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Click here to subscribeA James I oak six-plank chest, the lid with moulded edge, the front with ribbed pattern surrounding a large iron lock plate, 108cm wide, 38cm deep, 54cm highH W Keil, December 2001Old shrinkage split to top, restored with battens to underside. Hinges not original. Knocks and scuffs commensurate with age.
A Charles II brass lantern clock by Benjamin Bell, London circa 1665, the dial with central starburst decorated disc enveloped by stylised floral sprays, iron hand within Roman numeral chapter ring with stylised wheat ear half hour markers, the standard London third period frame with column turned corner posts beneath dolphin inhabited foliate pierced frets, vase turned finials and domed bell bearer, the sides with hinged brass doors, the rear with iron backplate, hanging hoop and spurs, on turned ball feet, 40cm high The rope is not original and has a section that is badly frayed. The case appears to be in good overall condition with minor wear and scratches in line with age and usage. There is a small circular hole to the front above Roman Numeral I.
A GRAINED LIBRARY BOOKCASE IN GEORGE III STYLE EARLY 20TH CENTURY The upper section with four grille doors enclosing shelves above four cupboard doors 192cm high, 156cm wide, 45cm deepProvenance: By repute, owned by Denis Mackail Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe top of the cabinet surfaces with marks and scratches and signs of age and use, the upper metal doors are discoloured and with surface corrosion, these should also have pulls to open the doors - the metal is sharp and an inserted fingure is not ideal to attempt to open or force the doors - they may be locked shut. The lower cabinet doors are open at time of report. The grilles are metal (but not iron) Some splits and cracks to the sides, especially to the lower cabinet portion Unevenness to the painted surfaces overall, Please see additional images for visual reference to condition Condition Report Disclaimer
Denver Mint. The obverse side features a right profile of a Native American based on Iron Tail and Two Moons. The reverse side depicts an American bison. The coin is in a protective case. The case is approximately: 2.5"L x 0.5"W x 3.25"H. Artist: James Earle FraserIssued: 1938Dimensions: See DescriptionCondition: Age related wear.
A FRENCH FAUX BAMBOO CAST IRON AND PAINTED HALL STAND BY GODIN DEQUENNE, LATE 19TH OR EARLY 20TH CENTURY The reverse with a cast mark 'ANCNE MON GODIN DEQUENNE & CIE' 195cm high, 73cm wide, 38cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe surface refreshed overall to give the simulated bamboo appearance, the drip trays green painted to the top surfaces (appear to have enamel bases) and this has chipped and worn with a white painted undersurface visible - this would appear to be consistent with the age and use in a domestic setting for intended purposeSome later metal brackets to the rear to secure and reinforce the frameMirror plate with some age, Clear maker's details to the rear Overall appears solid and stablePlease see additional images for visual reference to condition Condition Report Disclaimer
A large 17th century rustic six-plank cofferWith iron strap hinges and lock hasp, raised on extended side timbers.179cm wide x 51cm deep x 73cm highCondition:Though sturdy, this piece shows general signs of age and use throughout including: Staining to the top and front boards; front board warped at the bottom; loss to back right corner or top; Loss to bottom right corner of front board; hasp hinge strap missing some nails and starting to lift; chipping and scuffing to 'feet'; rebates inside the front and back boards suggest a missing candle box or other interior fitting.
* A 17th century oak 'wainscot' armchair, Leeds area, YorkshireThe scroll carved top rail above a lunette frieze and a lozenge carved panel within a cheque inlaid border, scroll arms on baluster supports above the plain boarded seat, raised on turned supports united by plain stretchers.55cm wide x 59cm deep x 109cm high, seat height 43cmCondition:Showing signs of age throughout: typical chips, cosmetic marks and scuffing in places consistent with age and use; a little play in the joints; seat rails braced with iron straps; splits to seat boards; front edge of seat splat away but extant with some losses to the leading edge.
An archaic pottery jug, Iron Age, excavated in Britain, 16cm wide over handle, 18.5cm high Old large chips around the rim, blackened discolouration as if from a fire, otherwise varying surface scuff marksPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Windmills of London. A George III oak cased eight day longcase clock in plain arched case, the 33cm dial originally square but now with added arch, with slower / faster arch at the top, subsidiary seconds and date aperture, unsigned five pillar movement with anchor escapement striking upon a bell, 48cm wide, 23cm deep, 214cm high Movement probably associated to the case, case of a mid brown tone, dusty and with minor scattered small flaws, no key for the hood door which is not locked but retains a lock, slower / faster adjustment to the top arch now no longer works, with a later pendulum bracket added below on the backplate of the movement, bell looks to be of size that would have interfered with the original pendulum if that is how it was working, trunk door locked shut and no key present, comes with pendulum and two cast iron weights.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 17th century French iron adjustable grate with roundel finials and stylised scroll feet, 89cm wide, 19cm deep, 63cm high Some wear to the back centre of the horizontal bars, a little oxidisation but essentially good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A late 17th century brass lantern clock of traditional form with dolphin and flower pierced crests, silvered Roman dial centred with stylised floral engraving, single iron hand and anchor escapement movement striking on a bell, 16cm wide, 15cm deep, 38cm high Has seen some alterations over the ages, both side doors have filled in panels, hand a little oxidised, comes with single lead weight. Back door loose. No pendulum.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of Coalbrookdale style cast iron garden benches with oak leaf pattern backs and dog's head arm terminals, teak slatted seats,152cm wide, 79cm deep, 96cm high Stripped and repainted with the past year or so, one bench showing oxidisation spots scattered here and there, the other more evenly covered, a little light lichen dirt, the one with more oxidisation has weathered teak slats that are all good and solid but one has not been fixed in the centre and there is a further bolt missing from the base of the central spine of the bench where it meets the iron work under the seat. Trace of a registration number in the casting, other bench with few oxidisation spots and a little more original colour to the teak slats.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 17th century French wrought iron pricket candelabrum, the revolving circular two tier top with ten candle sconces and ten pricket sconces, on a column with scroll and fleur de lys base, 90cm wide, 166cm high Honest untouched condition, two of the regular candle sconces are broken away and missing, one of the pricket sconces is broken away and missing, some slight bending out of shape but otherwise good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Yearbook magazine with feature article about Roberto Clemente, as well as team facts and statistics. The Iron Man has boldly autographed the cover with blue Sharpie. On Deck Circle Certificate of Authenticity included. Issued: 1994Dimensions: 0.25"L x 8.25"W x 10.75"HManufacturer: Major League BaseballCountry of Origin: United StatesCondition: Age related wear.
Black Rawlings Professional Model Adirondack Big Stick bat autographed by MLB Baltimore Orioles player, Calvin Edwin Ripken Jr., nicknamed "the Iron Man". It comes in a tube that measures 3"dia. x 36.5"L. Dimensions: 34"LManufacturer: RawlingsCountry of Origin: United StatesCondition: Age related wear.
Workshop of Robert Mouseman Thompson (Kilburn): An English Oak 6ft Sideboard, with raised upstand, adzed top over two cupboard doors, with wrought iron hinges and latches, enclosing three graduating drawers (one fitted for cutlery) with turned knob handles, on four octagonal and block feet with central bracket, with carved mouse trademark183cm (6ft) wide, 47cm deep, 82cm highBlack scortch marks to the top, marks to the interior, splash marks and water marks, wear to the top, has been given a wax recently, wear consistant with age and use.
Robert Mouseman Thompson (1876-1955): A Pair of English Oak Easy Chairs, circa 1930, adjustable, slatted backs, woven leather base, solid sides, shaped arms with carved scrolls to the ends, on stile feet, each with carved mouse trademark, with wrought iron whisky glass holders and ashtrays 68cm wide, 82cm deep, 89cm highProvenance: Made for Mary (née Isherwod, sister of Jack Isherwood, Padiham) and Harry Preston, Westerleigh, Holme, Burnley. One chair, damaged ear, splash and water marks, lacking a peg in the sliding seat. The other, new cushions, splashes and water marks, expected wear, consistant with age and use
Tales of Suspense featuring Iron Man and Captain America: a group of 17 early Silver-age issues featuring 1st appearance of Peggy Carter, classic covers and notable issues (Marvel Comics, 1964-66).Featuring classic stories with stories by Stan Lee with interior art and classic covers by Jack Kirby, Deck Heck and Gene Colan. From the Peter Judge Comic collection.This lot features:Tales of Suspense featuring Iron Man and Captain America (1st series) Nos. 55, 56, 64, 65, 66, 68, 69, 70, 71, 73, 74, 75, 76, 77, 78, 79, 80.Notable issues include:No. 64: 3rd appearance of Hawkeye. Hawkeye cover appearance.No. 75: 1st cameo appearance of Peggy Carter.No. 77: 1st full appearance of Peggy Carter.All issues 1st prints, US Cents and UK Pence copies included.Complete without cut coupons or missing pages.Issues come bagged in new polypropylene bags.~(17)Condition Report: Majority of lot in Low/Mid Grade condition.No. 77 in Mid-Grade condition.
The Invincible Iron Man: a group of 28 early Silver-age issues featuring 1st appearances and key issues (Marvel Comics, 1968 onwards).A group of early, rare Iron Man (Tony Stark) issues from his ongoing self-titled monthly comic published by Marvel comics. From the Peter Judge Comic collection.This lot features:The Invincible Iron Man (1st series) Nos. 2, 4-30.All issues 1st Print, US Cents and UK Pence copies included. Issues complete without cut coupons, missing value stamps or missing pages. Issues come bagged in new polypropylene bags.~(28)Condition Report: Majority of comics in lot ranging from Low to Mid-Grade condition.No. 4: Very Low-GradeNo. 15: No cover.
Tales of Suspense featuring Iron Man and Captain America: a group of 19 early Silver-age issues featuring 1st appearance of Modok, classic covers and notable issues (Marvel Comics, 1966-68).Featuring classic stories with stories by Stan Lee with interior art and classic covers by Jack Kirby. From the Peter Judge Comic collection.This lot features:Tales of Suspense featuring Iron Man and Captain America (1st series) Nos. 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99.Notable issues include:No. 94: 1st appearance of M.O.D.O.KNo. 95: 1st appearance of Whiplash.All issues 1st prints, US Cents and UK Pence copies included.Complete without cut coupons or missing pages.Issues come bagged in new polypropylene bags.~(19)Condition Report: Low-Grade condition.
The X-Men: a group of 10 early Silver-age issues featuring 1stappearances, classic covers and notable issues (Marvel Comics, 1966 onwards).Classic silver age issues written by Stan Lee and Roy Thomas with interior art and covers by Jack Kirby, Gil Kane, John Romita and Werner Roth and others. From the Peter Judge Comic collection.This lot features:The X-Men (1st series) Nos. 16, 19, 20, 23, 27, 28, 29, 30, 31, 33.Notable issues include:No. 16: 1st appearance and origin of Mimic.No. 28: 1stfull appearance of Banshee.No. 31: 1stappearance of Cobalt Man (former Stark employee who duplicated Iron Man tech for armour).No. 33: Classic Juggernaut cover by Gil Kane and John Romita Sr.All copies 1stPrints, UK Pence copies.Issues complete without cut coupons, missing value stamps or missing pages.Issues come bagged in new polypropylene bags.~(10)Condition Report: Low-Grade condition.
A Victorian 1827 pattern Rifle officer’s sword to the Cameronians by HENRY WILKINSON PALL MALL LONDON No.33877 (=1896CE) blade 82cms, etched with crowned VR cypher interlaced and reversed, Royal Arms, owner’s initials H.E.G. all amidst scrolling foliage, regulation iron guard and chequered grip strap, silver wire bound fish skin covered grip, in its steel scabbard. Some age wear, light rust to scabbard.The sword of Maj. Henry Edward Green OBE, DSO, 2nd Battn. Cameronians (Scottish Rifles). Sold with copy of Wilkinson Sword ledger entry and folder of research material. Please note that all lots in this auction have been imported from outside the United Kingdom and are subject to 5% import duty on the hammer price. Items being exported outside of the UK are exempt from this charge upon proof of export. Any international bidder having items sent to a UK address will be subject to this fee.
A scarce 1822 Regimental Pattern officer’s sword of the 10th (Prince of Wales Own) Hussars by Prosser, slightly curved pipe back blade 90cms etched on both sides with crowned WRIV cypher with initials interlaced and reversed above laurel wreath, above PROSSER within banner and Maker to the KING & Royal Family LONDON, reverse side with Charring Crofs instead of London, regulation brass hilt with traces of gilding, applied with prominent silver Prince of Wales plume badge, copper wire-bound fish skin covered grip, in its iron scabbard with twin hanging rings. Some age wear and minor dents to scabbard. Please note that all lots in this auction have been imported from outside the United Kingdom and are subject to 5% import duty on the hammer price. Items being exported outside of the UK are exempt from this charge upon proof of export. Any international bidder having items sent to a UK address will be subject to this fee.
A Spanish iron-mounted crimson velvet wood domed casket, 15th century, bound with straps terminating in scallop shells, the lid with a pierced gothic frieze, converted to a humidor, 36cm high, 50cm wide, 32cm deepProvenance: The George Farrow Collection.Footnotes: Note: A Gothic chest of this form, but lacking the shells and strapwork mounts, is in the Hispanic Society Collection (S58), illustrated and discussed in G.H. Burr, Hispanic Furniture, New York, 1964, pp. 122-123, pl. 119. Leather examples are also found, and often smaller in scale.Condition Report: As can be seen from the online/catalogue photograph, the crimson velvet is largely worn away overall. The domed lid in particular is worn through to the carcass timber. The ironwork is worn with surface rust to be expected with age. The carrying handles to the side are later replacements. The front edge beneath the lock plate with minor losses to the timber. The interior of the lid and casket has areas of painted paper and the lid has evidence of small patches of historical worm damage. The interior encloses a humidor from the 1960/70s. No keys present for the casket or humidor.
A 19th century wrought iron bound Oriental-style elm silver chest, the front with hinged upper section and swing loop carry handles, raised on sled feet, 67 x 88 x 43cm.Condition Report: - This has been converted to a television cabinet and has an additional shelf internally, with holes drilled to the reverse for cables, etc. Otherwise, overall good but used condition, showing signs of wear throughout, including scuffs, scrapes, fading, staining, splits, losses, etc, all commensurate with use and age. There appears to be some spray of overpainting to the top section, although would suggest this could be easily removed.
Allen & Ginter, Celebrated American Indian Chiefs to include; Arkikita, Black Hawk, Deer Ham, Iron Bull, Mad Bear, Big Chief, War Captain, Young Whirlwind, White Swan and True Eagle; USA issue, 10 cards, from 1888. Generally okay condition; some with nicks and minor loss to edges and corners; some slightly stained or foxed; wear and marks to backs and overall age related wear.
An unnamed bronze bell with wood and iron mounted fitting, the bell 20 cm high x 25 diameter CONDITION REPORTS Has a clear sound when hit from the outside. The clanger is rusted and unable to easily fit it inside. The bell itself has some light scratching and casting marks otherwise general ware and tear conducive to age and use. The rest o the fittings etc are heavily rusted and worn. See images for more details.
ITEM: Oil lamp, Type Kennedy 1, Group CMATERIAL: PotteryCULTURE: Bronze AgePERIOD: 1400 - 1200 B.CDIMENSIONS: 50 mm x 130 mm x 134 mmCONDITION: Good conditionPROVENANCE: Ex German private collection, Prof. Dr. Claus-Hunno Hunzinger, in Germany since before 1960sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Oil lamps played a significant role in lighting and daily life during the Bronze and Iron Ages. These lamps were simple yet effective devices consisting of a container for holding oil and a wick that would burn, providing illumination in the darkness. As technology and metallurgy advanced during the Bronze and Iron Ages, oil lamps became more sophisticated in terms of design and materials.In the Bronze Age, oil lamps were often made of ceramic and had a rudimentary shape, with an oil reservoir and a spout or nozzle to hold the wick. These lamps were used in homes and places of worship, and some featured simple decorative designs.In the Iron Age, oil lamps saw technological and stylistic advancements. They became more elaborate, with a wider variety of designs and materials, such as bronze. These lamps often featured decorative shapes and handles for easier transportation. In addition to their practical function, some Iron Age oil lamps also held symbolic and ritual significance in religious and funerary contexts.
ITEM: Ibex figurineMATERIAL: BronzeCULTURE: Bronze Age, LuristanPERIOD: 1600 - 1000 B.CDIMENSIONS: 42 mm x 30 mmCONDITION: Good conditionPROVENANCE: Ex Dutch private collection, collected before 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Ibex figurines from the Luristan period are fascinating artifacts that provide insights into the artistic and cultural achievements of ancient civilizations in what is now modern-day western Iran. These figurines, typically crafted from bronze using the lost-wax casting technique, depict ibexes with distinctive curved horns and stylized features. They were produced during the Iron Age in the region of Luristan, which was home to a diverse array of peoples and cultures known for their metallurgical skills and nomadic lifestyles.The ibex, with its graceful form and imposing horns, held symbolic significance in the religious and cultural beliefs of ancient societies in the Near East. In Luristan, ibex figurines may have been associated with rituals, ceremonies, or beliefs related to hunting, fertility, or spiritual protection. The choice to depict ibexes in bronze reflects the importance of these animals in the lives of the people of Luristan, who relied on hunting for sustenance and survival in their rugged mountainous environment.The craftsmanship and artistry evident in Luristan ibex figurines highlight the technical mastery and creative expression of ancient Luristan metallurgists. These figurines showcase the skillful manipulation of bronze to create lifelike representations of ibexes, capturing the essence of these animals with remarkable detail and precision. Additionally, the stylized and abstracted features of the ibex figurines suggest a symbolic or ritualistic purpose, inviting further exploration into the religious beliefs and cultural practices of the people of Luristan during the Iron Age.
ITEM: Duck mountMATERIAL: SilverCULTURE: Iron Age, CelticPERIOD: 2nd Century B.C - 1st Century A.DDIMENSIONS: 10 mm x 17 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, Suffolk, acquired in U.K art market in 2015, before from English private collection, Kent.Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.The Iron Age Celtic silver duck mount is a remarkable artifact that reflects the artistic and cultural sophistication of the Celtic peoples during the late Iron Age (around 500 BCE to the Roman conquest). The Celts, known for their intricate metalwork and symbolic art, often created decorative mounts and fittings for various objects, including weapons, chariots, and ceremonial items. The silver duck mount is an example of their skill in metalworking and their use of animal motifs, which were common in Celtic art, symbolizing various spiritual and cultural beliefs.This silver duck mount likely served as a decorative piece, possibly attached to a ceremonial object such as a shield, helmet, or chariot. The duck itself holds symbolic significance in Celtic culture, often associated with water, fertility, and the otherworld. Waterfowl, like ducks, were believed to be creatures that could traverse both the earthly and spiritual realms, making them potent symbols of transition and connection between worlds. The use of silver, a precious metal, further indicates the mount's importance, suggesting it may have belonged to a person of high status, perhaps a chieftain or a warrior of significant rank.The craftsmanship of the Celtic silver duck mount is notable for its detailed and stylized representation of the bird, reflecting the Celts' deep appreciation for nature and their ability to infuse symbolic meaning into their art. The design likely incorporated the flowing, curvilinear patterns typical of La Tène art, the dominant artistic style of the Celts during the Iron Age. This style is characterized by its intricate patterns and abstract forms, often inspired by natural elements.
ITEM: Cosmetic bowl / paletteMATERIAL: StoneCULTURE: Iron AgePERIOD: 8th - 6th Century B.CDIMENSIONS: 20 mm x 88 mm diameterCONDITION: Good conditionPROVENANCE: Ex Jerusalem private collection, A.K., with Israeli export licence number 57470BIBLIOGRAPHY: The Israel Museum, Jerusalem, Accession number 1936-929 and 1980-1161Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.During the Iron Age period, cosmetic palettes and bowls held significant cultural and social importance in various ancient civilizations, particularly in regions such as the Near East and Egypt. These artifacts served as both functional tools for cosmetic preparation and as symbols of status and identity within society. Cosmetic palettes from this period typically consisted of flat, circular or oval-shaped pieces of stone or other materials, often adorned with intricate engravings or relief carvings depicting religious, mythological, or symbolic motifs.In ancient Egypt, cosmetic palettes were widely used for grinding and mixing cosmetics, such as kohl for eyeliner or various ointments and pigments for body adornment. These palettes were crafted from materials like schist, slate, or limestone and were often decorated with elaborate designs that reflected the artistic styles and religious beliefs of the time. Many palettes featured animal motifs, geometric patterns, or scenes from mythology and everyday life, serving as artistic expressions of the cultural milieu in which they were created.Beyond their utilitarian function, cosmetic palettes also held symbolic significance in ancient societies. In addition to being practical objects for cosmetic preparation, they were often associated with rituals, ceremonies, and beliefs surrounding beauty, health, and spiritual protection. In some cultures, cosmetic palettes were buried as grave goods alongside the deceased, reflecting beliefs in the afterlife and the importance of personal adornment and grooming even in death.
ITEM: RingMATERIAL: BronzeCULTURE: Iron Age, Central Asia, Amlash or BactrianPERIOD: 1st millenium B.CDIMENSIONS: 22 mm x 27 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, acquired from London Gallery (1970s - 2000s)Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.The Bactrian culture thrived in the region of Bactria, which encompassed parts of present-day Afghanistan, Uzbekistan, and Tajikistan, during the Bronze Age, roughly from the 3rd to the 2nd millennium BCE. Bactria served as a crucial crossroads along the ancient Silk Road, connecting the civilizations of the Mediterranean, Central Asia, China, and the Indian subcontinent. The culture is known for its advanced urban centers, sophisticated metallurgy, and rich artistic traditions. Bactrian art often depicted scenes of daily life, mythical creatures, and religious motifs. The Bactrians are also believed to have played a significant role in the spread of early Indo-Iranian languages and culture.On the other hand, Amlash culture was prevalent in the Amlash region of northern Iran during the Iron Age, dating roughly from the 1st millennium BCE. The Amlash culture is characterized by its distinctive pottery styles, including painted ceramics adorned with intricate geometric and zoomorphic designs. Archaeological evidence suggests that Amlash society was organized into small-scale agricultural communities, with evidence of terraced agriculture and irrigation systems. Additionally, Amlash culture is notable for its burial practices, which often included inhumation in cemeteries and burial mounds, sometimes accompanied by grave goods such as pottery vessels and metal objects.While the Bactrian and Amlash cultures developed in different time periods and geographical regions, they both represent important stages in the cultural evolution of the broader Central Asian and Iranian regions.
ITEM: RingMATERIAL: BronzeCULTURE: Iron Age, Central Asia, Amlash or BactrianPERIOD: 1st millenium B.CDIMENSIONS: 22 mm x 27 mmCONDITION: Good conditionPROVENANCE: Ex English private collection, acquired from London Gallery (1970s - 2000s)Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.The Bactrian culture thrived in the region of Bactria, which encompassed parts of present-day Afghanistan, Uzbekistan, and Tajikistan, during the Bronze Age, roughly from the 3rd to the 2nd millennium BCE. Bactria served as a crucial crossroads along the ancient Silk Road, connecting the civilizations of the Mediterranean, Central Asia, China, and the Indian subcontinent. The culture is known for its advanced urban centers, sophisticated metallurgy, and rich artistic traditions. Bactrian art often depicted scenes of daily life, mythical creatures, and religious motifs. The Bactrians are also believed to have played a significant role in the spread of early Indo-Iranian languages and culture.On the other hand, Amlash culture was prevalent in the Amlash region of northern Iran during the Iron Age, dating roughly from the 1st millennium BCE. The Amlash culture is characterized by its distinctive pottery styles, including painted ceramics adorned with intricate geometric and zoomorphic designs. Archaeological evidence suggests that Amlash society was organized into small-scale agricultural communities, with evidence of terraced agriculture and irrigation systems. Additionally, Amlash culture is notable for its burial practices, which often included inhumation in cemeteries and burial mounds, sometimes accompanied by grave goods such as pottery vessels and metal objects.While the Bactrian and Amlash cultures developed in different time periods and geographical regions, they both represent important stages in the cultural evolution of the broader Central Asian and Iranian regions.
BAROCKES EISENKÄSTCHEN IN FORM EINER SOKELTRUHE, wohl Nürnberg, 18. Jh., Eisen brüniert allseitig mit Eisenbändern beschlagen und am Deckel sowie seitlich mit Rosetten dekoriert, sichtseitig eingravierte Wappendarstellungen, unten ein geschweifter Stollenfuß mit floraler Ziergravur und Akanthusblättern, Innen in Mennige gefasst, im Deckel bemalt und mit einer Widmung zur Silberhochzeit versehen. HxBxT: 11,5/18/11 cm. Part. Alters- und Gebrauchsspuren.| BAROQUE IRON BOX IN THE SHAPE OF A SOKELT CHEST, probably Nuremberg, 18th century, burnished iron with iron bands on all sides and decorated with rosettes on the lid and sides, engraved coats of arms on the visible side, a curved stud foot with floral engraving and acanthus leaves at the bottom, the interior painted in red lead, the lid painted and with a dedication for a silver wedding anniversary. HxWxD: 11.5/18/11 cm. Part. Signs of age and wear.
with brass studwork decoration, the hinged top bearing the initial 'C', iron strapwork and side carrying handles, the interior with 19th paper lining and London retailer's label, height 34cm, width 70cm, depth 43cm. *CR Losses and fire damage to leather, general wear commensurate with age and use.
Two Indo-Persian iron "Khula-Khud" iron helmets with spikes finials chain mail mantels and adjustable nose guards, each with punch-worked Arabic script, 20 cm diameter x 25 cm approximate height.A private collection. NB: Stands are for display purposes only, and are NOT included with the helmetsThe helmets are most likely from the end of the 19th century both have planished domes and have apparent signs of age.The more elaborately decorated of the two is missing a little thumb screw that adjusted the nose guard and the spike has been glued back into position with what looks like epoxy resin.The other helmet is intact with a screw-off diamond section spike.
dating: 1935 - 1945 provenance: Italy, Straight, single-and-a-half-edged blade with small signs of age, featuring motto 'CHI OSA VINCE'. Iron crossbar of typical asymmetrical shape. Brown wooden grip with some cracked parts (restoration?). Nickel-plated metal rivets and cap. Iron scabbard (repainted?) with some holes at the rear side. The front side decorated with the fasces surmounting the initials 'M.V.S.N.'. length 32,4 cm.
A WROUGHT IRON TWO SEAT BENCH WITH MATCHING ARM CHAIRS MODERN With linen white upholstered cushions bench 92cm high, 165cm wide, 75cm deep armchairs, 92cm high, 77cm wide, 75cm deep Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Structurally sound- moisture exposure from use has led to some colour variance to upholstery- and with scattered small spot stains, some feather egress. Wooden arms showing scuffing, marks and wear from regular domestic use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A WROUGHT IRON THREE SEAT BENCH WITH MATCHING ARM CHAIRS MODERN With linen white upholstered cushions bench, 92cm high, 214cm wide, 75cm deep, armchairs, 92cm high, 77cm wide, 75cm deep Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Structurally sound- moisture exposure from use has led to some colour variance to upholstery- and with scattered small spot stains, some feather egress. Wooden arms showing scuffing, marks and wear from regular domestic use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
DAVOUT LOUIS NICOLAS: (1770-1823) Marshal of France, Duc d´Auerstaedt and Prince of Eckmuhl. Known as the Iron Marshal, Davout was the only Napoleonic Marshal not to have been defeated in battle by 1815. Unusual A.L.S., `Davout´ to the address leaf, two pages, 4to, Skierniewice (between Lodz and Warsaw), in Poland, 2rd February 1808, to his wife Aimée Leclerc, in French. Davout explains only what he can at this stage to his wife regarding the decision of postponing her trip, stating in part `Je suis obligé d'ajourner ma promesse de te donner dans le plus grand détail connaissance des motifs qui m'ont déterminés à ne plus écouter mes désirs de t'engager à faire le voyage... ces explications seront longues et je te les donnerai au 1er moment que j'aurai à moi; mais en attendant, si mon séjour ici devait se prolonger et que tu ne puisses obtenir pour moi la permission d'aller à Paris, il n'y aurait plus de motifs...´ (Translation: "I am obliged to postpone my promise to give you in the greatest detail knowledge of the reasons which determined me to no longer listen to my desires to encourage you to make the trip... these explanations will be long and I will give them to you at the first moment that I will have for myself; but in the meantime, if my stay here were to be prolonged and you could not obtain permission for me to go to Paris, there would no longer be any reasons...") With blank address leaf, addressed to `La Maréchale Davout´, bearing a red ink stamp and large remnants of a red wax seal showing Davout´s monogram with his initials. Small overall minor age wear and creasing, otherwise G
Elizabeth II (1952-2022), gold proof Two-Pounds, 1997, crowned head right, RDM on truncation, ELIZABETH. II. DEI. GRATIA REGINA. F: D, rev. Concentric Circles, representing the Iron Age, 18th Century industrial development, and the Internet and Information Superhighway, edge inscription STANDING ON THE SHOULDERS OF GIANTS, (S.K8). Brilliant proof as struck, graded by NGC as PF69 Ultra Cameo.NGC Certification 6380522-008Limited issue of 2,482.
Celtic Iron age linch pin and terret ring. Circa 1st century BCE- 1st century CE. Copper-alloy, 55mm x 28mm, 110g & 63mm x 49mm, 51.9g. The body of the linch pin is cylindrical and bulbous to one end with a tappering waste and fluted terminal. The terminal is detailed with a pellet in annulet motif within a large recessed circle. The main body of is decorated with two curving incised lines that form frames around a series of bright red enamelled circular cells. The terret ring has molded collars and knops.
Celtic Birdlip brooch. Circa 1st century CE. A late iron Age / Romano-British variant with a large ring attachment. Possibly used to secure a chain between a pair of brooches worn across the chest. The ring secures through the head of the brooch and behind the pin hinge. Copper-alloy, 22g. 91mm. A large example in a very good state of preservation.
An antique painted pine Swedish trunk The trunk with scumbled style ornament, iron carrying handles to the side, and floral decoration to the front with initials and date '1809'.120cm wide x 55cm deep x 56cm highWear and minor marks to the paintwork overall due to age and use, some oxidisation to the iron mounts, generally in usable condition.
A collection of garden items To consist of a circular, black-painted table with a mesh top; together with two old terracotta chimney pots of similar design; a white-painted wrought iron plant stand; and a blue and white porcelain jardinière and stand.The table 60cm diameter. The plant stand 70cm high. The jardinière 38cm diameter.Qty: 5The table in good condition with some minor oxidisation. The plant stand in good condition with some minor oxidisation. Wear and losses to the chimney pots due to age and use. The jardinière in good weathered condition with some signs of limescale deposits on the stand and signs of use.
19th century Minton tea service, comprising seventeen teacups and seventeen saucers, slop bowl and two circular dished plates, each decorated with turquoise band with hand painted landscape and seascape gilt bordered panels, joined by gilt chain links, impressed Minton beneath, also bearing impressed year mark possibly for 1866, and painted iron red no A7186, teacups H6.5cm, plates D23.5cmCondition Report: Wear commensurate with age and use, including surface and some deeper scratches, and some rubbing to decoration, in particular to gilded rims.1 x saucer with crack running through.1 x teacup with crack running through lower body above short foot.2 x teacups with cracks running through side and base.1 x teacup also with crack running through side, plus heavy crazing and some staining.1 x teacup with a number of cracks which have been crudely repaired and stapled.
Early 20th century Iznic style polychrome vase, possibly Palestinian, of bottle form, decorated with chrysanthemums, tulips and saz leaves in turquoise, blue, green and iron red, H31cmCondition Report:General wear commensurate with age and use, including surface scratches and crazing to the glaze, and a two small areas of glaze loss as illustrated in additional images.
18th century tea wares, comprising Worcester coffee cup, circa 1770, decorated in the Rich Kakiemon pattern with panels of flowers against a blue scale ground, with fret mark to base, Worcester coffee cup, circa 1780, decorated in the Fisherman and Cormorant pattern, with disguised numeral mark beneath, Worcester coffee cup, circa 1770, decorated in the Mansfield pattern and clobbered in iron red and gilt, with crescent mark beneath, Worcester tea bowl, circa 1770, decorated in the Fence pattern, with crescent mark beneath, and a Liverpool Pennington coffee cup, circa 1785-1790, decorated in a Willow type pattern, coffee cups each approximately H6cm, tea bowl H4cm D7.5cm, (5)Condition Report: General wear commensurate with age and use, including some surface scratches, some nicks and some crazing. Kakiemon example with hairline and a few small losses to rim, and small loss to foot rim.Fisherman and cormorant pattern with small loss to inside of foot rim. Mansfield pattern example with some losses to rim with later crude restoration.Tea bowl with a few small losses to rim.Liverpool example with loss to rim.
Large 19th century copper slotted spoon, with pierced flat bowl, L55cm, together with two 19th century iron handled ladles with circular copper bowls, largest example L48.5cm, (3)Condition Report:General wear commensurate with age and use, including scratches, nicks and some slight indentations.
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