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Ca. AD 100 - 300 . A glass jug with an inverted pear-shaped body seated on a high pedestal, a short narrow neck connected to a flared rim and an elegant strap handle connecting the rim to the dome-shaped shoulders. Some parts of the vase have developed a beautiful iridescence. For similar see: Lightfoot, Christopher S., The Cesnola Collection of Cypriot Art: Ancient Glass, cat. 166. Size: 180mm x 75mm; Weight: 135g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
A Saint Louis crystal glass service, "Thistle" modelComprising 18 water glasses, 24 red wine glasses, 12 white wine glasses, 12 liqueur glasses, 12 flutes, 1 bowl, 3 rinsing bowls, 1 jug, and 1 decanter with cover_x000D_In moulded and cut Saint Louis crystal_x000D_Gold decoration_x000D_Marked on the base_x000D_France, 20th century_x000D_(minor signs of use)Height: 30 cm (jug)
A Victorian Hallmarked Silver Mounted Claret Jug, WSGS, (Sheffield 1886?), with foliage and scrollwork decoration in relief, the pierced finial of colver form, to scroll cap handle and cut frosted glass body, of gadrooned form, depicting Roman chariot and draping foliage, 26cm high.The hinge top lid works as should, the lid sits slightly open when shut. No signs of repair and the hallmark is not rubbed. The underside of base has allover abrasions. No obvious signs of chipping to glass however some minor bubbles.
Victorian silver plate mounted glass claret jug by Elkington & Co, the hinged lid with thumb piece cast in the form of a lion with shield shaped empty cartouche, the collar and spout cast with Bacchus face masks surrounded by grapes and vines, stamped to rim of collar with date letter T, 34cm high
Dame Lucie Rie DBE (Austrian/British, 1902-1995) A stoneware coffee service for four, circa 1955, impressed LR seal marks, glazed to the exterior in manganese and incised with fine sgraffito bands, comprising: four tapering conical cups, four saucers, a baluster coffee pot and cover with knop finial 19cm high, a baluster milk jug 12cm high and a sugar-bowl, the interiors and undersides of each piece glazed in white (coffee pot with hairline crack, the hairline crack is approx 3cm long, small chip to edge of one saucer) (11) Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring with Sadlers Wells Theatre Ballet, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and winning a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring worldwide, with Sadlers Wells Ballet Company, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring worldwide, with Sadlers Wells Ballet Company, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Condition Report Coffee pot with hairline crack (the hairline crack is approx 3cm long), small chip to edge of one saucer.
A small quantity of cut and crystal glassware, including crystal glass decanter with stopper, height 32.5cm, matching jug, height 26.5cm, vase, height 26cm, three ashtrays and a Wedgwood paperweight , also a George VI hallmarked silver Adie Brothers open salt, with blue glass liner, Birmingham 1940, with three associated spoons, combined weighable silver 1.6ozt/50g.
Four pieces, comprising - 1. A silver mounted cut glass scent bottle, Birmingham 1916, 12.5cm high (lacks stopper) 2. A Doulton Lambeth stoneware harvest jug, 16cm high (small rim chip) 3. A 1960s-70s Murano glass clown, foil label to foot, 19.25cm high 4. A Murano-style glass horse, 20.5cm high
Five Waterford and other crystal and cut glass decanters - including a Waterford Colleen decanter with etched mark, 27.5cm high; a mid-19th century cut glass claret jug, 26.5cm high; a ship's decanter; a Victorian shaft and globe decanter; and a Royal Brierley 'Plymouth' pattern decanter, 20.5cm high; together with two Waterford heavy cut glass ashtrays; a smaller cut glass ashtray; and a water jug.
Victorian silver-mounted glass claret jug by George Richards Elkington, with Bacchanalian repoussé decoration and mask spout, with a domed hinged cover with a thumb-piece modelled as a rampant lion holding a shield, with engraved Dragon head crest, the glass body with etched greek key border and star-cut base, H29cm
John Ford, Holyrood Flint Glassworks, Edinburgh, an Aesthetic Movement etched and engraved glass whisky jug, circa 1870, spherical form with cylindrical neck and angled strap handle, etched with bands of lens cut beads between Neoclassical tulip garland to the neck and shoulder, on four scrolled horn feet with moulded lions mast prunts, the body engraved with the crest and motto of the Glover family of Scotland, 13.5cm highNote: although there is a jug of the same form and structural design as this illustrated in Hajdamach, C, 1992, British Glass 1800-1914, p.172, fig.148, described as designed by James O'Fallon at Thomas Webb and Sons, there are a number of other examples which have sold at Bonhams Edinburgh, including this exact jug, described as being by Holyrood Glassworks. Similarly the Edinburgh Museum has an example of a beaker with the same feet and lions mask prunts, by Holyrood Glass Works. A pair of decanters of the same form with the same Neoclassical banding sold in August 2024 at Lyon and Turnbull, also catalogued as Holyrood Glassworks.
Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Siam variation glass claret jug, circa 1900, footed amphora form with single loop handle and bladed knop, cut with a band of scrolling tendrils and stylised lotus or water lily flowers, alternating between three and five petals, the stopper of hollow bisected twisted form, 37cm highNote: designed in the Venetian style for the service of the Prince of Siam, who commissioned Powell on his visit to London in 1897 for the Diamond Jubilee of Queen Victoria, the elegant form was popular both plain and cut. The cut design on this example is exceptionally unusual, drawing upon Harry Powell's interest in the historical revival, including Mannerist or English Renaissance motifs, as well as the culturally significant lotus flower motif. This could be an early prototype or experimental design, different from the more common engraved Art Nouveau inspired motif which appears on the examples produced for the service; see Evans, W et al. 1995, Whitefriars Glass, London: Museum of London, p.81, fig.82 for an illustrated example of the Water Lily or Lotus design on this form of decanter
An Arts and Crafts silver mounted Stourbridge glass jug, William Henry Sparrow, Birmingham 1904, probably Thomas Webb, in the Aesthetic style, modelled as a quatrelobed gourd with cured tubular neck and hollow handle, 15.5cm highNote: see McConnell, A, 2018, The Decanter; Ancient to Modern, for an example of this form by Thomas Webb in ivorine glass
A mixed collection of pottery and porcelain, comprising a Worcester pickle leaf dish, circa 1765, 9cm wide; a new oval pattern cream jug, pattern 7, armorial vase, 11.5cm high; a Coalport cache pot and stand, painted with flowers; teapot and cover painted with flowers, 14cm high; miniature lion's head, a Continental porcelain model of a pair of boots, small green glaze piggy bank, a delft inkwell liner; a Derby pot and cover, circa 1775, painted panels of birds, unmarked, 7.5cm high; a Mason's ironstone lavender dessert saucer tureen and cover, painted in blue with flowers, together with a further Mason's ironstone open pot pourri and Mason's baluster vase and cover in the Chinese style; a landscape sucrier, lacking cover, painted by Zachariah Boreman at Williams Simms workshop on a Derby porcelain blank, a New Hall cream jug, pattern 2313, painted with birds; New Hll saucer, printed with Bruce Castle, and a small 19th century cordial glass, three Paris porcelain saucers, Paris coffee can, a Vienna saucer, Meissen coffee cup, once cancelled crossed sword marks, etc (group, two trays)(damages and repairs)
A collection of glassware, comprising a Bohemian glass jug and cover, 19th century, possibly Moser, enamelled with shaped trellis panels enclosing flowers, 36cm high; an amber glass vase, modelled in relief with flowers, 20cm high; and three Victorian glass vases, including one running pink/clear to green, tallest 22cm high (5)Condition:Jug and cover - gilding to knop, handle and rims worn. Otherwise good with no damagesRed/green vase - small foot rim chip and one prunt damagesGreen vase - upper rim chipNo other damages or repairs
A STOURBRIDGE PINK CAMEO GLASS AND SILVER MOUNTED CLARET JUG LATE 19TH CENTURY Decorated with bluebells and lily of the valley Hallmarked for London 1886, 24.5cm high Provenance: The Estate of a deceased Gentleman Condition Report: No serious damage or restoration detected. The glass is dirty possibly due to the silver mounts being polished. Please see additional images from Dept. upon request.Condition Report Disclaimer
A Liberty & Co English Pewter hot-water jug designed by Archibald Knox, model no.2079, cylindrical form cast in low relief with heart-shaped foliage and blue enamelled flower panels, two Liberty & Co Tudric pewter baskets designed by Archibald Knox, with glass liners, and a Continental Art Nouveau pewter basket with glass liner, stamped marks, 18cm. high (4)
A Baccarat 'Harcourt Empire' crystal glass table service, 20th century, the fluted bodies with gilt foliate decoration,jug 16cm wide12cm deep16.5cm high (27)Condition ReportThe water jug has small nibbles to the foot rim. Two hiball glasses have flat chips to the lower section. One tumbler has a flat chip to the lower section.comprising 15 hiball glasses, 13cm high, 11 tumblers, 9cm high and a water jug,
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45559 item(s)/page