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John Dynes, impressionist school, woodland walk

FOLLOWER OF BOUDIN, c.1900, impressionist landscape study, oils on board, unsigned, gilt gallery frame, 12cm x 20cm.

Joachimides, Christos M., & Norman Rosenthal (editors), American Art in the 20th century Painting and Sculpture 1913-1993, London, Prestel, 1993, small folio (300mm x 220mm.), half title, illustrations, and plates, many colour, original black cloth, pictorial dust-jacket With a number of other works including, Uwe M. Schneede Surrealism The Movement and the Masters (New York, 1973), Nathaniel Harris Rugs and Carpets of the Orient (London, n.d.), Eugene A. Delcroix Patios, Stairways and Iron-Lace Balconies of Old New Orleans (New Orelans, 1941), Margit Rowell and Angelica Zander Rudenstine Art of the Avant-Garde in Russia: Selections from the George Costakis Collection (New York, 1981), Ulrich Luckhardt Lyonel Feininger (London, 1989), Great French Paintings from the Barnes Foundation Impressionist, Post-impressionist, and Early Modern (Boston, 1993), Keith Harltey (and others, editor), The Romantic Spirit in German Art 1790-1990 (London, 1994), John S. Badeau (and others) The Genius of Arab Civilization Source of Renaissance (London, 1976), and Charlotte Gere s Nineteenth century Interiors An Album of Watercolours (London, 1992)

CIRCLE OF J MARIS Impressionist Dutch canal scene circa 1870. 23.5" x 20".

JAMES LAWRENCE ISHERWOOD, SIGNED OIL, Impressionist street scene with figures, 9" x 13"

ATTRIBUTED TO MARK SENIOR, BEARS SIGNATURE AND INSCRIPTION VERSO, OIL, Runswick Bay, Impressionist beach scene, 16" x 23"

IN THE MANNER OF GEORGE BOYLE, OIL, Impressionist landscape with cattle and woodland, 19" x 12"

Georges d'Espagnat, 1870-1950, JEUNE FILLE AU PUITS, signed with the initials, oil on canvas, 72.5 by 76.5cm.; 28.5 by 30.125in. Provenance, Private Collection, Switzerland, The authenticity of this work has been confirmed by Jean-Dominique Jacquemond. Born in Melun in 1870, Georges d'Espagnat shunned the traditional art establishment. He studied part-time at the Academie Colarossi in Paris but was mostly self-taught. Proud of his reputation as an Independant, he was fiercely concerned with affirming his originality. , He was influenced primarily by the French Impressionists and became close friends with Renoir, Signac, Cross, Valtat and later with Denis, Bonnard and Vuillard. During the 1890s, he exhibited at the Salon des Refuses, the Salon des Independants and took part in the Impressionist and Symbolist exhibitions held at Le Barc de Bonteville in 1894-95. D'Espagnat's subject matter comprised mostly studies from nature, women, children and flowers. The present work is typical of his expressive use of colour and gesture in his painting.

"Ratcliff (Carter). John Singer Sargent, Phaidon, 1983, col. and b & w illusts., orig. cloth in price-clipped d.j., together with Spencer (Robin, ed.), Whistler a Retrospective, 1989, col. and b & w illusts., orig. cloth in d.j., plus other impressionist and modern art reference, mostly in VG d.j's, 4to (24)"

British Post Impressionist School 20th century - Unfinished study of figures on a beach with a headland, (recto), Shipping in a part with a mountain beyond at sunset, (verso); oil on panel, 27.5 x 36.8cm., (unframed)

Late 19th Century English School, Impressionist Venetian Lagoon scene, watercolour, unsigned, 20cms x 29cms, (8" x 11?").

Richard UUtmaa, Impressionist scene with fisher-folk and boats on a beach, canvas, signed, dated 1942, 79cms x 99cms, (31" x 39").

A group of modern reproduction prints, including impressionist subjects (quantity).

KATE SHAW, SIGNED IN PENCIL TO MARGIN, COLOURED LITHOGRAPH, impressionist view of still life 8" x 6"; P HAMPDEN HART, SIGNED IN PENCIL TO MARGIN, COLOURED MEZZOTINT, a soldier, 11" x 6" and AFTER J PRESTON, ANTIQUE BLACK AND WHITE ENGRAVING, 'Yarmouth Old South Gates', 4" x 6", mounted but unframed, (3)

EARLY/MID 20TH CENTURY PAIR OF IMPRESSIONIST SCHOOL, OILS, Views on the river Thames with St. Pauls Cathedral, 7" x 9", (2)

20TH CENTURY FRENCH IMPRESSIONIST SCHOOL, (CIRCA 1930), OIL, Chrysanthemums in a blue vase, 23" x 17"

D M A, INITIALED OIL, Impressionist study of cottages, 11" x 17"

English School (early 20th century) Hampstead Heath, impressionist landscape indistinctly signed, oil on canvas, 43cm x 69cm

FRENCH SCHOOL (early 20th century), River scene with swan in the Impressionist manner, oils on board, 5 1/4" x 6 1/2".

V.H. Drummond Impressionist drawing of Sloane Square, pastel and crayon, 26.5cms x 36cms

RICHARD ACKERMAN, (CIRCA 1970), SIGNED OIL, impressionist landscape at sunset, 29" x 29"

LUCY HARWOOD, SIGNED VERSO, OIL, impressionist landscape, 19" x 15"

WILLIAM WATT MILNE, OIL, impressionist landscape with figure, 11" x 8"

FRENCH SCHOOL (late 19th century), River landscape with trees in Impressionist style, bears signature 'S Lepine', oils on panel, 9" x 13".

British Impressionist School, (early 20th century) ON THE VERANDAH, an old lady in an open armchair with paintings and plants behind her, a calm sea visible beyond the nearby balcony, oil on cavas, unsigned, 58.5cm x 73.5cm, (23in x 29in), in a gilt frame with light (requires re-wiring)

H L Duckwtz, oil on canvas, impressionist lake view, signed and enclosed in leaf moulded gesso frame. (19.5in x 15.5in).

JOHN McCUTCHEON, SIGNED AND INDISTINCTLY DATED OIL, Impressionist harbour scene with boats, 9" x 11"

FRANCISCO SILLUE, SIGNED AND DATED '77, OIL, Impressionist street scene in winter, 29" x 23"

ATTRIBUTED TO GWYNETH JOHNSTONE (Initialled and dated, 53), oil, Impressionist harbour scene, 24" x 27"

EARLY/MID 20TH CENTURY OIL, Impressionist harbour scene, 11" x 15"

PAUL SPEED, SIGNED OIL, Impressionist river landscape with cottages and bridge, 19" x 29"

JOHN McCUTCHEON, OIL, inscribed verso, Impressionist river landscape with figure by bridge, 18" x 26", unframed

A Royal Worcester figures from the Impressionist series modelled as 'The Ballet Dancer' lacks finger, and another modelled as 'Alphonsine'.

A box of mostly Sothebys Impressionist and Modern Art catalogues

Impressionist River landscape. Signed. Oil on board. 121/2 x 16ins.

William James Laidlay (1846 - 1912), "Standing up to the Gale", signed, inscribed on verso; and "The Calm After the Storm", signed, oil on canvas, a pair, 56 x 85cm (2). * Studied in Paris 1879 - 85 with Carolus Duran and Bouguereau. Exhibited at the Societe des Artists Francais in Paris 1880 - 1912 also at R.A, S.S, G.G and N.G. Laidlay was one of the strongest opponents of the Royal Academy. His pictures show French Impressionist style.

European Post Impressionist School early 20th century - Child seated in a chair; oil on canvas laid down on panel, 24.2x20.2cm

L M H, INITIALLED, OIL, Impressionist landscape, 13" x 17", A/F

A Royal Worcester Figurine from the Impressionist series modelled by Kenneth Potts 'L' Etude No 7 of 500.

Russian Impressionist School. Fisherman on the beach, Ceylon, by A. Sofronoff, signed, approx. 290 x 315 mm (11.5 x 12.5 ins), framed, with old hand - written label to verso (1)

Russian Impressionist School. Laoshan Mountains near Tsingtao, China, by A. Sofronoff, oil on board, unsigned, approx. 380 x 300 mm (15 x 12 ins), framed (1)

AQUILAR, SIGNED AND DATED '65, OIL, Impressionist harbour scene with figures and boats, 15" x 29"

KERSHAW SCHOFIELD, SIGNED OIL, Impressionist river landscape, 18" x 23"

Impressionist School oil on canvas, Picnic beneath trees, indistinctly signed and dated 1912, 39 x 46 ins.

C. A Mellon, Impressionist scene with horses in a landscape, board, signed, 26cms x 32cms, (10” x 12.5”).

19th Century Continental School, Impressionist farmyard scene, with chickens, barns, trees and a fisherman, canvas, indistinctly signed, 22cms x 27cms, (8.5” x 10.5”).

An impressionist style oil on board of figures alighting from a print onto a tree lined river bank

Lahner, early 20th century, impressionist school, bridge at Giverny, oil on board, signed and dated bottom right, 42cm x 35cm

J MARQUE, SIGNED OIL, Impressionist still life study of fruit, 17" x 20"

OWENS, SIGNED AND DATED '47, WATERCOLOUR, Impressionist harbour scene, 10" x 13"

Elizabeth Organ, Impressionist Study of a decanter, board, signed and dated 1965, 48cms x 71cms, (19" x 28").

Stuart Armfield, Impressionist Cornish landscape with daffodils in the foreground, board, signed, 42cms x 74cms, (16.5" x 29").

Italian School, Impressionist harbour scene with houses and hills beyond, canvas, indistinctly signed, dated '55, 50cms x 65cms, (20" x 25.5").

Elizabeth Organ, Impressionist study of summer fruits, board, signed and dated '66, 60cms x 75cms, (24" x 29.5").

A Royal Worcester colour standard reference model from the Impressionist Series. The Ballet Master by Ken Potts. Stamped. 8" high.

A Royal Worcester colour standard reference model from the impressionist series. L'Etude by Ken Potts. 5.5" high.

A Royal Worcester colour standard reference model from the Impressionist series. Jeanne by Ken Potts. Stamped. 8.5" high.

A Royal Worcester standard model of a Ken Potts impressionist figure group depicting two children with a hoop.

Early 20th Century School - Marshland scene, impressionist oil on canvas, unsigned (a/f), 42cm x 52cm

English Impressionist School c1900 - Figures by a cottage with woodland; oil on board, 21.1x28.4cm: together with one other oil on board study of children on the edge of a field by the same hand, 30.2x22.1cm., (2).