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A matched silver tea set, comprising a George V silver teapot, with ebonised handle, full hallmarks for London 1919 by Robert Pringle & Sons, 13cm high, together with a Edward VII silver milk jug, hallmarked for Birmingham 1905 by Robinson & Co, and a George V silver sugar bowl, hallmarked for Sheffield 1933 by Viner's Ltd. (3) Condition Report: Total weight; 15.7 ozt / 490.3 grams.
An Edward VII three piece silver teaset, including a teapot with wooden handle, milk jug and sugar bowl, all hallmarked for Chester 1902 by George Nathan & Ridley Hayes. (3) Condition Report: Total weight; 22.7 ozt / 708.9 grams. (including handle) Teapot measurements; 12cm height x 24.5cm width.
Ca. 400 - 300 BC. An opulent silver jug boasting a graceful silhouette with a high-arching, flat handle terminating at each end with a pair of applique palmettes joining it to the rim and body of the vessel. The elegant pitcher features a flared mouth, an attenuated neck, and a broad, rounded shoulder that tapers to a flat foot. The base of the handle is embellished with a cast moulded face of a satyr shown with a long beard and hair made in an extremely naturalistic manner. Size: 120mm x 120mm; Weight: 236g Provenance: Private UK collection, acquired from the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1970s on the UK art market. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. AD 400 - 600. A very fine and beautifully moulded bright red terracotta oil lamp featuring an intricately decorated discus and shoulder in low relief. The body of the lamp bears a round shape and circular discus surrounded by a low ridge that continues around a large nozzle hole to form a broad channel. At the top, a solid blade-shaped handle flattened on both sides is attached. A circular ridge on the base extends in a straight line to the handle. The primary iconography is two Doves on top of a two-handled jug or amphora on a high pedestal. The shoulder surrounding the discus bears an ornate pattern comprised of heart-shaped leaves in contrapposto. Size: 150mm x 85mm; Weight: 200g Provenance: Private UK collection; From an old British collection formed in the 1990s.
Ca. 1500 - 1300 BC. An apple-shaped body bilbil with a slender cylindrical neck, a strap handle, and a flared rim. A moulded double line wraps around the neck where it meets the handle and a similar motif flows from the bottom of the neck to the foot down the opposite side of the jug from the handle. For similar see: The British Museum, Museum number 1868,0905.36. Size: 140mm x 70mm; Weight: 90g Provenance: Property of a London art gallery, acquired on the US art market; Ex. Collection of Dr. W. Benson Harer, Los Angeles, California. Exhibited in the Robert and Frances Fullerton Museum of Art (RAFFMA), California State University, San Bernardino from 1996 to 2023, reference number EL01.008.1996.
Ca. AD 100 - 300 . A glass jug with an inverted pear-shaped body seated on a high pedestal, a short narrow neck connected to a flared rim and an elegant strap handle connecting the rim to the dome-shaped shoulders. Some parts of the vase have developed a beautiful iridescence. For similar see: Lightfoot, Christopher S., The Cesnola Collection of Cypriot Art: Ancient Glass, cat. 166. Size: 180mm x 75mm; Weight: 135g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 9th - 10th century AD; Ca. 9th - 10th century AD; Ca. 12th - 13th century AD; Ca. 17th century AD; Ca. 17th - 18th century AD; Ca. 18th century AD. A large group of metalwork, including an Indian brass bottle with a screw top, two Fatimid bronze sprinkler bottles of footed globular form, the neck decorated with six knobs, one with an inner base missing, a Khorassan spouted jug with copper inlay, of bottle form, with a lamp-shaped spout with a lion-faced hinged lid, complete with its handle. The jug has incised decoration with two panels engraved with animals, two rounded with birds, and three panels of calligraphy, one inlaid with copper, with a bell or mihrab-shaped lozenge surrounded by a copper inlay. Also included are two bronze candlestick tops, two shallow bronze dishes, one of which is decorated with four panels of calligraphy, four silver-inlaid crescent moons, and a central arabesque knot with six floral panels on the rim. The outer edge is adorned with six panels of calligraphy and has an old collection label marked 'R.s 21'. The second dish is engraved with a central roundel showing a winged horse against floral arabesques, surrounded by four panels of calligraphy and four roundels, with the edge separated by six panels of calligraphy and six roundels, and the side with five panels of calligraphy and five roundels. A shallow bronze dish stands on three feet, with the upper rim decorated with nine circular stamps and traces of calligraphy, now illegible, and the outer rim decorated with six panels engraved with animals, some retaining traces of inlaid silver wire. Additionally, there is an Islamic brass bottle with oxidised silver inlay, decorated with horizontal bands and vertical stripes of inlaid floral decoration. A Seljuk brass dish of scalloped form, decorated with engraved Kufic inscriptions and arabesque panels around a central geometric knot with eight lobes, is also included. This type of scalloped dish is evidence of the origin of the shapes of later Chinese celadon ware. An Islamic brass stand of octagonal form stands on eight attached feet, decorated with repoussé ovals between the feet, four with calligraphy and four with floral and geometric decoration above. The size is 30 cm in width, including feet, by 6.5 cm in height, with a diameter of 16.5 cm. Finally, an early Islamic cup, made of brass with high copper content, is circular with a lead-shaped handle engraved with a bird, and the outer rim is engraved with a rope pattern, with the base curiously ‘scratched’ with a spiralling ‘movement’ of hatching. Size: 490-560mm x 375-450mm; Weight: 9.2kg Provenance: Previous property of an Islamic art professional, previously apart of the Henri René d’Allemagne Collection, 1979. Acquired by Ahuan U.K Ltd. from M. Roderick d’Allemagne, grandson of Henri René d’Allemagne (1836 - 1950.) This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. 8th - 9th century AD. A bronze ewer decorated with decorative cartouches on its pear-shaped body. The jug tapers into a narrow neck, with the top of the jug in the form of an oil lamp. Size: 280mm x 140mm; Weight: 1.09kg Provenance: Property of a London Islamic art specialist collector; previously in a collection formed since the 1980s.
A German Early XX Century Porcelain Cabaret Set, the dark blue grounds decorated in panels with harbour and other scenes, all within gilt borders, comprising: shaped oval tray, coffee pot and cover, sucrier and cover, milk jug and two cups and saucers. (A/f)Teapot lid with chip to underside rim, light rub to gilt throughout, both lids with flowers with small chips, sucrier lid restored, milk jug with handle repaired, tray is restored throughout, also impressed 'Meissen', gilt rubbed, cup and saucer marked with a crowned D.
A Shelley Porcelain Afternoon Tea Service, in the Eve shape and decorated with orange and yellow flowers, printed marks, comprising: teapot and cover, two tea cups and saucers, a side plate, sugar bowl and milk jug. (9)teapot - black mark to inside, turquoise paint splash to inside of a cup
A Royal Crown Derby Porcelain 'Royal Antoinette' Pattern Part Coffee/Tea Service, comprising:- teapot and cover, coffee pot and cover, milk jug and sugar bowl, two side plates, nine saucers, six tea cups, one coffee can and saucer, various dates, printed marks. (25)Chip to base of a tea cup and saucer, surface wear to bases of all piecesTeapot and Jug 1st quality, coffee pot and sugar 2nd quality, cups mixture of 1st and second
Four Early XIX Century Porcelain Cream Jugs, each with floral painted decoration, 9-11cm high and a Continental porcelain plate bearing pseudo Rockingham marks. (5)One jug with large pink flower decoration with crazing and small chip to base rim, jug with wavy rim, with rub to gilt, other with very light crazing.
A Doulton Lambeth Stoneware Jug, designed by Frank A. Butler, signed in monogram, the slightly tapered body moulded with stylised Art Nouveau motifs in green and blue against a mottled brown ground, impressed marks, 28cm high and a Royal Doulton stoneware ewer with Art Nouveau motifs, impressed marks, 12cm high, (2)ewer with chip to rim, jug good condition
A Royal Worcester Porcelain Part Tea Service, painted by J. Hunt, signed, with pink and white roses, puce marks, date code for 1925, comprising: sugar bowl, six teacups, saucers and plates together with a Royal Worcester blush ivory flat handled jug decorated with flowers, puce mark, shape number 1094, date code for 1907, 15cm high. (20)One cup with glue repair, one small plate with multiple cracks one other plate with crack, some rub to gilt and surface scratching throughout.
A Saint Louis crystal glass service, "Thistle" modelComprising 18 water glasses, 24 red wine glasses, 12 white wine glasses, 12 liqueur glasses, 12 flutes, 1 bowl, 3 rinsing bowls, 1 jug, and 1 decanter with cover_x000D_In moulded and cut Saint Louis crystal_x000D_Gold decoration_x000D_Marked on the base_x000D_France, 20th century_x000D_(minor signs of use)Height: 30 cm (jug)
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390794 item(s)/page