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A collection of various Studio Pottery; to include Geoffrey Whiting, Tony Benham, John Dawson

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a cut sided stoneware bowl covered in tenmoku breaking to kaki glaze, impressed GW and pottery marks, diameter 11cm, and an Avoncroft Pottery mustard pot and cover and salt both covered in kaki glaze (3).Provenance: Estate of Chris Jensen.Condition Report: Blemish to bowl rim and glaze rubbing to salt lower rim, otherwise appears good with no further signs of faults, damage or restorations.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware jug partially covered in tenmoku breaking to kaki glaze, impressed pottery mark, Taggs Yard collection stamp, height 20cm, and a dish, bowl, and cup (4).Provenance: Harry Horlock-Stringer collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware jar partially covered in pale grey glaze with iron decoration, impressed GW and pottery marks, height 14cm, and a mug (2).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

A collection of studio pottery comprising an Arthur Griffiths stoneware vase, impressed mark, 13.5cm high, a Jim Malone vase, in a pale celadon glaze with incised decoration, impressed mark, 25.5cm high, a similar small Jim Malone vase, 9.5cm high, a Geoffrey Whiting footed bowl, impressed marks, 10.5cm diameter, and two further vases, with indecipherable impressed marks, 17.5cm and 8.8cm high (6)Condition ReportNo chips or cracks. Minor surface wear and imperfections due to the nature of the manufacture.

Geoffrey Whiting (1919-1988) a stoneware jug, 13cm high, a Abuja pottery jug, 14.5cm high, a Dave Wilson pottery mug and three others (6)

Geoffrey Whiting (1919-1988), two Avoncroft studio pottery vases, one of four-sided shape with swirl pattern decoration, 16 cm high, the second of inverted tapering cylindrical form with chessboard pattern, 17 cm.

Bees.- Golding (Robert) The Shilling Bee Book, containing the leading facts in the natural history of bees, with directions for bee management, first edition, additional lithographed vignette title printed in red and green and depicting a hive heightened in gilt, a few wood-engraved illustrations in text, additional title with area of mostly marginal loss to lower corner (just touching small part of decorative border) and neatly laid down, pp.11/12 lower corner repaired, just within text, which remains perfectly legible, some inner gutters neatly strengthened, a few marginal repairs, some staining or soiling, occasional spotting, lightly browned, new to style yellow endpapers, original green limp cloth, gilt title to upper cover, cloth neatly worn at lower edges, some staining, rubbed, [British Bee Books 256; Walker p.30 (second edition)], small 8vo, Longman and Co. [Maidstone, Printed by Cutbush, Son, and Whiting], 1847. *** Rare in commerce. The author was from Hunton in Kent, and here aims his observations at 'the poorer bee-keepers'. '[Golding's book] contained a great deal of up-to-date information, and was a dangerous rival to Huish's book, which was much dearer' (British Bee Books, quoting Fraser). Provenance: 'John Mather, 1860' (ink inscription to head of additional title); Geoffrey Lawes (pencil inscription to front free endpaper '256, Lawes 262'); S.A. Baldwin Bee Library. 

Geoffrey Whiting (1919-1988) studio pottery teapot, with white glaze and brushwork leaf motifs, impressed seal marks to the footrim, 11.5cm high overall, a small Avoncroft pottery bowl with tenmoku glaze and speckled interior, impressed seal mark to the footrim, 7cm high overall and an iron glazed bowl and a Tony (Anthony) Davies studio pottery iron glazed bowl, impressed mark to the footrim, 9.5cm high (3) Overall wear, marks and minimal scratches to all. The teapot lid has some very small chips to the underside. Davies bowl has a small bruise to the rim with possible tiny repairs, might be a glaze fault. Otherwise seems ok.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a porcelain bowl covered in sage green crackle glaze, impressed G and pottery marks, diameter 15.5cm, and a smaller bowl covered in celadon (2).Condition Report: Small bowl has chip to base where it stuck to kiln shelf, otherwise appears good with no further signs of faults, damage or restorations.

† GEOFFREY WHITING (1919-1988) for St Augustine's Pottery; a globular stoneware jar covered in tenmoku breaking to kaki glaze with incised decoration, impressed pottery mark, height 21.5cm, and a similar small vase and beaker (3).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a porcelain bottle covered in tenmoku breaking to kaki glaze, impressed G and pottery marks, height 15cm, and a matching porcelain box and cover and stoneware beaker (3).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; an ovoid stoneware vase covered in speckled grey glaze with iron and cobalt decoration, impressed pottery mark, height 23cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a near pair of stoneware vases with flared rims covered in tenmoku breaking to kaki glaze, one with incised decoration, impressed G and pottery marks, tallest 16cm, and two globular vases, tallest 13cm (4).Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† GEOFFREY WHITING (1919-1988) for St Augustine's Pottery; a stoneware bowl covered in green glaze, impressed pottery mark, diameter 21.5cm, and a matching small vase (2).Condition Report: Limescale marks to bowl interior and glaze blemish to side of vase, otherwise appears good with no further signs of faults, damage or restorations.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware bowl covered in chun glaze with copper red splashes, impressed G and pottery marks, diameter 13cm, a similar smaller bowl, and yunomi, height 8.5cm (3).Condition Report: Larger bowl has chips to glaze where it has run over footring and stuck to kiln shelf, otherwise appears good with no further signs of faults, damage or restorations.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware pot covered in iron rich glaze with wax resist decoration, impressed pottery mark, height 11cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

A collection of Studio pottery to include Geoffrey Whiting dish, David Eeles dish with pierced cover, a Blue Shore Studio from Sunshine Coast dish by Cornelia

ARR Geoffrey Whiting (1919-1988), an ovoid pottery jug in tenmoku glaze with ribbed design, 30cm highIn good condition, no damage or repair

ARR Geoffrey Whiting (1919-1988) a celadon mug, 8.5cm high and a celadon glazed pot with cover, 9cm diameter

ARR Geoffrey Whiting (1919-1988) a small lustre brown glazed pill box, 6cm diameter

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a large stoneware bowl covered in iron rich glaze with wax resist decoration to the well, impressed GW and pottery marks, diameter 31.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

A Geoffrey Whiting (1919-1988). Stoneware tea bowl. C1980 ,with an Impressed mark, A for Avoncroft Pottery. Stands 7 cm tall and 9 cm across the rim Condition: Good, no damage or restoration 

A framed Geoffrey Whiting Watercolour of an estuary scene, 19 1/2" x 15 1/2".

Studio Pottery, probably Geoffrey Whiting, all pieces stamped A to base, to include bowl with handle, mug, lidded dishes, etc. (5).

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware teapot covered in tenmoku breaking to kaki glaze, impressed pottery mark, height 13.5cm.Provenance: Kevin de Choisy collection.Condition Report: Chip to spout, otherwise appears good with no further signs of faults, damage or restorations.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware jug covered in tenmoku breaking to kaki glaze, impressed GW and pottery marks, height 20.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a porcelain vase covered in mottled dark grey glaze with wax resist decoration, impressed GW and pottery marks, height 16cm, and a stoneware vase with meander decoration (2).Condition Report: Tight hairline to rim of meander vase, otherwise appears good with no further signs of faults, damage or restorations.

Studio pottery - A Geoffrey Whiting tall stoneware ewer, celadon type glaze, 28cm high, potter’s mark to base, and a similar lidded vessel by the same potter, mark to base, 15cm high; stoneware jug by Peter Arnold, mottled blue glaze, potter’s mark, 17cm high; Powey pottery jug; Lakes, Truro; etc, (9).

Geoffrey Whiting (1919-1988)Tea bowliron red glaze8cm high.

Geoffrey Whiting (1919-1988) a stoneware vase of slab form with resist decoration through the brown glaze, impressed marks, 23.5cm high/Note: shown in the Geoffrey Whiting Retrospective Touring Exhibition/Provenance: from the Henry Sandon Study Collection/see illustration CONDITION REPORT: In good order overall. ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Geoffrey Whiting (1919-1988)/Cley Mill, North Norfolk/a study of a windmill/signed G Whiting/watercolour, 27.5cm x 37cm/framed/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Geoffrey Whiting (1919-1988), two porcelain bowls, one with a light celadon ground and painted leafy branch, 10cm high, Avoncroft seal mark, the other with an oatmeal glaze finely ribbed and very delicate, 9.3cm high, both made at Canterbury, St. Augustine's mark/Note: from the Whiting family/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The example with light celadon ground and leaf designs with a star crack to glaze at the underside of base, otherwise ok, the other in oatmeal glaze in good orderARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

Henry Sandon (born 1928) four vases, circa 1965, made under the tutorage of Geoffrey Whiting, Victoria Institute, Worcester, hand thrown with accentuated throwing rings, one vase with black calligraphic decoration on a light green glaze, 16cm, another with yellow slip splashed on a black glaze, 13cm, a baluster jar with a white slip rim, 17cm, and a vase with a green glaze stopping just above the foot, mostly with incised S marks/Provenance: from the Henry Sandon Study Collection/see illustration CONDITION REPORT: A green glazed example with calligraphic-type inscription with a chip to one corner of upper rim of neck, further minute chip to glaze, another green glazed vase with a rim chip 1.5cm long, a baluster jar with a small shallow chip to upper rim, the black/brown glazed vase with small rim chip beneath the glaze which occured at time of manufactureARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware preserve pot covered in iron rich glaze, impressed pottery mark, diameter 10.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware cup covered in oatmeal and grey glaze, impressed pottery mark, height 7cm. Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Keith Crouch (brother of Andrew Crouch), and Geoffrey Whiting (1919-1988),Crouch Tenmoku glazed bowl, circa 1980s, and Whiting footed bowl, circa 1950sGlazed earthenwareImpressed seals16cm diameter, 7cm high, and 15cm diameter, 10.5cm high.ProvenanceThe property of John Kenworthy-Browne FSA.

Geoffrey Whiting (1919-1988) studio porcelain bowl, celadon craquelle glaze, impressed mark to base, height 7cm, diameter 17cm

Geoffrey Whiting (1919-1988) at Avoncroft PotteryVasetenmoku with brushwork decorationimpressed potter's and pottery seals20.5cm high.

GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware jar covered in running green ash glaze with iron decoration, impressed pottery mark, height 18.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Mary Rich (b.1940 - 2022) a studio pottery jug with treacle glaze on oatmeal ground, impressed mark to base (h.16.5cm), a Geoffrey Whiting (1919 - 1988) studio pottery plate, impressed mark to base (D. 22cm) and a Tony Gant studio pottery bowl with blue speckled glaze interior, impressed mark to base (h. 4.5cm) (3)

Geoffrey Whiting (1919-1988), a studio pottery teapot and coffee pot, a vase, together with an unattributed porcelain bowl. (4)-coffee pot 22cms high.

Dickens, Charles: All The Year Round Vol VIII, September 13 1862 - February 21 1863, including No.s 177-200 and extra Christmas number, London, 1863, No. 26 Wellington Street, Chapman & Hall, 193 Piccadilly, and C. Whiting, Beaufort House, Strand., together with Irving, Washington (pseud Geoffrey Crayon): The Sketch Book, Complete in one volume, Dublin 1850 and Rye, Walter: A History of Norfolk, London 1885. (3)

Quantity of Exhibition Posters, including by Geoffrey Whiting, Mick Casson, Takeshi Yasuda Ceramics, Alan Caiger-Smith, and contemporary British Crafts.

Vintage TV/Entertainment Collection of 34 Signed Photos, Mainly black and white photos, various sizes, Housed in a Folder. Signatures include Gerik Schjerdrup, Dave Shand, Robin Short, Ethel Smith, Victor Soverall, Ricky Stevens, Jack Stewart, Jack Strachey, Geoffrey Sumner, Walter Susskind, Phil Tate, Danny Thomas, Ken Thorne, Susan Travers, The Treniers, Mitchell Torok, Margaret Tyzack, Billy Vaughn, John Vere, Mavis Villiers, Eric Waite, Johnny Webb, Joan White, Dave Whiteman, Margaret Whiting, The Wiere Brothers, Gerry Wilmot, Hugo Winterhalter, Mike and Bernie Walters, Haydn Wood, Pauline Yates and 3 others. Some Fantastic signatures within this lot. Some Photos contain minor creasing, some showing signs of age. Good Collection. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £7.99, Rest of World from £9.99

GEOFFREY WHITING. An Avoncroft Pottery, celadon glazed bowl by Geoffrey Whiting with incised decoration to the interior. Personal & Avoncroft marks. Diameter 21cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase. 

Geoffrey Whiting (1919-1988) at Avoncroft PotteryTeapotrust and tenmoku glazeimpressed potter's and pottery seals13.5cm high.

A group of studio ceramicsTo include a Geoffrey Whiting vase, 6.5cm high;an Eileen Lewenstein vase, 11cm high;Joanna Constantinidis vase, 11cm high;and three further pieces (6).Qty: 6Condition report: 698 – The taller white vase marked KM in the lot has a star crack to its base and a crack to the rim. Joanna Constantinidis vase has a chip to the rim, and a hair line. Other ceramic ware seems good

GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a miniature stoneware vase decorated with trees, impressed pottery mark, height 6cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware bottle partially covered in green ash glaze, impressed GW and pottery marks, height 22cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Quantity of Exhibition Posters, including by Geoffrey Whiting, Mick Casson, Takeshi Yasuda Ceramics, Alan Caiger-Smith, and contemporary British Crafts.

Studio pottery to include a Ray Finch cheese dish and cover, Margaret Hall tea pot and a vase, Michael Casson twin handled pot, Geoffrey Whiting charger, David Cohen vase and a Klein plateCondition: no damage

Geoffrey Whiting (1919 - 1998), 2 Studio pottery jugs, largest height 15cm

Geoffrey Whiting (1919 - 1998), 2 Studio pottery bowls, largest 15cm diameter

GEOFFREY WHITING (1919-1988) for St Augustine's Pottery; a stoneware footed bowl with iron rim, impressed pottery mark, diameter 11cm, and a matching Leach Pottery jug (2). (D)Provenance: Artist's collection.PR – Though Whiting was never officially a Leach apprentice, I always felt that no potter was truer to his principles. I got this bowl from the Whiting family and, at roughly the same time, bought this Leach standard ware jug. They have been ‘married’ ever since.Additional InformationChip to jug spout, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

GEOFFREY WHITING (1919-1988) for St Augustine's Pottery; a collared stoneware vase with wax resist decoration on mottled dark green ground, impressed GW and pottery marks, height 12.5cm. (D)Provenance: Sue James collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

GEOFFREY WHITING (1919-1988) for St Augustine's Pottery; a stoneware caddy with iron and cobalt floral decoration on mottled grey ground, impressed pottery mark, height 12.5cm. (D)Provenance: Sue James collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

JOHN BEDDING (born 1947) for Cross Pottery, Penzance; a small stoneware bowl with iron and cobalt decoration on grey ground, impressed pottery mark, diameter 9cm. (D) This was originally catalogued as by Geoffrey Whiting. Many thanks to Alex Tonkinson and David Whiting for correctly identifying this piece.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

GEOFFREY WHITING (1919-1988) for St Augustine's Pottery; a stoneware chawan with iron decoration on lustrous iron rich ground, impressed pottery mark, diameter 14.5cm. (D)Provenance: Artist's collection.PR – This chawan and the vase in the next lot came from the Whiting family collection. They were the star pieces from an otherwise disastrous firing – as I recall, some of the wood was salt-preserved and it produced this lustre effect with the decoration largely burnt away. Whiting really liked them but knew he would never be able to reproduce what happened. David Whiting told me he was pretty loose with marks when he had both potteries, which explains why one has the Avoncroft mark and the other St Augustine’s. Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

GEOFFREY WHITING (1919-1988) for Avoncroft Pottery; a stoneware vase with iron decoration on lustrous iron rich ground, impressed pottery mark, height 17.5cm. (D)Provenance: Artist's collection.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org