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Follower of Gustav Klimt - oil on canvas "The Kiss" 36" x 29"

Oh Holder of Dreams is a large original color serigraph on paper by Contemporary British artist Roy Fairchild. He depicts a sleeping woman enmeshed in a decorative space filled with richly colored patterns and flowers, following his artistic influence of Egon Schiele and Gustav Klimt. Title in lower center: Oh Holder of Dreams. Signature on lower right: Fairchild-Woodard. Edition number: 305/385. Housed in an imposing gilded frame with a grey mat. Sight size: 40"L x 30"H. Frame dimensions: 52.50"L x 42"H x 1.75"W. Certificate of Authenticity included. Artwork can be unframed and rolled for shipment. Artist: Roy Fairchild-Woodard (British b. 1953)Issued: 1995Dimensions: See DescriptionEdition Number: 305 of 385Country of Origin: EnglandCondition: Age related wear.

A collection of pictures, to include a modern abstract oil on canvas, 100x75cm, framed prints by Spencer Coleman, a Gustav Klimt 'Mother And Child' reproduction print on canvas, 90x90cm, framed railway prints, and a Howard Vincent map of the British Empire, 64x56cm.

λ&nbspHERMENEGILDO ANGLADA CAMARASA (SPANISH 1871-1959) SOLA EN EL PALCO - 'ALONE IN THE BOX' Oil on panel Signed 'H. Anglada Camarasa' (lower right) 32 x 34cm (12½ x 13¼ in.) Painted in 1911- circa 1952. Provenance: Mir Amorós, Barcelona (by 1981) with Galeria Manel Mayoral, Barcelona where purchased by the present owner in 1997 Literature: F. Fontbona and F. Miralles, Anglada-Camarasa, Barcelona, 1981, p. 298, no. G12 as Proyecto para un retrato Exhibitions: Barcelona, La Pinoteca, H. Anglada Camarasa, June 1952, as Proyecto para un retratoAfter training in Barcelona, the Catalan painter Hermenegildo Anglada-Camarasa, moved to Paris in 1894 where he attended the Académie Julian. He painted numerous pictures of Parisian night-life, concentrating on pallet and light effects. His paintings were visibly influenced by Toulouse Lautrec, Gustav Klimt and Kees van Dongen. A significant turning point in his style came in 1909, with the arrival in Paris of impresario Sergei Diaghilev's Ballets Russes, featuring Vaslav Nijinski and Anna Pavlova. They became a social and artistic sensation that revolutionised both tastes and customs. Camarasa was deeply moved by the sets and costumes of vibrant oranges, purples and greens, to the extent that from then on the pale shades in his female portraits were replaced by brilliant multicolours. His influence also reached young artists like Pablo Picasso, ten years younger than him and with whom he was in contact during his stay in Montmartre, or María Blanchard, who was his student between 1908 and 1913.The present lot is accompanied by a certificate from F. Fontbona and F. Miralles dated 24 February 1998, no. 403.    Condition Report: Some light craquelure throughout however the paint surface appears stable. Rubbing and abrasions to the framing edges with some associated paint loss and subsequent retouching along the upper edge (this is visible in a natural light). One or two superficial surface scratches and spots of surface dirt throughout. There is a black line running diagonally above the sitter's right shoulder however this appears to be original to the work rather than a condition issue. Inspection under UV light reveals some patches of retouching throughout; these are largely contained to the sitter's nose, right arm, and along the upper framing edge. Condition Report Disclaimer

Ted Jones (Irish, b. 1952) The Stag's Night, 2000Print on paperLimited edition No. 148 / 500Signed & numbered in pencil Published by Killarney Art Gallery, IrelandFramed & glazedTed Jones was born in Dublin in 1952. Apart from early instruction from his father, Ted was a completely self taught painter. He was encouraged to draw from a very early age and has nurtured and developed his immense talent into a style, which is unmistakably Ted Jones. His unique style probably owes a lot to the fact that he never attended Art College, left to his own devices his style evolved without influence, save the work of the great painters he admired so much, Klimt Rosetti, Carrivagio.In 1998, demand for his work led to the publication of the first of a series of Signed Limited Edition Prints which have been hugely successful with over 20 titles published since its inception. In fact, demand has been so strong that many of the editions are completely sold out - some of these prints are now changing hands for 10 times their original price. His first (and only) one-man exhibition in Killarney in 2005 sold out completely in a matter of hours, hitting the headlines in many Irish newspapers. 2006 saw the publication, by Killarney Art Gallery, of "A Life, Wrapped up" a signed limited edition book on his life and work.Measures approx. 41.5 x 60cm (16.5" x 23.5")

Ted Jones (Irish, 1952)Greed, 1998Print on paper Limited edition 148 / 250Signed & numbered in pencilPublished by Killarney Art Gallery, IrelandFramed & glazedTed Jones was born in Dublin in 1952. Apart from early instruction from his father, Ted was a completely self taught painter. He was encouraged to draw from a very early age and has nurtured and developed his immense talent into a style, which is unmistakably his own. His unique style likely owes a lot to the fact that he never attended Art College, instead left to his own devices his style evolved without influence, save the work of the great painters he admired so much, Klimt, Rosetti & Caravaggio. In 1998, demand for his work led to the publication of the first of a series of Signed Limited Edition Prints which have been hugely successful with over 20 titles published since its inception. In fact, demand has been so strong that many of the editions are completely sold out - some of these prints are now changing hands for 10 times their original price.His first (and only) one-man exhibition in Killarney in 2005 sold out completely in a matter of hours, hitting the headlines in many Irish newspapers. 2006 saw the publication, by Killarney Art Gallery, of "A Life, Wrapped up" a signed limited edition book on his life and work.Measures approx. 41.5cm x 33cm (16.5" x 13").

Ted Jones (Irish, 1952)Pride, 2001Limited edition print on paperNo. 148 of 250Signed & numbered in pencilPublished by Killarney Art Gallery, IrelandFramed & glazedTed Jones was born in Dublin in 1952. Apart from early instruction from his father, Ted was a completely self taught painter. He was encouraged to draw from a very early age and has nurtured and developed his immense talent into a style, which is unmistakably his own. His unique style likely owes a lot to the fact that he never attended Art College, instead left to his own devices his style evolved without influence, save the work of the great painters he admired so much, Klimt, Rosetti & Caravaggio. His first (and only) one-man exhibition in Killarney in 2005 sold out completely in a matter of hours, hitting the headlines in many Irish newspapers. 2006 saw the publication, by Killarney Art Gallery, of "A Life, Wrapped up" a signed limited edition book on his life and work.Measures approx. 41.5 x 33cm (16.5" x 13").

Ted Jones (Irish, b. 1952)Lust, 2000Print on paperLimited edition No. 148 / 250 Signed & numbered in pencilPublished by Killarney Art Gallery, IrelandFramed & glazedTed Jones was born in Dublin in 1952. Apart from early instruction from his father, Ted was a completely self taught painter. He was encouraged to draw from a very early age and has nurtured and developed his immense talent into a style, which is unmistakably his own. His unique style owes a lot to the fact that he never attended Art College, instead left to his own devices his style evolved without influence, save the work of the great painters he admired so much, Klimt Rosetti, Carrivagio.In 1998, demand for his work led to the publication of the first of a series of Signed Limited Edition Prints which have been hugely successful with over 20 titles published since its inception. In fact, demand has been so strong that many of the editions are completely sold out - some of these prints are now changing hands for 10 times their original price.His first (and only) one-man exhibition in Killarney in 2005 sold out completely in a matter of hours, hitting the headlines in many Irish newspapers. 2006 saw the publication, by Killarney Art Gallery, of "A Life, Wrapped up" a signed limited edition book on his life and work.Measures approx. 41.5cm x 33cm (16.5" x 13").

Ted Jones (Irish, b. 1952) Anger, 2000Print on paperLimited edition No. 148 / 250Signed & numbered in pencilPublished by Killarney Art Gallery, IrelandFramed & glazedTed Jones was born in Dublin in 1952. Apart from early instruction from his father, Ted was a completely self taught painter. He was encouraged to draw from a very early age and has nurtured and developed his immense talent into a style, which is unmistakably his own. His unique style likely owes a lot to the fact that he never attended Art College, instead left to his own devices his style evolved without influence, save the work of the great painters he admired so much, Klimt, Rosetti & Caravaggio. In 1998, demand for his work led to the publication of the first of a series of Signed Limited Edition Prints which have been hugely successful with over 20 titles published since its inception. In fact, demand has been so strong that many of the editions are completely sold out - some of these prints are now changing hands for 10 times their original price.His first (and only) one-man exhibition in Killarney in 2005 sold out completely in a matter of hours, hitting the headlines in many Irish newspapers. 2006 saw the publication, by Killarney Art Gallery, of "A Life, Wrapped up" a signed limited edition book on his life and work.Measures approx. 41.5cm x 33cm (16.5" x 13").

Artist: Gustav Klimt (Austrian, 1862 - 1918). Title: "Porträt einer Frau". Medium: Pencil drawing on paper. Date: Composed c1912-1914. Dimensions: Overall size: 11 5/16 x 8 3/4 in. (287 x 222 mm).Pricing:   Starting Price: $8,000  Reserve Price: N.A.  Auction Sale Price Estimate: $10,000/12,000Lot Note(s): Signed in pencil, lower right recto; numbers/letters in blue-green pencil, upper right corner recto; collector ink stamps, verso. Drawn on pale cream wove paper. Good to very good condition; right edge unevenly trimmed; scattered foxing; crease lower left corner; a few minor handling dimples. A Letter of Authenticity (LOA) accompanies the work. If you have a bona fide interest in bidding on this lot kindly send an email to: provenance@stanfordauctioneers.com for provenance information and additional image(s). Comment(s): Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. He is noted for his paintings, murals, sketches, and other objets d'art. His primary subject was the female body and his works are marked by a frank eroticism. [30506-2-8000-NA]

Sally Tuffin for Dennis China Works: A Klimt Embrace Sidestep Vase, painted by Heidi Warr, thrown by Rory McLeod, stamped Dennis Chinaworks 2006 J RMc and painted No.4/40 S.T des HW AFT.W.DeM,25cm high (second)Sally Tuffin for Dennis China Works: A Klimt Dancer Sidestep Vase, painted by Hedi Warr, thrown by Rory McLeod, stamped Dennis Chinaworks 2006 J RMc and painted No.19/40 S.T des HW AFT.G.K,25cm high (second) (2)

Inspired by Gustav Klimt, a hinged covered decorated box depicts the Austrian's most notable painting, The Kiss. Dimensions: 9.25"L x 6"W x 4"HCondition: Age related wear.

A pair of Past Times manuscript tab top curtains, a single curtain in Jacobean style fabric, a Klimt style crewel work wall hanging and an Art Room Beethoven Frieze wall hanging Condition Report:No condition report available.

Art Deco Pair of Prints + a Gustav Klimt Lady in Gold Framed Print

Stehender Putto mit BlumengirlandeHöhe: 48 cm.Bernhard Bloch Manufaktur. Am Boden mit unterglasurgrüner, bekrönter „BB“ Marke sowie Modellnummer „9388“ versehen. Weitere geprägte Nummer „45 10“.Eichwald/ Böhmen, 20. Jahrhundert.Entwurf von Carl Klimt (1876-1945), um 1910/15. Keramik, heller Scherben, farbig glasiert. Putto auf einem Rundsockel mit überquellender Blütenranke stehend. Kopf rest. (1401041) (19))

Stehender Putto mit RosengirlandeHöhe: 51 cm.Vermutlich Bernhard Bloch Manufaktur, nicht gemarkt. Am Boden Modellnummer „9388“ versehen. Weitere geprägte Nummer „45 10“.Eichwald, Böhmen, 20. Jahrhundert.Entwurf von Carl Klimt (1876-1945), um 1910/15. Keramik, heller Scherben, farbig glasiert. Putto auf einem Rundsockel mit überquellender Blütenranke stehend. Kopf rest. (1401042) (19))

Lukian.: Die Hetärengespräche. Deutsch von F. Blei. Leipzig, J. Zeitler 1907. 37 x 30 cm. Mit 15 Lichtdruck-Tafeln mit Zeichnungen von G.Klimt. Orig.-Leinenband mit Titelzeichnung von G. Klimt. (Kl.Läs.). Schauer I, 158. Garwey/Wick 130. Hofstätter S. 214. - Hayn/Got. IV, 295. - Mit hervorragenden Illustrationen von Gustav Klimt - In kleiner Auflage nur für Subskribenten erschienen - Großzügiger und breitrandiger Druck auf Zandersbütten. - 1 von 300 numerierten Exemplaren, aufwendig gedruckt in Schwarz und Gold auf unbeschnittenem Zandersbütten. "Die kühne Ausgabe der Hetärengespräche des Lukian (1907) mit den überfeinert genialen Zeichnungen von Gustav Klimt" (Schauer). Die 15 Zeichnungen von Klimt sind in ausgezeichneten Lichtdruck-Tafeln wiedergegeben. - 1 of 300 numbered copies, printed in black and gold on laid paper with wide margins. The small edition was published only for the subscribents. With 15 plates after drawings by Klimt. Orig. cloth with illustration by Klimt on front board. - Binding slightly rubbed, inner hinges slightly going.

Hölzel, AdolfOlmütz, 1853 - Stuttgart, 1934110 x 125 cm, R.Blick über das Dachauer Moos mit Kiesgrube bei bewegter Luft, um 1903. Öl auf Leinwand.Nachlass des Künstlers.Sammlung Bruno Stärk, Stuttgart.Galerie Schlichtenmaier, Grafenau (rückseitig mit Galerieetikett). Sammlung, Bunte.Ausstellungen:„Gustav Klimt und die Kunstschau 1908“, Schloss Belvedere, Wien 2008/2009."Das Glück in der Kunst - Expressionismus und Abstraktion um 1914 - Die Sammlung Bunte", Kunsthalle Bielefeld, Bielefeld, 2014.

A Broadhurst Ironstone part dinner service 'The Constable Series' having approximately 28 pieces, a Hummel pineapple jam pot, a handpainted Radford England floral wall sconce, a limited edition Artis Orbis Goebel 'Gustav Klimt' by Emile Floge 930/1500, etc.

Gustav Klimt: a gilt framed small format coloured print - sold with †Henri Matisse: a framed coloured print entitled 'Odalisque in Grey Culottes'

3-piece set porcelain vases with scenes by Gustav Klimt including "Die Erfülling, Die Erwartung en Lebensraum", limited edition of 2000 pieces, numbers 947, 1302 and 1705, published by Bradford Edition, 20 cm high

After Gustav Klimt two studies of nude females

A Dennis Chinaworks pottery vase, of bud shape, decorated in the Klimt Hope pattern by Tally Tuffin, impressed marks to base, dated 2013 and inscribed S.T. des Aft. G.K. Trial 1, 32cm high. It would appear that this vase was produced as a limited edition of twenty from 2014 and this was the trial piece for that run in made in 2013 by Sally Tuffin, after a painting by Gustav Klimt

A Dennis Chinaworks pottery vase, of bud shape, decorated in the Klimt pattern by Sally Tuffin, impressed marks, dated 2019 and inscribed S.T. des after G.K., No.17, 21cm high

Egon Schiele (Tulln 1890 - 1918 Wien)Selbstbildnis als Akt – Self-Portrait with Raised Left Arm1912Bleistift auf gelblichem Simili-Japan48,2x31,6 cmSignaturUnten rechts vom Künstler in Bleistift signiert und datiert "EGON / SCHIELE / 1912". Rückseitig mit dem Egon Schiele Nachlassstempel und der Signatur der Schwester des Künstlers, Melanie SchusterWerkverzeichnisJane Kallir, Egon Schiele, The Complete Works, New York 1998, Nr. 1162ProvenienzNachlass Egon SchieleSlg. Melanie Schuster, WienAntiquariat Christian M. Nebehay, Wien, 1957 angekauft vonGutekunst & Klipstein, Bern, von dort anSlg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913bAusstellungenBern 1989, Kunstmuseum Bern, Von Goya bis Tinguely, Aquarelle und Zeichnungen aus einer Privatsammlung [Slg. Eberhard W. Kornfeld], Kat. Nr. 132, Abb. S. 237Madrid 2003, Fundación Juan March, Espíritu de modernidad: de Goya a Giacometti, Obra sobre papel de la colección Kornfeld, Kat. Nr. 50, S. 134, Abb. S. 90Zürich 2014/2015, Kunsthaus, Egon Schiele/Jenny Saville, Kat. Nr. 75, S. 163, Abb. S. 132ZustandDas Blatt leicht gebräunt und mit leichten Falten und Griffknicken. Oben rechts und links mit Reissnagellöchlein. Auf der Rückseite Spuren einer alten Montierung. In guter ErhaltungErläuterungenDer Hauptstadt Wien überdrüssig zog Egon Schiele 1911 mit seinem wohl bekanntesten Modell Walburga (Wally) Neuzil zuerst nach Krumau, danach nach Au am Anzbach, um seine eigene Bildsprache massgeblich weiterzuentwickeln. 1912 kehrte er schliesslich nach Wien zurück und wurde mit Unterstützung von seinem Mentor und Förderer Gustav Klimt in die Wiener Gesellschaft eingeführt. Schiele feierte von da an grosse Erfolge. Die eindrücklichen Selbstporträts aus dieser Zeit dürfen im Zusammenhang mit seinem wachsenden Selbstbewusstsein gelesen werden.Im Laufe seiner künstlerischen Karriere porträtierte sich Egon Schiele immer wieder selbst. Hier als stehender Halbakt mit erhobenem linkem Arm. Bei der vorliegenden Arbeit handelt es sich um eine reine Bleistiftzeichnung mit klarer Linienführung. Der selbstbewusste Blick des Künstlers scheint klar und konzentriert auf die Betrachtenden gerichtet. Selten zeigt sich der Künstler mit solch einem präsenten Blick, ohne verzerrtes fratzenartiges Gesicht. Man spürt die Energie des 22-jährigen Mannes, der daran war, die Kunstwelt zu erobern. Ein sehr persönliches und in seiner Einfachheit überzeugendes Blatt.MWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)13.09.2024; 13:50 h (MEST)VersandkostenSchweiz / Switzerland: CHF 145.-Europa / Europe: CHF 255.-Übrige Länder / Other countries: CHF 330.-

Egon Schiele (Tulln 1890 - 1918 Wien)Friederike Beer in gestreiftem Kleid mit erhobenen Armen - Friederike Beer in Striped Dress with Raised Arms1914Bleistift und Aquarell auf gelblichem Simili-Japan48,3x32,2 cmSignaturUnten rechts vom Künstler in Bleistift in Rechteck signiert und datiert "EGON / SCHIELE / 1914"WerkverzeichnisJane Kallir, Egon Schiele, The Complete Works, New York 1998, Nr. 1597ProvenienzAtelier des KünstlersSlg. Friederike Beer-Monti, WienSlg. Erich Lederer, Wien und Genf. Geschenk anSlg. Pierre Bouffard, Genf, um 1967 erworben vonSlg. Eberhard W. Kornfeld, Bern, rückseitig mit dem Sammlerstempel, Lugt 913bLiteraturJane Kallir, Egon Schiele, Drawings & Watercolours, London 2003, S. 316, Abb.AusstellungenLuzern 1974, Kunstmuseum, Kunst in Österreich 1900-1930, Kat. Nr. 244Bern 1989, Kunstmuseum Bern, Von Goya bis Tinguely, Aquarelle und Zeichnungen aus einer Privatsammlung [Slg. Eberhard W. Kornfeld], Kat. Nr. 135, Abb. S. 243Zürich 1996/1997, Kunsthaus, Wunderkammer Österreich, Über Klimt, Kokoschka, Schiele hinaus, (ohne Kat. Nr.)Davos 1998/1999, Kirchner Museum, Werke aus der Sammlung Eberhard W. Kornfeld, Kat. Nr. 27, Abb.Madrid 2003, Fundación Juan March, Espíritu de modernidad: de Goya a Giacometti, Obra sobre papel de la colección Kornfeld, Kat. Nr. 52, S. 134, Abb. S. 93Wien 2005/2006, Albertina, Egon Schiele, Kat. Nr. 177, S. 408, Abb. S. 317Wien 2011, Belvedere, Egon Schiele, Selbstporträts und Porträts, Kat. Nr. 64, S. 257, Abb. S. 160 und Teilabb. S. 122/123Zürich 2014/2015, Kunsthaus, Egon Schiele – Jenny Saville, Kat. Nr. 91, S. 163, Abb. S. 145ZustandDas Blatt minim gebräunt, kleine Reissnagellöcher im Papierrand sowie Knicke entlang der Blattkanten. Das Papier leicht gewellt und mit GriffknickenErläuterungenFriederike "Fritzi" Beer, die Tochter der Besitzer der populären und legendären Wiener Kaiserbar, war eine schillernde Figur im Wiener Kulturleben. Nach ihrer Schulzeit versuchte sich Fritzi als Schauspielerin und wurde Modell für die Kleider der Wiener Werkstätte. Sie ist die einzige Person, die sowohl von Egon Schiele als auch von Gustav Klimt porträtiert wurde. Die vorliegende Zeichnung diente dabei als Vorstudie für Schieles Ölgemälde, das ebenfalls im Jahr 1914 entstand. Beer gab die Arbeit selbst in Auftrag. Die spezielle Körperhaltung der Komposition entstand dadurch, dass Beer auf dem Bauch liegend und ein Kissen umklammernd vor dem Künstler posierte. Das Weglassen von jeglichen Requisiten führte zum Verlust des Räumlichen, sodass die Figur mit den erhobenen Armen förmlich zu schweben scheint. Diesen Effekt verstärkt Schiele im späteren Gemälde noch deutlicher. Friederike Beer trägt ein Kleid der Wiener Werkstätte, dessen typisches Muster von Schiele angedeutet wird. Wie so oft in seinen Zeichnungen stellt er bewusst kolorierte Teile den leer gelassenen Partien gegenüber.Beer heiratete 1920 den italienischen Kapitän Emanuele Monti und nannte sich fortan Monti-Beer. Sie emigrierte Mitte der 1930er Jahre in die USA, wo sie in New York unter dem Namen Federica Beer-Monti die "Artists’ Gallery" leitete, die amerikanische Künstler förderte.Eine sehr wichtige Zeichnung im Œuvre, die die Dargestellte mit in die USA brachte und schliesslich später verkaufte.MWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)13.09.2024; 13:55 h (MEST)VersandkostenSchweiz / Switzerland: CHF 130.-Europa / Europe: CHF 230.-Übrige Länder / Other countries: CHF 290.-

Two framed prints comprising The Dream, after Rousseau and The Kiss, after Klimt, both mounted and framed under glass, largest approximately 38 cm x 55 cm image size. [2]. [W]

An L.S. Lowry print, The Pond" and a Gustav Klimt print

Salvador Dalí(1904 Figueras - 1989 ebenda)"Hommage à Klimt". OriginaltitelKaltnadelradierung/BFK Rives Velin (Wasserzeichen), 1974. Sign. und nummeriert 201/300. Hrsg. Molden Edition Graphische Kunst. Druck bei Walter Fischer, Wien. Wvz. Michler/Löpsinger 718. Plattenmaß 59,4 cm x 49,8 cm. Blatt ca. 90 cm x 63 cm. Rahmen.Beigefügt Expertise von Dr. Christian Brandstätter (Wien) aus dem Jahr 1984.Drypoint etching on BFK Rives wove paper, 1974. Hand-signed and numbered 201/300. Published by Molden Edition Graphische Kunst. Printed by Walter Fischer, Vienna. Accompanied by an expertise from Dr. Christian Brandstätter (Wien).

3 Kunstbücher dabei *Die große Schatzkammer der Antiquitäten* von Anthony Livesey, Albatros Verlag, dt. Ausgabe 1979, Zürich, Großformat auf 319 Seiten mit vielen Farbabb., Gliederung nach 16./17./18./19./ u. 20. Jahrhundert, Leinen dazu *Impressionisten* Das Leben der großen Maler und die Schicksale ihrer Werke, Weltbildverlag sowie *Klimt* von Gilles Neret“Taschenverlag Köln, ges. 3 Teile

After Gustav Klimt, a 'Silhouette D'Art' for Beswick cylinder vase. 23cm high approx., together with a mottled Art Pottery baluster single handled jug. 32cm high approx. Un-marked. (2) (B.P. 21% + VAT) NO IN-HOUSE SHIPPING ON THIS LOT. Tiny nick to the lip area of the Art Pottery jug, otherwise no obvious damage to either piece.

In the Manner of Gustav Klimt Nachlass - Pencil Drawing of Nude Woman, along with George Grosz Lithograph.

Oskar Kokoschka, "Mit Kokoschka in Griechenland"Darstellung eines Griechen, aus einer Schale trinkend und auf einem Esel reitend, Siebdruck, wohl eingekürztes Titelblatt ohne den unten angefügten Schriftzug "Mit Kokoschka in Griechenland", unsigniert, hinter Glas gerahmt, Falzmaße ca. 27 x 34 cm. Künstlerinfo: österreichischer Maler, Graphiker, Modelleur und Schriftsteller (1886 Pöchlarn bis 1980 Montreux), studierte an der Kunstgewerbeschule des Österreichischen Museums für Kunst und Industrie bei Gustav Klimt, W. Löffler und Adolf Loos, um 1910 Übersiedlung nach Berlin und Mitarbeit an der Zeitschrift "Der Sturm" von Herwarth Walden, 1911 Rückkehr nach Wien und tätig als Assistent an der Kunstgewerbeschule und Zusammenarbeit mit den Wiener Werkstätten, 1914 Mitglied der Freien Sezession Berlin und Kriegsfreiwilliger, nach Verwundung 1917 Übersiedlung nach Dresden, hier 1919-26 Mitglied des akademischen Rats und Professor an der Kunstakademie, bereits ab 1924 von seinen Professorenpflichten beurlaubt, unternimmt Kokoschka eine sieben Jahre andauernde Reise durch Europa, Nordafrika und die Länder am östlichen Mittelmeer, 1931 Rückkehr nach Wien und wechselnde Aufenthalte in Paris und Wien, 1933-45 als “entartet” diffamiert, 1934 Flucht nach Prag, hier Prof. an der Kunstakademie und 1937 Gründung des “Oskar Kokoschka-Bundes”, 1938 Emigration nach England, 1946 britische Staatsbürgerschaft, 1953 Gründung der “Schule des Sehens” in Salzburg und Übersiedlung nach Villeneuve, in der Folge zahlreiche Reisen, Ausstellungen (z.B. documenta in Kassel) und internationale Ehrungen, 1975 wieder österreichischer Staatsbürger, Mitglied des Deutschen und des Österreichischen Künstlerbundes, Quelle: Thieme-Becker, Vollmer, Dressler und Wikipedia.

Antique original Art Nouveau collotype on thick laid paper featuring Farmhouse with Birch Trees after Vienna Secession member and Symbolist artist Gustav Klimt's 1900 original painting. Signature in plate on lower right. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 8. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear. Minor crease on upper right.

Antique original Art Nouveau collotype on thick laid paper featuring Serenade (The Youth) after Vienna Secession member and Symbolist artist Gustav Klimt's 1882 original. Signature in plate on lower right. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 1. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear.

Antique original Art Nouveau collotype on thick laid paper featuring The Portrait of Friederike Maria Beer after Vienna Secession member and Symbolist artist Gustav Klimt's 1916 original painting. Published in Studie Zum Bilde der Gustav Klimt (Study of The Pictures of Gustav Klimt ) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 30. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear.

Antique original Art Nouveau collotype on thick laid paper featuring The Portrait of Friederike Maria Beer after Vienna Secession member and Symbolist artist Gustav Klimt's 1916 original painting. Mounted leave of plate without marking. Published ca. 1910-1920. Artwork dimensions: 9"L x 10"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: c. 1910Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

Antique original Art Nouveau collotype on thick laid paper featuring The High Poplar after Vienna Secession member and Symbolist artist Gustav Klimt's 1902 original painting. Mounted leave of plate without marking. Published ca. 1910-1920. Artwork dimensions: 9"L x 10"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: c. 1910Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

Antique original Art Nouveau collotype on thick laid paper featuring the Portrait of Marie Henneberg after Vienna Secession member and Symbolist artist Gustav Klimt's 1901-1902 original painting. Published in Studie Zum Bilde der Gustav Klimt (Study of Gustav Klimt's Pictures) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 12. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: Edition of 500Country of Origin: AustriaCondition: Age related wear. Minor crease on upper right.

Antique original Art Nouveau collotype on thick laid paper featuring the Trees of Life friezes in the Dining Room of the Stoclet Palace, Brussels after Vienna Secession member and Symbolist artist Gustav Klimt's 1905-1911 original mosaics. Published in Studie Zum Bilde der Gustav Klimt (Study of Gustav Klimt's Pictures) by Max Eisler. Vienna State Printing Press, 1920. Plate No. 22. Edition of 500. Artwork dimensions: 9.50"L x 11"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: 1920Dimensions: See DescriptionEdition Number: edition of 500Country of Origin: ViennaCondition: Age related wear.

Antique original Art Nouveau collotype on thick laid paper featuring The Golden Apple Tree after Vienna Secession member and Symbolist artist Gustav Klimt's 1912 original painting. Mounted leave of plate without marking. Published ca. 1910-1920. Artwork dimensions: 9"L x 10"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: c. 1910Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

A Boxed Goebels Gustav Klimt Wall Hanging Plaque

A Dennis Chinaworks pottery vase, of bud shape, decorated in the Klimt Hope pattern by Tally Tuffin, impressed marks to base, dated 2013 and inscribed S.T. des Aft. G.K. Trial 1, 32cm high. It would appear that this vase was produced as a limited edition of twenty form 2014 and this was the trial piece for that run in made in 2013 by Sally Tuffin, after a painting by Gustav Klimt.

A Dennis Chinaworks pottery vase, of bud shape, decorated in the Klimt pattern by Sally Tuffin, impressed marks, dated 2019 and inscribed S.T. des after G.K., No.17, 21cm high

Wood (Ghislaine) Surreal Things: Surrealism and Design, 2007 § Colbey (N., editor) A Surreal Life: Edward James 1907-1984, 1998 §  Livingstone (Marco) R.B.Kitaj, Oxford, 1985 § Vergo (P.) Art in Vienna 1898-1918: Klimt, Kokoschka, Schiele..., 1975 § Foster (Norman) & others. The Reichstag Graffiti, original cloth-backed boards, Berlin, 2003 § Alexandre (Noel) The Unknown Modigliani: Unpublished Papers, Documents and Drawings..., original wrappers, 1994, illustrations, many colour, the first four original cloth or boards with dust-jackets, some a little rubbed; and a quantity of others, 20th century art, v.s. (c.100)

Miscellaneous items to include and hour glass, set of Lord of The Rings volumes, fire tongues, two Carmani Gustav Klimt tea cups, microscope, Royal Worcester pastry forks, quartz mantel time piece etc (1 box)

Austrian School (20th century)Lady in Orange, style of Gustav Klimt name and title to verso, acrylic on canvas, picked out in gilt, 101.5cm x 76cm

An exhibition poster for ‘Vienna 1900 Art, Architecture & Design’ held at The Museum Of Modern Art, New York from 3rd July to 21st October 1986, the design featuring ‘Hope II’ by Gustav Klimt, 73cm x 83cm, framed and glazed

Gustav Klimt Tree of Life Oil Canvas Oil Painting Size (without frame) 60cm¡Á80cm Please note that there may be deterioration, scratches and dirt due to use, storage and aging. Please look at the photos and consider. "Tree of Life (Stoclet Frieze)" from 1909 This work features Klimt's characteristic delicate brushwork and brilliant colors. It says "signature (GUSTAV KLLIMT)". Freight: 1.International Freight: Foreign shipping charges are determined by destination. 2.Photos, descriptions and valuations have been meticulously prepared by fully certified expert judgment and appraisers. 3.In rare cases, the item does not match the description in the auction, Hans Auction experts will help you, please notify Hans Auction within 5 days of receiving the item. 4.Check Shipping, Payment and Auction Policies for more details.

Roy Fairchild (British, b. 1953)"Girl Undressing", a delicate study of a young woman demurely turned away from the viewer, rendered in dark, moody tones, mixed media, in double card mount and gilt frame under glass, 103 cm x 84 cm overall[Fairchild-Woodward lives and works in Surrey but takes frequent trips across Europe in search of inspiration. Italy and the masters of the Renaissance remain a firm influence and are juxtaposed with that of Klimt and Schiele, the former's decorative embellishment subtly present in this work.]Another copy of this work is currently available new at Studio18.

A quantity of twenty three tiles relating to Klimt including a large ceramic tile & a number of resin type tiles, a boxed Goebel Klimt cup & saucer & similar plate, largest tile 600mm sq 23no.

Five framed tiles after Mucha & Klimt including 'Sun & Moon', largest 690mm tall x 280mm wide

A Goebel glass bowl with decor after Gustav Klimt twinned with one other vase, bowl 240mm wide & 200mm tall

Nine art nouveau framed pictures including three tiles, after Mucha, klimt & Beardsley, largest 980mm tall x 380mm wide

Follower of Klimt, oil on canvas - figural study, together with two further oils by Neil Tyler and Christopher Howick

Drei Figuren bzw. -gruppen. Deutsch 20. Jh. Keramik, teilw. bunt glasiert; u.a. Figurengruppe à la Gustav Klimt, H=37 bis 52 cm. **

Zwölftlgs. Konvolut, u.a. Goebel / Hutschenreuther / Edelstein / Rosenthal 20. Jh. Porzellan, bunt dekoriert, Entwurf und teilw. sign. K. Dombrowski, W. Karnagel, G. Klimt, T. Wirkkala. Bestehend aus: Eine Mokkatasse mit Unterschale, zwei Kannen (H=16 / 18 cm), eine Kumme (D=17 cm), vier Teller (D=je 21 cm) und vier Vasen (H=12 bis 27,5 cm).

Figure Study is a black and white lithograph on paper of a beautiful young woman after an original drawing by Vienna Secession member and Symbolist artist Gustav Klimt. Signature in plate. Publisher embossed seal on lower right. Edition number in graphite on lower left side of mat: 507/1000. Sight size: 12"L x 17.25"H. Mat size: 19.25"L x 27"H. Artist: Gustav Klimt (Austrian 1862-1918)Issued: c. 1985Dimensions: See DescriptionEdition Number: 507 of 1000Country of Origin: AustriaCondition: Age related wear.

Nus Enlaces (Couple Embracing) is a gorgeous black and white lithograph on paper after the original drawing by Vienna Secession member and Symbolist artist Gustav Klimt. Signature in plate. Publisher embossed seal on lower right. Edition number in graphite on lower left side of mat: 507/1000. Sight size: 12"L x 17.25"H. Mat size: 19.25"L x 27"H. Artist: Gustav Klimt (Austrian 1862 €1918)Issued: c. 1985Dimensions: See DescriptionEdition Number: 507 of 1000Country of Origin: AustriaCondition: Age related wear.

Couple with Child is a stunning lithograph on paper after Vienna Secession member and Symbolist artist Gustav Klimt's blue and black original crayon drawing. Signature in plate. Publisher embossed seal on lower right. Edition number in graphite on lower left side of mat: 507/1000. Sight size: 21.50"L x 14"H. Mat size: 27"L x 19.50"H. Artist: Gustav Klimt (Austrian 1862 €1918)Issued: c. 1985Dimensions: See DescriptionEdition Number: 507 of 1000Country of Origin: AustriaCondition: Age related wear.