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JANE PETERSON (American 1876-1965)Gloucester HarborOil on canvas18.4in. x 24in.Signed lower rightJane Peterson was one of the pre-eminent female artists of the late 19th and early 20th centuries. From a modest upbringing her talent brought her among many influential art circles including Joachim Sorolla in Madrid and the modernist group surrounding Gertrude and Leo Stein in Paris. From these influences she developed a bold colorful post-impressionist style that gained her much acclaim and success. Her work was commercially very popular and she was considered among the top painters of the time alongside her companions Childe Hassam John Singer Sargent and Maurice Prendergast. She also caught the attention of Louis Comfort Tiffany and travelled extensively with him. She was commissioned to paint many works for Tiffany including paintings for his home at Laurelton Hall Oyster Bay NY. Among her most famous and desirable images are scenes of Gloucester Massachusetts such as this work. Gloucester Harbor is an example of her trademark style with its bold Fauvist colors lush impasto and foreshortened modernist composition catching the energy of a busy dock with dazzling summer colors. Her Gloucester works inspired generations of painters to follow including Emile Gruppe Anthony Thieme and Aldro Hibbard

MARTHA WALTER (American 1875- 1976)Lunch Hour -Tobacco Factory of SavilleOil on board9.75in. x 12.75in.Signed lower leftExhibited: Woodmere Art Museum Philadelphia "Impressionist Jewels: The Paintings of Martha Walter A Retrospective" September 22-November 17 2002Literature: William H. Gerdts Impressionist Jewels: The Paintings of Martha Walters A Retrospective (Philadelphia 2002) p.69 illus. plate 53

MARTHA WALTER (American 1875-1976)Inside the Market BrittanyOil on canvasboard13in. x 16in.Estate stamp on reverseExhibited: Woodmere Art Museum Philadelphia "Impressionist Jewels: The Paintings of Martha Walter A Retrospective" September 22-November 17 2002Literature: William H. Gerdts Impressionist Jewels: The Paintings of Martha Walters A Retrospective (Philadelphia 2002) p.63 illus. plate 47

MARTHA WALTER (American 1875-1976)Fresh Fish BrittanyOil on canvasboard16in. x 19.5in.Signed lower rightInscribed on reverse: Fish Market Brittany Martha Walter 111 E. 10th NYCExhibited: Woodmere Art Museum Philadelphia "Impressionist Jewels:The Paintings of Martha Walter A Retrospective" September 22-November 17 2002Literature: William H. Gerdts Impressionist Jewels: The Paintings of Martha Walters A Retrospective (Philadelphia 2002) p. 152 illus. plate 130

MARTHA WALTER (American 1875- 1976)Gloucester FishermenOil on canvasboard6in. x 7in.Artist's estate stamp on reverseExhibited: Exhibited: Woodmere Art Museum Philadelphia "Impressionist Jewels: The Paintings of Martha Walter A Retrospective" September 22-November 17 2002Literature: William H. Gerdts Impressionist Jewels: The Paintings of Martha Walters A Retrospective (Philadelphia 2002) p.130 illus. plate 110

MARTHA WALTER (American 1875-1976)Houses by the Stream BethayresOil on board16in. x 20in.Signed lower rightInscribed to verso: Spring Houses by the Stream BethayresExhibited: Woodmere Art Museum Philadelphia "Impressionist Jewels: The Paintings of Martha Walter A Retrospective" September 22-November 17 2002 no. 113Literature: William H. Gerdts Impressionist Jewels: The Paintings of Martha Walters A Retrospective (Philadelphia 2002) no. 113 illus

WILLIAM RITSCHEL (American 1864-1949)Thaw on 125th Street New YorkOil on canvas24in. x 20in.Signed lower leftWilliam Ritschell is best known as a marine painter who depicted the California coast and ships at sea in a dramatic impressionist style. This painting is from an early date when Ritschell was living in New York and developing his style along with several of the ten Impressionist painters including Willard Metcalf and Childe Hassam. This work recalls the Harlem river scenes of Ernest Lawson in its depiction of a monochromatic winter scene presented in a myriad of shimmering colors.Provenance: Carlson Gallery San FranciscoExhibited: Minneapolis Institute of Art Minneapolis MNLiterature: Ruth Lilly Westphal Plein Air Painters of California: The North (Westphal Publishing 1986) p. 168 illus

SHELDON PARSONS (American 1866-1943)New Mexico AdobeOil on board9in. x 12in.Signed lower rightOn the reverse: inscribed May 7Born in New York Sheldon Parsons studied with William Merritt Chase and was a successful portrait painter before moving to New Mexico in 1913. He is best known as an impressionist painter of serene Southwestern landscapes.Provenance: Texas Art Gallery Dallas TXacquired from the above by the present owner

A COLOURED LIMITED EDITION PRINT of 'camel' flight 454/850, 3 Waterloo coloured prints, a pair of coaching prints and 3 impressionist prints

Impressionist oil painting, Poppy fields in Tuscany

Impressionist oil painting, a Victorian beach scene

A Small Impressionist Oil on Board, French street scene, another similar and a small quantity of pictures and prints, a Victorian oil on canvas, river landscape with sheep on a track

Impressionist oil painting, a Victorian beach scene

Impressionist school, print, rural cottage

Impressionist, oil painting, 'beach play'

LATE 19TH/EARLY 20TH CENTURY IMPRESSIONIST SCHOOL, WATERCOLOUR, Study of a young woman holding a cat, 19” x 13”

F RENOUX, BEARS SIGNATURE, OIL, Impressionist landscape with trees in distance, 8” x 11”

JOHN GRAHAM, SIGNED, OIL, Impressionist study of flowers in a vase, 13” x 9”

Impressionist style oilpainting on copper, landscape, signed, 13 x 19cm.

Impressionist oil on panel, a day at the seaside

Impressionist oil painting, view in Tuscany

Beardsley (Aubrey, illust.). The Houses of Sin, by Vincent O'Sullivan, pub. Leonard Smithers, 1897, half-title, orig. gilt dec. cream boards with design by Aubrey Beardsley, sl. rubbed, spine ends bumped, 8vo, ltd. ed. 145/400, together with Ruding (Walt), An Evil Motherhood, An Impressionist Novel, pub. Elkin Matthews, 1896, half-title, b&w frontis. by Beardsley, pubs. ads. at rear, neat gift inscription, orig. dec. cloth, rubbed and a little faded, 8vo (2)

John Dynes, impressionist school, bridge

Oil: Dutch port - Impressionist school

P. Sanford, impressionist oil painting, horse race jockeys

Impressionist oil painting, view of Provence 'Poppy Fields'

John Dynes, impressionist school, woodland walk

FOLLOWER OF BOUDIN, c.1900, impressionist landscape study, oils on board, unsigned, gilt gallery frame, 12cm x 20cm.

Joachimides, Christos M., & Norman Rosenthal (editors), American Art in the 20th century Painting and Sculpture 1913-1993, London, Prestel, 1993, small folio (300mm x 220mm.), half title, illustrations, and plates, many colour, original black cloth, pictorial dust-jacket With a number of other works including, Uwe M. Schneede Surrealism The Movement and the Masters (New York, 1973), Nathaniel Harris Rugs and Carpets of the Orient (London, n.d.), Eugene A. Delcroix Patios, Stairways and Iron-Lace Balconies of Old New Orleans (New Orelans, 1941), Margit Rowell and Angelica Zander Rudenstine Art of the Avant-Garde in Russia: Selections from the George Costakis Collection (New York, 1981), Ulrich Luckhardt Lyonel Feininger (London, 1989), Great French Paintings from the Barnes Foundation Impressionist, Post-impressionist, and Early Modern (Boston, 1993), Keith Harltey (and others, editor), The Romantic Spirit in German Art 1790-1990 (London, 1994), John S. Badeau (and others) The Genius of Arab Civilization Source of Renaissance (London, 1976), and Charlotte Gere s Nineteenth century Interiors An Album of Watercolours (London, 1992)

CIRCLE OF J MARIS Impressionist Dutch canal scene circa 1870. 23.5" x 20".

JAMES LAWRENCE ISHERWOOD, SIGNED OIL, Impressionist street scene with figures, 9" x 13"

ATTRIBUTED TO MARK SENIOR, BEARS SIGNATURE AND INSCRIPTION VERSO, OIL, Runswick Bay, Impressionist beach scene, 16" x 23"

IN THE MANNER OF GEORGE BOYLE, OIL, Impressionist landscape with cattle and woodland, 19" x 12"

Georges d'Espagnat, 1870-1950, JEUNE FILLE AU PUITS, signed with the initials, oil on canvas, 72.5 by 76.5cm.; 28.5 by 30.125in. Provenance, Private Collection, Switzerland, The authenticity of this work has been confirmed by Jean-Dominique Jacquemond. Born in Melun in 1870, Georges d'Espagnat shunned the traditional art establishment. He studied part-time at the Academie Colarossi in Paris but was mostly self-taught. Proud of his reputation as an Independant, he was fiercely concerned with affirming his originality. , He was influenced primarily by the French Impressionists and became close friends with Renoir, Signac, Cross, Valtat and later with Denis, Bonnard and Vuillard. During the 1890s, he exhibited at the Salon des Refuses, the Salon des Independants and took part in the Impressionist and Symbolist exhibitions held at Le Barc de Bonteville in 1894-95. D'Espagnat's subject matter comprised mostly studies from nature, women, children and flowers. The present work is typical of his expressive use of colour and gesture in his painting.

"Ratcliff (Carter). John Singer Sargent, Phaidon, 1983, col. and b & w illusts., orig. cloth in price-clipped d.j., together with Spencer (Robin, ed.), Whistler a Retrospective, 1989, col. and b & w illusts., orig. cloth in d.j., plus other impressionist and modern art reference, mostly in VG d.j's, 4to (24)"

British Post Impressionist School 20th century - Unfinished study of figures on a beach with a headland, (recto), Shipping in a part with a mountain beyond at sunset, (verso); oil on panel, 27.5 x 36.8cm., (unframed)

Late 19th Century English School, Impressionist Venetian Lagoon scene, watercolour, unsigned, 20cms x 29cms, (8" x 11?").

Richard UUtmaa, Impressionist scene with fisher-folk and boats on a beach, canvas, signed, dated 1942, 79cms x 99cms, (31" x 39").

A group of modern reproduction prints, including impressionist subjects (quantity).

KATE SHAW, SIGNED IN PENCIL TO MARGIN, COLOURED LITHOGRAPH, impressionist view of still life 8" x 6"; P HAMPDEN HART, SIGNED IN PENCIL TO MARGIN, COLOURED MEZZOTINT, a soldier, 11" x 6" and AFTER J PRESTON, ANTIQUE BLACK AND WHITE ENGRAVING, 'Yarmouth Old South Gates', 4" x 6", mounted but unframed, (3)

EARLY/MID 20TH CENTURY PAIR OF IMPRESSIONIST SCHOOL, OILS, Views on the river Thames with St. Pauls Cathedral, 7" x 9", (2)

20TH CENTURY FRENCH IMPRESSIONIST SCHOOL, (CIRCA 1930), OIL, Chrysanthemums in a blue vase, 23" x 17"

D M A, INITIALED OIL, Impressionist study of cottages, 11" x 17"

English School (early 20th century) Hampstead Heath, impressionist landscape indistinctly signed, oil on canvas, 43cm x 69cm

FRENCH SCHOOL (early 20th century), River scene with swan in the Impressionist manner, oils on board, 5 1/4" x 6 1/2".

V.H. Drummond Impressionist drawing of Sloane Square, pastel and crayon, 26.5cms x 36cms

RICHARD ACKERMAN, (CIRCA 1970), SIGNED OIL, impressionist landscape at sunset, 29" x 29"

LUCY HARWOOD, SIGNED VERSO, OIL, impressionist landscape, 19" x 15"

WILLIAM WATT MILNE, OIL, impressionist landscape with figure, 11" x 8"

FRENCH SCHOOL (late 19th century), River landscape with trees in Impressionist style, bears signature 'S Lepine', oils on panel, 9" x 13".

British Impressionist School, (early 20th century) ON THE VERANDAH, an old lady in an open armchair with paintings and plants behind her, a calm sea visible beyond the nearby balcony, oil on cavas, unsigned, 58.5cm x 73.5cm, (23in x 29in), in a gilt frame with light (requires re-wiring)

H L Duckwtz, oil on canvas, impressionist lake view, signed and enclosed in leaf moulded gesso frame. (19.5in x 15.5in).

JOHN McCUTCHEON, SIGNED AND INDISTINCTLY DATED OIL, Impressionist harbour scene with boats, 9" x 11"

FRANCISCO SILLUE, SIGNED AND DATED '77, OIL, Impressionist street scene in winter, 29" x 23"

ATTRIBUTED TO GWYNETH JOHNSTONE (Initialled and dated, 53), oil, Impressionist harbour scene, 24" x 27"

EARLY/MID 20TH CENTURY OIL, Impressionist harbour scene, 11" x 15"

PAUL SPEED, SIGNED OIL, Impressionist river landscape with cottages and bridge, 19" x 29"

JOHN McCUTCHEON, OIL, inscribed verso, Impressionist river landscape with figure by bridge, 18" x 26", unframed

A Royal Worcester figures from the Impressionist series modelled as 'The Ballet Dancer' lacks finger, and another modelled as 'Alphonsine'.

A box of mostly Sothebys Impressionist and Modern Art catalogues