We found 70732 price guide item(s) matching your search

An oak drawleaf table, a set of four chairs, an occasional table, a coffee table and assorted other furniture (qty)

A yellow three seater sofa, and assorted other furniture

A large quantity of assorted furniture

A painted double seat, a set of four dining chairs, and assorted other furniture (qty)

A mahogany chest, having two short and three long drawers, and assorted bedroom furniture (5)

A group of furniture, to include a blue painted chest with an arrangement of nine drawers, 84cm high, 101cm wide, 45cm deep, matching two door cupboard, display cabinet, etc. (a quantity) WARNING! This lot contains untested or unsafe electrical items.  It is supplied for scrap or re-conditioning only. TRADE ONLY

A Ducal Furniture waxed pine breakfront dresser, three shelves to centre flanked by glazed cupboards holding glassinset shelves, stepped to base with further cupboards, plinth base, 192cm x 174cm x 40cm

An reproduction yew wood pedestal kneehole desk, by Iain James Furniture, teal tooled leather inlaid writing surface, 77cm x 122cm x 61cm

A modern rattan garden furniture set by 'Supremo Leisure' including a two seater sofa, four armchairs and coffee table

A Mid 20th century teak extending dining table, attributed to Nathan Furniture,  1970, dimensions when open: 76cm x 206cm x 100cm

A modern pine open bookcase by Ducal Furniture, 120cm x 100cm x 31.5cm

Mid 20th Century Design - a set of six 1970's teak dining chairs by Nathan Furniture in butterscotch leatherette, seat height 43cm

Furniture - an early 20th century oak dropleaf gateleg table; two nests of occasional tables; campaign style telephone seat; a pair of oval coffee tables, etc

Late Dynastic Period, Ca. 664 - 332 BC.A group of ten faience fragments, part of a large faience inlay which may have been placed upon a tomb wall or wooden furniture, possibly depicting a lotus column or something similar.Size: 350mm x 200mm; Weight: 2.4kgProvenance: Prince collection, 1990s-2014, acquired from Galerie Uraeus, Alkis. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

* HERBERT DAVIS RICHTER (BRITISH 1874 - 1955), STILL LIFE, FLOWERS IN A SILVER BOWL oil on canvas, signedframedimage size 39cm x 49cm, overall size 49cm x 57cmNote: Painter, mainly in oil, especially of elegant interiors and of flowers. Born in Brighton, Sussex, he initially studied furniture design at Bath School of Art, and he continued to practise as a designer and architect there for about 10 years from the mid-1890s. Then in London studied painting with J M Swan and Frank Brangwyn. Exhibited prolifically, including RA, RBA, ROI, RSW, Goupil Gallery and Leicester Galleries. At the Paris Salon won a silver medal, having won both gold and silver medals for furniture design at the Paris International Exhibition, 1900. Was for a time president of the PS, as well as the Bath Society of Artists. Represented in Victoria & Albert Museum and in many British provincial and overseas galleries. His work is well shown in Paintings and Poems, which he published, with poems by Lady Margaret Sackville, in 1944. Thirty-three of his paintings are held in UK public collections.

* HERBERT DAVIS RICHTER (BRITISH 1874 - 1955), STILL LIFE WITH SILVER VASE oil on canvas, signed framed image size 62cm x 75cm, overall size 91cm x 104cm Note: Painter, mainly in oil, especially of elegant interiors and of flowers. Born in Brighton, Sussex, he initially studied furniture design at Bath School of Art, and he continued to practise as a designer and architect there for about 10 years from the mid-1890s. Then in London studied painting with J M Swan and Frank Brangwyn. Exhibited prolifically, including RA, RBA, ROI, RSW, Goupil Gallery and Leicester Galleries. At the Paris Salon won a silver medal, having won both gold and silver medals for furniture design at the Paris International Exhibition, 1900. Was for a time president of the PS, as well as the Bath Society of Artists. Represented in Victoria & Albert Museum and in many British provincial and overseas galleries. His work is well shown in Paintings and Poems, which he published, with poems by Lady Margaret Sackville, in 1944. Thirty-three of his paintings are held in UK public collections.

A collection of eight pieces of Nathan teak furniture

Box of reclaimed door fittings/furniture to include various locks, embossed brass finger plates, etc

A contemporary partially painted suite of free standing kitchen furniture with solid oak tops and stainless steel shelves, approx 90cm high

Vintage teddy bear by Merrythought with jointed body and stitched nose and mouth height 52cm (AF) together with 5 pieces of dolls wicker furniture

A Continental carved panel, 19th century, with carved strapwork and stiff leaves, the three panels centred with busts, 90 x 106.5cmCondition ReportOld worm and holes throughout. Part of a piece of Furniture?

A carved mahogany furniture element late 18th Century, in the form of a swan head,4cm wide6cm high16cm longCondition Reportlight scratches, and knocks

Welcome Furniture 'Knightsbridge' - bookcase - width 77cm

Stag Furniture - chest of two long, three short side by side and two long drawers - width 81cm

Welcome Furniture 'Knightsbridge' - chest of four drawers, together with matching pair of bedside cabinets

Welcome Furniture 'Knightsbridge' - desk with velour swivel chair

A Mobility Furniture Company rise and recline electric chair

Welcome Furniture 'Knightsbridge' - bookcase - width 77cm

two Chinese Ming period tomb furniture items in glazed earthenwareCHINA - MING-DYNASTIE (1368 - 1644) lot van twee grafsculpturen in groen geglazuurd aardewerk in de vorm van een kist - hoogtes : 9 en 14 cm

A 1970s tile-top teak coffee table by Nathan Furniture - (LWH 112 x 51 x 41 cm)

A vintage 1970s 'Squares' cabinet by Nathan Furniture - possibly a hi-fi cabinet with storage for LPs, maker's label to interior, with a full-width open shelf over a pair of four-panel doors enclosing an open storage space, on an inset plinth base. (LWH 102 x 46 x 75 cm)

A four-piece suite of hardwood garden furniture - a folding table (LWH 70 x 80 x 76.5 cm), two folding chairs and a low table (LWH 119 x 48.5 x 38.5 cm)

A GROUP OF REFERENCE BOOKS AND CHINESE WORKS OF ART. To include, Carved Lacquer in the Collection of the Palace Museum, Hardback in slipcase; Chinese Carved Lacquer, by Derek Clifford, Hardback, 1992; Chinese Furniture, by Michel Beurdeley; Chinese Furniture, by Craig Clunas, Victoria and Albert Museum, Far Eastern Series. (4) Used condition. Tear to cover of Chinese Furniture by Beurdeley.

REFERENCE BOOKS ON HONG KONG, CHINESE FURNITURE AND TEXTILES. To include Chinese Country Antiques, Vernacular Furniture and Accessories, c1780-1920, by Andrea & Lynde McCormick, Hardback, 2000; Dragons and Silk from the Forbidden City; Dress in Hong Kong, 1992/93; Chinese Residences, 1991, published by Beijing Science & Technology Publishing House; City of Victoria, revised edition, 1999; Of Hearts & Hands, Hong Kong's Traditional Trades and Crafts, 1996. (6) Used but good condition.

TWO SOUTH EAST ASIAN CAST METAL ITEMS OF DOOR FURNITURE. Comprising: a door handle in the form of a dancing Buddhist female deity, with screw fittings, the other, a door knocker cast as an elongated figure with arms outstretched holding an offering, with long robe and peaked hat, 21.5cm long (2) Small areas of rusting to the door handle, some surface scratching to the knocker through use, some surface wear overall.

Mixed colletables to include;Vintage Golf Bookends (painted bronze), McVite & Price glass advertising sign (was previously attached to a piece of furniture, WWll German Naval Cap Tally

FIRESIDE FURNITURE Comprising; an Art Deco walnut facetted coal box, 37cm high; a pair of modern woven wicker log baskets, 54cm high; and another pair, 36.5cm high (5) Provenance: The Estate of a deceased Gentleman Condition Report: Please note the below condition report is the only one available. Marks, knocks, scratches and abrasions commensurate with age and use Some old chips, splits, losses and repairs The woven baskets with signs of use and wear - but all of solid, stable structure overall The mahogany coal bucket with signs of use and wear. Coal pieces and dust still contained within. The timber panel to the underside with water damage, losses and blooming. The above report is supported with additional images which can be sent via a link. Please 'Ask a Question' to request these images. For any further enquiries please contact the department directly. Condition Report Disclaimer

A SET OF TEN MAHOGANY DINING CHAIRS IN THE MANNER OF DESIGNS BY GEORGE HEPPLEWHITE, FOUR CIRCA 1780 AND SIX LATER MADE TO MATCH To include two armchairs, each shield back with scrolled decoration The armchairs 96.5cm high, 59cm wide, 47cm deep; the side chairs 96.5cm high, 52cm wide, 45.5cm deep Provenance: Sotheby's London, Silver, Carpets and English Furniture, 17th December 1993, Lot 373  Condition Report: Please note the below condition report is the only one available. With wear, marks, knocks and scratches as per age, handling, use, and cleaning, see additional images Some old chips, splits, scratches and losses, particularly to feet, Some marks and deposits to the upholstery and on reverse Solid and stableThe above report is supported with additional images which can be sent via a link. Please 'Ask a Question' to request these images. For any further enquiries please contact the department directly.Condition Report Disclaimer

A RARE AND FINELY CARVED HEADREST 'KALI HAHAPO' TONGA, LATE 18TH / EARLY 19TH CENTURY Of good colour and patina to the wood, sennet (coconut fibre), glass beads mounts 19cm high, 53cm long Provenance: Ex Captain A.W.F. Fuller (1882 - 1961) given to Dr Roland Force, in recognition of Force's work in cataloguing the Fuller collection (see: below) Ex Julian Harding collection Ex Wayne Heathcote Ex Patricia Withers collection (1934 - 1998) London Ex Sotheby's London 1988 Ex Nasser Gallery 2010 Ex Private collection Literature: 'The Mark and Carolyn Blackburn Collection' 2010, pg. 246, ill. 146 'The Fuller Collection of Pacific Artefacts', Lund Humphries, London 1971 Pierre Loos, Bayet et Caltaux, 'La tête dans les étoiles. Appuis-Nuque d'Afrique et d'ailleurs', BRUNEAF, 2012: pg. 157 Exhibited: BRUNEAF, Bruxelles, Belgium 'La tête dans les étoiles'. 'Appuis-nuque d'Afrique et d'ailleurs', 6 - 10 June 2012 Of elegant arching form and carved in one piece from a dense, fine grained wood, possibly 'Intsia bijuga'. Neck-rests of this type were used in Tonga as pillows to ensure that the elaborate coiffure of the owner would not be disturbed during sleep. 'Kali' acquired 'mana' (the spiritual force) by repeated contact with the owner's head and in the case of a chief became objects of great prestige. This example, from the renowned Captain Fuller collection, is exceptional for the elegance and purity of its form, especially evident in the strongly curved legs ending in subtle horizontal flange feet. To each end of the 'cross-bar' glass beads have been inserted to enhance the decorative appeal and importance of this piece. In the opinion of George Ortiz no civilisation has equalled the Pacific Islanders' superb furniture and domestic objects. Writing of Tongan neck-rests the great connoisseur of Polynesian Art Edward Dodd said: 'What wonderful springing forms!' For a comparable neck-rest (no. 689) in the James Hooper collection. Of classic Tongan form, it was however collected at Mbau, Fiji, in 1865. Compare also two 'kali' previously in the Fuller collection ( nos. 274498 and 274499) and now in the Field Museum, Chicago.: A comparable example in the Tongan National Museum, Tofoa. Also several neck-rests part of the collections in the National Museum of Australia, Canberra (inv. Oz 347 and inv. Oz 348).

AN INTERESTING FRENCH TOLE PEINTE BESPOKE MILLINER'S TRADE OR SHOP SIGN EARLY 19TH CENTURY In the form of a red painted and gilded bicorne hat as worn by Napoleon Bonaparte, modern stand hat 25cm high, 64cm wide, 27cm deep In 1732 Dean Jonathan Swift wrote of Dublin's shop signs 'I have not observed the wit and fancy of this town so much employed in any one Article as that of contriving a variety of signs to hang over houses where punch is served'. Before the general spread of literacy and standardised postal addresses brightly painted signs hung outside shops and businesses to advertise the services or goods within. Shop signs are one of the most long established forms of European folk art. The golden age of trade signs was from the late 17th century to the early 19th century. In the late 18th century, many large cities placed prohibitions on the installation of street furniture as streets became more crowded and inhospitable. This, together with the rise of literacy and the spreading of the use of plate glass allowing for elaborate window displays, put an end to this particular form of street art. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Weathering and paint losses- as per usage and display- painted just to one side- wear to margins, some old rust, interior with vacant interior mount point Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer

Quantity of plastic garden furniture and folding garden chairs

Two boxes of woodenware, plated ware, condiments sets, clothes brushes, barometer parts, dolls house furniture

Gueridon nach einem Entwurf von Andrei Nikiforowitsch Woronichin wohl Ende 19. Jh. Buche (?), dunkel gebeizt. Gerade Zarge mit vergoldetem Rosettenfries auf drei Säbelbeinen mit vergoldeten geschnitzten Frauenköpfen und schwarz lackierten Fledermausflügeln. An der Stirnseite der Beine vergoldete Hundeköpfe auf Draperie. Claw-and-ball-Füße. Runde Marmorplatte. 84×60 cm. Ein Paar dieser Gueridons mit vergoldeter Bronze und Malachitplatte wurden 1803 von Heinrich Gambs ausgeführt und vom Zaren Alexander I. der preußischen Königin Luise geschenkt. Sie standen im Arbeitszimmer von Friedrich Wilhelm III. im Kronprinzenpalais, Unter den Linden. Vgl. Aquarell von Friedrich Wilhelm Klose, um 1840 in: Interieurs der Biedermeierzeit, 2004, Nr. 24, S. 84-85. Vgl. A. Chenevière, Russian Furniture. The golden Age 1780-1840. S. 283-284. Andrei Nikiforowitsch Woronichin war ein russischer Architekt, Bildhauer und Maler. Sein erster größerer Auftraggeber war der Graf Stroganoff, für den er seinen Palast erneuerte und renovierte. Im Jahre 1803 restaurierte er das Zarenpalais in Pawlowsk. (61068)

BAROQUE CABINET IN THE STYLE OF MELCHIOR BAUMGARTNER | Augsburg (Germany / German 17th century) | 17th century | blackened pear wood, tortoiseshell and ivory inlays, brass appliques | 39 x 26 x 47 cm (width x depth x height) | note: This item has a CITES certificate, which allows its legal sale within the European Union. Due to the strict rules for the protection of endangered species, the purchase of this item is only possible for citizens of the member states of the European Union. Unfortunately, citizens of third countries cannot purchase this item, as trade in this type of material is restricted outside the EU. | Lot description | This rare 17th century cabinet from the Augsburg region is a masterful example of German Baroque craftsmanship. At the time, Augsburg was one of the main centers of artistic production and cabinet-making, and this piece is a perfect example of luxury furniture that served not only practical purposes, but also as a symbol of the wealth and prestige of its owners. The cabinet is made of wood and its surface is decorated with ivory and tortoiseshell inlays. This combination of materials was characteristic of the so-called cabinet creation of the time, when the emphasis was on aesthetic richness and precise processing. Ivory adds a subtle contrast to the darker parts of the cabinet, while tortoiseshell adds a warm, vibrant sheen and depth. A typical feature of cabinets of this kind is an elaborate system of drawers and doors, often designed to provide secret storage for valuables. The interior of the cabinet is elaborated to the smallest detail, with an emphasis on symmetry and decorative elements that reflect the influence of the Baroque style and the wealth of ornaments. Such pieces of furniture were often part of the collections of noble families and were used to store important documents, jewelry or other valuables. At the same time, they fulfilled the function of an aesthetic element in the interiors of rich bourgeois or noble houses. | condition: lock missing, inlay damaged, ivory plates cracked | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

BAROQUE CABINET | Lombardy (Italy / Italian 19th century) | 19th century | ebonized wooden box, inlaid with ivory | 46.5 x 27.5 x 53.5 cm (width x depth x height) | note: This item has a CITES certificate, which allows its legal sale within the European Union. Due to the strict rules for the protection of endangered species, the purchase of this item is only possible for citizens of the member states of the European Union. Unfortunately, citizens of third countries cannot purchase this item, as trade in this type of material is restricted outside the EU. | Lot description | This luxurious cabinet comes from Lombardy and is a typical representative of the Baroque style of the 17th century. It stands out for its fine carving and rich decoration using ivory marquetry, which creates contrasting patterns on a dark wooden background. The cabinet probably served as a representative piece of furniture in an aristocratic environment and was intended to store valuables. The iconographic motifs on the doors reflect the influence of ancient mythology, which was a frequent subject of decorative art at this time. This cabinet is an exceptional example of Italian craftsmanship that combines functionality with high aesthetic value. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

Titles include: Unmonumental: The Object of the 21st Century by the New Bowery Museum of New York (2007); Classic Modern Furniture by Richard Schultz (2003); Guido Bagini The Liquid Horizon (2006); For All the Things we Thought we'd Love Forever by Susan Collins (2008); Bodies of Work by Ewerdt Hilgelmann (2009); The Architectural Forum (1938). The dimensions of the collection measures: 10''L x 3.25''W x 11.75''H. Issued: 20th centuryDimensions: See DescriptionCondition: Fair condition. John Chamberlain pages are loose.

A box of vintage door furniture including finger plates

FURNITURE & CARPENTRY. The London Cabinet-Makers' Union Book of Prices, by A Committee of Masters and Journeymen, engraved frontispiece, [viii], 474 (erratic pagination but complete), eight engraved plates, [xii] pp., 4to, rebacked to style, London: Printed by Ballintine & Byworth, 1811._The London Chair-Makers' and Carvers' Book of Prices for Workmanship, As Regulated and Agreed to by a Committee of Master Chair-Manufacturers and Journeymen, [xxiv], 108pp., 13 engraved plates, bound with The Carvers' Book of Prices, 26pp., 3 plates, Supplement, [x], 120pp., 11 plates, Second Supplement, [iv], 19pp., 2 plates, 4to, worn contemporary half-calf with morocco title label lettered in gilt, separate title pages present for main work and two supplements, London: Printed by T. Sorrell, 1807-1811._"Plates" [Builder's Magazine],185 numbered plates, lacking plate nos. 20, 29, 44, 45, 60, 146-149, 177, some folding, some well-preserved, some with dampstaining, 4to, worn contemporary half-calf with morocco title label lettered in gilt, engraved after John Carter, published by Newbery, 1774-77. Internally sound, good in places, dampstaining in places, sold with all faults, bearing owner inscriptions of Abraham Shacklock of Bolsover, 1813 (3)

CHINESE AND JAPANESE ART, MISCELLANY - Chinese Porcelain. The S. C. Ko Tianminlou Collection, Hong Kong, 1987, 2 volumes, 4to, coloured plates, original dark blue silk boards, slipcase. FIRST EDITION. With 9 other works in 12 volumes. (14)CHINESE AND JAPANESE ART, MISCELLANY - Chinese Porcelain. The S. C. Ko Tianminlou Collection. Hong Kong: Hong Kong Museum of Art, 1987. 2 volumes, 4to (352 x260mm). Coloured plates. Original dark blue silk boards, the upper covers with Chinese characters stamped in blind, the spines lettered in silver, slipcase. FIRST EDITION. With 9 other works of related interest in 12 volumes, namely Les Hautes Époques de l' Art Chinoir d' après les Collections du Musée Cernuschi (Paris, [n.d.], 4to, plates loose as issued in original portfolio, ties), Collection of Rare Old Chinese Porcelains Collected by Sir William Bennett, K.C.V.O., Purchased and Exhibited by Gorer (London, 1910, 8vo, coloured plates, original green cloth gilt, [?]lacks front free endpaper), Helen White's Snuff Bottles from China. The Victoria and Albert Museum Collection (London, 1990, 4to, coloured plates, original silk boards, dust-jacket, slipcase, FIRST EDITION), Wang Shixiang's Connoisseurship of Chinese Furniture. Ming and Early Dynasties (Hong Kong, 1990, 2 volumes, 4to, coloured plates, original buckram, slipcase, trade edition); and including 4 volumes (only) from The Baur Collection (namely, Pierre-F. Schneeberger's Chinese Jades and Other Hardstones (Geneva, 1976), B. W. Robinson's Japanese Sword-Fittings and Associated Metalwork (1980), John Ayers' Japanese Ceramics (1982) and Pierre-F. Scheeberger's Japanese Lacquer (1984)); and the catalogue of The Duke and Duchess of Windsor (New York, Sotheby's, September 11-19, 1997, 3 volumes, coloured illustrations, original wrappers, slipcase, price-list loosely-inserted). (14)

Workshop of Robert "Mouseman" Thompson Carved and Adzed Oak Table Lamp The octagonal tapered column bearing carved mouse signature and terminating on square section base, fitted with a banana leaf shade.25.5cm high excluding fixture and shade,Private collection, Staffordshire. To read more about Robert "Mouseman" Thompson and his workshop in Kilburn, Yorkshire, please visit our Design Directory: https://www.wilson55.com/furniture/mouseman-furniture/Good condition, no damages or other issues to note.

Workshop of Robert "Mouseman" Thompson Carved Oak and Woven Tan Leather Footstool Of rectangular outline, raised on block and octagonal baluster supports united by stretchers, one support bearing carved mouse signature.34.5cm wide, 24.5cm deep, 19.3cm highTo read more about Robert "Mouseman" Thompson and his workshop in Kilburn, Yorkshire, please visit our Design Directory: https://www.wilson55.com/furniture/mouseman-furniture/Some light spotting and fading to leather at one side, very light generalised wear but overall good condition.

Civilians by various makers Railwaymen, platform machines, luggage, street furniture, Police, windmill, two large scale dogs, sundial, watering can, Milkmen with milk churns and four carts, Costers with five barrows, seven donkeys and a pony cart (Condition Good-Fair, some Poor or damaged) (108 approx.)

Collection of lead Dolls House furniture, including Crescent kitchen stove, T&B refrigerator, other pieces include fireplaces, kitchen sink unit, Tootsietoys Gramaphone, table and chair, other pieces include rocking chair, two high chairs, bed, table and bench, hoover, JoHillco Sparkling Lemonade soda syphon, three boxed Line Mar tinplate Kitchen appliances and more, (condition generally good to fair), (lot).

A good collection of dolls house miniature bone furniture including a mirrored dressing table, two beds, a drinks holder with glass bottles, various chairs, tables etc.

A Moritz Gottschalk wooden framed red roof dolls house with 2 levels, Circa 1915m with one glazed window and two open windows to attic, with floral flower box and side garage. Front opens to two rooms, with original wallpaper and floors and with a selection of furniture, 19" (48cm) (H) x 14" (43cm) (W) x 17½" (30cm) (D) (FS) (6)

A Rufus Bliss wooden two storey dolls house with original lithograph paper and marked R. Bliss on front door and with a selection of dolls house furniture, 9¾" (25cm) (W) x 6" (15cm) (D) x 12½" (32cm) (H) (FS) (3)

A shelf of assorted dolls house furniture including kitchen units, beds, chairs, baths, etc.

A small Moritz Gottschalk wooden framed red roof dolls house, with 2 levels, Circa 1915, with lithographed red brick and sand stone effect exterior, front door with fan light and lion head knocker, three glazed windows and flower boxes and attic windows, front opens to two rooms on 2 levels with green tinplate fireplace, metal cot and other furniture, 12" (30cm) (H) x 7½" (19cm) (W) x 5" (13cm) (D) (FS) (4)

A German late 19th Century wooden Silber and Fleming box back dolls house, on a green painted base with red brick and sandstone facade, with eight glazed windows, panelled front door, with portico and balcony to first floor, with painted metal pierced metal front. The house opens in one wing to three rooms on 3 levels, with wallpaper, three fireplaces and assorted furniture. 12" (30cm) (W) x 10" (25.5cm) (D) x 24½" (62cm (H) (FS) (2)

A 20th Century dolls house with panelled door and five windows, with red brick facade and red tile effect roof and two chimneys. The house opens at the front with central staircase and two rooms on each level, with original wallpaper and floor. The house has two fireplaces and a little furniture. Size 28" (71cm (W) x 12" (30.5cm) (D) x 27" (68.5cm) (H) (17)