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Two Isle of Wight glass scent bottles, gold and brown design 8cm high, purple design 9cm high. (2) Condition Report: The purple scent bottle has a repaired brake to the lower end of the stopper. The bottle is in excellent condition. The gold and brown bottle has a nibble to the bottom of the stopper. The bottle is in excellent condition.
A Pair of Georgian Glass Decanters and Stoppers, the part fluted bodies with cut bands, the necks with two ring bands, 21cm high and a silver topped cut glass dressing table jar, hallmarked for Birmingham 1901, 7cm high. (5)Size approximately 17.5cm high without stopper and approximately 27cm diameter, stoppers both flush and appear to be original. Decanters both with light surface scratches to base, stoppers with chip the other with crack and imperfection within glass. Jar appears in good condition.
LEE & WIGFULL; a George V cut glass crystal decanter of waisted form, with hatched and fan cut top and hallmarked silver collar, Sheffield 1923, with associated stopper, height to top of stopper 36cm, diameter of base 11.5cm, and a Waterford cut glass crystal mushroom lamp, height 38cm (2).Condition Report: The decanter is in good condition.
A small quantity of cut and crystal glassware, including crystal glass decanter with stopper, height 32.5cm, matching jug, height 26.5cm, vase, height 26cm, three ashtrays and a Wedgwood paperweight , also a George VI hallmarked silver Adie Brothers open salt, with blue glass liner, Birmingham 1940, with three associated spoons, combined weighable silver 1.6ozt/50g.
Four pieces, comprising - 1. A silver mounted cut glass scent bottle, Birmingham 1916, 12.5cm high (lacks stopper) 2. A Doulton Lambeth stoneware harvest jug, 16cm high (small rim chip) 3. A 1960s-70s Murano glass clown, foil label to foot, 19.25cm high 4. A Murano-style glass horse, 20.5cm high
John Orchard for Stevens and Williams, an Arts and Crafts silver mounted intaglio cut rock crystal glass decanter, John Charles Grinsell, Birmingham 1906, square section dimpled form with applied vertical trails, decorated with a daisy design throughout, the spherical stopper similarly decorated with wrythen foliate panels, 25.5cm high
Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Siam variation glass claret jug, circa 1900, footed amphora form with single loop handle and bladed knop, cut with a band of scrolling tendrils and stylised lotus or water lily flowers, alternating between three and five petals, the stopper of hollow bisected twisted form, 37cm highNote: designed in the Venetian style for the service of the Prince of Siam, who commissioned Powell on his visit to London in 1897 for the Diamond Jubilee of Queen Victoria, the elegant form was popular both plain and cut. The cut design on this example is exceptionally unusual, drawing upon Harry Powell's interest in the historical revival, including Mannerist or English Renaissance motifs, as well as the culturally significant lotus flower motif. This could be an early prototype or experimental design, different from the more common engraved Art Nouveau inspired motif which appears on the examples produced for the service; see Evans, W et al. 1995, Whitefriars Glass, London: Museum of London, p.81, fig.82 for an illustrated example of the Water Lily or Lotus design on this form of decanter
A Gothic Revival silver-mounted glass bottle, in the style of A W N Pugin and James Powell and Sons, of baluster form, atop a spreading folded foot, the silver cap with knurled rim and internal cork stopper, possibly for ecclesiastical use, sponsor's mark effaced in the finishing, '...& Co Ltd', London 1907, height 12cm approx
Mona Morales-Schildt for Kosta Tall Decanter Circa 1960s, with original internally coloured stopper, the body with twin 'handle' depressions to each side, signed Kosta. 31cm high The William "Bill" Davies Collection of Scandinavian Glass. Bill Davies led a very successful career as an architect, primarily working in his native Wales, with his most celebrated project being the Plas Menai complex situated on the Menai Strait which serves as the National Watersports Centre for Wales and has been awarded Grade II and II* status - it was described as 'arguably the most admired and influential building completed in Wales in the last quarter of the twentieth century’ by Professor Richard Weston*. Bill was also commissioned for architectural work by Cardiff University and indeed served as a Lecturer in Design at the institution, playing a major part in developing the course into one of the highest rated in the United Kingdom.His major inspirations were the celebrated American architect Frank Lloyd Wright and the leading Finnish designer Alvar Aalto: from this stemmed Bill's enthusiasm for all aspects of mid-century design with the glass of Scandinavia becoming his particular passion, or rather, obsession. Invariably accompanied by his beloved late wife Maureen, Bill attended glass fairs around the UK and made buying trips to Scandinavia, amassing his extensive collection with a keen eye and canny judgement that pre-empted market trends by decades with his focus on Vicke Lindstrand, Oiva Toikka, Tapio Wirkkala, Timo Sarpaneva and many other notable designers.Wilson55 Auctioneers & Valuers are honoured to have been instructed to bring the William "Bill" Davies Collection of Scandinavian Glass to auction as part of our 4th December Modern Art & Design sale and we hope that you enjoy browsing this fantastic collection.*Credit: Twentieth Century Society Some tiny fleabites around the handle depressions, otherwise good.
Per Lütken (Danish 1916-1998) for Holmegaard Rare "Lava" Decanter with Original Stopper Trailed and smoked glass, signed PL Holmegaard 611517 to base. 21.8cm high The William "Bill" Davies Collection of Scandinavian Glass. Bill Davies led a very successful career as an architect, primarily working in his native Wales, with his most celebrated project being the Plas Menai complex situated on the Menai Strait which serves as the National Watersports Centre for Wales and has been awarded Grade II and II* status - it was described as 'arguably the most admired and influential building completed in Wales in the last quarter of the twentieth century’ by Professor Richard Weston*. Bill was also commissioned for architectural work by Cardiff University and indeed served as a Lecturer in Design at the institution, playing a major part in developing the course into one of the highest rated in the United Kingdom.His major inspirations were the celebrated American architect Frank Lloyd Wright and the leading Finnish designer Alvar Aalto: from this stemmed Bill's enthusiasm for all aspects of mid-century design with the glass of Scandinavia becoming his particular passion, or rather, obsession. Invariably accompanied by his beloved late wife Maureen, Bill attended glass fairs around the UK and made buying trips to Scandinavia, amassing his extensive collection with a keen eye and canny judgement that pre-empted market trends by decades with his focus on Vicke Lindstrand, Oiva Toikka, Tapio Wirkkala, Timo Sarpaneva and many other notable designers.Wilson55 Auctioneers & Valuers are honoured to have been instructed to bring the William "Bill" Davies Collection of Scandinavian Glass to auction as part of our 4th December Modern Art & Design sale and we hope that you enjoy browsing this fantastic collection.*Credit: Twentieth Century Society Small surface scratches to two sides, no other notable issues.
Vicke Lindstrand (Swedish 1904-1983) for Kosta Decanter & Vase Circa 1960s, the former pale yellow with original red stopper and signed Kosta LH 1519, the hexagonal tapered vase in olive colourway and signed Kosta LS 786. The decanter 21.5cm high The William "Bill" Davies Collection of Scandinavian Glass. Bill Davies led a very successful career as an architect, primarily working in his native Wales, with his most celebrated project being the Plas Menai complex situated on the Menai Strait which serves as the National Watersports Centre for Wales and has been awarded Grade II and II* status - it was described as 'arguably the most admired and influential building completed in Wales in the last quarter of the twentieth century’ by Professor Richard Weston*. Bill was also commissioned for architectural work by Cardiff University and indeed served as a Lecturer in Design at the institution, playing a major part in developing the course into one of the highest rated in the United Kingdom.His major inspirations were the celebrated American architect Frank Lloyd Wright and the leading Finnish designer Alvar Aalto: from this stemmed Bill's enthusiasm for all aspects of mid-century design with the glass of Scandinavia becoming his particular passion, or rather, obsession. Invariably accompanied by his beloved late wife Maureen, Bill attended glass fairs around the UK and made buying trips to Scandinavia, amassing his extensive collection with a keen eye and canny judgement that pre-empted market trends by decades with his focus on Vicke Lindstrand, Oiva Toikka, Tapio Wirkkala, Timo Sarpaneva and many other notable designers.Wilson55 Auctioneers & Valuers are honoured to have been instructed to bring the William "Bill" Davies Collection of Scandinavian Glass to auction as part of our 4th December Modern Art & Design sale and we hope that you enjoy browsing this fantastic collection.*Credit: Twentieth Century Society Decanter with small nick and very small scratch to rim plus two small and light scratches to one side, vase with some fleabites and nibbles to cut edges, otherwise light generalised wear without other damage or issues to note, both present well.
A collection of silver and plated wares, comprising; a silver mounted cork with pheasant finial, a silver tastevin with entwined snake handle, an Art Deco silver plated cruet set on tray, a plated wine coaster, a plated brandy warmer with cut glass brandy balloon, a silver match box holder, two silver vesta cases, a silver toothpick and a Port decanter stopper (a lot)
Two Victorian 19th century hand blown cut glass items. The lot to include a Victorian glass fly / wasp trap in the shape of a decanter with glass stopper. Together with a later Irish cut glass lidded bon bon dish jar of baluster shape, raised on squared foot.Tallest measures approx. 31cm x 12cm in diameter.
A GROUP OF CUT GLASS AND MISCELLANEOUS ITEMS, to include a Bell's scotch whisky decanter with original box, a glass chess board and pieces with box, a dark wood tantalus and two cut glass decanters with a key (broken at the top), a bulbous cut glass decanter with stopper, a square cut glass decanter with stopper, wooden decanter stand with decanter and six glasses, a water jug and two matching tumbler glasses with refill... M the mall etched on them, two posy bowls, a pair of Florero crystal rose vases with the boxes, large cut glass vase, vintage crystal lamp and shade (not tested) (qty), (Condition Report: all item are in good condition, individual damage is in main description, the boxes have signs of age related wear)
A SET OF THREE EARLY 19TH CENTURY BRISTOL BLUE GLASS BARREL SHAPED DECANTERS, with original faceted stoppers decorated with gilt labels for Hollands, Rum and Brandy, height approx. 20cm to top of stopper (3) (Condition Report: a few nibbles to bottom of stoppers, wear to gilt decoration and labels in some places, Rum decanter has a very small chip to rim)
A GROUP OF CERAMICS, GLASS AND SUNDRY ITEMS, to include a boxed Must de Cartier perfume spray (refillable, appears to have most of its 10ml contents), a pair of large Delft covered vases, height approximately 40cm (some chips to rim and covers, crazing), a boxed Halcyon Days Enamels 'The Metropolitan Opera' trinket box, a Royal Worcester The Connoisseur Collection 'Mother' trinket box, a Kingsley Enamels pill box, six Spode Blue Room Collection 'Continental Views' spice jars: Parsley, Peppercorn, Bay, Thyme, Nutmeg and Rosemary (some missing rubber seals), a pair of square cut crystal decanters with plated decanter labels, another square decanter, a mallet form decanter, etc (qty) (Condition Report: generally ok, obvious specific damage as stated, decanter stoppers and one spare stopper have some fleabites and knocks)
A collection of blue glassware comprising a late 18th century Bristol blue glass decanter and tear drop stopper, 30cm, a mid 19th century electroplate mounted blue glass decanter, a later Hungarian decanter and a similar electroplate mounted biscuit box and cover, largest 41cm high. Condition - fair to good
AN ENGLISH SILVER MOUNTED CUT GLASS SHIP'S DECANTER K.M.Silver, Birmingham 1983, with faceted ball stopper and cut decoration to the spreading base 26cm high Condition: Condition Report Good condition, some very minor shelf wear to base This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property of Pauline Cheang Poh Ling
Late Victorian hourglass decanter with ribbed decoration and a silver flared rim, by Mappin & Webb, London, 1899, with an associated wrythen stopper, H.27cm overall; similar smaller decanter with stopper, London, 1895, H.25cm; 2 other decanters, frosted celery vase, H.24.5cm; storm glass, pair of dwarf candle sticks, another candlestick, 4 toilet jars, 3 trays, odd stopper, and a German amber glass and flash vase, H.14cm. (18)
Assortment of clear glass with blue accents. Lot includes round blue stopper 2.5"H, tall wine glass designed with blue seashell accents 9"H and 2 tall clear holders with blue ruffled edge and base 9"H. Largest piece: 9"H x 4.25" dia. Issued: 21st centuryDimensions: See DescriptionCondition: Age related wear.
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32826 item(s)/page