handles take the distinctive form of volutes. The other side of the krater reveals elaborate depictions of the "Lady of Fashion" on the main body. The female head is illustrated facing left, adorned with a radiate Stephane, a ribbon Sakkos, earrings, and a necklace. On the other side, the main decoration is geometrical motifs made with points. On the neck of the vase, there are two different geometric motifs. For similar see, Antiquities and Artifacts, Archeologie, Ancient Art. A CANOSAN POLYCHROME POTTERY VOLUTE-KRATER, 16.5" Tall. Size: 235mm x 160mm; Weight: 520g Provenance: Property of a central London gallery, previously acquired on the Dutch art market; Ex. Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. Late 4th century BC.A red-figure bell krater, a vessel for mixing wine and water during symposium, crafted from terracotta and decorated with white and yellow details over black glaze. It features a large, deep body with a flared rim, supported by a stemmed round foot. Two upturned handles facilitate ease of handling. On Side A of the krater, a maenad takes centre stage, draped in a chiton fastened below her breasts by a belt. She holds a casket in her left hand and a mirror in her right. Adorned with a stephane in her hair, large earrings, a beaded necklace, and bracelets, the maenad stands facing a nude man. The latter, with a mantle thrown over his left arm, holds a tambourine in his outstretched right hand and a short staff or stick in his left. A wreath adorns his head. Side B features a pair of draped ephebi engaged in conversation. A laurel leaf wreath runs beneath the rim, stylised palmettes are below the handles framed by tongues and rays, and a wave pattern encircling the bottom of the vessel. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 340mm x 355mm; Weight: 3.7kg Provenance: Property of a central London gallery, previously acquired on the Dutch art market; Ex. Frederik Van Driel, Maastricht 1993. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 300 - 200 BC.A pottery column krater with round base, concave foot, handles on shoulder, and a flat rim. Decorated with drop motifs on the shoulder and bands on neck and surface. It was used for mixing and serving wine in Greek symposiums. Size: 310mm x 350mm; Weight: 4.2kg Provenance: Property of a central London Gallery; formerly in a South English estate collection; acquired in the 1990s from Andre de Munter, Brussels, Belgium; previously in and old European collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
A Greek pottery trapezoidal loom weight with moulded decoration; a Greek terracotta relief with Medusa head, likely from a volute krater, circa 4th-3rd Century B.C., and a fragmentary Roman glass unguentarium, circa 2nd Century, A.D., and two others The weight 6.5cm. high; the relief 11cm. diam. (5)Provenance: Private UK Collection inherited from the vendor's father
Der große Warwick-KraterEisenguss, schwarz gebrannt. Eines von drei bekannten Exemplaren. Mehrteilig gegossen und montiert. H 52, B 80, D oben 58 cm.Königliche Eisengießerei Berlin, zugeschrieben, um 1840, nach dem Entwurf und Modell von Wilhelm August Stilarsky.Die ursprüngliche römische Marmorvase stammt aus der Villa des Kaisers Hadrian in Tivoli. Durch ihre prominente Erwerbsgeschichte durch den Earl of Warwick populär gemacht, entstanden im 19. Jahrhundert zahlreiche Kopien, vorzüglich in Eisenguss. In unterschiedlichen Größen und Patinierungen wurde das Vasenmodell nicht nur von der Königlichen Eisengießerei Berlin, sondern auch von der Gießerei in Gleiwitz/Gliwice und von der Saynerhütte bei Koblenz angeboten. Illustration aus "Vorbilder für Fabrikanten und Handwerker", herausgegeben von Christian Peter Wilhelm Beuth und Karl Friedrich Schinkel, ab 1821.ProvenienzEhemals Sammlung Barth/Fischer.LiteraturAbgebildet im Kat. Aus einem Guss, Berlin 1988, Kat. Nr. 227.Vgl. Hintze, Gleiwitzer Eisenkunstguss, Breslau 1928, S. 77.Vgl. Arenhövel, Eisen statt Gold, Berlin 1982, Kat. Nr. 396.Vgl. Schmidt, Der preußische Eisenkunstguss, Berlin 1982, S. 163 f.
Vase biansé en porcelaine de Paris, Denuelle, circa 1830, couvercle associéA Paris, Denuelle, two-handled blue-ground vase and matched cover, circa 1830Of Krater form, each side reserved with a gilt-edged rectangular panel painted with scene titled below within an gilt-edged oval reserve 'Le Fland' and 'Le Pont d'Alcantara', flanked by gilt scrollwork and foliate motifs and gilt flower-heads within circular reserved, the handles gilt, the sides with a diamond-shaped panel with four gilt scrollwork panels, enclosed by gilt flowerheads and scrollwork, the flared foot reserved with a band of gilt lappets and a pearl border, the matched cover with flower swags and blue-ground fans with gilt foliage around a green-ground panel with the gilt acorn finial, 44cm high; 24cm across, stencilled 'DENUELLE Rue de Crussol a Paris' (2)For further information on this lot please visit Bonhams.com
A PAIR OF CARVED WHITE MARBLE TWIN HANDLED NEOCLASSICAL PEDESTAL URNS 19TH OR EARLY 20TH CENTURY Of krater form, each with twin scrolling looped handles above tapering urn body with Greek key upper banding 50cm high, bases 16cm square Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Handle to one broken and restored- hairline cracks visible to both stems above plinth- these do not seem to fluoresce but may have had remedial work. There is fluorescence under UV to base of bodies- this may be later stabilisation glue or dirt deposits. One plinth with slightly crude corner repair Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
AFTER THE ANTIQUE 'SOSIBIOS VASE'- A LARGE LATE GEORGE III LEAD CLASSICAL URN EARLY 19TH CENTURY Of Apulian volute krater form in the manner of The Sosibios Vase, scrolling swan head mounted handles above relief depicting Artemis and Hermes standing by an altar and presiding over a Bacchic procession of maenads 71.5cm high, 44cm wide across the handles Excavated in the late 17th century the Sosibios vase was held in the French Royal collection until 1797 when it was transferred into the Louvre Museum- where it is still held today. This form of swan-handled Neo-Attic Amphora vase was popularised in England with the publication in 1814 of Henry Moses, A collection of antique vases, altars, paterae, tripos, candelabra. Sarcophagi &c. London: Taylor. John Keats traced an engraving of the Sosibios and it is thought that his 1819 poem Ode on a Grecian Urn was partially inspired by it. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Weathered and with the surface marks, bruising and deformation of age and clumsy handling. Signs of holes to surface and remedial old repairs to main body and foot. Best carried by two people as the weight is probably 30-50kg Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
GÈRARD (1968) "Krater im Blau" 1996 Mischtechnik auf Papier, sig. und dat., HxB: 19/15 cm. Rahmen, HxB: 56/46 cm. Provenienz: Aus der Sammlung Prof. Dr. Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V.| GÈRARD (1968) "Crater in the blue" 1996Mixed media on paper, signed and dated, hxw: 19/15 cm. Frame, hxw: 56/46 cm. Provenance: From the collection of Prof. Dr Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery in Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.
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