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Five exhibition posters 'State of Clay', Royal College of Art 1978'Joe Tilson', Arnolfini 1984'Jacqui Poncelet. New Ceramics', City Museum and Art Gallery Plymouth 1981'Studio Ceramics Today', V&A 1983'Larger than Life. Large Scale Ceramics', Plymouth Arts Centre 1989The largest 76 x 51cm

Jacqueline Poncelet (b.1947) Studio Pottery and Contemporary Ceramics Buff coloured vessel, circa 1977 Earthenware Unsigned 13cm high, max width approx 20cm. ARRProvenance From a Private Collection acquired directly from the Artist. Footnote Jacqui Poncelet was part of a group of radical female artists (along with Elizabeth Fritsch, Carol McNicoll, Jill Crowley, Glenys Barton and Alison Britton) graduating from the Royal College of Art in the early 1970s who laid the foundations for 'The New Ceramics' movement and sought to re-establish the ‘vessel’ as an abstract form. Ceramic works by Poncelet are held at various public collections worldwide, including MOMA in New York, the V & A, and Tate Gallery London. Condition Report: Patch of dark crazing to interior, no damage or restoration.

Jacqueline Poncelet (b.1947) Studio Pottery and Contemporary Ceramics Vessel with orange and black stripes on buff ground, circa 1977 Earthenware Unsigned 25.5cm high, max width 18cm ARR Provenance From a Private Collection acquired directly from the Artist. Footnote Jacqui Poncelet was part of a group of radical female artists (along with Elizabeth Fritsch, Carol McNicoll, Jill Crowley, Glenys Barton and Alison Britton) graduating from the Royal College of Art in the early 1970s who laid the foundations for 'The New Ceramics' movement and sought to re-establish the ‘vessel’ as an abstract form. Ceramic works by Poncelet are held at various public collections worldwide, including MOMA in New York, the V & A, and Tate Gallery London. Condition Report: No damage or restoration.

Jacqueline Poncelet (b.1947) Studio Pottery and Contemporary Ceramics Large angular slab-built vessel with geometric design in brown on buff, chequered exterior and striped interior, 1977 Earthenware Unsigned 26cm high, approx 36cm max width. ARR Provenance From a Private Collection acquired directly from the Artist. Footnote A similar slab-built earthenware vessel is held at the British Museum, London. Jacqui Poncelet was part of a group of radical female artists (along with Elizabeth Fritsch, Carol McNicoll, Jill Crowley, Glenys Barton and Alison Britton) graduating from the Royal College of Art in the early 1970s who laid the foundations for 'The New Ceramics' movement and sought to re-establish the ‘vessel’ as an abstract form. Ceramic works by Poncelet are held at various public collections worldwide, including MOMA in New York, the V & A, and Tate Gallery London. Condition Report: Minor rubbing to one bottom corner, no other damage or restoration.

Jacqueline Poncelet (b.1947) Studio Pottery and Contemporary Ceramics Large angular slab-built vessel with geometric design in copper-brown on buff ground, circa 1977 Earthenware Unsigned 29cm high, max width approx 34cm. ARR Provenance From a Private Collection acquired directly from the Artist. Footnote A similar slab-built earthenware vessel is held at the British Museum, London. Jacqui Poncelet was part of a group of radical female artists (along with Elizabeth Fritsch, Carol McNicoll, Jill Crowley, Glenys Barton and Alison Britton) graduating from the Royal College of Art in the early 1970s who laid the foundations for 'The New Ceramics' movement and sought to re-establish the ‘vessel’ as an abstract form. Ceramic works by Poncelet are held at various public collections worldwide, including MOMA in New York, the V & A, and Tate Gallery London. Condition Report: Tiny nick to two underside corners not seen when placed - otherwise no damage or restoration.

Jacqueline Poncelet (b.1947) Studio Pottery and Contemporary Ceramics Large angular slab-built vessel with geometric design in brown on buff ground with each slab alternating squares and stripes, circa 1977 Earthenware Unsigned 26cm high, max width approx 30cm. ARR Provenance From a Private Collection acquired directly from the Artist. Footnote A similar slab-built earthenware vessel is held at the British Museum, London. Jacqui Poncelet was part of a group of radical female artists (along with Elizabeth Fritsch, Carol McNicoll, Jill Crowley, Glenys Barton and Alison Britton) graduating from the Royal College of Art in the early 1970s who laid the foundations for 'The New Ceramics' movement and sought to re-establish the ‘vessel’ as an abstract form. Ceramic works by Poncelet are held at various public collections worldwide, including MOMA in New York, the V & A, and Tate Gallery London. Condition Report: A couple of very tiny nicks to the balancing 'leg', otherwise no damage or restoration.

§ Jacqui Poncelet (Belgian, b. 1947), a shoe or boat form, circa 1981, stoneware, painted decoration with wax-resist 43cm (17in) Literature: Illustrated: Plate 135 page 138 British Studio Ceramics Paul Rice Published 2002 Jacqueline Poncelet (born 1947) One of the central artists of the 1970s who began to re-examine the relationship between painting and pottery. Poncelet began by making small bottles cast out of bone china. Around 1976 her new style of work began to appear; larger angular earthenware, slab built vessels, often with hard-edge designs. A British Council Arts Fellowship allowed her to travel to the USA in 1978 from where she took inspiration from the American landscape, architecture, and painting. She began to make boat or shoe-like forms created with slabs of clay cut, joined and then glazed and painted with enamels thus emphasising the unfinished edges. In 1981 she exhibited her 'boat' or 'shoe' forms at the Crafts Council Gallery. One such piece now forms part of the Victoria and Albert Museum collection. Poncelet no longer works in clay but is considered one the most innovative and avant-garde ceramicists to come out of the Royal College of Art during the 1970s.