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A brass lamp base, another in the form of a column, a set of six wine glasses, a cut glass bowl and assorted glassware, a Chinese blue and white vase, with four character mark to base, converted to a lamp, 30 cm high, a Chinese embroidered panel, decorated a scene from the Hundred Boys, 56 x 62 cm (qty)Blue and white vase - old repair and a large loss
Ca. AD 100 - 300 . A shallow glass bowl in colourless glass with a pale blue-green tinge. The bowl has concave sides, with an inner base that is slightly convex, featuring a thickened dome and a central pontil scar. For similar see: Lightfoot, Christopher S., The Cesnola Collection of Cypriot Art: Ancient Glass, cat. 116. Size: 45mm x 150mm; Weight: 135g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. AD 100 - 300 . A pair of glass vessels. The first has a cup-shaped body with a folded rim and strap handles. The second is a shallow bowl with an umbo bottom. Some parts of the vases have developed a beautiful iridescence. For similar see: Lightfoot, Christopher S., The Cesnola Collection of Cypriot Art: Ancient Glass, cat. 222. Size: 40-80mm x 100-140mm; Weight: 245g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. AD 100 - 300 . A shallow glass mesomphalos bowl in colourless glass with a pale blue-green tinge. It features a rounded rim folded out and down, with concave sides tapering downward and curving sharply into an outer, slightly concave section of the base. The bowl rests on a splayed, integral, tubular foot ring created by folding, while the inner section of the base is slightly convex with a thickened dome and central pontil scar. For similar see: Lightfoot, Christopher S., The Cesnola Collection of Cypriot Art: Ancient Glass, cat. 116. Size: 45mm x 200mm; Weight: 110g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Qianlong period, Qing dynasty, Ca. AD 1735-1796. A pale-blue glass bowl. The smooth round body is supported on a short foot, with the colour in imitation to the clair-de-lune glaze. Size: 95mm x 60mm; Weight: 305g Provenance: Prince collection, 1990s-2014; Ex. Christie's. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 100 - 300. A stunning mosaic glass bowl of a traditional form of the period. This patella cup presents a mesmerising pattern comprised of red and black canes, sectioned and floating in a matrix of dark green glass. The green glass is translucent, and other hues are opaque, making for a lovely pattern when held to the light. The body of the cup is supported by a tooled base ring of green glass with a blackened appearance. For similar see: The Metropolitan Museum of Art, Accession Number: 1972.118.178. Size: 125mm x 50mm; Weight: 110g Provenance: Prince collection, 1990s-2014; Ex. Bakhtar Art. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
19th century and later glassware, to include ruby glass overlay cup etched with Forget me not and flowers, cut bohemian style bowl with panels of green bordered with gilt foliate patterns, together with a matching vase with petal foot, cranberry glass, two engraved glasses decorated with stars, green glasses etcflash bohemian style vase
A XIX Century Wine Glass, the ogee bowl raised on white enamel twist stem and domed circular foot, 15cm high and a pair of shot glasses, the funnel bowls etched with ribbons and swags, raised on short stems and circular feet, 12cm high. (3)Wine glass with small chip to top rim and large chip to base rim
A Royal Dux Pottery Figure of a Classical Lady, holding a bowl and a pitcher, in flowing robes and standing on a circular base, pink triangle mark, shape number 1130, 44cm high and a pair of Royal Dux Figures of Peasants, each holding a pitcher and a glass, pink triangle marks, shape number 2298 and 2299, 29cm high. (3)
A Saint Louis crystal glass service, "Thistle" modelComprising 18 water glasses, 24 red wine glasses, 12 white wine glasses, 12 liqueur glasses, 12 flutes, 1 bowl, 3 rinsing bowls, 1 jug, and 1 decanter with cover_x000D_In moulded and cut Saint Louis crystal_x000D_Gold decoration_x000D_Marked on the base_x000D_France, 20th century_x000D_(minor signs of use)Height: 30 cm (jug)
RENE LALIQUE (FRENCH, 1860-1945), 'PISSENLIT' BOWL, DESIGN INTRODUCED 1924 of circular form, clear glass press-moulded and frosted with dandelion leaves, engraved R. LALIQUE FRANCE signature to base24cm diameter Condition good to fair. Some scratches to bowl exterior. No chips or cracks. Additional images now available.
Dame Lucie Rie DBE (Austrian/British, 1902-1995) A stoneware coffee service for four, circa 1955, impressed LR seal marks, glazed to the exterior in manganese and incised with fine sgraffito bands, comprising: four tapering conical cups, four saucers, a baluster coffee pot and cover with knop finial 19cm high, a baluster milk jug 12cm high and a sugar-bowl, the interiors and undersides of each piece glazed in white (coffee pot with hairline crack, the hairline crack is approx 3cm long, small chip to edge of one saucer) (11) Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring with Sadlers Wells Theatre Ballet, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and winning a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring worldwide, with Sadlers Wells Ballet Company, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Provenance: Acquired by the present owner's parents in the mid 1950s, while they were touring worldwide, with Sadlers Wells Ballet Company, in the Corp de Ballet and subsequently as principal dancers. Thence by descent to the present owners. Condition Report Coffee pot with hairline crack (the hairline crack is approx 3cm long), small chip to edge of one saucer.
A Victorian rosewood dressing case the hinged rectangular top enclosing a fitted interior with various silver-plated topped glass containers,31cm widetogether with a 19th century yew wood tea caddy of sarcophagus form, fitted mixing bowl and twin canisters,30cm wide (2)Condition Reportsmall split to edge of rosewood box surface scratches and nibbles to both
A white and pink graduated glass lily vase, 19th century, 56cm high together with an opaline glass pansy vase, late 19th to early 20th century, with painted forget-me-nots, 35cm high and opaque glass bowl, 7.5cm diameter and an opaque glass pin dish, 13cm high (4)Provenance: The Estate of the Late Jackie Mann Condition ReportThe lily vase with a chip to the base. Nibbles to the bowl. The remainder are in good condition.
A George V silver footed bowl, Gorham Manufacturing Co, London 1910, with engraved scrolling foliate decoration to the rim, with a blue glass liner22cm diameter11cm high 19.4oztCondition ReportSome minor dirt and tarnish. Light surface wear and scratches. Some tiny dents and scratches to the rim and interior. Sits flat. Some light scratches and wear to glass but free from chips.
A German cranberry glass goblet, late 19th century, with etched detail of deer amongst a woodland16cm hightogether with a German hock glass,the bulbous bowl with jewelled detail 18cm high,and a tortoiseshell rectangular box11cm wide (3)Condition Reportminor nibbles and surface scratches to glasseschips and missing areas to box
A collection of six Bohemian iridescent glass items, early 20th century and later, comprising a Loetz Papillon glass bowl, 23cm diameter, a WMF Myra style glass vase, 13.5cm high, a Kralik vase with a gilt metal mount, 9.5cm high, a twin-handled squat vase, with gilt decoration, 13cm wide, and two further iridescent vases, 17.2 and 22cm (6)Condition ReportMinor surface, scratches and slight losses to the iridescence throughout.
Large assortment of mixed items to include antler handles carving set, King George VI & Queen Elizabeth Coronation souvenir programmes including Selfridge's portfolio, Royal Crown Derby 'Derby Posies' tea strainer, pewter tankard, Watneys Special breweriana ashtray, Royal Copenhagen trinket dish, rippled carnival glass bowl, Art Deco brass crumb tray and brush, large robin ornament, figurine of girl on horse, frog door stop, wood cut scenery wall hangings, cow bell and a 'Scent bottles through the ages' colour pictorial guide, etc
Six 19th century drinking glasses - comprising a late-Georgian rummer with petal moulded ogee bowl, capstan stem and plain foot with pontil, 13.4cm high; a similarly petal moulded ale glass, 14.9cm high; a gin glass with petal moulded tulip bowl, stout baluster stem and plain foot with ground pontil, 10.8cm high; an early 19th century gin glass with drawn trumpet bowl with moulded fluting, 10.7cm high; a late-Georgian toastmaster glass with panel cut drawn trumpet bowl, 12cm high; and a late-Georgian jelly glass with cut, scalloped rim and solid foot, 11.3cm high.
An enamelled and gilt ruby glass pedestal bowl and a pair of matching decanters - probably Bohemian, mid-20th century, the shallow, cupped ruby glass bowl on a clear glass pedestal base, decorated in enamel and gilt with a band of gilt and turquoise foliage with jewelled beaded swags, the rim and base gilt lined, 24.6cm diameter, 13.3cm high; the matching shaft and globe pedestal decanters with gilt balloon stoppers, 33.25cm high. (3)
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91859 item(s)/page