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* Wilson (Richard, 1713-1782). Villa Negroni, Rome, black chalk on pale blue-grey laid paper, inscribed by the artist to lower edge 'Villa Negroni', some light overall spotting, sheet size 170 x 200 mm, mounted (along extreme left margin only) to early 20th-century card with brown wash ruled framing border, with early 20th-century ink inscription to verso, giving the artist's name and the title of the work, together with an account of the history of the villa, plus a reference to another drawing of the same villa by J. Henderson in the British Museum ('no. 54 in album'), card mount 585 x 420 mmQTY: (1)NOTE:Provenance: John Bulloch Souter (1890-1971), painter, sculptor and printmaker, born in Aberdeen; thence by descent.A similarly sized drawing of the Villa Negroni by Richard Wilson on the same blue-grey paper, measuring 222 x 194 mm, was sold at Christies, London, Old Master and British Drawings and Watercolours including works from the Collection of Jeon Bonna, 2 July 2019, lot 200.The Villa Negroni once stood near the Baths of Diocletian, at Rome. Only the Casino now remains at the south-west corner of the Piazza delle Terme. This was built by Domenico Fontana in 1580 for Cardinal Felice Berutti, afterwards Pope Sixtus V.

* Daumier (Honoré, 1808-1879). Head of a Lawyer reading, pen and grey ink on pale cream laid paper, mount stained, tipped-on to card mount, some marks and minor soiling to outer blank areas, a strip of paper (10 x 188 mm) was taken from the blank top of the sheet and remounted to the lower edge (at the instigation of Patricia Milne-Henderson) in 1961, sheet size 145 x 188 mm (5 3/4 x 7 1/2 ins), mountedQTY: (1)NOTE:Provenance: Claude Roger-Marx (1888-1977) French critic, art historian and collector, and editor of the Gazette des Beaux-Arts, with pencil inscription to card mount 'Daumier / ex col. Roger Marx'; Madame Claude Roger-Marx; M. R. Schweitzer, 205 East 54th Street, New York by 1961; by whom sold to Patricia Milne-Henderson, later Mrs. Michael Jaffé (1935-2018) January 16th 1962 (according to the original dated invoice); thence by descent.A group of original letters relating to this drawing accompanies the lot: correspondence and invoice from Schweitzer to Ms. Milne-Henderson (December 1961-January 1962), a letter of valuation for this drawing from W. Feilchenfelt of Sotheby's, dated 13 August 1965, a letter from K. E. Maison, stating he would like to include the work in his forthcoming catalogue raisonné, dated 16 September 1965, and copy of Patricia Milne-Henderson's reply, dated October 10, 1965.An inscription to the verso of the card mount, in Patricia Jaffé's hand, reads: "Sketch - probably intended for a lawyer. Bought by Pat Milne-Henderson 1960/61 in Boston (Mass). It is listed in the catalogue raisonné by K.E. Maison - in the Appendix or Addendum."Literature: K. E . Maison, Honoré Daumier: Catalogue Raisonné of the Paintings, Watercolours, and Drawings, 2 volumes, New York Graphic Society, 1967.

Eight modern pictures including a pen and ink drawing by John Furnival, an unattributed oil on board, harbour scene, indistinctly signed lower right and dated 62, 25 x 35cm, unframed, two unattributed oils on canvas, two watercolours and two colour prints (8).

Travel. Henrietta Matilda Crompton (1793-1881), Switzerland, via a tour of the Rhine, 1836, accompanied by her brother Robert Edward Crompton (1805-1840) and their sister Caroline Rachel (1809-1885), an album of 67 en plein air illustrations, of which 45 are watercolour &/or sepia wash, 8 pen-and-ink, and 14 pencil drawings, the last repaired and with some chipped losses, mostly full-page format, but for 5 double-page panoramas, named &/or annotated throughout, including glaciers, mountains and alpine scenes, as well as named-view of Fribourg with its suspension bridge, some urban topography, slightly later 19th c 4pp ALS loosely-inserted and 3pp note, recto pastedown with contemporary and slightly later manuscript inscriptions dated 1836 & 1878 respectively, contemporary roan over marbled boards, split with loose/loosening contents, oblong folio (27 x 37.5cm)Henrietta Matilda Crompton and her eight siblings were born into a rich banking family, of Esholt Hall, Yorkshire, and upon the death of their father each inherited the considerable sum of £11,000. Henrietta never married and spent a comfortable life travelling, making excursions to the Yorkshire coast, visiting friends' country houses, and occasionally taking longer trips to Picturesque parts of the United Kingdom and Europe (such as this case); this leisured travel allowed the lady to pursue her talent for drawing, having taken lessons throughout her long life, from renowned artists Copley Feilding, David Cox, and others. Three of HMC's sketchbooks are present in the collections of the Yale Center for British Art.

Manner of Samuel Metford - Portrait Silhouette of a Lady, half-length and in profile, wearing a ribbon-tied bonnet and collar, indistinctly inscribed in pencil to verso, black ink on paper, picked-out in gilt and white gouache, oval, 8 x 5.5cm, a similar early 19th c portrait silhouette of a lady, half-length and in profile, wearing a ribbon-tied lace cap and broad collar, black ink on paper, picked-out in gilt, 10 x 8cm, framed early 19th c Neoclassical stipple engraving, pencil drawing, etc, (5) The portrait silhouettes generally good, the rest of the lot in mixed, 'country house' condition. All unexamined out of their frames, themselves with some wear &/or worn losses in places.

Lot to include two prints, the first of Windy Arbour colliery, another of a spinning mill and an ink drawing entitled Winter At Benthall Church, all mounted and framed under glass, largest approximately 31 cm x 41 cm. [3]. [W] ALL ITEMS MUST BE PAID FOR AND COLLECTED/SHIPPED BY CLOSE OF BUSINESS ON WED 12TH MARCH

A pencil drawing of a young girls, unframed together with an ink drawing of sheep by Diana Brown.

Nevinson (Christopher Richard Wynne, painter and printmaker, 1889-1946) Autograph Letter signed to "Dear Sir", 2pp., 250 x 200mm., on paper with embossed heading 4 Downside Crescent, Hampstead N.W., 13th October 1916, "Thank you for your letter. Nearly all my pictures are coming out in book form, so they are not available for your purposes; but the drawing "When Harry Tate Came Down" is free...As the drawing is sold & the exhibition closes shortly, I must ask you to make your reproduction with all speed...at present I am overwhelmed with work...", some nicks or short tears to extremities, folds; and 3 A.L.s from Scottish artist James McBey to Charles Sessler, 1934-35, one with ink drawing depicting Sessler's "conquest of Time", v.s. (4 pieces)

UNATTRIBUTED; a pencil and ink drawing of a Continental street scene, 36 x 24cm, a further ink drawing and two maps (4).

UNATTRIBUTED; an early 20th century ink drawing of theatre costume, a further print and watercolours of theatrical scenes and figures, and a print after an original poster for Theatre Royal Edinburgh (qty).

Watercolour, Continental panoramic landscape, farm buildings, dated '72, 63cm x 80cm overall, framed, and watercolour, figure on a country lane, a gouache, busy street scene, and a pen and ink drawing, figures on a cart, all framed (4)

AFTER GIOVANNI FRANCESCO DI NICCOLO LUTERI, CALLED DOSSO DOSSI SAINT WILLIAM, DUKE OF AQUITAINE Pen and ink, wash, heightened with red and white bodycolour, on thick laid paper Bears inscription '1536 Julio' with small head study (verso) 21.5 x 18.6cm (8¼ x 7¼ in.) Provenance: Piasa, Paris, Important Old Master Drawings, 23 March 2001, lot 6 After the painting held in the Royal Collection, London (RCIN 405775). Condition Report: Recto: Unexamined out of glazed frame. The drawing presents small tears to the upper edge as well as abrasions with associated loss. There is a crease, approximately 3cm in length, to the lower right corner and minor abrasions along the right edge. The edges of the paper are lifting. A few scattered superficial scratches to the fingers, lip and the visage. Verso: Unexamined out of glazed frame. Surface dirt throughout which has settled along two horizontal and two vertical lines. Scattered staining throughout. Condition Report Disclaimer

A late 19th century pen and ink drawing of Potala at Lhasa. There is a personal message & three Chinese characters '爱利司' and on reserve. Mounted framed and glazed.Measures approx. 45cm H x 65cm WA present by a Chinese amban to a British officer in late 19th century, by repute.十九世纪2一位昂邦大臣赠予英国官员。

This original drawing after Al Hirschfeld (1903-2003) depicts the legendary Judy Garland in his signature caricature style. Rendered in black ink, the artwork captures Garlands' unmistakable charm and presence with Hirschfeld's masterful use of bold lines and elegant simplicity. Known for his ability to encapsulate the essence of his subjects, Garland is presented with a dynamic flair, reflecting her enduring legacy as a Hollywood and Broadway icon. A unique detail of this artwork is a reference to Hirschfeld's playful inclusion of his daughter's name, "Nina," which appears subtly hidden on the center of Garland's sleeve. Hirschfeld often incorporated "Nina" into his works as a tribute to his daughter, creating a delightful Easter egg for admirers of his art. Al Hirschfeld is one of the most celebrated caricaturists of the 20th century. Over a career spanning 75 years, he chronicled the world of entertainment, capturing its most iconic figures with wit and elegance. His works appeared in The New York Times and other major publications, earning him the title of "The Line King." Hirschfeld's practice of incorporating "Nina" into his works became a charming tradition, challenging viewers to spot the hidden name. Judy Garland (1922-1969) remains a beloved figure in entertainment history, known for her captivating performances in The Wizard of Oz, A Star is Born, and numerous live concerts. A cultural icon, Garland's portrayal in this artwork encapsulates her vibrant personality and timeless appeal. Framed in an Art Deco style black frame with a grey and black mat. Artwork dimensions: 27.50"L x 30"H. Frame dimensions: 37"L x 39"H x 1.50"W. Artwork can be unframed and rolled for shipment.Artist: (After) Al Hirschfeld (American 1903-2003)Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

A COLOURED DRAWING OF A KINNARA, THAILAND, 19TH CENTURY watercolour with ink on paper, the mythical deity depicted in a hilly wooded landscape accompanied by two young devotees wearing leaf skirts and bearing fruit, and a pair of birds in the sky above, inscribed captions in English and Thai, framed, 38 x 30.5cm (inside mount)Fragmentary condition, has been consolidated by conservation paper, tears and holes particularly in upper left and upper right

20th Cent. Belgian drawing in ink - signed and dated 1969DELPORTE CHARLES (1928 - 2012) ovale tekening met mans- en vrouwenhoofd - 38,5 x 28,5 getekend en gedateerd 1969

20th Cent. Ukrainian ink drawing - signed Serge Fotinsky and dated 1927FOTINSKY SERGE (1887 - 1971) (UA) inkttekening op papier : "Drie havenarbeiders" - 32 x 25 getekend en gedateerd 1927

Ghosts and demonology.- Le Loyer (Pierre) A Treatise of Specters or straunge Sights, Visions, and Apparitions appearing sensibly unto men. Wherein is delivered, the Nature of Spirites, Angels, and Divels...also of Witches, Sorcerers, Enchanters, and such like, first edition in English, lacking A2&3, a2&3, 2C4 and all after 2O3 (final 2ff. and errata f.), title with contemporary ownership names to head, frayed at edges and with short tear into imprint, early ink drawing of demon-like figure to title verso with some show-through, few marginal ink annotations, trimmed very occasionally affecting headline or printed side-note, some chips and tears with occasional small text loss (more substantial to a4 & 2D2), some soiling and light staining, browning, some leaves loose, backstrip worn, lacking covers, [STC 15448], Val. S. for Mathew Lownes, 1605; and 3 others 17th century, defective, v.s. (4); sold not subject to return.  *** Le Loyer's classic work on ghosts, demons and other spirits and superstitions, first published in France in the same year. The three other defective works are The Phoenix of these late times (1637), an account of the Grub Street recluse Henry Welby; A Century of the Names and Scantlings of such Inventions (1663), an unusual compendium of inventions by the Marquis of Worcester; and the rare second edition of Head's Proteus Redevivus: or The Art of Wheedling (1679). A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

John Buckland Wright (1897-1954) Seated Nudecatalogue no.25, from drawing book dated 1934-36, stamped verso with studio stamppen, ink and pencil14 x 10cmProvenance:With Blond Fine Art Limited, London

§ Edward Burra CBE (1905-1976) A double-sided drawing; one side with studies of a seated man, the reverse with two male figures, one in orthodox boxing stancesigned and dated 'F.Burra / Februar[y] 1924' (lower right)ink and coloured pencil26 x 36.5cm

Edmund Gillingwater: 'An Historical Account of the Ancient Town of Lowestoft, in the County of Suffolk. To which is added some cursory remarks on the adjoining parishes and a general account of the island of Lothingland.', London & Norwich, [1790], 1st edition, profusely extra illustrated copy, containing eight well executed watercolours circa early 1900's including fishing trawler (LT124) with tug boat "Rainbow" alongside and rowing boat in foreground, approx. size 21 x 27.5cm, watercolour of Lowestoft beach looking southwards with cliffs, fishing boats on beach, and boats at sea visible, approx. size 20 x 27cm, watercolour of Great Yarmouth beach and pier, approx. 14 x 22cm, watercolour of Lake Lothing/Lowestoft harbour, with fishing trawlers, rowing boat, warehouses, customs house and first bridge visible, approx. 16 x 23cm, four watercolours, all by same artist and dated 1910, "Low Light Lowestoft" depicting the low lighthouse and beach looking northwards, "On the Waveney" depicting broadland river scene with wherry, "Pakefield" depicting cottages at low cliff edge and beach looking northwards towards Lowestoft, "Lowestoft" depicting harbour entrance with boats visible, all approx. 13 x 19cm, large pencil drawing of St. Benet's Abbey app. 27 x 21cm, well executed pencil drawing of Pakefield Church dated 1897 and signed by artist, app. 16 x 25cm, pencil sketch depicting the wreck of the brig "Julian Heinrich" off Lowestoft, app. 11 x 18cm, large folding engraving 'A Perspective View of Lowestoft from the N.E. Battery by Powles/Cook, 1790, plus approximately 200 further items bound in or loosely inserted, mainly engraved views, prints, maps, items of ephemera, some folding mas/plates, some hand coloured views, some engravings from Stark's 'Rivers of Norfolk', some cuttings and relevant manuscript pen & ink notes by the compiler, Madoc Llewellyn Powell (1875-1952), of the Powell family of Lavengro Lodge, Oulton Broad, built in the late 19th century on the site of the earlier Oulton Cottage, which was the home of the author George Borrow, large 4to, thick 19th century half calf gilt. An excellent grangerized copy of Lowestoft born historian and topographer Edmund Gillingwater's (1736-1813) history of Lowestoft & environs

Dr. Hook - Original pen and ink drawing of Dr. Hook Pleasure and Pain box set, mounted, glazed and framed, approx 17 x 13 inches.

Richard Wintzer (1866-1952) Portrait of a Young Woman at a Bathing Machine signed, dated 04, ink drawing, 29cm x 21cm

Books and documents – Uranian interest: Chubb (Ralph): Flames of Sunrise, 2 pp, large 4to. decorated on recto with a half-tone portrait of the author at the age of twelve in herald's costume. Printed on coated stock. paperclip indentation; A Sibylline Book 2pp large 4to, decorated on recto with one lithograph and printed on handmade paper; The Heavenly Cupid or The True Paradise of Loves, printed on handmade paper. 2pp large 4to. Decorated with one lithograph; books by Ralph Chubb, list printed on handmade paper, 10 books and their details, decorated with one lithograph; order form (unused) for The Heavenly Cupid with illustrations from four pages, incl. opinions about Chubb's work as artist and poet; order form (unused) for Water Cherubs with illustrations from title page, bound book and a full page, 2pp, incl opinions about Water Cherubs; a prospectus, 2pp, incl. drawing of Chubb by Stanley Spencer inviting a visit to Fair Oak Cottage 'if you wish to acquire a book or a picture'; The Children of Dawn, original maquette (1947) for a page in this book, ink and pencil, with colour illustration of naked boy and seascape, margins showing Chubb's holograph pencil notes minutely detailing colour requirements for printing 5 x 7.75in (12.7 x 19.7cm) framed; The Child of Dawn or The Book of the Manchild, prospectus, 2pp large 4to decorated with one lithograph, printed on handmade paper & framed; Water Cherubs, prospectus 2pp large 4to, decorated with one hand-coloured lithograph, printed on handmade paper and framed. Autumn Leaves – two fragments’ (1940) 17pp with 14 lithographic illus., original paper & grey d. w. lettered black, no. 21/24 copies as part of an edition of 39 also O’Connor (John), The Boy and the Heron. (1977) wood engravings by author, also signed by him, no. 22/100 including signed framed print on Japanese paper, original wax protective paper over cover with printed title The Boy and the Heron’, all printed at the Foulis Archive Press in 12pt on Basingwerk Parchment (qty)

After George Cruickshank (British, 1792-1878). ‘Quite too ‘Shockingly’ Shocking’, a late 19th Century school drawing, pen and ink, signed and dated 1893 to lower right, 19.5cm x 28.5cm, mounted in the gilt frame.

Stunning unsigned Victorian pen and ink scene of a gentleman browsing outside a bookshop, possibly for a Dickens book illustration, modern frame and is glazed,The drawing measures 20 x 15 cm

*** REOFFER £40-£80 MAY COIN AUCTION *** Complete Top Half of an Iron Age Rotary ‘Beehive’ Quern Stone (top half) c500 BC. With old ink drawing showing how it worked. Approximately 21cm high, 28cm diameter at base. 18kg.

5 alte Rollbilder. Pflanzenstillleben, Tuschzeichnung auf Seide, (165 x 54 cm). / Junge geschmückt Frau zwischen Blüten. Farbholzschnitt auf Papier. (136 x 37 cm). / Gelehrter auf Kranich. Wohl Malerei auf Papier. (155 x 38 cm). / Gelehrter, wohl Tusche auf Seide. (114 x 54 cm). / Landschaft mit See und Bergen, wohl Tuschzeichnung auf Papier. Im beschrifteten Holzkasten. (206 x 25 cm). Alle mit unterschiedlich starken Alters- und Gebrauchsspuren. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 12:28 Uhr (CET)5 old scroll pictures. Plant still life, ink drawing on silk, (165 x 54 cm). / Young adorned woman between flowers. Color woodcut on paper. (136 x 37 cm). / Scholar on a crane. Probably painting on paper. (155 x 38 cm). / Scholar, probably ink on silk. (114 x 54 cm). / Landscape with lake and mountains, probably ink drawing on paper. In an inscribed wooden box. (206 x 25 cm). All with varying traces of age and use. Call time 27 | Feb. 2025 | probably 12:28 pm (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HENGELER, Adolf(1863 -1927) Die KunstexpertenGroßformatige Tuschzeichnung. Handsignatur. 1894. 45 x 33 cm. Gerahmt & hinter Glas : 82 x 65 cm / 6,5 kg. Der Professor an der Münchner Kunstakademie arbeitete sehr viel für die Zeitschrift "Fliegende Blätter". Aufrufzeit 01. | März 2025 | voraussichtlich 10:37 Uhr (CET) HENGELER, Adolf(1863 -1927) The art expertsLarge-format ink drawing. Hand signature. 1894. 45 x 33 cm. Framed & behind glass : 82 x 65 cm / 6,5 kg. The professor at the Munich Art Academy worked a lot for the magazine "Fliegende Blätter". Call time 01 | March 2025 | probably 10:37 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Sammlung 53x Luxuspapier in alter Schatulle. Mitte bis Ende 19. Jh. Zumeist geprägte Farblithografien, teils kaschiert. Schatulle 9 x 28 x 22 cm. Teils recht große Farblithografien (meist Mädchen, 1x mit Werbung für Zichorienkaffee von Bériot, Lille), etliche Kulissenaufsteller, einige Oblaten, 4 Aquarelle, davon 1x mit Naturmaterialien (Landschaften/Küsten) zumeist in geprägten Papierrahmen, 2 Sandbilder (Landschaften) in geprägten Papierrahmen, 1 Tuschzeichnung in der Art von Scherenschnitten, 2 geprägte englische Todesanzeigen (1878 bzw. 1879). In Schatulle mit teils geprägtem Kunstleder. Teils Alters-/Gebrauchsspuren, teils kleinere Fehlstellen. Ohne Schlüssel. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 16:28 Uhr (CET)Collection 53x luxury paper in old box. Mid to late 19th century Mostly embossed color lithographs, partly laminated. Box 9 x 28 x 22 cm. Partly quite large color lithographs (mostly girls, 1x with advertisement for chicory coffee by Bériot, Lille), several backdrop displays, some wafers, 4 watercolors, 1x of which with natural materials (landscapes/coasts) mostly in embossed paper frames, 2 sand paintings (landscapes) in embossed paper frames, 1 ink drawing in the manner of silhouettes, 2 embossed English obituaries (1878 and 1879). In box with partly embossed leatherette. Some signs of age/use, some minor losses. Without key. Call time 26 | Feb. 2025 | probably 16:28 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SIR HUGH CASSON (1910-1999): A PEN, INK AND WASH DRAWING ON PAPER 'TITE STREET, CHELSEA'28cm x 21cmFramed and glazed 51cm x 41cm

CALVERT RICHARD JONES (1804-1877): A MARINE SCENE, POSSIBLY INK DRAWING OR ETCHING, BOATS BY LIGHTHOUSE36cm x 34cmFramed and glazed 50cm x 35cm

Large quatity of various drawing instruments and accessories, vintage ink bottles, grooming kit, volt-meter, magnets, stencils, etc all unchecked

An architectural drawing of the Parthenon du St Genevieve pen, ink and wash74 x 56cm

Three artworks to include a 19th century genre oil painting on board possibly by Karl Girardet with a signature to the lower left along with another oil on board depicting a rural landscape and an ink and wash drawing on paper depicting a lady painting at an easel. H.31 W.23cm

John Harris (1811-1865) Two coloured engravings from R Ackermann's Costumes of the Volunteer Corps  60th The King's Royal Rifle Corps, after H. Martens, published 31 October 1856 by Ackermann's, 32.7cm x 23.4cm  Pattern of the Rifle Uniform after the drawing by Orlando Norie, engraved by J Harris, plate no.3  After Thomas Rowlandson (1756-1827) Two handcoloured engravings Shoulder Arms, London & Westminster Dismounted Light Horse Volunteer, and another on horseback, published June 1798 at Ackermann's, 22.5cm x 18cm  19th century school  Ink on paper Sketches of rural life, a figure on a horse and cart, a caricature of a woman holding an umbrella and a woman with a broom, framed, unglazed, 21 x 28.5cm (5) 

EDGAR ROWLEY SMART (1887-1934); ink drawing, 'City Street Scene, possibly The Strand, London 1920', signed lower right, 53 x 34cm, framed and glazed.

† GEOFFREY KEY (b.1941); ink drawing, 'Plattfields', signed and dated 59, 12 x 17cm, framed and glazed, with Geoffrey Key Drawings and Sketches1960 to 2000, and documents from Geoffrey. Condition Report: We have not removed the image from the frame, we are unable to comment on the paper, small blemish/ fingers print to the bottom right of the image.

† DAMIEN HIRST (b.1965); ink drawing on cream card, 'Shark', signed, with certificate of authenticity from Prince of Cards, approx 20 x 29cm, mounted.

† BEN KELLY (b.1974); ink drawing, figures walking in park, signed lower right, 28 x 41cm, framed and glazed.

Unbekannter Künstler, Frankreich, 18. Jh., Hirten im Gespräch unter Bäumen, Federzeichnung mit Lavur, Papier vergilbt (auf Karton aufgezogen), rücks. Hinweis auf Nicolas Bernard Lepicié, 17,3 x 24,5 cm / Unknown artist, France, 18th century, Shepherds in conversation under trees, pen and ink drawing with lavur, paper yellowed (mounted on cardboard), inscription on the reverse reference to Nicolas Bernard Lepicié on the reverse, 17.3 x 24.5 cm

(ARR) André Masson (French, 1896 –1987) – Lion on Bull - Ink and watercolour on paper Surrealist drawing painting. Signed lower right. Mounted, framed and glazed.Andre Masson was a French painter, sculptor, illustrator, designer and writer, born at Balagny (Oise). Spent most of his youth in Brussels, where he worked as pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. Participated from 1924-9 in the Surrealist movement. Made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. Lived 1934-6 in Spain; paintings of bullfights, Spanish myths, etc. Since 1998 the record price for this artist at auction is 3,125,485 USD for GRADIVA, sold at Sotheby's Paris in 2010. In the past 12 months, their paintings have averaged 15,389 USD, while his sculptures have sold for an average of 12,686 USD. Measures approx. 38cm x 55cm ecluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.

(ARR) André Masson (French, 1896 –1987) – Surrealist Colome, 1945 - Ink on paper Surrealist drawing painting. Signed lower left with initials. Galerie Simon, Paris label to back. Mounted, framed & glazed.Andre Masson was a French painter, sculptor, illustrator, designer and writer, born at Balagny (Oise). Spent most of his youth in Brussels, where he worked as pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. Participated from 1924-9 in the Surrealist movement. Made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. Lived 1934-6 in Spain; paintings of bullfights, Spanish myths, etc. Since 1998 the record price for this artist at auction is 3,125,485 USD for GRADIVA, sold at Sotheby's Paris in 2010. In the past 12 months, their paintings have averaged 15,389 USD, while his sculptures have sold for an average of 12,686 USD. Measures approx. 37cm x 28cm excluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.

(ARR) André Masson (French, 1896 –1987) – Le Coup de Trique (The Cudgel blow), 1936 - A pen and ink on paper sketch drawing. Signed with initial lower right. Label from the Galerie Simon, Paris to back. Mounted, framed & glazed.Andre Masson was a French painter, sculptor, illustrator, designer and writer, born at Balagny (Oise). Spent most of his youth in Brussels, where he worked as pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. Participated from 1924-9 in the Surrealist movement. Made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. Lived 1934-6 in Spain; paintings of bullfights, Spanish myths, etc. Since 1998 the record price for this artist at auction is 3,125,485 USD for GRADIVA, sold at Sotheby's Paris in 2010. In the past 12 months, their paintings have averaged 15,389 USD, while his sculptures have sold for an average of 12,686 USD. Measures approx. 29cm x 23cm excluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.

(ARR) After Canaletto (Italian, 1697-1768) - Capriccio: A street crossed by arches – An ink and watercolour on paper drawing depicting a street scene with arch. Unsigned. Mounted framed and glazed. Chalk annotations for Sotheby's to back. Measures approx. 30cm x 20cm excluding frame.

(ARR) Siegfried Charoux (Austrian, 1896–1967) – Figure Internment Camp, Aug. 1940 - an ink on paper sketch drawing of male figure kneeling while reading a book. Titled, signed and dated to top left. Mounted, framed and glazed. Measures approx. 37cm x 29cm excluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.

(ARR) André Masson (French, 1896 –1987) – Dying Bull - An ink on paper drawing painting. Signed with initial to lower right side of drawing. Mounted, framed & glazed.Andre Masson was a French painter, sculptor, illustrator, designer and writer, born at Balagny (Oise). Spent most of his youth in Brussels, where he worked as pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. Participated from 1924-9 in the Surrealist movement. Made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. Lived 1934-6 in Spain; paintings of bullfights, Spanish myths, etc. Since 1998 the record price for this artist at auction is 3,125,485 USD for GRADIVA, sold at Sotheby's Paris in 2010. In the past 12 months, their paintings have averaged 15,389 USD, while his sculptures have sold for an average of 12,686 USD. Measures approx.  33cm x 42cm excluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.

(ARR) André Masson (French, 1896 –1987) – Untitled Surreal Face & Animal - An ink on paper Surrealist drawing painting. Signed with initial to lower left. Mounted framed and glazed.Andre Masson was a French painter, sculptor, illustrator, designer and writer, born at Balagny (Oise). Spent most of his youth in Brussels, where he worked as pattern-drawer in an embroidery studio and studied part-time at the Académie des Beaux-Arts. Then moved to Paris and studied at the Ecole des Beaux-Arts 1912-14. Participated from 1924-9 in the Surrealist movement. Made further works exploring chance effects, including sand paintings, as well as paintings of metamorphoses of animal and human forms, themes of germination, combats and massacres, with emphasis on violence and eroticism. Lived 1934-6 in Spain; paintings of bullfights, Spanish myths, etc. Since 1998 the record price for this artist at auction is 3,125,485 USD for GRADIVA, sold at Sotheby's Paris in 2010. In the past 12 months, their paintings have averaged 15,389 USD, while his sculptures have sold for an average of 12,686 USD. Measures approx. 36cm x 25cm excluding frame. From the Cooke Estate Private Collection. The painting having passed down through three generations.

Elizabeth Lampson - two coal drawing depicting a man with a shovel, together with two pen and ink drawings depicting a lady resting and one other, all framed and glazed, signed to lower cornersLocation:If there is no condition report shown, please request

Elizabeth Lampson - a quantity of sketches, mainly on tracing paper exhibiting her large artwork depicting a selection of figures, some signed, a pen and ink drawing on card titled 'There far beyond the river', and drawings for the Foyles Book ClubLocation:If there is no condition report shown, please request

EDWARD LEAR (BRITISH 1812-1888) SUNSET ON THE NILE NEAR MANKABAT Inscribed and dated ‘5.20 sunset Jan 8 1867 (near Mankabat)’ and numbered ‘107’ and further inscribed with colour notes throughout, pen and ink and watercolour 12.5cm x 19cm (5in x 7.5in) Colnaghi, London This drawing can be compared with the watercolour titled Near Gan el Kebir and dated 9 January 1867 at the Yale Centre for British Art (inv.no.B1997.7.105). Both drawings were executed when Lear was travelling on the river Nile near the town Asyut, around 200 miles south of Cairo.

Dijkstra, Johannes (Johan) (Groningen 1896-1978) "Seated female nude", signed with studio stamp r.o, ink drawing/paper, h 63 x w 40 cm.

[THEATRE] G. F. SCOTSON-CLARK, a collection of colour lithographs of actors, including George Robey, Vesta Tilley and a signed ink drawing by Robey (Q).

HEATH ROBINSON (W.) ink "Rough Sketch," & ink finished drawing, both signed, being a commissioned artwork for the Naval Ordnance Inspection Department; together with 2 examples of the printed card, u/f., 6 x 9 inches et infra. (4).

A framed and glazed abstract watercolour on paper by Leslie William Orriss, signed and dated 1963 to the lower right, along with an ink drawing on paper by Peter Campbell (1931-1989), figures in a rural landscape, signed to the lower right in a glazed gilt frame with a sketch and a label to the reverse. H.46 W.37cm

A collection of five artworks to include a signed and limited edition printed map on black paper, a Chinese ink drawing on paper with the artist's seal, and three other prints. All framed, one unglazed. Largest H.34 L.43.5cm

HELEN STEINTHAL (1911-1991), a group of pictures comprising two drawings the first depicts nude female figures frolicking in the sea, unsigned pencil on paper, approximate size 21cm x 27cm, the second depicts nude female figures surrounded by foliage, unsigned pencil on paper, approximate size 27cm x 41cm, (the first drawing has some foxing), and a picture showing three abstract figures, depicting a female nude in repose on the land, a nude female figure in the sea and a winged nude figure in the sky, initialled bottom right, mixed media on paper, approximate size 39cm x 27cm, together with a nude figure on a horse verso, mixed media on paper, approximate size 39cm x 29cm, (dirty marks to the drawing verso, frame marked in places), together with four female figure studies, comprising a seated nude leaning on her arms, signed top right black ink on paper, approximate size 26cm x 35cm, a seated nude resting on one arm, blue ink in paper, a standing nude depicted from behind, blue ink on paper and a seated nude wearing a cloak, blue ink on paper, all signed to the upper edge, (the seated nudes have some foxing), together with a painting attributed to Helen Steinthal 'Mythical Figures', two mythical figures are surrounded by multiple human figures and foliage, mixed media on paper, attribution verso, approximate size 49cm x 40cm, frame size 67cm x 58, (small chips and marks to the frame) (8) (Condition Report: most obvious damage is mentioned in the description)

Philippe VANDENBERG (1952-2009), ink drawing Untitled, signed and dated 1983Philippe VANDENBERG (1952-2009), inkt tekening Zonder titel, getekend en gedateerd 198356 x 42 cm

Herman BROOD (1946-2001), drawing ink and marker on paper Untitled (two green heads), signed, with certificate TORCH gallery AmsterdamHerman BROOD (1946-2001), tekening inkt en stift op papier Zonder titel (twee groene hoofden), getekend, met certificaat TORCH gallery Amsterdam20 x 19 cm

CORNEILLE (1922-2010), ink drawing Bratislava, signed and dated '47CORNEILLE (1922-2010), inkttekening Bratislava, getekend en gedateerd '4722 x 30 cm