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Lady Bird silver hat pin

Eleven Charles Horner silver hat pin tops

Carrs; An Art Nouveau Style Hallmarked Silver Topped Tortoiseshell Hat Pin, Birmingham 1908, within sinuous style setting, 22cm long; Another Carrs Hallmarked Silver Topped Hat Pin, Birmingham 1908, of a similar style, 22.5cm long; An Art Deco Stone Set Hat Pin, of chevron style, 24cm long (stamped indistinctly). (3)

An 18ct yellow gold hat pin, the top surmounted with figural decoration of a head, the eyes set with small diamonds, length 5.5cm, approx 3.9g.

A 15ct yellow gold diamond shaped bar brooch, length 4.5cm, a yellow metal cameo set hat pin, length 7cm, a yellow metal cabochon set hat pin, length 7.5cm, and a pair of cased 9ct yellow gold mother of pearl set dress studs (one lacking top), combined approx 11.2g.

TWO CHINESE QING DYNASTY GILT-METAL HAIR PINS AND A COLLECTION OF EARLY 20TH CENTURY CHINESE EMBROIDERED SILK. One hair pin with insects, butterflies and flowers, applied with red and green stones, in gilt-metal, the other in silver-coloured metal with dense leaves and flowers on a semi-circular mount, applied with coral and green stones, together with eleven ribbon-tied lucky Chinese coins, a pair of black embroidered silk heart-shaped ear muffs, an embroidered leather pouch, two lengths of cream coloured silk ribbon embroidered with yellow and pink butterflies and flowers, a blue silk hat embroidered with pink and green peony and insects (9) The hair pins with some losses to stones and to metalwork, some misshaping. The textiles and coin ornament with minor wear.

A collection of hat pins including a pair of silver enamel butterflies by JA & S, silver filigree, two Victorian paste, 9ct gold, Art Deco, French jet, etc with two hallmarked silver pin holders

A brass pin cushion in the form of a Victorian ladies boot, together with a collection of 19th century and later hat pins

A collection of hat pins and a 1930s Art Deco dress clip. The hat pins to include white and yellow tone metal, Venetian glass, wedding cake glass beads, simulated pearls, faceted glass, mother of pearl button and more. A 1930s Art Deco yellow tone metal and plastic bead dress clip, unmarked. The hat pins to come in a pin cushion with floral decoration. Hat pins measure largest 18cm. Smallest 4cm. Dress clip measures 5cm x 5cm. Total weight 400g. All weights, measurements and sizes are approximate.

A collection of vintage and antique costume jewellery, watches and other items to include two hallmarked silver fobs, a 1920s Thomas Russell & Sons pocket watch, a metropolitan police whistle, two pen knives, a Ruskin brooch (missing pin), a 1930s buckle, various hat pins, a Girl Guides badge, two gold tone Seiko watches and other items (qty, 1 bag) 

Art Nouveau Charles Horner silver hat pin, hallmarked Chester 1923

Art Nouveau Charles Horner silver thistle hat pin set with an amethyst coloured gem, hallmarked Chester 1908

Art Nouveau Charles Horner silver thistle hat pin set with a citrine coloured gem, hallmarked Chester 1911

Art Nouveau Charles Horner silver hat pin, hallmarked Chester 1908

Art Nouveau Charles Horner silver hat pin, hallmarked Chester 1909

Art Nouveau Charles Horner silver hat pin, hallmarked Chester 1911, Zeppelin inspired design

Art Nouveau Charles Horner silver hat pin, marked C.H, designed as a wish bone and stone set

AN EXTENSIVE COLLECTION OF VINTAGE HATPINS ETC., various styles, sizes and periods, to include Art Deco and glass examples, felt examples etc., displayed in a selection of hat pin stands, together with two further hat pin stands and two boxed sets of hatpins (Approx. 150+)

AN EARLY 20TH CENTURY GILT METAL BLUE & WHITE ENAMEL HAT PIN SET, comprising hat pin, buckle and dress stud set

TWO HALLMARKED SILVER HAT PIN STANDS, one with rubbed / indistinct marks (2)

Six items of Torquay motto ware including inkwell, hat pin holders etc.,

A George V tan leather travelling case with silver mounted fittingsLondon, 1926 PWGcontaining hairbrush, silver backed clothes brush, silver topped cut glass scent bottle, hat pin jar and two other jars, case moire silk linedvarious, weight approx. 2oztCondition:Comb absent. manicure items absent occasional marks and dings. Button popper strap for hairbrush a/f. Case with scratches and wear commensurate with age

Three silver an another vintage hat pins. CONDITION REPORT: The hat pin on the left-hand side of the image has silver hallmarks, Chester makers mark FB. It shows signs of age-related wear, light dents etc, but nothing untoward. The next from the left is stamped 925 and is initialled CH, possibly Charles Horner. The next is hallmarked Birmingham, maker mark PT and is in good condition but is probably missing a central stone or something similar. The last hat pin has no hallmarks and is a little grubby and also the gold-coloured section will move around and there also appears to be traces of glue to the base and it has probably been re fixed at some point.

A 19th century miniature brooch, the miniature painted on ivory depicting a lady in a hat, in a circular frame bead set with seed pearls, to a bow surmount. Pin and 'C' catch to verso. Tested as silver and gold, 27mm diameter, 8.78gIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018.Condition ReportMarks and scratches to case. Scratches to glass cover.Miniature unsigned.

A collection of jewellery, to include a belcher-link chain, a cultured pearl brooch by Cropp & Farr, an opal and diamond pendant, circa 1900, a silver hat pin by Charles Horner, 1906, a chrysoprase dress ring, two early 19th century mourning jewels, a green paste and diamond brooch, etc., various lengths. (Quantity) £600-£800 --- Condition Report According to a PMI test on an XRF Analyzer: The belcher-link chain is testing as 8ct gold - gross weight 8.1gm. The chrysoprase ring is testing as 17ct gold - gross weight 6.3gm. The collar necklace is stamped ‘750’ and has an Italian assay mark - gross weight 6.5gm. Total lot gross weight 173gm.

An early 20th century 9ct and gem set oval locket (lacking back?), 32mm, together with a silver mounted golf club hat pin and a mounted agate brooch. Condition - poor to fair

A large collection of vintage hat pins including eight by Charles Horner, four futher silver examples, various examples set with hardstones including agate, and amethyst, glass, and paste, together with two hat pin holders, and a hat pin cushion and book.

An interesting miscellany comprising: Parker (Dunhill) novelty lighter inside a compact, with engine turned decoration, 6cm diameter, an early 20thC faux tortoiseshell hand mirror, 2 x 1953 Coronation penknives, an engraved silver pocket watch fob, Rowntree tins for 1910- 1935 Silver Jubilee and the 1937 Coronation, hat pin, exotic brass bottle opener, lighter, pen etc. together with a vintage wicker basket.

Silver plated items to cutlery, silver handled knives, boxed sets, a hat pin stand and a CaversWall pottery thimble stand.

A Victorian purse with paste set clasp, on Art Nouveau style butterfly brooch, hat pin brooch, etc., and a white metal bangle

A Victorian silver brooch, other brooches and a silver hat pin, (hat pin a/f)

Two Onyx, Rock Crystal, Pearl and Diamond Hat Pins, one of spherical form, the other pear shaped, the onyx spaced by a faceted rock crystal bead, terminating to a pearl and with a rose cut diamond set mount tapering to the pins, in a Tiffany & Co Paris silk mounted and lined hinged caseProperty of the Late Robert Bogdan, AberdeenshireCase in poor condition. Spherical example pin length 14.7cm, the pearl is slightly yellowed in colour compared to the other pearl.  Both pins have some tiny chipping to faceted crystal band, some flakes to black enamel - just visible in one of the photos. Both very dirty and need cleaning, no stones missing.Pear shaped example pin length 14.9cm. Pins indistinctly marked. Gross weight 13.2 grams.

Charles Horner- a silver hat pin with hollow balloon shaped top with scrolled decoration, length approx 22cm, Chester 1908, together with a Scottish agate inlayed silver brooch in the form of a Claymore sword, length approx 50mm and a Victorian commemorative brooch. (3) Further details: wear and tear, tarnish age related marks 

Six items of Torquay Motto ware including hat pin stands.

A collection of decorative hat pins to include early 20th Century glass bead examples, a millie fleurie pin and cloisonne examples, Victorian and later decorative hat pins to include white metal examples, a small yellow metal and white glass stone pin (tests as 14ct) total weight g and a 19th Century white metal cocktail stick all housed on a ceramic pin stand decorated with pink roses all housed on 2 silk and wooden stands fashioned as a ladies hat on stand and a ceramic stand together with a quantity of hat pin protectors and other items. Location:If there is no condition report, please request

A collection of brooches to include a white metal and enamelled Thai brooch of a ship, a micro-mosaic brooch, a Masj silver tone poppy brooch, a Sterling silver brooch of a Thai dancer, short hat pin brooches and Canadian maple leaf brooches. Location:If there is no condition report, please request

Four silver topped cut glass dressing table bottlesengraved initials on lid, two Birmingham, one Chester, 6cm, 8cm. 10cm. & 16cm. high, together with a silver scent bottle and silver hat pin with scarab finial. (6)

Three Satsuma porcelain buttons and two similar hat pin mounts, comprising a pair of floral pattern with marks verso, 10.6cms, another within blue border, 2.4cms dia., and two silver backed floral decorated hat pin mounts, largest 2.7cms dia.      (5)                                     From the collection of Sally French-Greenslade

An unusual leather sewing companion in the form of a top hat case with carrying handle and padlock clasp, probably French circa 1850, the silk lined interior with pin cushion to lid, the lower section with six steel tools and replacement silver thimble, three retaining loops lacking tools, hinge to top and based fractured, 8cms high, 9cms wide.                                      From the collection of Sally French-Greenslade

A collection of forty hat pins, including two tortoiseshell examples one inset in silver with Canadian Regimental badge, another similar for Royal Garrison Artillery, another in enamel for the Royal Flying Corps., together with four hat pin stands.     (44)                                      From the collection of the late Jackie Cole

A French hat pin stand, the circular slate base with a white metal cast figure of a standing bear holding a gilt metal lantern with jewelled lens and a gilt metal umbrella pierced with holes and edged with gilt tassels, 6.5cms dia. at base, 12cms high.

Ten pin cushions and emeries, comprising three various strawberry emeries, three pin discs one floral painted, 5.6cms dia., a leather pumpkin, a velvet hat incorporating thimble stand, a silk shoe (split at seam), and a penguin emery.    (10)                                     From the collection of Sally French-Greenslade

A mixed lot - sewing etc., comprising a printed tin sewing box 'CCB Treasure Box' with tray and complete with contents, 21cms, a cardboard box of buttons and haberdashery, a cloth tartan pattern sewing bag and contents, a lavender pillow, an embroidered Rosemary pillow, and two larger format pin cushions stuck with hat and other decorative pins.     (7)                                     From the collection of Sally French-Greenslade

A HAT PIN STAND WITH EIGHT MARKED SILVER HAT PINS

Three silver topped dressing table jars, comprising a cut glass and silver topped cylindrical jar, with rococo scroll top, 7cm high, a hat pin jar, 8cm high, and a rectangular storage jar, 11cm wide. (2)

An Art Nouveau enamel buckle and hat pin cased set, the butterfly shaped gilt metal and enamelled buckle with sinuous flowers and foliage, in blue and green enamel, approximately 10cm wide, together with a pair of mother-of-pearl and blue enamel circular hat pins, and six matching dress studs, fitted case with two spare pinsBuckle has some losses to enamel, one hat pin has chip to enamel, dress studs good

A 9ct gold pendant set with seed pearls, a 15ct gold and sapphire hatpin, a 9ct gold hat pin, a mourning brooch and other gold and gold coloured jewellery, 5.5g in total

Klassizistische Marmorstatue nach dem hochklassischen Vorbild der Aphrodite der Gärten, um 1800 - frühes 19. Jhdt. Leicht unterlebensgroße, klassizistische Marmorstatue der Aphrodite nach dem Vorbild einer hochklassischen Skulptur des Alkamenes im Heiligtum der Aphrodite der Gärten. Die Skulptur des Alkamenes ist im späten 5. Jhdt. v. Chr. für das Heiligtum der Aphrodite am Fluss Ilissos in der Ebene von Athen geschaffen worden und nur aus Schriftquellen bekannt. Ein Fragment eines Oberkörpers aus dem Aphroditeheiligtum von Daphni nördlich von Athen wird als frühe Variation des Typs angesehen, der für zahlreiche Varianten einer "angelehnten Aphrodite" Vorbild war. Kopien aus römischer Zeit (u.a. im Museum von Heraklion und eine besonders gute Parallele zum vorliegenden Exemplar aus dem Louvre) geben eine genauere Vorstellung vom Typus. Charakteristisch sind der unverschleierte Kopf, die relativ hohe Stütze (Pfeiler oder Baum) unter dem leicht abgespreitzten linken Oberarm sowie die entblößte linke Schulter. Der rechte Arm ist angewinkelt. Das schräg nach vorne geschobene linke Bein kreuzt das rechte Standbein. Die Figur ist mit einem kunstvoll gefalteten, am Oberkörper gegürteten Chimation bekleidet. Haltung und Faltenwurf der vorliegenden Statue sind sehr eng an eine römische Kopie der hochklassischen Statue aus dem zweiten Viertel des 1. Jhdts. n. Chr. im Louvre angelehnt. Füße knapp oberhalb der Sprunggelenke abgebrochen. Die linke Hand mit dem vorderen Unterarm sowie der rechte Unterarm fehlen, gleichfalls der Kopf. Wohl bewusst als Torso geschaffen. Diverse leichte Bestoßungen. Oberfläche gründlich gereinigt. Modern auf schwarzem Steinsockel mit massivem Stahlstift montiert. Qualitativ ausgesprochen hochwertige Kopie eines bedeutenden hochklassischen Bildwerkes, das als Typus zahlreiche Werke der antiken Skulptur, Plastik und Kleinkunst inspiriert hat. Höhe ca. 108 cm (mit Sockel 135 cm), Breite ca. 54 cm, Tiefe ca. 30 cm. Provenienz: Aus der Sammlung Dr. H. Lanz, München. Erworben in den 1980er Jahren aus einer französischen Privatsammlung in Antibes. A Neoclassicistic marble statue based on the high-classical paradigm of the Aphrodite of the Gardens, circa 1800 - early 19th century A Neoclassicistic marble statue based on the high-classical paradigm of the Aphrodite of the Gardens, circa 1800 - early 19th century Slightly less than life-sized, neoclassicistic marble statue of Aphrodite based on a high classical sculpture of Alkamenes in the Sanctuary of Aphrodite in the gardens. The sculpture of Alkamenes from the late 5th century B.C. was created for the sanctuary of Aphrodite on the Ilissos River in the plain of Athens and is only known from written sources. A fragment of an upper body from the Aphrodite sanctuary of Daphni, north of Athens, is considered to be an early variation of the type that was the model for numerous variants of a "leaning Aphrodite". Copies from Roman times (including those in the Heraklion Museum and a particularly good parallel to the present example from the Louvre) give a more precise idea of the type. Characteristic are the uncovered head, the relatively high support (pillar or tree) under the slightly splayed left upper arm and the exposed left shoulder. The right arm is bent. The left leg, pushed forward at an angle, crosses the right supporting leg. The figure is dressed in an artfully folded chimation belted to the upper body. The posture and folds of this statue are very close to a Roman copy from the second quarter of the 1st century A.D. of the high-classical statue kept in the Louvre. Feet broken off just above the hocks. The left hand with the front forearm and the right forearm are missing, as is the head. Various moderate chips. Probably deliberately created as a torso. Surface thoroughly cleaned. Recently mounted on a black stone base with a solid steel pin. Extremely high-quality copy of an important, high-classical work of art, which as a type has inspired numerous works of ancient sculpture and minor arts. Height ca. 108 cm (with base 135 cm), width ca. 54 cm, depth ca. 30 cm. Provenance: From the collection of Dr. H. Lanz, Munich. Acquired in the 1980s from a French private collection in Antibes. Condition: II -

Klassizistische Marmorstatue nach dem Vorbild der hochklassischen Aphrodite des Typus "Fréjus", um 1800 - frühes 19. Jhdt. Unterlebensgroßer Marmortorso einer Aphrodite des Typus Fréjus. Das hochklassische Vorbild (um 420 v. Chr.) gilt als eine Schöpfung des Kallimachos. Von dem Typus existieren zahlreiche Kopien aus römischer Zeit in unterschiedlich feiner Ausführung (u. a. aus Pergamon und Delos sowie Exemplare im Museum von Neapel und im Louvre). Charakteristisch sind das linke Standbein und das rechte, zur Seite gestellte Spielbein. Die Figur trägt einen ungegürteten Chiton, der von der linken Schulter gerutscht ist und die linke Brust entblößt. Der Kopf ehemals zur Standbeinseite gedreht. Die erhobene Rechte zieht den über den Rücken gelegten Mantel, der seitlich über den linken angewinkelten Arm herabfällt, über die rechte Schulter. Der linke Unterarm nach vorne weisend. Füße knapp oberhalb der Sprungelenke abgebrochen. Die linke Hand mit dem vorderen Unterarm sowie der rechte Arm fehlen, gleichfalls der Kopf. Wohl bewusst als Torso geschaffen. Sorgfältig gereinigte Oberfläche. Modern mit schwerem Stahlstift auf einen schwarzen Steinsockel montiert. Bei der Montage wurde die Achse der Skulptur nicht ganz korrekt beachtet, sodass sie etwas nach rechts kippt. Qualitativ sehr hochwertige Kopie eines hochklassischen Bildwerkes, das als Typus zahlreiche Werke der antiken Skulptur und Kleinkunst inspiriert hat. Höhe ca. 90 cm (mit Sockel 108 cm), Breite ca. 44 cm, Tiefe ca. 30 cm.Provenienz: Aus der Sammlung Dr. H. Lanz, München. Erworben in den 1980er Jahren aus einer französischen Privatsammlung in Antibes. A Neoclassicistic Aphrodite statue modeled on the high-classical Aphrodite of the "Fréjus" type, circa 1800 - early 19th century A Neoclassicistic Aphrodite statue modeled on the high-classical Aphrodite of the "Fréjus" type, circa 1800 - early 19th century Smaller than life-size marble torso of an Aphrodite of the Fréjus type. The high-classical model (around 420 B.C.) is considered a creation of Kallimachos. There are numerous copies of this type from Roman times in varying degrees of fineness (including items from Pergamon and Delos as well as examples in the Naples Museum and the Louvre). The left supporting leg and the right free leg, which is set to the side, are characteristic. The figure wears an unbelted chiton that has slipped off the left shoulder, exposing the left breast. The head was previously turned to the supporting leg side. The raised right hand pulls the coat that is draped over the back over the right shoulder, which falls down to the side over the bent left arm. The left forearm pointing forward. Feet broken off just above the hocks. The left hand with the front forearm and the right arm are missing, as is the head. Probably deliberately created as a torso. Surface thoroughly cleaned. Recently mounted on a black stone base with a heavy steel pin, which does not perfectly match the axis of the statue and tilts slightly to the right. Very high quality copy of a high-class work of art, which as a type has inspired numerous works of ancient sculpture and minor arts. Height ca. 90 cm (with base 108 cm), width ca. 44 cm, depth ca. 30 cm. Provenance: From the collection of Dr. H. Lanz, Munich. Acquired in the 1980s from a French private collection in Antibes. Condition: II -

A collection of assorted Torquay and other pottery wares including jugs, vases egg cups, hat pin holder teapot, etc

Simple elegance in the styling of the lace mantilla with matching hat pin. Adolfo II fabric tag. Issued: 20th centuryDimensions: 4"H x 15" dia. Manufacturer: AdolfoCountry of Origin: FranceProvenance: Fashion Collection of Evangeline Gouletas. Click to Learn More.Condition: Age related wear.

Vintage silver hat pin stand weight 46g chester silver hallmarks and pin cushion weight 17g

ONE DIRECTION - Today Show New York November 2012 Performance Clothing Including Harry Styles' Photo-matched Blazer - A collection of clothing worn by all five members of One Direction during their appearance on NBC's Today Show on 13 November 2012, when more than 15,000 fans arrived to see them perform. Patterns in the lapel fabric of Harry Styles' blazer can be matched to close-up images of him from the event. The lot includes three blazers, two shirts, a waistcoat, a cardigan, three pairs of skinny jeans and five pairs of trainers. A comprehensive list of the clothing included in the lot for each member can be found in the online description. Some clothing exhibits minor marks and staining. One pair of shoes is misshapen due to previous storage.Additional Information: Harry Styles' clothing comprises a dark grey Kooples blazer, a light grey flower lapel pin, a white pocket square, a white shirt, a pair of black skinny jeans, and a pair of white low-top Converse (size UK 10). Zayn Malik's clothing comprises a dark grey blazer with black velvet lapels, a white shirt, and a pair of white Nike Air trainers (size UK 8). Niall Horan's clothing comprises a black-and-white Marc Jacobs cardigan, a pair of black skinny jeans, and a pair of dark grey Supra trainers. Louis Tomlinson's clothing comprises a grey blazer with a black-and-white pocket square, a pair of black skinny jeans, and a pair of white low-top Vans (size US 10). Liam Payne's clothing comprises a black Spencer Hat waistcoat with an extra button sewn on the front, and a pair of white low-top Converse (size UK 8).Estimate: £1,500 - 3,000 M Bidding for this lot will end on Friday, November 15th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Saturday, November 16th or Sunday, November 17th.

This pair includes a red, white, and blue adjustable hat that was autographed at the 1988 Cooperstown Hall of Fame game. Additionally included is a metal Usher pin from the 1930's engraved with Shibe Park. The largest piece measures 8"L x 10"W x 4.5"H. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.

A pre-WW2 era Order of St John Knight of Grace cased insignia set, Latvian Order of the Three Stars, and various Coronation / Jubilee Medals and miniatures, awarded to Aneurin Gomer Emlyn Jones Fudge. To include: a St John Knight of Grace set with a silver and white enamel neck badge, and a silver and white enamel breast badge. The breast badge would appear to have a rose gold pin to the reverse. Plus, a 1911 Coronation Police Medal with the St John Ambulance Brigade reverse (engraved naming to Corps Superintendent A.G.E.J. Fudge), a 1935 Silver Jubilee Medal, 1937 Coronation Medal, Service Medal of the Order of St John with two 5 year bars attached to the ribbon (engraved naming to 1796 Borough Commander A.G.E.J.Fudge - Priory for Wales 1920), a Latvian Chevalier of Order of the Three Stars silver gilt and enamel neck badge, with thin black neck ribbon. The 1911 Medal, 1935, 1937 and St John Ambulance service medal are swing mounted for wear. Also included is a good quality set of corresponding miniatures, showing his full entitlement, and mounted on a pin back bar for wear, plus a 1939 dated original document signed by King George Vi, authorising the wear of the Latvian order. The medals are also accompanied by a black beaver skin bi-corn hat with painted tin hat box, and a black and white belt with tassels. The brass plaque on the tin reads ‘AGEJF’ Notes: Aneurin Fudge was awarded the Order of the Three Star on account of him being the Honorary Vice Consul of Latvia in Newport, Monmouthshire. Also included are numerous Buckingham Palace invitation cards, inviting Aneurin and his wife to garden parties and investitures. Condition: generally good. Normal age related toning to the silver medals, but very little evidence of polishing. The enamel on the St John set is in good order, as is the Latvian order and its miniature equivalent. Some normal wear and signs of age to the paper documents, but nothing that is detrimental overall. The George VI signed document has very slight fading to the blue ink signature, but it is nevertheless still very clear.

A late 19thC Continental porcelain brooch, painted with a head and shoulders portrait of a boy in a hat, set in yellow metal, with safety chain and pin as fitted.

A 14ct yellow gold seed pearl and pink enamel bar brooch, length 2.5cm, a 15ct yellow gold white, green and red stone set hat pin, length 6.5cm, and a 9ct yellow gold bar brooch with bow decoration, length 4.5cm, combined approx 5g (3).

A leather travelling vanity case, with five hallmarked silver topped cut glass dressing table jars including two hat pin jars, London 1913.

A group of 925 hallmarked silver and enamelled Scandinavian jewellery, including a Danish turquoise enamelled triangular brooch, marked 'EJ' to the reverse, 7 x 3cm, (af), a Norwegian hallmarked silver and yellow enamelled bar brooch, length 5.2cm, a pair of Norwegian 925 hallmarked sterling silver white and floral enamelled clip on earrings, a Beau sterling silver necklace, length approx 40cm, and a blue and white enamelled hat pin, combined approx 69.5g (5).

An Edwardian silver rectangular pill box, gilt interior, scroll engraved hinged lid, Adie & Lovekin Birmingham 1907, 2.5cm x 2cm together with a George III rectangular silver vinaigrette with grille, fan decoration, Birmingham 1790 Joseph Taylor 2.5cm x 1.5cm, a silver For Powder engraved shovel, 5cm, a silver cut glass handle mounted powder scoop, London 1906, 8.5cm, a filigree top hat pin with green stone mount and filigree pin cover, 17cm and a cylindrical card box of Women in Titian's Paintings matches 6cm (6)