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Dudley HARDY (1867-1922) Woman In White Dress Watercolour, signed and dated '87, 26 x 9cm, 33.5cm x 51cm framed. Dudley Hardy (1867-1922) was a British painter and illustrator known for his vibrant and colorful works. He was a member of the Royal Society of British Artists and the Royal Institute of Painters in Water Colours. Hardy's illustrations appeared in numerous publications, including Punch magazine, and he also designed posters for the London Underground. His work was heavily influenced by the Arts and Crafts movement and Japanese art, and he was particularly known for his depictions of women in various settings.

A Japanese Satsuma bowl, decorated flowers, 15 cm diameterRubbing to the guilt, mainly found around the rim of the bowl, some firing faults

A Japanese charger, 46 cm diameter, and two 19th century Spode New Stone stands (3)Rubbing to the guilt throughout this lot, more notable on the rims. Each piece has some hairline cracks, no obvious restorations found

A Japanese cloisonné vase, decorated flowers, 50 cm highVarious damage and losses, most notable to neck

A pair of Japanese Imari vases, 29 cm high (2)

A pair of Japanese screens, each panel 171 x 93 cmIn need of restoration

A ladies Japanese embroidered jacket, decorated blossoms, size XXL, a black and white sequin top, and assorted textiles (box)

A Japanese embroidered panel, decorated flowers and a cart, 60 x 58 cm, and an embroidered panel decorated a peacock, 53 x 38 cm (2)

A pair of Japanese Meiji period bronze candlesticks, each in the form of a crane standing on the back of a turtle with a serpent in its mouth, each 30cm high. (2)

A JAPANESE IMARI PORCELAIN KENDI, painted with pomegranate and flora with gilt highlights, 19.5cm high.

A FINE JAPANESE MEIJI PERIOD BLACK AND GILT LACQUERED CABINET, raised on stand, the two doors opening to reveal eight drawers, with further large drawer beneath the doors, finely decorated with a scene of gilded figures and foliate motifs, 7cm high (on stand), 55cm wide, 40cm deep.

A FINE PAIR OF JAPANESE MIDNIGHT BLUE GROUND CLOISONNNE ENAMELLED VASES, decorated with dragons, signed to base, 18.5cm high.

A SERIES OF FIVE JAPANESE PRINTS, depicting different figures, each uniformly framed and glazed, (5).

A FINE JAPANESE OR CHINESE PORCELAIN SQUARE FORM BOTTLE, painted with tall panels of landscape scenes, 24.5cm high.

A pair of Japanese cloisonne ovoid vases, 12cm high, Meiji period;   a Chinese okimono of acrobats, 12cm high;  another, of a boy playing a drum (3)

Two reproduction Tibetan bronze Phurba daggers, horse head terminal above a three-headed Vishnu handle, 64cm long; another, Ganesha terminal;   a Japanese Eggshell tea service;   Oriental dishes;  a Smith's 8 Day wall clock;  fashion wristwatches, Perona, Charles Jourdan;  etc

A Japanese satsuma tea  service, comprising five cups, six saucers, teapot and two handled sucrier, in polychrome with figures in a landscape, 16cm high, seal mark, Meiji period

Japanese Sake. Otokoyama, 5 different types, boxed, standard size; and two others in 1800ml size (7)

PAIR OF 10" SATSUMA JAPANESE VASES

GILT FRAMED SEWING SILK JAPANESE PANEL

BOX CONTAINING VARIOUS CHINA FIGURE ORNAMENTS, JAPANESE STYLE TEA WARE, MONTY PYTHON SKETCH BOOKS, DECANTER & STOPPER, 2 FRAMED PRINTS

Qing Dynasty, Ca. AD 1644-1912.A sancai duck ewer. It is also known as Jiaozhi ware. The duck is modelled with a hollow beak serving as a spout, the back with a glazed filling funnel, and the wings and body moulded and incised with feather details. The Zhangzhou kilns were the main production site for export ware during the Ming and Qing dynasties, with Jiaozhi wares being one of its significant genres.Size: 210mm x 145mm; Weight: 600gProvenance: Japanese PrivateCollection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Southern period, Song Dynasty, Ca. AD 960-1279.A Jian tea bowl with hare’s fur glaze. The glaze is at its lightest at the rim, slowly coating the bowl, a thick layer stopping right above the bare base. Such type of tea bowls were closely related to Song dynasty tea culture. It was the fashion of the time to prepare tea by whisking powdered tea leaves, producing a light-coloured froth that stands out against this type of thick brown glazes. For similar see: The Metropolitan Museum of Art, Accession Number 91.1.226.Size: 120mm x 60mm; Weight: 200gProvenance: Japanese private collection since 1990s.

Ca. AD 200 - 300. A schist relief panel with the seated Buddha attended by Brahma and Indra, as well as two Bodhisattvas. It is an exquisite ensemble of sculptures that emanates an aura of spiritual significance and artistic brilliance. The central figure of the triad portrays the Buddha Shakyamuni, the historical Buddha who attained enlightenment. Sitting in the meditative lotus position, Shakyamuni Buddha exudes an aura of tranquility. The facial features are expertly sculpted, with almond-shaped eyes that convey a profound sense of compassion and wisdom. The finely chiseled nose, gently curved lips, and hair pulled up into a topknot further add to the figure's harmonious countenance. Flanking the central Buddha is Brahma and Indra and two attendant Bodhisattvas, emanating an aura of reverence and devotion. All of these figures are embodying the compassionate ideal of Buddhism, and stand in a poised posture. Adorned in ornate robes that drape gracefully over their bodies, the Buddha figures in the triad are resplendent with richly detailed patterns and textures. The folds and drapery of the garments are skillfully rendered, capturing the subtle movements and fluidity of the fabric. This Triad panel exemplifies the spiritual devotion and artistic mastery of its creator. The harmonious composition and the delicate balance of forms evoke a sense of awe and reverence, inviting contemplation and deepening one's connection to the Buddhist teachings. This triad stands as a testament to the enduring influence of Buddhism and the remarkable artistic legacy it has left behind. Size: 580mm x 540mm; Weight: 78.35kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s in Japan; previously in 1970s Japanese collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Song Dynasty, Ca. AD 960-1279. A pair of Longquan dishes, in celadon and yellow glaze respectively. Size: 125-130mm x 30-40mm; Weight: 325g Provenance: Japanese private collection.

Machang phase, Ca. 2300-2000 BC.A painted pottery jar. The globular body has a narrow neck rising to a flared rim, with a tapering lower body and two handles placed on each side. Painted with geometric patterns using dark pigments against a red-coloured background, leaving the lower half bare. The Machang phase is a later period in Majiayao culture, in which notable decorative motifs include geometric and curvilinear patterns. The finish is not as careful as in previous periods but displays the close relationship between nature, rituals and daily life. For similar see: The Metropolitan Museum of Art, accession number 1992.165.8.Size: 390mm x 300mm; Weight: 4.09kgProvenance: Japanese private collection since 1990s.

Southern period, Song Dynasty, Ca. AD 960-1279. A Qingbai ceramic waterpot, with a squatted body tapering upwards and downwards, with the base unglazed, exposing the original clay body. Size: 90mm x 40mm; Weight: 115g Provenance: Japanese private collection since 1990s.

Tsarist Honor Ribbon for combat in the Russo-Japanese War. The inscription on the ribbon reads: 'For Liaoyang, from August 11-18, Bensihu, from September 28-29, 1904, and for the February battles of 1905.' These ribbons were awarded to the 9th and 10th Eastern Siberian Rifle Regiments.Dimensions: 12.3 cm x 4 cmThe overall condition is as shown in the photos

Studio glass bowl, three Royal Copenhagen plates, two Japanese scrolls, pair of Satsuma vases, two Wedgwood tazzas, cap badges and a collection of diecast cars

Two Chinese blue and white ginger jars, one with cover, together with two Japanese Imari chargers and a lustre cup, charger D27cm

Sutcliffe Models Comet clockwork speedboat, boxed with key, together with a Russian tinplate garage toy, Japanese tin plate Billy The Ball Blowing Magic Whale, tin plate space gun etc

Mid 20th century Japanese mahogany jewellery box, the doors with embossed copper panels, with one long parquetry inlaid drawer to the exterior and six to the interior, H23.5cm

Pair of Japanese embroideries, depicting mythical animals amongst clouds in blue on a rose gold ground, in black glazed frames, H37cm

Japanese Meiji period Satsuma vase, painted with wisteria and birds on a cream ground, together with a pair of small Chinese blue and white moon flask vases, decorated with temple dogs and with dragon handles, vase H26cmCondition Report:Vase has hole in base

Pair of Japanese Meiji period cloisonne vases, of baluster form, decorated with dragons, exotic birds and flowers, upon circular hardwood bases, without base H15.5cm

Vinyl - ABBA – Slipping Through My Fingers promo only LP on Discomate / Coca-Cola – PD1005. Japanese promo only picture disc album given away in a Japanese Coca-Cola competition, this is the withdrawn version which includes 42 seconds of apparently 'offensive' dialogue in the "Dancing Queen-Waterloo-Hasta Manana-That's Me medley". This version was withdrawn and replaced with another version which removed the offending dialogue, with 4 page insert. VG+ / EX

Vinyl - 11 ABBA Japanese pressing albums to include : Disco Special-1 (Discomate – DSP-3024, red vinyl), Disco Special-2 (Discomate – DSP-3025, Japan 1982 blue vinyl), ABBA, ABBA The Album, All About ABBA / Mama Mia, Greatest Hits, Super Trouper, Voulez-Vous, Arrivale and others. Condition at least VG+ overall

Vinyl - 32 Japanese pressing ABBA 7” singles spanning their career including demo promos to include: Slipping Through My Fingers (Discomate / Coca-Cola - PD-105, promo only picture disc), Lay All Your Love On Me (Discomate - DSS 11, promo only one sided), ABBA / Darts – White Christmas / Happy New Year (DSS 13, promo only), Mamma Mia / People Need Love (DSp 102), Voulez-Vous (DSP 129 Promo with press release), Summer Night City (DS0 122 promo), The Day Before You Came (DSP 222 promo) and others. Condition EX overall.

Vinyl -2 The Beatles albums to include: Abbey Road (Apple Records - PCS 7088 UK 1st pressing with misaligned apple on back and no Her Majesty on label or sleeve) EX / VG+, The Beatles – Help! (Odeon – OP 7387, Japanese 1965 1st pressing red translucent vinyl with lyrics insert and gatefold sleeve) VG+ / VG

A Chinese Porcelain Vase, of baluster form, decorated with geese within blue and white borders, character mark to base, 20cm high and a Japanese Imari ware pottery gourd shaped vase with three necks decorated with panels of trees, scrolls, etc. on a floral ground, 18cm high. (2)

A Pair of Late XIX Century Artita Japanese Pottery Chargers, of circular form decorated with pagodas in river landscapes, within blue and gilt border, character marks, 40cm diameter. (2)

An Early XX Century Japanese Pottery Candle Holder, modelled as a colourfully decorated recumbent Dog of Fo, the candle sconce on its back, 17cm long.paint wear to tail, back of head, chest, bottom lip, front foot, firing flaw to ear, restoration to tail, chip to candle holder.

A pair of Japanese vasesCloisonné metal Polychrome decoration of flowering gardens, cranes, eagles and other birds Meiji Period (1868-1912)Height: 25 cm 

A pair of large size vasesJapanese porcelainPolychrome and gilt decoration of floral motifs, landscapes and battle scenes with samuraiMeiji Period (1868-1912)(wear to the gilt)Height: 153 cmSegundo informação do proprietário esta peçaa integrou o espaço da Casa de Serralves no Porto

JAPANESE PORCELAIN DISH, LATE 19TH CENTURY / EARLY 20TH CENTURY decorated with a mythical creature, birds and insects on cobalt blue ground, unmarked 28cm wide

PAIR OF JAPANESE IMARI PLATES, LATE 19TH CENTURY / EARLY 20TH CENTURY each bearing six character mark to base22cm diameterQty: 2

JAPANESE HARDWOOD FIGURE, LATE 19TH CENTURY of large proportions, modelled as a man with a mythical creature, raised on a stand97cm highIn overall fair condition. Some splits to the wood. One finger broken. Chips to upper section. Surface scratches, dents and age related wear. Chips to base. Additional images now available.

JAPANESE SATSUMA POTTERY FIGURE, LATE 19TH CENTURY / EARLY 20TH CENTURY modelled as a geisha girl with a fan in traditional dress47cm high

SET OF EIGHT JAPANESE WATERCOLOURS, LATE 19TH / EARLY 20TH CENTURY each depictings birds and framed under glass, along with an album of similar pictureseach 23.5cm x 17.5cm overallQty: 8

JAPANESE PORCELAIN FRUIT SET, IN THE MANNER OF NORITAKE comprising fruit bowl and matching set of six smaller bowlsthe fruit bowl 25cm diameterCondition generally good. Light wear as per use and age, though no damages. Additional images now available.

JAPANESE SILVER TABLE CHEST, of rectangular form, engraved all over with foliate designs, with two hinged doors opening to reveal a lacquered interior fitted with three drawers11cm highIn overall fair condition. Surface scratches. Residue from polishing. Reminense of sticky label to underside. Prurple fabric suffering fromsome marks. Small dent to upper section. Additional images now available.

JAPANESE CLOISONNE ENAMELLED TEAPOT, MEIJI PERIOD in the style of Namikawa Yasuyuki15cm diameter

XIX Century Japanese Short Sword and Scabbard, curved blade, ornately carved bone grip and scabbard, sections of the grip and scabbard require reattachment, peg missing from scabbard.

WWII Japanese Army Officers Shin Gunto Pattern Sword and Scabbard, handmade blade with gilt bronze tsuba and wrapped fish skin grip.Nagasa approximately 68cm, scabbard approximately 72cm we are unable to remove the grip to expose the tang.

WWII Japanese Army Officers Shin-Gunto Pattern Sword and Scabbard, signed handmade blade with gilt bronze tsuba and wrapped fish skin gripTwo small 'nicks' to mid section blade edge, crack to fishskin close to grip peg. No obvious indentations to scabbard, press stud does function but sword can be pulled from scabbard without pressing stud. Blade has a slight bend towards the point, no obvious bend to scabbard. Nagasa approximately 66cm, scabbard approximately 73cm

Japanese Samurai Katana Sword and Scabbard, with green metallic finish, curved blade with tsuka (loose) fishskin grip, tanto knife and scabbard, straight blade and fishskin grip, finish peeling from scabbard.We have attached additional images to assist bidders of their own assessment of the item

A Highly Decorative Two-Tone Japanese Scene Card Case, depicting Mount Fuji bridge scene with etched forest and river, inner stamped "STERLING", 11.7cm x 7.7cm (116grams).

NIKKO (JAPANESE), PAIR OF BINOCULARS, WWII PERIOD No.50276, cased, along with a pair of Japanese copper vases,Note: As per the vendor, these were removed by their father from a Japanese Destroyer at surrender of WWII in Java; the pair of Japanese copper vases were also removed from this vessel 17cm wide

Late 19th century Japanese tansu chest, crafted with a cedar frame and cypress wood panels, original iron fittings throughout, comprising a single long drawer above smaller drawer and hinged cupboard door enclosing two smaller internal drawers and storage compartment, mounted on a bespoke black metal standDimensions: Height: 86cm  Length/Width: 94cm  Depth/Diameter: 44cm

DAVID GAULD RSA (SCOTTISH 1865 - 1936), TWO CALVES oil on canvas, signedframed and under glassimage size 39cm x 60cm, overall size 48cm x 68cm Note: David Gauld (7 November 1865 - 18 June 1936) was an important Scottish artist who worked in both oils and stained glass and was regarded as being one of the innovators within the Glasgow Boys group. Some of his works, such as St Agnes and Music are seen as precursors of the Art Nouveau movement. His works were seen as having both a Japanese and Pre-Raphaelite influence. Gauld was born in Glasgow and served an apprenticeship as a lithographer and then attended Glasgow School of Art from 1882 to 1885. He came to public notice in the 1880s when he supplied a series of Japanese-influenced pen and ink drawings for the Glasgow Weekly Citizen. Gauld shared the Castlemains Studio in Kirkcudbright with William Stewart MacGeorge and then in later life shared a studio with Harrington Mann at 31 St Vincent Street in Glasgow from 1891 to 1894. During this time he designed stained glass windows for Guthrie and Wells. Gauld then took new premises at 138 West George Street in Glasgow. He also lived at various locations in Kirkcudbright, Glasgow and North Berwick. In 1889 he returned to the Glasgow School of Art and also studied in Paris for a period that year. Like other artists from Glasgow, Gauld spent time at the artist's colony at Grez-sur-Loing in France. Forty-three examples of David Gauld's work are held in the collections of various UK public galleries including Glasgow Museums, The Hunterian, The Scottish National Gallery, Kelvingrove, Gracefield, Paisley, Kirkcaldy and The Fleming Collection (London).