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Lot 1209
ARR AFTER DAVID HOCKNEY (b.1937) *ARR'French Shop - Alimentation', etching with aquatint in black and red, number 261 of a limited edition of 500, signed and dated (19)71 in the margin, some foxing,62.5 x 55cm. there is foxing throughout and staining. It is framed and glazed. No restoration as far as we are aware. Brought by the current vendor in 1971 from the Observer.
Lot 342
* RUTH MULVIE (BRITISH b. 1979), HANDS FULL oil on canvas, signed, titled versounframedoverall size 80cm x 100cmNote: Ruth Mulvie is a contemporary fine artist, known for her vivid palette and for the delightfully unexpected detail in her paintings. She graduated from the Glasgow School of Art and over the years comparisons have been made with Hockney. She cherishes that visceral connection that Kodachrome™ gives us with our past. That single moment frozen in time that one can look at forever. Old photographs are her initial inspiration for each new piece; a digital springboard atop which she dives into her latest delicious fantasy landscape. "Mulvie’s colour choices yell and fizz. They quicken the heartbeat. Sherbet yellow next to candy pink or lime green besides turquoise, they all elevate the mood. In her paintings we are invited to join the most wonderful party or shared experience. Mulvie’s realms surprise and delight. Hers are playful, glamorous worlds with pure glee for oxygen. And in each we are granted a day in happy valley. At the heart of Mulvie’s pieces is the palpable joyfulness in her response to colour. She is at her happiest when mixing and combining paint, waiting for the thrill of the perfect shade. For her, colour is emotion, colour is memory, colour is her favourite place to be. And we are all invited. There’s no place like it." Julie Tellouche
Lot 341
* RUTH MULVIE (BRITISH b. 1979), BROWN BASKET oil on canvas, signed, titled versounframedoverall size 70cm x 100cm Note: Ruth Mulvie is a contemporary fine artist, known for her vivid palette and for the delightfully unexpected detail in her paintings. She graduated from the Glasgow School of Art and over the years comparisons have been made with Hockney. She cherishes that visceral connection that Kodachrome™ gives us with our past. That single moment frozen in time that one can look at forever. Old photographs are her initial inspiration for each new piece; a digital springboard atop which she dives into her latest delicious fantasy landscape. "Mulvie’s colour choices yell and fizz. They quicken the heartbeat. Sherbet yellow next to candy pink or lime green besides turquoise, they all elevate the mood. In her paintings we are invited to join the most wonderful party or shared experience. Mulvie’s realms surprise and delight. Hers are playful, glamorous worlds with pure glee for oxygen. And in each we are granted a day in happy valley. At the heart of Mulvie’s pieces is the palpable joyfulness in her response to colour. She is at her happiest when mixing and combining paint, waiting for the thrill of the perfect shade. For her, colour is emotion, colour is memory, colour is her favourite place to be. And we are all invited. There’s no place like it." Julie Tellouche
Lot 141
David Hockney, artist. A signed (in green and blue ink) 1992 Single European Market FDC. The stamp was designed by Hockney, considered to be one of the most influential British artists of the 20th century. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 300
David Hockney (b.1937)Igor Stravinsky, 1981for the Metropolitan Opera lithograph printed by Petersburg Press97 x 43cm, unframed. Other than the bottom left corner the condition is good. The bottom left corner with many foxing dots, and slight fold to paper. Inscription '403' in pencil top back left corner. Two pin prick sized indents to cream. Photos added.
Lot 738
ARR David Hockney RA (British b.1937) A Bounce for Bradford, 24 February 1987, Newsprint, measurements 42.3 x 60 cm (SH)Bounce for Bradford was published by the Telegraph and Argus in March 1987 to support Bradford's Bouncing Back campaign 1986-1988. Hockney refers to these works as 'newsprints' as they were conceived as an original newspaper print.
Lot 167
David Hockney OM CH RA (b.1937) 'Olympische Spiele München 1972'offset lithograph in colours, from an open editionsheet 101 x 64cm, unframedCondition ReportThe signature is printed. There is a small dark mark/ line in the lower right corner. The print appears to be in otherwise good condition.
Lot 168
â–² David Hockney OM CH RA (b.1937) 'Hollywood'offset lithograph, printed with 'DH, Hollywood, '69'sheet 47.5 x 42cm, unframedCondition ReportA little stain to the centre-right edge and discolouration mark to the hip with a small crease to the left bottom edge, please refer to imagesHandling crease marks visible with a significant crease mark to the upper left corner Small rectangle of discolouration and slight abrasion to the reverse of the print, possible cause by acidic tape being previously applied, there is a faint circle of staining possibly a watermark around the rectangle. On close inspection, this is visible on the front to the left side of the chest
Lot 169
After David Hockney 'The Restaurateur', an illustrated menu for Langan's Brasserieoffset lithograph in coloursvisible 48 x 32.5cm;and anothervisible 41 x 29cm (2)Condition ReportColoured example: Framed: 48.5 x 33.5cmTime staining and foxing. There are thunderbugs trapped behind the glazing. The menu items and prices are listed over the print but the text is very faded. Not viewed out of glazed frame. The glass is chipped in the extreme top left corner.Black and white example : Framed: 42 x 30.5cmDirty marks and stains, please see images. Foxing starting to emerge. A little time staining and cockling. On close inspection the menu items and prices are listed over the print but the text is very faded. Not viewed out of glazed frame.
Lot 451
David Hockney, A Bigger Book, Art Edition BiPad-Zeichnung, gedruckt, auf Archivpapier 56 x 43 cm. Unter Glas gerahmt. Signiert, datiert (2010) und nummeriert. Exemplar 111/250. Edition David Hockney, London (mit Prägestempel) und Taschen, Berlin. Lose in Original-Halbleinenmappe. Mit dem Begleitbuch in Hardcover, 498 Seiten, 13 Ausklappseiten, 71,1 x 50,8 x 8,6 cm und einem von Marc Newson entworfenen Buchständer. Begleitbuch: Exemplar 361/10000. In Original-Transportkarton. - Mit geringfügigen Altersspuren.
Lot 1321
A.A. Milne 'Winnie the Pooh - The Collectors Edition', special facsimile edition published in association with The Folio Society, four volumes in slipcase; 'Six Fairy Tales from The Brothers Grimm', with illustrations by David Hockney, pub. Royal Academy of Arts, other children's books including 'Santa Claus - A Scary Christmas to All' by Laura Leuck, Emil and the Detectives, Gullivers Travels and Pilgrims Progress.
Lot 690
HOCKNEY, DAVID1937 BradfordTitel: Vase and Flowers. Datierung: 1969. Technik: Radierung auf Crisbrook Handmade Paper. Darstellungsmaß: 70 x 55cm Blattmaß: 92 x 71,5cm. Bezeichnung: Signiert, datiert und nummeriert. Herausgeber: Petersburg Press, London (Hrsg.). Exemplar: 36/75.Provenienz:- Privatsammlung NorddeutschlandLiteratur: - Scottish Arts Council/Petersburg Press (Hrsg.): David Hockney - Prints 1954-77, London 1979, WVZ.-Nr. 69, Abb. Erläuterungen zum Katalog David Hockney Großbritannien Pop Art Amerikanische Fotografie Nachkriegskunst Grafik 1960er Rahmen. Im Rahmen beschrieben Blumen Papierarbeit Radierung Voraussichtliche Versandkosten für dieses Los: Deutschland: 92,00 Euro inkl. 14,69 Euro MwSt EU: 120,00 Euro inkl. 19,16 Euro MwSt Weltweit: 190,00 Euro inkl. 30,34 Euro MwSt zzgl. Versandversicherung
Lot 35
‡ DAVID HOCKNEY RA (British, b.1937) offset lithographic poster - Fiesta (Baggott 178) 1988, signed by the artist, on glossy thick wove paper, the full sheet 63 x 43cmsProvenance: private collection Vale of GlamorganAuctioneer's note: This poster was created on the occasion of the artist's inclusion in the Fiesta of 1988 in Bradford, the artist's birthplace. It is unusual in that the reproduced image of 'Flowers, Apple & Pear on a Table, July 1986' is exactly the same size as the original artwork.Comments: original condition with a few creases, unframed.
Lot 353
Mary Fedden OBE RA RWA, British 1915-2012 - Esch-sur-Sure, 1934; oil on panel, signed and dated on the reverse 'Mary Fedden 1934 signed 1990', 32 x 40.6 cm (ARR) Provenance: Bonhams, London, Modern Pictures, 27th April 2004, lot 225; private collection, purchased from the above and thence by descentNote: this early work was made while the artist was still at the Slade. Mary Fedden is one of the most beloved British artists of the twentieth century, known for her harmonious and carefully composed landscapes and still lifes. This work is an excellent example of her nature style, in its contrasting colours and flattened perspective, that is comparable with her contemporaries Winifred Nicholson and Anne Redpath. Married to the painter Julian Trevelyan, Fedden exhibited in major events such as the 1951 Festival of Britain and later taught at the Royal College of Art, where her students included David Hockney and Patrick Caulfield. Her works are in major UK collections, including the Tate, New Hall Cambridge and Bristol Art Gallery.
Lot 479
Adam Birtwistle, British b.1959 - David Hockney, 2002; gouache and pencil on paper, signed with initials, titled and dated lower left 'Hockney 2002', 76 x 56.5 cm (ARR) Note:The Glyndebourne in Lewes commissioned Birtwistle to paint a portrait of Hockney in the same year of this work, along with portraits of Sir Peter Hall, Anja Silja, Sir George and Lady Christie and Peter Sellars for the opera house’s permanent collection.
Lot 291
Patrick Procktor RA RE RWS, British 1936-2003 - Plant and horse-riders; ink and pencil on paper, 25.8 x 18 cm (ARR) Provenance: The Estate of the Artist Note: Patrick Procktor was one of the most important British artists of the late 20th century, celebrated alongside his friends Keith Vaughan and David Hockney. Known for his natural and colourful figurative style, his watercolours encapsulate his talent and wit. An intrepid traveller, his works were often inspired by the colours and sounds remembered from his trips to Greece, India and Morocco.His work has been regularly exhibited at the Redfern Gallery, alongside a touring museum show in 1985 that began at Birmingham Museum and Art Gallery. He was more recently the subject of an acclaimed retrospective at Huddersfield Art Gallery in 2012. His work is in collections across the world including British Museum, London; Los Angeles County Museum, Museum of Modern Art, New York and Museo de Arte São Paulo, Brazil.
Lot 282
John Hoyland RA, British 1934-2011 - Unknown World, 2007; acrylic on canvas, signed, titled and dated on the reverse 'John Hoyland Unknown World 15.7.2007', 127 x 101.5 cm (unframed) (ARR) Provenance: private collection, purchased directly from the artist Note: John Hoyland was one of Britain's leading abstract artists, who pursued non-figurative painting for its potential to convey an advanced depth of emotion and feeling. The 1960s were a crucial decade for Hoyland, during which he found his voice as an artist. In 1964 he travelled to America, where he befriended Robert Motherwell, and visited the studios of Mark Rothco and Barnett Newman. In this same year he featured in Bryan Robertson’s ‘New Generation’ showcase, alongside the likes of David Hockney, Paul Caulfield and Briget Riley. Retrospectives of his work have been hosted at Serpentine Gallery (1979), Royal Academy (1999) and Tate St Ives (2006). He appears in public and private collections, including the Tate and Damien Hirst’s Muderme Collection.
Lot 354
Mary Fedden OBE RA RWA, British 1915-2012 - Santiricceri, 1995; felt-pen on paper, signed and dated lower left 'Fedden 1995', 27.5 x 22.3 cm (ARR) Provenance: John Iddon Fine Art, Richmond, purchased directly from the artist; private collection Note: Mary Fedden is one of the most beloved British artists of the twentieth century, known for her harmonious and carefully composed landscapes and still lifes. This work is an excellent example of her nature style, in its contrasting colours and flattened perspective, that is comparable with her contemporaries Winifred Nicholson and Anne Redpath. Married to the painter Julian Trevelyan, Fedden exhibited in major events such as the 1951 Festival of Britain and later taught at the Royal College of Art, where her students included David Hockney and Patrick Caulfield. Her works are in major UK collections, including the Tate, New Hall Cambridge and Bristol Art Gallery.
Lot 80
David Hockney (b. 1937)1st British International Print Biennale Poster (Baggott 14)Offset lithograph printed in colours, 1969, from the edition of unknown but presumably small size, printed by Curwen Studio, Cambridge, published by Bradford City Art Gallery, on TH Saunders wove paper, the full sheet printed to the edges, sheet 780 x 587mm (30 1/2 x 22 7/8in)
Lot 79
David Hockney (b.1937)Grey Art Gallery, New York, 1980 (Baggott 66)Offset lithograph printed in colours, 1980, signed in pencil, published for the exhibition David Hockney at Grey Art Gallery and Study Center, New York from 3 April - 3 May 1980, on wove paper, the full sheet printed to the edges, sheet 705 x 505mm (27 3/4 x 19 7/8in)
Lot 77
David Hockney (b.1937)Rapunzel & Rumpelstiltskin, from Illustrations for Six Fairy Tales from the Brothers Grimm (MCA Tokyo 79, 80, 83 & 103)Five etchings, 1969, including four plates from 'Rapunzel' and one plate from 'Rumpelstiltskin', signed on the laparello front cover, numbered from the edition of 100, printed by The Print Shop, Amsterdam, published by Petersburg Press, London, on Hodgkinson watermarked paper, with full margins, each sheet 450 x 305mm (17 3/4 x 12in)
Lot 444
Jean-Paul Sartre Nourritures suivi d'extraits de la Nausée. Paris, J. Damase 1949. Erste Ausgabe und das erste von Jacques Damase publizierte Buch. Mit 3 Orig.-Radierungen von Wols. 1 von 424 numerierten Exemplaren. - Der Sartre-Text entstand bereits 1935 in Neapel. Exemplar mit den drei Kaltnadelradierungen von Wols Die Stadt - Quer , Grosse Tache I und Aktblüte . Breitrandiger Pressendruck auf unbeschnittenem, chamoisfarb. 'Johannot'-Papier, die drei Graphiken liegen lose ein. Vermutlich wurde die geplante Gesamtauflage von 450 Exemplaren nicht realisiert und bedeutend weniger Exemplare gedruckt, was die Seltenheit der Publikation erklären würde. - 'From 1948, Wols illustrated a number of books of existentialist writers, including those of his friend Sartre. Michel Tapié characterised Wols as a 'catalyst of lyrical non-figuration, explosive, anti-geometric, informal'.' (From Manet to Hockney 118). EINBAND: Orig.-Broschur. 19,5 : 15 cm. - ILLUSTRATION: Mit 3 Orig.-Radierungen von Wols. - PROVENIENZ: Privatsammlung Hessen. LITERATUR: Busch 1, 32 und 33. - Grohmann I, XXXII und XXXIII. - Monod 10170. - Weber (Kat. Kassel 1985) Nr. 7, 43 und 45. - From Manet to Hockney 119. - Maler machen Bücher 96. - Arnold 2538. - Bibl. Matarasso II, 290 (1994, versteigert für 28.000. - Francs). First edition. 1 of 424 numbered copies, printed on strong paper. With 3 orig. etchings by Wols. Orig. wrappers. - Slightly browned. Spine with small tear. - Fine and mainly uncut copy. Vollständige Beschreibung und Zustandsbericht https://www.ketterer-rarebooks.de/kunst/kd/details.php?detail=1&anummer=559&obnr=424000716 Dieses Objekt wird regel- oder differenzbesteuert angeboten. Complete description and condition report https://www.ketterer-rarebooks.com/details-e.php?detail=1&anummer=559&obnr=424000716 This lot can be purchased subject to differential or regular taxation.
Lot 433
Walasse Ting One cent life. Herausgegeben von Sam Francis. Bern, E. W. Kornfeld 1964. Großartiges Malerbuch der 60er Jahre, eine der schönsten Publikationen der Pop-Art und des abstraktem Expressionismus. 'Die Bibel der amerikanischen Pop-Art' (Wulf D. von Lucius) Die wohl bekannteste und wichtigste Synthese der avantgardistischen künstlerischen Strömungen Europas und Amerikas der 60er Jahre. Unter anderem im Stil des abstrakten Expressionismus, Tachismus und der Pop-Art verbinden sich hier Text und Illustration auf einfallsreiche Art. - 1 von 2000 numerierten Exemplaren. Druck bei Maurice Baudet, Paris, die Typographie stammt von Georges Girard. Enthalten sind u. a. Arbeiten von Pierre Alechinsky (Rivière 324-238), Karel Appel, Enrico Bay, Allen Davie, Jim Dine (Bonin/Cullen 78), Sam Francis (Lembark L78-L83), Robert Indiana, Asger Jorn (van de Loo 266, 267), Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Antonio Saura, K. R. H.Sonderborg, Walasse Ting, Bram van Velde, Andy Warhol und Tom Wesselmann. 'In Wahrheit handelt es sich bei weitem nicht nur um Pop-Künstler, sondern ebenso um viele Vertreter des abstrakten Expressionismus wie Sam Francis oder außerhalb Amerikas A. Saura. Das vom Buch insgesamt ausstrahlende Lebensgefühl von Grellheit, Lebensfreude und Ansätzen von trash culture (z. B. bei Mel Ramos) ist aber doch ganz das der Pop-orientierten 60er Jahre.' (W. D. von Lucius) 'This book was characteristic of the casual and iconoclastic nature of the 1960s.' (Logan Coll.) EINBAND: Lose Bogen in farbig illustriertem Orig.-Leinenband mit Orig.-Umschlag, in gelbem Orig.-Leinenschuber. 41 : 30,5 cm. - ILLUSTRATION: Mit 62 tlw. doppelblattgroßen farbigen Orig.-Lithographien von S. Francis, W. Ting, P. Alechinsky, K. Appel, R. Lichtenstein, A. Warhol, J.-P. Riopelle u. a. - PROVENIENZ: Privatsammlung München. LITERATUR: Castleman S. 208-209. - From Manet to Hockney 135. - Logan Collection 155. - Lucius, Bücherlust 40. - Das Buch des Künstlers 14. - Arnold 2827. The presumably most renowned and most important synthesis of avant-garde artistic European and American tendencies of the late 1960s, a great publication of Pop art and Abstract expressionsim. With 62 orig. lithographs, partly double-page and in colors, by S. Francis, W. Ting, P. Alechinsky, K. Appel, R. Lichtenstein, A. Warhol, J.-P. Riopelle et al. Loose sheets in orig. cloth illustrated in colors with illustr. orig. wrappers, slipcase in Green. - With some minim. creases in the margins, only few ll. somewhat browned. Dust jacket with little marginal fraying, slipcase slightly soiled. Overall good copy. Vollständige Beschreibung und Zustandsbericht https://www.ketterer-rarebooks.de/kunst/kd/details.php?detail=1&anummer=559&obnr=124000950 Dieses Objekt wird regel- oder differenzbesteuert angeboten. Complete description and condition report https://www.ketterer-rarebooks.com/details-e.php?detail=1&anummer=559&obnr=124000950 This lot can be purchased subject to differential or regular taxation.
Lot 445
Jean-Paul Sartre Visages. Précédé de portraits officiels. Paris, P. Seghers 1948. Mit 4 Orig.-Radierungen von Wols. Erste Ausgabe. - 1 von 900 numerierten Exemplaren auf kräftigem Marais-Bütten. - Breitrandiger Druck in Rotbraun und Schwarz, Druck der Graphiken im Atelier R. Haazen. 'Das kleine Buch ist ein schönes Beispiel für eine tieflotende Einheit von Text und Bild, für die vollkommene Gleichzeitigkeit im Denken bei Dichter und Künstler, die lange Jahre befreundet waren.' (Lucius). EINBAND: Orig.-Broschur. 19,5 : 13 cm. - ILLUSTRATION: Mit 4 Orig.-Radierungen von Wols. - PROVENIENZ: Privatsammlung Hessen. LITERATUR: Busch 46-49. - Grohmann XLVI-XLIX. - Monod 10172. - Weber (Kat. Kassel 1985) 58. - From Manet to Hockney 118. - Französ. Maler illustrieren Bücher. Kat. Stuttgart 1965, Nr. 192. - Lucius, Bücherlust 36. Dabei: Borne, Alain, Brefs. Mit 1 Tafel mit Illustration von Wols. Lyon, Cahier de Poèsie des Confluences 1942. Orig.-Broschur. 19,5 : 14,5 cm. - Monod 1709. - Erste Ausgabe und das erste von Wols illustrierte Buch. First edition. With 4 orig. etchings by Wols. Orig. wrapper. 19.5 : 13 cm. - Fine copy. - 1 addition. Vollständige Beschreibung und Zustandsbericht https://www.ketterer-rarebooks.de/kunst/kd/details.php?detail=1&anummer=559&obnr=424000713 Dieses Objekt wird regel- oder differenzbesteuert angeboten. Complete description and condition report https://www.ketterer-rarebooks.com/details-e.php?detail=1&anummer=559&obnr=424000713 This lot can be purchased subject to differential or regular taxation.
Lot 1774
DAVID HOCKNEY (BRITISH, B. 1937)Diver, Olympische Spiele München 1972 offset lithograph on heavy stock paper 98 x 62cm (unframed) ARRCondition reportA little discolouration and yellowing to edges of paper in lower section (under main image), to lower left, right and bottom edge of paper.Otherwise appears generally good.
Lot 1773
DAVID HOCKNEY (BRITISH, B. 1937) (2)The Boy Hidden in an Egg (from The Brothers Grimm) etching with aquatint 20 x 17cm together with a book, Six Fairy Tales from the Brothers Grimm with original etchings by David Hockney, Petersburg Press, in association with the Kasmin Gallery (2) ARRCondition reportThis print is not signed or numbered.Small spot of foxing to lower left of egg.A few small spots of foxing and marks below mount on wider page (see additional photos).Otherwise appears generally good.Foxing to mount.
Lot 1771
DAVID HOCKNEY (BRITISH, B. 1937)David Hockney Complete Prints, Galerie Mikro Berlin (featuring 'Two Boys Aged 23 or 24') signed in pencil 'David Hockney' (lower right) exhibition poster 82 x 58cm ARR Provenance Private collection, UKCondition reportAppears in generally good condition and ready to hang.Under glass and not examined out of frame.
Lot 270
David Hockney OM CH RA, British b. 1937-A Bigger Splash, 2017;giclée print in colours on Somerset rag paper, with the Tate blind stamp, printed in 2017 by King and McGaw in collaboration with Tate Britain and David Hockney, after the painting of 1967, sheet: 45 x 35 cm, (unframed) (ARR)Note: the work comes in its own branded black presentation folder.
Lot 272
David Hockney OM CH RA, British b. 1937-Garden, 2015;giclée print in colours on Somerset rag paper, with the Tate blind stamp, printed in 2017 by King and McGaw in collaboration with Tate Britain and David Hockney, after the painting of 2015, sheet: 35 x 45 cm, (unframed) (ARR)Note: the work comes in its own branded black presentation folder.
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