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Lot 318
limited edition digital print on paper, signed in silver ink and numbered 64/100, from the Revelations : A Portrait of Magic Series mounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cm Note: certificate of authenticity is included with this lot. Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.” In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.
Lot 319
limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Series mounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cm Note: certificate of authenticity is included with this lot. Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.” In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.
![Rowling [J.K.]: Harry Potter and the Goblet of Fire, first edition, hardback, pub by Bloomsbury 2000, inscribed and signed (u](https://cdn.globalauctionplatform.com/1a1f3771-90bf-46f4-a005-b21000e3e592/ad18d693-dc96-42bf-86ae-b23d00da7cf8/468x382.jpg)
Lot 203
Rowling (J.K.) Harry Potter and the Half-Blood Prince, first edition, official signed Bloomsbury bookplate by the author on front free endpaper, original boards, dust-jacket, fine, 2005; and a quantity of other Potter-related material, including c.20 other books and catalogues, as well as printed ephemera relating to the books and films and to Rowling herself, v.s., v.d. (sml qty) *** As there was no official signing for this title, official signed bookplates were sent to a select number of bookshops.Ephemera includes a Tiffany and Co. silver Harry Potter bookmark, postcards, badges, a prop box for a wand from Olivander's shop, and other related objects and ephemeral items.
Lot 202
Rowling (J.K.) Harry Potter and the Philosopher's Stone, signed by the author on half-title, original cloth with mounted colour illustration and gilt signature, 1999; Harry Potter and the Chamber of Secrets, 1999; Harry Potter and the Goblet of Fire, 2000, first deluxe editions, original cloth with mounted colour illustration and gilt signatures, spine ends a little bumped, otherwise fine, 8vo (3)
Lot 322
* STUART MCALPINE MILLER (SCOTTISH b. 1964), SPELLBOUND IN MOTION limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Seriesmounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cmNote: certificate of authenticity is included with this lot.Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.”In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.
Lot 318
* STUART MCALPINE MILLER (SCOTTISH b. 1964), A COMPLEX NATURE limited edition digital print on paper, signed in silver ink and numbered 64/100, from the Revelations : A Portrait of Magic Seriesmounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cm Note: certificate of authenticity is included with this lot.Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.”In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.
Lot 321
* STUART MCALPINE MILLER (SCOTTISH b. 1964), HYPNOTIC REVEAL limited edition digital print on paper, signed in silver ink and numbered 58/100, from the Revelations : A Portrait of Magic seriesmounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cmNote: certificate of authenticity is included with this lot.Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.”In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.
Lot 320
* STUART MCALPINE MILLER (SCOTTISH b. 1964), FROM THE EVIL WITHIN limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Seriesmounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cmNote: certificate of authenticity is included with this lot.Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.”In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.
Lot 319
* STUART MCALPINE MILLER (SCOTTISH b. 1964), SPLIT PERSONALITY limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Seriesmounted, framed and under glassimage size 81cm x 63cm, overall size 101cm x 82cmNote: certificate of authenticity is included with this lot.Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.”In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.
Lot 235
A collection of music & comedy autographs obtained at the Aston Hippodrome in Birmingham during the 1950s, mostly signed on press & publicity photographs mounted on card playbills, to include Norman Wisdom, Ray Ellington, Albert Semprini, Billy O'Sullivan, Albert Whelan, Bill Kerr, Ivy Benson, Jack Jackson, Bert Ford, Issy Bonn, The Hedley Ward Trio, Benny Lee, The Three Monarchs, Tommy Reilly, Les Filles D'Eve, Harry Secombe, Jeanette Landis, Sandy Powell, Shane Sisters, David Whitfield, The Radio Revellers, The Kentones, Gus Aubrey, Jimmy O'Dea, Maureen Potter, and several others, plus a small number of b&w photographs of performances, condition varied
Lot 111
ROWLING, J. K. Harry Potter and the Philosopher's Stone, first edition, 10th printing, 8vo, hardback, bold & vibrant boards, usual toning to edges of text-block, 2cm marginal loss to pp.103/104 (not affecting text), a few very faint marks, shelf-lean, slight bumping to extreme corners, light creasing to ffep, dust-jacket with creasing to front flap, else a nice copy, London: Bloomsbury, 1997
Lot 110
ROWLING, J. K. Harry Potter and the Goblet of Fire, first deluxe edition, London: Bloomsbury, 2000._Prisoner of Azkaban, first deluxe edition, second printing, 1999._Chamber of Secrets, hardback fourth printing, 1998_Prisoner of Azkaban, hardback second printing, 1999._Philosopher’s Stone, celebration edition, first printing, paperback, 2001. (5) _RANSOME, Arthur. Great Northern, FIRST ed., unclipped d.j., rubbing at edges, chipping/toning at spine, London: Jonathan Cape, 1947._Coot Club, unclipped d.j., spotting/toning/chipping, 1934._The Picts and the Martyrs, first, no d.j., 1943._Secret Water, first, no d.j., 1939._The Big Six, first, no d.j., 1940._Winter Holiday, first, no d.j., 1933._Missee Lee, first, no d.j., 1941._Pigeon Post, first, no d.j., 1936._Swallows and Amazons, sixth printing, no d.j., 1934 (9) (14)
Lot 547
Harry Potter and The Philosopher's Stone - J.K. Rowling. Published 1999 by Bloomsbury, London. First Printing of the UK Deluxe collector’s edition. Full number line beginning with [1] to the copyright page as called for. In original red boards, lettered in gilt to front and spine, illustrated art to front, gilt to all edges of text block, ribbon present. A fine unread copy. The Bloomsbury Archives record that only 4869 copies of the first issue deluxe Philosopher's Stone were printed. Thomas Taylor (illustrator)
Lot 420
A collection of 21st-century British Royal Mail stamp presentation packs. The collection includes examples such as, 'The Beatles', 'The World of Invention', 'Harry Potter', 'Cathedrals', 'British Design Classics', 'Darwin', 'Celebrating Wales', and more. With an approximate face value of £290.
Lot 793
Lego - mixed lot of Lego Creator, City, Star Wars and Harry Potter sets. Includes: Lego Creator 3 in 1 Fairground Carousel UFO 31095. 2 boxed sets of Lego Star Wars Resistance Y-Wing Microfighter 75263. A boxed set of Lego City Street Sweeper 60249. 4 polybags of Lego Harry Potter Build Your Own Hogwarts Castle 30435. All sets appear to be still factory sealed in excellent to near mint boxes or polybags. (This does not constitute a guarantee.) [GM]
Lot 326
Funko Pop vinyl Bobble-Head - a group of 8 Hary Potter icons comprising Harry Potter # 09, Dobby # 17, Harry Potter # 26, Cedric Diggory # 20, Harry Potter # 32, Sirius Black # 16, Game of Thrones Melisan Dre # 42 and Jaqen Highar # 57, all appear mint in original window boxes (this does not constitute a guarantee) [b]
Lot 568
Lego - mixed lot of Lego City, Star Wars and Harry Potter sets. Includes: 2 boxed sets of Lego Star Wars Obi-Wan Kenobi's Jedi Star Fighter 75333. 2 boxed sets of Lego Star Wars Resistance Y-Wing Microfighter 75263. 2 boxed sets of Lego City Street Sweeper 60249. 4 polybags of Lego Harry Potter Build Your Own Hogwarts Castle 30435. All sets appear to be still factory sealed in excellent to near mint boxes or polybags. (This does not constitute a guarantee.) [GM]
Lot 136
A collection of pop culture toys, memorabilia and display items including Harry Potter Fleur Delacour wand, M&M character display peieces, Micky Mouse telephone, Hollywoods Rides Knight Rider, Ghostbusters sound bag, Spice Girls figure set, Battlestar Galactica DVD box set with figure, a Hollywood Rides Stranger Things Chevy Blazer, etc.
Lot 556
Rowling, J.K; First Editions; 'Harry Potter and The Goblet of Fire' (including misprint on page 503 'Dumbledore, come!' said Crouch angrily), together with 'Harry Potter andThe Half-Blood Prince', Harry Potter and The Order of the Phoenix' and 'Harry Potter and the Deathly Hallows' (lacking dust jacket).
Lot 6
ROWLING, J. K. Harry Potter and the Philosopher's Stone, CAST-SIGNED, first edition, 53rd printing, signed by the three main child actors, Daniel Radcliffe [Harry Potter], Rupert Grint [Ron Weasley], and Emma Watson [Hermione Granger], as well as Tom Felton [Draco Malfoy]; Jamie Waylett [Crabbe]; Josh Herdman [Goyle]; Matthew Lewis [Neville Longbottom]; Julie Walters [Mrs. Weasley]; Oliver Phelps [George Weasley]; James Phelps [Fred Weasley]; Chris Rankin [Percy Weasley]; Bonnie Wright [Ginny Weasley]; Luke Youngblood [Lee Jordan]; Devon Murray [Seamus Finnigan]; Sean Biggerstaff [Oliver Wood]; Ben Borowiecki [Angus/Diagon Alley Boy]; Martin Bayfield [young Hagrid]; Lauren York [Hannah Abbott]; Chris Evans [George Weasley's double]; Simon Evans [Fred Weasley's double]. Internally well-preserved, clean & bright, bold & vibrant wrappers, lightly bumped to corners/edges, light creasing to front corners, slight wear to front edge, small scuff to fore-edge, overall very good. London: Bloomsbury, 1997 Provenance: The book comes with a typed & signed letter from the Head of Year at Langley School, Solihull, confirming that it was won by our vendor in their school raffle, having been donated by a colleague whose twin sons played the doubles for the Weasley twins in the first film
![ROWLING, J. K. Harry Potter and the Philosopher's Stone, FIRST EDITION, FIRST ISSUE, hardback [one of only 500], London: Bloo](https://cdn.globalauctionplatform.com/ce720b03-bca5-40a6-9548-b22500c48042/44a43948-a92d-42c2-9ff2-b24400dd97ac/468x382.jpg)
Lot 1
ROWLING, J. K. Harry Potter and the Philosopher's Stone, FIRST EDITION, FIRST ISSUE, hardback [one of only 500], London: Bloomsbury, 1997. Of the 500 hardbacks printed, around 300 were issued to schools & libraries - this being one of the even scarcer and more desirable 200 that were issued to booksellers. Octavo, hardback, publisher's original laminated pictorial boards. Complete with all requisite issue points denoting a TRUE FIRST PRINTING, namely: full number line on copyright page, "10 9 8 7 6 5 4 3 2 1"; "1 wand" appearing twice on p.53; "Philosopher's" misspelled "Philospher's" on rear cover; "Wizardry and Witchcraft" [rather than "Witchcraft and Wizardry"] on rear cover; "Joanne Rowling" on copyright page; no space between "Taylor" and "1997" on copyright page. An exceptionally well-preserved example, i.e. near-fine, appears unread. Binding excellent, boards bold/vibrant, incredibly subtle sunning to spine (almost imperceptible), a few very light surface scratches to laminate, some very light bumping to corners/edges, internally excellent, clean & bright, usual light toning to page edges, one neat gift inscription on ffep, "Dear Katie, my favourite sister! With all my love, Sarah, 12 August 1997", remarkably well-preserved with no signs of having been read, only a miniscule pale spot at top edge of pp.128/129. Overall, near-fine - a superb example of this very scarce first issue, and one of the very best copies we've ever seen. London: Bloomsbury, 1997 [Errington A1(a)] ❧ The true FIRST PRINTING of the author's debut novel and first in the Harry Potter series - the beginning of the biggest-selling book series in publishing history.
![ROWLING, J. K. Harry Potter and the Chamber of Secrets, Uncorrected Proof Copy [one of only 200 to 300 printed], in publisher](https://cdn.globalauctionplatform.com/ce720b03-bca5-40a6-9548-b22500c48042/c0b6f1e8-7022-4f48-ad57-b227010b518a/468x382.jpg)
Lot 7
ROWLING, J. K. Harry Potter and the Chamber of Secrets, Uncorrected Proof Copy [one of only 200 to 300 printed], in publisher's blue wrappers, 8vo, 252pp., very well-preserved, appears unread, some light surface marks to spine and fore-edge, else fine, London: Bloomsbury, 1998 ❧ A near-fine/fine example of this very scarce proof. "An unconfirmed print-run of 300 copies is generally accepted… Bloomsbury is unable to provide accurate figures and has merely suggested between 200 and 300 copies." [Errington, AA2(a)]
Lot 13
ROWLING, J. K. Harry Potter and the Philosopher's Stone, first Deluxe Edition, FIRST PRINTING, 8vo, gilt red cloth, some very faint spotting in places, scuff to fore-edge, otherwise very good, London: Bloomsbury, 1999; Harry Potter and the Chamber of Secrets, first Deluxe Edition, FIRST PRINTING, in similar condition, a couple of marks to dedication page, London: Bloomsbury, 1999. Together with first Australian editions of Order of the Phoenix, Half-Blood Prince, Deathly Hallows, and four later Australian printings, condition varied, sold as one collection with all faults (9)
Lot 8
ROWLING, J. K. Harry Potter and the Prisoner of Azkaban, Uncorrected Proof Copy in green wrappers [one of only 150 to 250 copies printed], 8vo, 316pp., internally very well-preserved, clean & bright, appears unread, some spotting & marks to wrappers and very faintly to half-title and fore-edge, faint/trivial wear to extremities, very good overall, scarce, London: Bloomsbury, 1999 ❧ An unconfirmed print-run of 250 copies is generally accepted for the proof in green wrappers, and just 50 copies in the first state purple wrappers. The publisher, however, assumes only 150 copies in green wrappers. [Errington, AA4(b)]
Lot 5
ROWLING, J. K. Harry Potter and the Philosopher's Stone, FIRST EDITION, FIRST ISSUE, paperback, London: Bloomsbury, 1997. Octavo, paperback, publisher's original laminated pictorial wrappers. Complete with all requisite issue points denoting a TRUE FIRST PRINTING, namely: full number line on copyright page, "10 9 8 7 6 5 4 3 2 1"; "1 wand" appearing twice on p.53; "Philosopher's" misspelled "Philospher's" on rear cover; "Wizardry and Witchcraft" [rather than "Witchcraft and Wizardry"] on rear cover; "Joanne Rowling" on copyright page; no space between "Taylor" and "1997" on copyright page. Evidently a much-enjoyed example in creased/worn wrappers, the delicate laminate only surviving on spine and rear cover, usual toning to contents, some folded corners, pale spotting, heavier to half-title, otherwise complete and sound. A well-loved example of this scarce first issue. London: Bloomsbury, 1997 [Errington A1(aa)] ❧ The true FIRST PRINTING of the author's debut novel and first in the Harry Potter series - the beginning of the biggest-selling book series in publishing history
Lot 10
ROWLING, J. K. Harry Potter and the Chamber of Secrets, eighth printing, SIGNED by the author, contents mostly good, some foxing & handling marks to opening leaves, some creasing & bumping to boards, scuffs/wear to fore-edge, dust-jacket worn, sold as found with all faults, London: Bloomsbury, 1998 Provenance: Purchased for the vendor by an aunt at an Edinburgh bookshop in c.1998-99. We guarantee this signature as authentic, so you can bid with absolute confidence
![ROWLING, J. K. Harry Potter and the Philosopher's Stone, FIRST EDITION, FIRST ISSUE, hardback [one of only 500], London: Bloo](https://cdn.globalauctionplatform.com/ce720b03-bca5-40a6-9548-b22500c48042/7e9c1c30-705e-4572-94da-b24400dd7e40/468x382.jpg)
Lot 2
ROWLING, J. K. Harry Potter and the Philosopher's Stone, FIRST EDITION, FIRST ISSUE, hardback [one of only 500], London: Bloomsbury, 1997. Of the 500 hardbacks printed, around 300 were issued to schools & libraries - this being one of the even scarcer and more desirable 200 that were issued to booksellers. Octavo, hardback, publisher's original laminated pictorial boards. Complete with all requisite issue points denoting a TRUE FIRST PRINTING, namely: full number line on copyright page, "10 9 8 7 6 5 4 3 2 1"; "1 wand" appearing twice on p.53; "Philosopher's" misspelled "Philospher's" on rear cover; "Wizardry and Witchcraft" [rather than "Witchcraft and Wizardry"] on rear cover; "Joanne Rowling" on copyright page; no space between "Taylor" and "1997" on copyright page. A good example with bold boards, some very light surface scratches to laminate, tiny areas of loss to laminate in places, some discolouration to spine, light bumping & wear to corners and extremities, shelf-lean, contents mostly very good with usual toning/browning to page edges, spillage marks affecting pp.33-46, no inscriptions or stamps, some lightly folded corners, a few light marks in places, but overall a good example of this very scarce first issue. London: Bloomsbury, 1997 [Errington A1(a)] ❧ The true FIRST PRINTING of the author's debut novel and first in the Harry Potter series - the beginning of the biggest-selling book series in publishing history
Lot 3
ROWLING, J. K. Harry Potter and the Philosopher's Stone, FIRST EDITION, FIRST ISSUE, paperback, London: Bloomsbury, 1997. Octavo, paperback, publisher's original laminated pictorial wrappers. Complete with all requisite issue points denoting a TRUE FIRST PRINTING, namely: full number line on copyright page, "10 9 8 7 6 5 4 3 2 1"; "1 wand" appearing twice on p.53; "Philosopher's" misspelled "Philospher's" on rear cover; "Wizardry and Witchcraft" [rather than "Witchcraft and Wizardry"] on rear cover; "Joanne Rowling" on copyright page; no space between "Taylor" and "1997" on copyright page. An exceptionally well-preserved example, i.e. near-fine, appears unread, binding tight & square, bold & vibrant, internally clean & bright with usual light toning to page edges, one very small bump to top edge of spine, one tiny crease to front edge, extreme corners & edges with faint bumping/wear. A superb example of this scarce first issue. London: Bloomsbury, 1997 [Errington A1(aa)] ❧ The true FIRST PRINTING of the author's debut novel and first in the Harry Potter series - the beginning of the biggest-selling book series in publishing history
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