We found 563 price guide item(s) matching your search

A 19th century English pottery moon flask, painted with flowers, on four gilt feet, 15.5cm high, probably Minton, Kensington Gore Studios, c.1890

A collection of vintage pottery Toby Jugs - mid to late-20th century, including examples by Tony Wood; Burlington Ware; Wood & Sons; Price of Kensington; etc; together with a novelty Lord Admiral Nelson teapot by Leonardo (glaze frit to nose). (12)

An Italian pottery model of a Dachshund, 33cm long, together with a Kensington pottery model of a Siamese cat, 28.5cm high.

A Madoura pottery Edition Picasso 'Gothique aux Feuilles' pitcher, impressed and painted marks, 31cm high.Provenance: Christies South Kensington, 20 December 2006, Lot 106PLEASE NOTE: Artist's resale right will apply.

 2 Kensington Pottery cats 

A Kensington Ware Art Deco style pottery jug, of conical ribbed form, decorated with flowers, against a pale green ground, gilt heightened, printed marks, 23cm high.

A box of gent's accessories and a box of assorted pottery including Price Kensington Cottage ware etc.

A group of mainly 19th century English pottery Comprising a Mason's Mandalay triform dish, an 18th century blue and white porcelain cup, a blue and white sauce tureen, cover and stand, a Pearl Ware blue and white oval plate, a Wedgwood 'Old English Village' plate, a pair of brown and yellow glazed pottery bottles with cherubs on, a Midwinter blackbird pie funnel, a lustre salt and pepper pot in the form of a pair of binoculars, a W.C & Co 'Garibaldi' white jug, a large Royal Doulton 'The Regency Coach' pitcher, 28cm high, a Price, Kensington black & white hen dish and cover, an Imari pattern twin handled silver plated tray, 45cm wide and a Studio Pottery triple form white and green glazed trumpet vase, marked GB, 30cm high. (qty)

Winstanley, Kensington Pottery tabby cat, with glass eyes and decorated in typical colours, signed, numbered 42, height 32cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).

A short double-handled vase featuring a lady's profile in the center of a laurel boarder. Minton's Art Pottery Studio Kensington Gore backstamp. Dimensions: 10.75"L x 3.5"W x 13.5"HManufacturer: Minton's Art Pottery StudioCountry of Origin: EnglandCondition: Age related wear.

Ca. 550 BC A beautiful black-figure pottery kylix with a short pedestal disk foot, a wide cup, narrow stem, and two opposing handles. The central tondo is adorned with the painted and incised image of a dancing satyr. The external decoration consists of further satyrs surrounded by ivy tendrils highlighted with incised striations. Two large black eye motifs with expressive eyebrows are painted on one side. Size: 280mm x 90mm; Weight: 480g Provenance: Property of a London gallery, acquired on the US art market; formerly in a collection of John R. Orr, Toledo, Ohio, acquired Christie’s, South Kensington, Oct. 30th, 1989, lot 112, pictured on the front cover, to family by inheritance, with copy of Acanthus, NYC. 1989 appraisal list where it is listed as Boeotian. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

A late 19th Century Minton's China Works 6 inch dust pressed tile, hand painted in blue over white with a stylised seated figure playing a the lute, maker's marks verso and stamped Minton's Art pottery Studio Kensington Gore.

Four 19th Century 6 inch dust pressed tiles depicting animal subjects, to include a Mintons Art Pottery Studio Kensington Gore tile, painted blue over white ground, decorated with a crab and eel on a seabed with seaweed within circular panel and wavy lined ground, a Wagstaff & Brunt of Longton (attributed) example printed blue over white ground, decorated with a monkey and infant within circular panel with shaped border and circular mouse mask roundels, a Mintons Hollins & Co painted tile in sepia tones over white ground with lions mask with gaping mouth, signed with monogram IH, and a Craven Dunmill & Co example, blue transfer printed over white, decorated with a curled fish within scrolling seaweed on a mottled stylised seaweed ground.  (4)

A STAFFORDSHIRE CREAMWARE MODEL OF A HORSE WOMAN PROBABLY MID 18TH CENTURY Modelled riding side saddle and wearing riding habit, with red pottery hat, the horse with sponge decorated body and supported on a shaped base 18cm high, 21cm wideCf. Stella Beddoe, A Potted History Henry Willet's Ceramic Chronicle of Britain, Brighton Museum and Art Gallery for a related equestrian group illustrated on the dust jacket. Also see E. & H. Manners, 66C Kensington Church Street, London who have an almost identical example for saleProvenance: From the collection of the Late Alastair Scott of Dunsdale Lodge Antiques, Westerham and thence by descent. Following his death, two large sales were held by Christie's (10th June 1991 and 10th October 1991)but some pieces were kept in the family Condition Report: Extensive restoration. Potential purchasers should satisfy themselves in person as to date and attribution. Please see conditions of sale. Condition Report Disclaimer

8 VARIOUS POTTERY VASES, KENSINGTON, BOHEMIAN, BRASS MAGAZINE RACK, BOX WITH QUANTITY OF COSTUME JEWELLERY

A Minton's Art Pottery Studio Kensington Gore footed vase, ovoid with applied twin-handles, painted with a frieze of scaly fish before a river with flowers and foliage, in colours on a cream ground, printed and painted marks, museum restored, 21cm. high ProvenancePrivate collection.

A collection of 45 reference books and auction houses catalogues, mostly concerned with Islamic and Indian artsComprising:Contadini, Anna, and Victoria. Fatimid Art at the V&a Museum. London, Victoria & Albert Museum, 1998.Crill, Rosemary, et al. Arts of India 1550-1900. Edited by Rosemary Crill and Deborah Crill, London, Victoria & Albert Museum, 1990.Grube, Ernst J, et al. Architecture of the Islamic World. London, Thames And Hudson, 1984.Islam. Edited by Markus Hattstein and Peter Delius, Koln, Konemann Verlaggesellschaft mbH, 2000.Jaffer, Amin. Furniture from British India and Ceylon. London, V&A Publications, 2001.---. Luxury Goods from India. London, Victoria & Albert Museum, 1 Nov. 2002.Komaroff, Linda, et al. The Legacy of Genghis Khan : Courtly Art and Culture in Western Asia, 1256-1353 : [Exhibition Held at the Metropolitan Museum of Art, New York, Nov. 5, 2002-Feb. 16, 2003 and at the Los Angeles County Museum of Art, Apr. 13-July 27, 2003]. New York (N.Y.), Metropolitan Museum Of Art ; New Haven (Conn.) ; London, 2002.Mez, Adam. Renesans Islamu. Warszawa, Państwowy Instytut Wydawniczy, 1980.Niloo Imami Paydar, et al. The Fabric of Moroccan Life. University of Washington Press, 2002.Nurhan Atasoy, et al. İpek, the Crescent & the Rose. London, Azimuth Editions, 2001.---. Iznik : The Pottery of Ottoman Turkey. London, Alexandria Press In Association With Laurence King, 1994.Splendeurs Du Maroc. Edited by Ivo Grammet and Min de Meersman, Tervuren, Musee Royal de l’Afrique Centrale, 1998.Taylor, Roderick. Embroidery of the Greek Islands and Epirus. Yeovil, Martson House, 1998.The Arts of Islam. Edited by George Michell, London, The Arts Council of Great Britain, 1976. Hayward Gallery, 8 April - 4 Juy 1976.Zdzisław Żygulski. Dzieje Polskiego Rzemiosła Artystycznego. Warszawa, Wydawnictwo Interpress , 1987. AUCTIONS CATALOGUE :CHRISTIE'S :London, Battilosi Tapetti d'Antiquariato, 11 February 1998London, The Bernheimer Family Collection of Carpets, 14 February 1996London, Oriental Rugs and Carpets, 30 April 1998London, Indian, Himalayan and South-East Asian Miniatures and Works of Art, 10 October 1989London, Islamic Art, Indian Miniatures, Rugs and Carpets, 8 and 10 October 1991South Kensington, Indian and Islamic Art and Textiles, Friday 14 October 2005South Kensington, Indian and Islamic Works of Art, Friday 20 April 2007 SOTHEBY'S :New York, Indian, Himalayan, South-East Asian Art and Indian Miniatures, 20 and 21 September, 1985London, Islamic Works of Art, Carpets and Textiles, 12 April 1989New York, Indian, Himalayan, South-East Asian Art, 21 and 22 March 1990London, Islamic and Indian Art, Oriental Manuscripts and Miniatures, 29 and 30 April 1992London, Islamic and Indian Art, 29 April 1993London, European and Oriental Rugs and Carpets, including Turkmen Rugs from the Collection of Dr. Werner Loges, 19 October 1994London, Islamic and Indian Art, 20 October 1994New York, Indian and Southeast Asian Art, 29 march 1996London, Islamic, Himalayan and South-East Asian Art, 24 April 1997London, the Bortz Collection, 29 May 1998New York, Indian and Southeast Asian Art, including Modern and Contemporary Indian Paintings, 16 and 17 September 1998London, Arts of the Islamic World, including 20th Century Middle Eastern Painting, 3 May 2001London, Arts of the Islamic World, 25 April 2002London, Arts of the Islamic World, 30 April 2003 BONHAMS :Knightsbridge, Islamic Works of Art, 12 April 2000Knightsbridge, Textiles from the Collection of Alistair Mc Alpine, 12 February 2008Bond Street, Islamic and Indian Art, including Carpets, 8 April 2014Bond Street, Islamic & Indian Art, including Modern and Contemporary South Asian and Middle Eastern Art, 9 June 2014London, Modern and Contemporary Middle Eastern Art, 7 October 2014 OTHERS :John McInnis Auctioneers, the Marc J. Matz Collection, 19 August 2005Chiswick Auctions, Asian Art, 6 September 2016 GALLERY CATALOGUES:V. O. C Antiguidades, Paris Catalogue, Pedro Dias, undatedMillner Manolatos, Catalogue no. 2, Arthur Millner, October 2003

A Hand Painted Price Kensington Pottery Study of a Dog, 38cm high

A Hand Painted Price Kensington Pottery Study of a Cat, 30cm high

A large Japanese footed pottery bowl, by Shoji Hamada. With a ribbed tapering body and foot, decorated with three circular motifs, the wooden box purchased via Koichiro Isaka owner of Gallery St Ives, Tokyo with signed lid by Shinsaku Hamada, bowl height 12.5cm, diameter 20cm. Provenance: Originally purchased from the Hamada family in Mashiko circa 1998. Purchased by the vendor from J.A.N. Fine Art, Kensington Church Street, London in 2011. No condition issues.

A Portmeirion jug decorated in the Botanic Garden pattern, a Price Kensington teapot of London Bus form and two Poole Pottery dolphin figurines

A Price of Kensington Cottage Ware coffee pot and jug, various other decorative pottery items, stoneware casserole dish etc.

A Chinese 'Henan' russet-splashed bowl, Song Dynasty, decorated to the interior with striped motifs, the glaze running down the exterior and falling short of the foot to reveal the buff pottery, 14.8cm diameter Provenance: The Property of a Gentleman Purchased at Christie's South Kensington, 22nd January 1998, lot 426宋 黑釉鐵鏽花盌拍品來源：英國紳士私人收藏，1998年1月22號購自倫敦南肯辛頓佳士得，拍品號426號 Condition Report: surface glaze crack to interior base but does not go through to exterior Condition Report Disclaimer

Three large Kensington Pottery Art Deco vases (3)

A LARGE MULTAN POTTERY VASE AND COVER late 19th/early 20th century, of baluster form, decorated in blue and turquoise with vignettes of dancing figures, a band of animals around the shoulders, and a background of leafy tendrils, 55cm highProvenance: By repute a gift from Her Majesty the Queen for the Royal United Kingdom Beneficent Association Sale, at Kensington Town Hall.

John Adams for Poole Pottery CSA 'Chinese' blue glazed group of ceramics, comprising a pair of ginger jars and covers, with impressed marks to the base, 17cm high, a pedestal dish, incised '464' to the base with impressed marks, 11.5cm high x 20.5cm wide and a wide-shouldered vase, incised '422' to the base, 18cm high overall (4)Provenance: One of the blue ginger jars with covers was purchased from 'The Poole Pottery Museum and Archive' sale at Christie's South Kensington on 31st March 2004 and was lot 45, it comes with a photocopy of the accompanying invoice. The other item (Lustre vase) that is listed on the invoice is included in this sale. The ginger retains its original paper lot label. All with overall wear, marks, scratches, signs of age and use. One ginger jar lid with cracks. One ginger jar (Not the Archive sale example) with flaws to the footrim, we think this is a manufacturing/production fault, not damage. There is a similar fault to the footrim of the vase also. The pedestal bowl sounds dull when tapped, we have checked it under a UV light as a result and nothing shows. The Archive sale ginger jar has lots of sticky label/sellotape residue, but we think this would clean off with a gentle wash.

Owen Carter for Carters Poole collection of four lustre vases, the tallest of square tapering form, with incised marks to the base and with Christie's lot number (See Provenance note), 31.5cm high, a red lustre baluster vase with impressed marks to the base and with Christie's lot number (See Provenance note), 22cm high, a Carters Poole red lustre bowl, with incised marks to the base, 20cm wide x 9cm high and a purple glazed twin handles vase, with incised marks to the base, 15cm high overall (4)Provenance: The two taller vases were purchased from 'The Poole Pottery Museum and Archive' sale at Christie's South Kensington on 31st March 2004 and were lot 1, they come with an accompanying invoice and catalogue. All with overall wear, marks and scratches. Consistent with age, display and use. All with crazing. The tallest example with some white to the corners and raised areas, this is wear to the finish, not damage. The baluster vase with some chips and a hairline crack. The bowl with minimal glaze faults, a pinhole to the glaze and with scratches. The purple vase with what looks like white paint on the surface?

A Jaipur pottery martaban or pickle jar, India, 19th century. With two handles and painted with stylised flowers and foliage, height 21cm, diameter 28cm.Footnote: For similar see the V&A South Kensington in the 'South & South East Asia Collection'.

A Chinese pottery bust of Mao Zedong; characters on the base for the Beijing Worker-Peasant-Soldier Ceramic Factory, 63cm highFor a similar figure from this genre, compare the unglazed example [stamped '020' on the base] on display in Room 137 [The Curtain Foundation Gallery] at the V&A Museum in South Kensington [Accession Number FE.32-1990]. Given by Mr Simon Kwan.

A quantity of Price Kensington cottage ware pottery, to include biscuit barrel, teapots, cruet, egg cups, etc. (2 trays)

A Minton Art Pottery Studio Kensington Gore vase, decorated with flowers and a butterfly, 35.5cm Structurally good; an area around half of the base almost free of turquoise enamel, presumably a factory defect.  Printed Kensington Gore mark and impressed MINTON.

A Winstanley Pottery Kensington Cat figure,  approx. 27cm x 15.5cm. Condition: in good overall condition but does have crazing to the glaze and also a minor glaze/colour flake to the base.

Art Deco and later pottery to include Crown Ducal, Kensington, Arthur Wood, Carlton Ware etc in one box

A QUANTITY OF VASES AND CAT ORNAMENTS, comprising a hand painted 'Just Cats & Co.' Siamese cat figurine, a mid-century Price Kensington blue and green vase, height 26cm (chip on rim), hand painted pottery umbrella stand, a cast iron 'Punch' doorstop, white ceramic jardiniere stand, planters, three table lamps, etc. (Qty) (Condition Report: lamps may need attention, chips and cracks to some planters in varying degrees)

A 20thC Iznik style vase and cover, of bulbous form with elongated neck, decorated with multicoloured flowers within a white and sky blue glaze ground, 35cm high, together with a Price Kensington vase, relief moulded with abstract decoration against a dark green ground with blue banding, printed marks, 26cm high, and an Italian Seca pottery lamp base, decorated with flowers against a brown glaze, printed marks, 35cm high.

A Hand Painted 'Viola' Jug Together with a Kensington Pottery Footed Bowl

A Kensington pottery figure of a tabby cat designed by J Winstanley painted marks to base

ART DECO POTTERY. Three pieces of Art Deco Pottery including Arthur Wood & Kensington. Tallest 21cm. Also, a modern Brian Wood, Arizona patterned vase.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Three Price Kensington pottery studies of dogs; one Spaniel and two 'Fred' Basset hounds. Printed and impressed marks to bases. Tallest 31cm high approx. (3)(B.P. 21% + VAT)

Three trays of mostly china to include: Carlton Ware floral teapot stand, Price Kensington teapots, Ridgway of Staffordshire Heritage 'Of Montreal from the Mountain' design plates, vase, Bryant & Hiscocks ceramic weighing pan/plate, pair of Grindley Art Deco design shallow bowls, Porthmadog Pottery goblet, Staffordshire floral jug, 19th Century blue and white plate, Royal Doulton sauceboat and a framed and glazed paper lace effect wreath with faux flowers. (3)(B.P. 21% + VAT)

A Price Kensington pottery character Pickled Cabbage jar and cover, a Royal Albert porcelain Gossamer pattern part tea service, comprising four cups and saucers, and six tea plates and a Midwinter fashion shape three tier cake stand.

Kensington pottery bird handled jug, decorative vases and jugs

HENRY STACY MARKS (1829-1898) FOR MINTONS ART-POTTERY STUDIO KENSINGTON GORE (1871-1875)'The lean and slipper'd pantaloon', sixth panel from a series the 'Seven Ages of Man', panel 1872, painted 1873Ceramic panel, decorated over glaze in colours with figures in medieval dress, on a glazed and gilt ground. Framed.Panel: 25.6 cm x 52 cmWith frame: 42.3 cm x 68 cmSigned bottom right H.S. Marks, printed marks on reverse Mintons Art-Pottery Studio Kensington Gore, impressed Minton and date code for 1872, with various painted numbers, marks, and initials; one painters monogram HE dated 3.6.73.Footnotes:LiteratureJoan Jones, Minton The First Two Hundred Years of Design & Production, Swan Hill Press, 1993, p. 227 (notes the 'The Seven Ages of Man' as being the most well-known of Marks' designs for Minton)The 'Seven Ages of Man' series, presented as individual panels, was inspired by the speech 'All the world's a stage....' spoken by Jaques in William Shakespeare's 'As You Like It'.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

HENRY STACY MARKS (1829-1898) FOR MINTONS ART-POTTERY STUDIO KENSINGTON GORE (1871-1875)'Justice', fifth panel from a series the 'Seven Ages of Man', circa 1872-1873Ceramic panel, decorated over glaze in colours with figures in medieval dress, on a glazed and gilt ground. Framed.Panel: 25.5 cm x 51.3 cmWith frame: 42.3 cm x 68 cmSigned bottom right H.S. Marks, printed marks on reverse Mintons Art-Pottery Studio Kensington Gore, impressed Minton, with various painted numbers, marks, and initials.Footnotes:LiteratureJoan Jones, Minton The First Two Hundred Years of Design & Production, Swan Hill Press, 1993, p. 227 (notes the 'The Seven Ages of Man' as being the most well-known of Marks' designs for Minton)The 'Seven Ages of Man' series, presented as individual panels, was inspired by the speech 'All the world's a stage....' spoken by Jaques in William Shakespeare's 'As You Like It'.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

HENRY STACY MARKS (1829-1898) FOR MINTONS ART-POTTERY STUDIO KENSINGTON GORE (1871-1875)'Lover', third panel from a series the 'Seven Ages of Man', circa 1872-1873Ceramic panel, decorated over glaze in colours with figures in medieval dress, on a glazed and gilt ground. Framed.Panel: 25 cm x 50.5 cmWith frame: 42.5 cm x 68 cmFaint signature bottom left H.S. Marks, printed marks on reverse Mintons Art-Pottery Studio Kensington Gore, impressed Minton, with various painted numbers, marks, and initials.Footnotes:LiteratureJoan Jones, Minton The First Two Hundred Years of Design & Production, Swan Hill Press, 1993, p. 227 (notes the 'The Seven Ages of Man' as being the most well-known of Marks' designs for Minton)The 'Seven Ages of Man' series, presented as individual panels, was inspired by the speech 'All the world's a stage....' spoken by Jaques in William Shakespeare's 'As You Like It'.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

MINTON'S ART POTTERY STUDIO'A Midsummer Night's Dream' charger, 1871Glazed earthenware, hand painted with characters and scenes from Shakespeare's play.34.5 cm diameterPrinted circular mark for Minton's Art Pottery Studio Kensington Gore, painted 'ABD' monogram, 405, dated 1871, impressed Minton pottery marks and date code for 1871.For further information on this lot please visit Bonhams.com

HENRY STACY MARKS (1829-1898) FOR MINTONS ART-POTTERY STUDIO KENSINGTON GORE (1871-1875)'Soldier', fourth panel from a series the 'Seven Ages of Man', 1872Ceramic panel, decorated over glaze in colours with figures in medieval dress, on a glazed and gilt ground. Framed.Panel: 25.8 cm x 52 cmWith frame: 42.2 cm x 68 cmSigned bottom right H.S. Marks, printed marks on reverse Mintons Art-Pottery Studio Kensington Gore, impressed Minton and date code for 1872, with various painted numbers, marks, and initials.Footnotes:LiteratureJoan Jones, Minton The First Two Hundred Years of Design & Production, Swan Hill Press, 1993, p. 227 (notes the 'The Seven Ages of Man' as being the most well-known of Marks' designs for Minton)The 'Seven Ages of Man' series, presented as individual panels, was inspired by the speech 'All the world's a stage....' spoken by Jaques in William Shakespeare's 'As You Like It'.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

HENRY STACY MARKS, R.A., (1829-1898) FOR MINTONS ART-POTTERY STUDIO KENSINGTON GORE (1871-1875)'Infant', first panel from a series the 'Seven Ages of Man', circa 1872-1873Ceramic panel, decorated over glaze in colours with figures in medieval dress, on a glazed and gilt ground. Framed.Panel: 25.2 cm x 49.5 cmWith frame: 42.5 cm x 66.5 cmSigned bottom left H.S. Marks, printed marks on reverse Mintons Art-Pottery Studio Kensington Gore, impressed Minton, with various painted numbers, marks, and initials.Footnotes:LiteratureJoan Jones, Minton The First Two Hundred Years of Design & Production, Swan Hill Press, 1993, p. 227 (notes the 'The Seven Ages of Man' as being the most well-known of Marks' designs for Minton)The 'Seven Ages of Man' series, presented as individual panels, was inspired by the speech 'All the world's a stage....' spoken by Jaques in William Shakespeare's 'As You Like It'.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

HENRY STACY MARKS (1829-1898) FOR MINTONS ART-POTTERY STUDIO KENSINGTON GORE (1871-1875)'Schoolboy', second panel from a series the 'Seven Ages of Man', circa 1872-1873Ceramic panel, decorated over glaze in colours with figures in medieval dress, on a glazed and gilt ground. Framed.Panel: 25.2 cm x 50.5 cmWith frame: 42.5 cm x 66.5 cmPrinted marks on reverse Mintons Art-Pottery Studio Kensington Gore, impressed Minton, with various painted numbers, marks, and initials.Footnotes:LiteratureJoan Jones, Minton The First Two Hundred Years of Design & Production, Swan Hill Press, 1993, p. 227 (notes the 'The Seven Ages of Man' as being the most well-known of Marks' designs for Minton)The 'Seven Ages of Man' series, presented as individual panels, was inspired by the speech 'All the world's a stage....' spoken by Jaques in William Shakespeare's 'As You Like It'.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A WINSTANLEY POTTERY FIGURE OF A SIAMESE CAT, with bright blue glass eyes, signed 'Winstanley, Kensington, 35' to base, height 24cm (1) (Condition Report: good general condition, light crazing throughout, a small glaze fault to cheek, foiling on the back of eyes a little discoloured in places, a couple of small chips to the inside of the foot rim)

Φ Philip Sutton RA (born 1928). a large Fulham Pottery floor vase dated 1989, shouldered form, painted with female figures and a cherub, in blue and sand on an off-white ground,painted signature, date and Fulham Pottery,56cm. high Provenance20th Century Decorative Arts, Christie's South Kensington, 4th May 2000, lot 216.Private collection.

A Carter Stabler & Adams Poole Pottery vase, shouldered form, covered in an iron brown glaze, and two other Carter Stabler & Adams vases painted Poole mark, paper label, 12.5cm. high (3) ProvenancePoole Pottery Archive, Christie's South Kensington, 31st March 2004, lot 47 (two pots).

A fine Mintons Art Pottery Studio Kensington Gore charger by William S Coleman, painted with a portrait of Diana the Huntress, she depicted naked, seated, wearing a quiver of arrows, placing a garland of flowers around the deer's neck, in a Japoniste garden of prunus and peony flowers, in colours printed and impressed factory marks, painted WS Coleman signature, 42.5cm. diam. ProvenanceFrom the collection of Ian and Rita Smythe LiteratureAmerica & Europe, The Decorative Arts Society Journal, 30, 2006 page 46 this charger illustrated in the collector's house. ProvenanceRita Smythe

Tray of novelty ceramic Tony Wood Staffordshire teapots in the form of animals to include: cats and rabbits together with a tray of brown treacle glazed pottery items to include: Toby Jugs and a jug decorated with figures by Price Kensington etc. (2) (B.P. 21% + VAT)

Five trays of ceramic novelty teapots, various to include: Sadler 'A Merry Christmas', 'David Copperfield', 'Charles Dickens', 'William Shakespeare', Price and Kensington Pristine Pottery decorated with farmyard scenes, cockerel, pigs etc. (5) (B.P. 21% + VAT)

Kensington Cottage Ware Pottery, Shorter Robin Hood jug, Carlon ware bowl:- One Tray.

PRICE KENSINGTON PRISTINE POTTERY TEA SERVICE, polka dot design, 9 x pieces, boxed as new, an Alfred Meakin Royal Marigold tea service, 20 x pieces, a Schiller German floral dinner and tea service, boxed as new ETCProvenance: deceased estate Gwynedd

Three ancient pottery vessels, circa 2500 B.C. – 7th Century B.C., including two coarse pottery vessels from the Holy Land, one vessel with globular body and cylindrical neck, 8.7cm high and one a single-handled globular vessel, 9cm high; and a grey burnished Villanovan burnished kyathos, the handle bifurcating at the rim, 6.5cm high, 11cm maximum diam.  (3)Provenance:The jar with cylindrical neck, gifted to the present owner in the early 2000s.Handled vessel: Acquired from Ancient Art 2004, London Kyathos: Christie’s, South Kensington, Antiquities and Souvenirs of the Grand Tour, 19 May 1992, lot 60 unillustrated, where acquired by the present owner. 

EDWARD JOHN POYNTER (1836-1919) FOR MINTON'S ART-POTTERY STUDIO, KENSINGTON GORE TILE FOR THE GRILL ROOM, SOUTH KENSINGTON, CIRCA 1870 glazed earthenware, painted decorator's initials HR, monogram and no. 53/ 5354, printed and moulded maker's markDimensions:22.5cm x 28.7cmNote: Note: Edward Poynter, the director of the National Art Training School (NAT), which shared the building with the museum in the 1860s, designed the Grill Room at the South Kensington Museum including the tiles and fireplaces and it opened in 1871. The tiles were painted by students from the NAT porcelain class and then later by Minton's Art Pottery Studio. The decoration of these tiles was virtually the first pottery teaching in a British art school.

MINTON'S ART POTTERY STUDIO, KENSINGTON GORE AESTHETIC MOVEMENT WALL PLAQUE, CIRCA 1870 glazed and enamelled earthenware, within ebonised wood frame, impressed mark MINTON, printed maker's mark, impressed and stamped for Minton's, painted artist's monogram/ 304Dimensions:56.5cm diameter