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Lucie Rie (1902-1995, Austrian/British) Large porcelain footed bowl (circa 1982) Porcelain bowl, of flared conical form, in matt white glaze, decorated with bands of pink double concentric lines inside and out, raised on a high foot, with LR seal mark, 21 cm. diam. From the collection of the late Maurice Costley See the similar bowl in the sale: Lucie Rie and Hans Coper, Exceptional Ceramics: Selections from the Estate of Jane Coper and the former Collection of Cyril Frankel, Phillips, London, 1 November 2023, lot 404. Lucie Rie (1902-1995) was born in Vienna and developed an interest in the decorative arts from a young age, studying under the Head of Ceramics, Michael Powolny, at the Vienna Kunstgewerbeschule. She later opened her own studio, to great acclaim, becoming a much sought-after ceramicist, exhibiting at the Paris International Exhibition in 1925 and wining a gold medal at the Brussels International Exhibition in 1935. Rie fled the approaching Nazi occupation, establishing herself as a Jewish émigré in London in 1938. She initially created glass and ceramic buttons for the Orplid Glass Studio, although she is most well-known for her collaborations with Hans Coper (1920-1981), a German émigré, whom she hired as a studio assistant in 1946. The partnership was a fruitful one; Coper was a huge inspiration for Rie, championing her experimentation and love of modernism. She continued to experiment with glazes, enamel colours and forms throughout her long career. Provenance Acquired from Peter Dingley Gallery, Stratford-upon-Avon, United Kingdom. Condition ReportOverall in good order. There is a very minor, shallow footrim chip at the edge of the footim and a very minute footrim chip beside this, please see additional image. There is some typical and relatively minor pitting and sanding to the glaze, the pink bands have bled somewhat, as is the case with other bowls with this type of decoration. This has been inspected under UV light and there is no restoration or damage is visible.
Ronald Stennett-Willson (1915-2009) a collection of Wedgwood glass, c.1970, comprising two 'Snowflake' vases, 25.5 and 11cm high, a 'Snowflake' dish, 13cm diameter, a similar bowl, 12.5cm diameter, an amber glass vase, 15.3cm high, a similar sleeve form vase, 19.5cm high, a pedestal bowl, 13cm high, three matched smaller examples, 10cm high, a pair of moulded vase or candleholders, 10.7cm high, a glass mug, 10.7cm high, a footed glass, 9.4cm high, three stylised birds, 10cm high, and a posy bowl, with a wide rim, 15.8cm diameter (18)Condition ReportSmall 'Snowflake' vase with chips to the top of the rim. General surface wear and marks.
Two Baccarat glass decanters 20th century, comprising an example with a bullseye stopper, and another of tapering form, acid marks,33.5cm and 36cm hightogether with a glass pedestal bowl,late 19th to early 20th century, with an enamelled border and pearlescent ground,12.5cm high (3)Condition ReportNibbles and scuffs.
Two Wedgwood black basalt figures, 19th century and later, comprising; a figure of Cupid sitting upon a rock with a quiver, 21.5cm highand a figure of Psyche, sitting upon a rock with a bow, on an associated glass stand, figure 21cm high stand 7.5cm high together with a similar figure of Aphrodite, emerging nude from the sea on a reservoir bowl, the figure with holes to the base for a fountain or flower frog, figure 32cm high bowl 35cm wide (5)Condition ReportChipped to the glass stand. All with surface scratches.
A group of twelve clear glass rummers, 20th century, possibly Dartington, 12.5cm high,together with five further engraved glass drummers, 19th century, Irish, 12cm and 13cm high,four engraved rummers, 19th century, each with an ogee bowl, 13cm high, and two engraved finger bowls, 11.5cm diameter (23)Condition ReportAll in good order.
BERTIL VALLIEN (1938-2018) FOR KOSTA BODA: A STUDIO GLASS FOOTED BOWL, etched signature and number "51635" to the underside, 11.5cm high x 15.5cm diameter; an iridescent glass paperweight in the from of a sea urchin by Trout Studios, signed to the underside, 5.75cm high; and a, Ditchfield Glassform paperweight in the form of a pear, the green glass and iridescent body with silver stalk and leaf, etched signature and retail label to the underside,11.25cm high (3)
ARCHIBALD KNOX FOR LIBERTY: AN ARTS AND CRAFTS 'TUDRIC' PEWTER AND 'CLUTHA' GLASS COMPORT, model 0276, the double ogee marbled aventurine glass bowl, supported in a pierced foliate tendril dish on three buttressed legs and circular base, stamped with the number to the underside, 16.1cm high, the glass dish 20.8cm diameter
A Tiffany Favrile glass sundae dish, in iridescent gold and purple lustre the circular bowl acid etched with a frieze of grapes and leaves to the exterior rim, acid etched 'L.C.T. Favrile' to the underside8.5cm highProvenance:The collection of Quentin StevensonIn good condition, noting a few small air bubbles within the glass and a couple of minor manufacturing imperfections in the lustre to the rim. No apparent damge or repairs, rings well.
Coquilles, an R. Lalique opalescent and polished glass bowl, pattern no.3204, the exterior moulded in relief with four stylised shells, wheel etched mark to underside, 13cm diameter; together with Primeveres, an R. Lalique opalescent and frosted glass box base, pattern no.77, the exterior moulded in high relief with blossoming flowers, impressed and etched mark to underside, 16cm diameter (2)The Coquilles bowl in good condition, the Primeveres bowl lacking its cover and with a minor imperfection within th eglass to the rim, otherwise in good condition.
An assembled group of Art Nouveau pewterEarly 20th century, including a Tudric openwork dish or wine stand (lacking glass liner), 16.5cm across, two small jugs, 6cm and 12cm high, a sugar bowl, 16cm across, and a small bonbonnier, 11cm across. (5)Condition:Tudric: Lacking glass liner, some minor surface wear/scuffing, mild dents to footrim.Jugs: Larger jug cover detached at hinge and has general signs of age and use. Smaller has general signs of age.Sugar bowl: General wear and mild dents.Bonbonnier: Some surface scratches and general signs of age.
A Lalique 'Coupe Framboise' glass bowl, c.2003, red glass, engraved 'Lalique France 01/99', with original box and paperwork,32cm wide26cm deep21.5cm highCondition ReportAppearing as new with no obvious faults. The box with surface wear throughout commensurate with use. Please see additional photos.
Late 19th century Bohemian white overlaid cranberry glass pedestal bowl, with fancy scalloped rim and cut with oval and fleur de lis shaped panels, each enamelled with 'Reynard the Fox' anthropomorphic animals, after the illustrations by Wiilhem Von Kaulbach, within gold borders with gilt scrolling decoration, supported by a slice cut circular spreading foot with further gilt decoration, H28.5cm x W22.5cm
Orrefors glass decanter 'Sussex Stand 1990', glass ships decanter with silver collar 'Graham's Vintage Port', silver decanter label, boxed, French blue glass bowl on pewter stand 'Deauville 2012, Atlantis Gulotta glass vase etched with a racehorse H21cm and other glass with racing connections
A latticino glass bowl by Michael James Hunter of Twists Glass Studio, Selkirk - the conical bowl with a spiral of white combed latticino decoration below a purple rim, on a solid foot with etched signature, 27 cm diameter, 13.3 cm high.* In good condition, with no faults. No chips, cracks or scratches to glass
A closely matched pair of Georgian wine glasses - both with a conical bowl on a double ring collar and stem with central bladed knop, on a plain foot with pontil, 12.8cm and 13cm high; together with three other 19th century glasses, comprising a late-Georgian ale glass with conical bowl and capstan stem, 13.5cm high; a plain ale glass with drawn trumpet bowl, 12.7cm high; and a mid-19th century wine glass with drawn trumpet bowl, 12cm high. (5)* One of the closely matched pair of glasses has a slightly opaque, 'milky' surface to the inside of the bowl. Otherwise all in good condition, with no chips, frits or cracks. Expected scratching to underside base edges only.
An art glass bowl by Michael James Hunter of Twists Glass Studio, Selkirk - the conical bowl with a spiral of cranberry decoration below a purple and yellow lined rim, on a solid foot with etched signature, 18.7cm diameter, 8.5cm high.* In good condition, with no faults. No chips, cracks or scratches to glass
A small collection of vintage coloured glass ware - including an iridescent green glass rose bowl, of bun form with detachable brass lattice rim, 14.5cm high; a Victorian blown blue glass hyacinth vase, 15cm high; a Victorian painted opaque green glass vase of baluster form, painted with white flowers, 20cm high; a vibrant 1950s baluster vase painted with stylised flowers in orange, white and gilt, 28.5cm high; and five other pieces; together with a small quantity of Torquay / Devon motto ware, a few pieces a/f.
A small group of 19th century glass - comprising a uranium glass bowl with frilled rim and moulded foliate feet, probably Thomas Webb, 10.3cm high; a tumbler with moulded star base and etched birds and nest decoration, 10.9cm high; a mixing tumbler with single spout, basal panel cutting and polished base, 11cm high; a pair of cut glass square decanters (no stoppers); a pair of cranberry souvenir glasses; and a slag glass lemonade glass. (8)
An unusual 19th century Bristol blue glass apothecary's bottle, of double gourd form - with polished pontil and silver mounted cork stopper, possibly later, 19.8cm high; together with two other pieces of 19th century Bristol blue glass, comprising a pedestal bowl, with folded foot, 9.7cm high; and a small, squat baluster jug, 5.4cm high. (3)
Two art glass bowls by Michael James Hunter of Twists Glass Studio, Selkirk - each of cupped form on a solid circular foot, one in green glass with a cobalt-blue rim, the other cranberry glass with a clear rim, both with etched signature to foot, 14.2 cm and 15.1 cm diameter, 8.8 cm high.* Both pieces are in good condition, with no faults. The green bowl has a small imperfection to the glass (a small burst bubble?) to the inside near the base – please see photo.
A Continental cut glass and silver comport, early 19th century – the shallow bowl with shaped turnover rim and printie and petal cutting, on a short stem with facet cut knop to a silver pedestal base with impressed marks, weighted, 27.3cm diameter, 23cm high (glued repair to rim); together with a similar 19th century cut glass bon-bon dish with star cut octagonal base, 13cm high. (2)
A late-Georgian cut glass wine goblet - the drawn, ovoid bowl with comb cut and flower engraved band below the rim, over basal panel cutting and a diamond cut stem with single tear, on a plain foot with ground pontil, 16.9cm high; together with an oversized clear and olive green engraved glass roemer, mid-20th century, the cup shaped bowl with engraved fruiting vine decoration, on a hollow bun shaped knop with three raspberry prunts, to a tapered, ribbed stem with flared foot, 26cm high. (2)
Y A VICTORIAN SILVER TRAVELLING TEA SERVICE JOHN SAMUEL HUNT, HUNT & ROSKELL, LATE STORR, MORTIMER & HUNT, LONDON 1848 With engraved crowned cyphers and ivory warming bands, comprising: A kettle and lamp stand, a teapot, another teapot, a tea caddy, a sugar bowl, a milk jug, a waste bowl, a small spice box, a rectangular tray and a strainer by Charles Rawlings & William Summers 5929g (190.65 oz) gross In a fitted oak casePlease note: Dreweatts have applied for a de minimis exemption for this lot. Ref: RC5MG11C Condition Report: Kettle - Marks are clear, splits to the ivory, engraving crisp, cover sits well, stands wellSpirit bottle - Marks clear, engraving crisp, cover screws down well, glass goodLarger tea pot - Marks are clear, splits to the ivory, engraving crisp, cover sits well, stands well, slight play to the hinge and handleSmaller tea pot - Marks are clear, splits to the ivory, engraving crisp, cover sits well, slightly wobbles, play to the hinge, excessive play to the handle, dent to the handleTea caddy - Marks are clear, engraving crisp, hinge tight, cover sits well, no keySugar bowl - Light rubbing to the marks, cover fits tightly, engraving is crisp, stands wellMilk jug - Light rubbing to the marks, engraving is crisp, stands wellWaste bowl - Marks are clear, engraving crisp, knock to the foot rime, wobblesSpice box - Marks are clear, engraving crisp, hinge good, dent to one foot, wobblesTray - Marks are clear, engraving crisp, stands wellBox - Come with keyAll with light scratches and wear commensurate with age and useCondition Report Disclaimer
AN ENGLISH CUT GLASS PART TABLE SERVICE PROBABLY STOURBRIDGE, LATE 19TH CENTURY Comprising: a pair of claret jugs and stoppers, 29cm high; a decanter and stopper, 27cm high; 6 water jugs, 18cm high; 15 finger bowls and 12 stands; one sugar bowl; 8 water goblets, 4 being 16.5cm high, the other 4 reduced and 15cm high; 8 champagne flutes, 16cm high; 10 red wine glasses, 12.5cm high; 16 white wine glasses, 12.5cm high; 13 pudding wine glasses, 11.5cm high; 12 various liqueur glasses, in various sizes Saleroom Notice: Please note, this lot contains 13 pudding wine glasses and 12 various liqueur glasses not as previously stated in the printed catalogue Condition Report: Some old damage, some glasses reduced to the rim, odd numbers of glasses and some glasses with glass bloom. This service has had much historic use and is in country house condition. Do not buy this service assuming it to be 'perfect'. It is not. Please view in person or ask the Dept. for images/condition report if required.Condition Report Disclaimer
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90611 item(s)/page