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Lot 153
A Lladro porcelain figure, modelled as a seated boy playing a flute,25cm high,together with two other Lladro figures,one modelled as a girl holding a plant pot with flowers, 33cm high, the other of a seated girl, 22cm high (3)Condition Reportminor surface scratches and blemishesrepair to flute
Lot 116
This Lladro matte porcelain figurine, titled "Angel with Flute" (1014540), stands 6" tall and features a charming angel playing a flute. The figurine includes its original box, which measures 5"H x 8"L. The item is marked with the Lladro backstamp, ensuring authenticity and quality. A delightful addition for collectors of Lladro's exquisite craftsmanship. Artist: Fulgencio GarciaDimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.
Lot 146
A collection of 18th and 19th-century table glassware, to include a double air twist trumpet ale glass, with dropped knop and bubble inclusions, over a domed and folded foot, an Irish pedestal sweetmeat with slice cutting and barbed edge, a cotton twist flute with crimped bowl, a thistle bowl, high knop air twist ale, and a plain flute ale with a double cotton twist stem, together with further 19th century stemmed wines, 19.5 cm height of tallest glass.Qty: 9Air twist with trumpet bowl and low knopOK.Air twist with bell-shaped bowl and high knop.OKCotton twist flute with plain bowl.Two chips to the top of the base.Cotton twist flute with a crimped bowlA very slight chip to the underside of the foot.Small stemmed wine with everted rimA chip to the rim.Victorian conical sherry glassA very fine chip to the foot rim, too fine to show up on a photograph but feels rough to the touchSmall bell-shaped wine with oxide bandOK
Lot 596
Attributed to Pierre-Philippe Thomire (French, 1751-1843). Small bronze statuette or sculpture titled "Dancing Faun," depicting the titular figure in spirited movement playing a double-flute, ca. 1785. Lacking the flute. With a lovely patination and gilding to the socle, characteristic of works by Thomire.Exhibition: "The French Bronze: 1500-1800," M. Knoedler & Co., New York, November 6-27, 1968, no. 87.Provenance: M. Knoedler & Co., Inc., New York; Private Minnesota Collection.Height: 8 in x width: 5 in x depth: 2 3/4 in.Condition: There are no bends or breaks. Losses to the gilt element. Some wear to the stone base. Dust gathered in the recessed areas. Lacking a flute that the faun would have had in his hands.
Lot 45
Wooden Flute six holes and six keys, two sections, headjoint stamped 'Parade Model J.W.S.L', length from centre of blowhole 317mm; together with Wooden Piccolo six hole six keys, two sections both stamped 'Howarth Maker London' lower joint stamped '56', length from centre of blowhole 242mm (2)
Lot 573
1836 Free Front Signed by Sir John Poo Beresford (1768 - 1844). Personally Signed by Sir John Poo Beresford, 1st Bt. (1766-1844), Admiral and Conservative politician: MP for Coleraine, Berwick-upon-Tweed, Northallerton and Chatham. This officer is a son of George, first Marquis of Waterford, K.P., and elder brother of Lieutenant-General Lord Beresford, G.C.B. Early in 1795, we find him commanding the Lynx sloop of war, on the American station, where he captured la Cocarde, a French corvette, of 14 guns and 80 men. On the 25th June, in the same year, he was promoted to the rank of Post-Captain, sometime previous to which he had been appointed to the Hussar, of 34 guns, and assisted at the capture of la Prevoyante, a large frigate, armed en flute, and la Raison, pierced for 24 guns, but only 18 mounted. Captain Beresford's next appointment was to la Prevoyante, and from her he removed, about the month of May, 1796, into la Raison, the force of which latter vessel had been increased to 30 guns, with a complement of 195 men. On the 25th August following, he fell in with the Vengeance, a large 18-pounder French frigate, from which he had the good fortune to escape, after a running fight of considerable duration, in which la Raison had 3 men killed and 6 wounded, besides being much cut up in her sails and rigging. Our officer subsequently commanded l'Unité, of 38 guns, on the Leeward Islands station, where he captured the Perseverance French privateer, of 16 guns and 87 men, Feb. 2, 1800. From l'Unité he removed into the Diana, another fine frigate, in which he was present at the reduction of the islands of St. Bartholomew, St. Martin, by the forces under Rear-Admiral Duckworth and Lieutenant-General Trigge, in the spring of 1801. On the renewal of hostilities in 1803, he obtained the command of the Virginie, a frigate of the largest class; but that ship being paid off in Aug. 1804, he was then appointed to the Cambrian, of similar force, and sent to the Halifax station, where, in the summer of 1805, he captured the following privateers; Matilda, of 20 guns and 95 men; Maria, of 14 guns and 60 men; and a schooner, of 6 guns and 70 men. In the spring of 1807, Captain Beresford commanded the Illustrious, of 74 guns, off Cadiz; and in the ensuing summer, the Theseus, another third rate, employed in the blockade of Rochefort. On the 21st Feb. 1809, being off l'Orient in company with three line-of-battle ships, he fell in with a French squadron, consisting of 8 sail of the line, one of them a three-decker; and by his spirited conduct, prevented them forming a junction with the ships in that port ready for sea. The enemy afterwards anchored in Basque Roads, where they were blockaded by Rear-Admiral Stopford's squadron, of which the Theseus formed a part until the month of April following, at which period an attack was made upon them in Aix Road, to which they had retired, by a division of Lord Gambier's fleet, preceded by some fire-vessels, under the command of Lord Cochrane, the result of which was the destruction of one 80-gun ship, two 74's, and one of 56 guns. Several others, from getting on shore, if not rendered altogether unserviceable, were at least disabled for a considerable time. Early in 1810, the subject of this sketch was appointed to the Poitier's, a new 74, in which ship he served for some time on the Lisbon station, and was then ordered to the coast of North America. He sailed from Portsmouth, in company with Sir John B. Warren and squadron, Aug. 14, 1812; previous to which he had acted as proxy for his brother, at an installation of the Knights of the Bath, and, as is usual on such occasions, received the honour of knighthood prior to the ceremony. On the 18th of October following, Sir John P. Beresford captured the American ship Wasp, of 20 guns, and retook the British brig of war Frolic, which had been taken by the former a few hours before, after a gallant action of fifty minutes[. The Poitier's subsequently assisted at the capture of the Herald letter of marque, mounting 10 guns, with a complement of 50 men, from Bourdeaux bound to Baltimore, with a cargo; the Highflyer, American privateer, of 5 guns and 72 men; and the York-town, of 20 guns and 140 men. Towards the latter end of 1813, the Poictier's returned to England, and was put out of commission. At the general promotion, June 4, 1814, Sir John P. Beresford, who had been raised to the dignity of a Baronet of Great Britain on the 7th of the preceding month, was advanced to the rank of Rear-Admiral, and soon after hoisted his flag in the Bombay, of 74 guns, from which ship it was subsequently removed into the Duncan, of the same force. About the same period he had the honour of kissing hands on being appointed a naval aid-de-camp to H.R.H. the Prince Regent, then on a visit, in company with the allied sovereigns, to the fleet at Portsmouth. On the 12th Aug. 1819, Sir John P. Beresford was nominated a K.C.B.; and early in the following year he hoisted his flag in the Dover, of 28 guns, as Commander-in-Chief at Leith. He has recently been elected M.P. for Berwick-upon-Tweed.. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 479
Victor Gollancz, publisher. Ricard and Cosima Wagner: Biography of a Marriage, by Geoffrey Skelton, 1st edition, London, 1982, Bayreuth: The Early Years..., edited by Robert Hartford, 1st edition, 1980, Three Mozart Operas, Figaro, Don Giovanni, The Magic Flute, 1st edition, 1967, Tchaikovsky: A Biographical and Critical Study, 3 volumes, by David Brown, 1st editions, 1978-86, Modern Harpsichord Makers, by John Paul, 1st edition, 1981, all original cloth in dust jackets, some covers lightly faded or marked, 8vo/4to, together with:Hahn (Reynaldo), On Singers and Singing Lectures and an Essay, translated by Léopold Simoneau, London: Christopher Helm, 1990, monochrome illustrations, some minor marginal toning, original cloth in dust jacket, spine slightly faded, 8vo, plus other modern classical music & opera reference, many original cloth in dust jackets, some paperback editions,G/VG, 8vo/4toQTY: (5 shelves)
Lot 118
A Royal Dux pottery figure, modelled as a gentleman in 18thC dress playing a flute, printed marks, 18cm high, together with further unnamed figure groups depicting a maiden beside a pillar, 19cm high, a male and female figure in 17thC dress, 18cm high, and a male figure playing the fiddle beside a lady, 17cm high, and a plated oil bottle, 12cm high. (AF)
Lot 116
An English 18th Century double opaque twist cordial glass, spiral flute moulded bowl with solid base, and a Continental example with a gilt decorated ogee bowl, the first 17.5cm highThe cordial glass has three small footrim chips and one large footrim chip and section missing. The continental glass (later date) is in good condition.
Lot 770
A GROUP OF CERAMICS, comprising Royal Worcester 'Grandmother's Dress' modelled by F. G. Doughty 3081, height 16cm, a Kevin Francis Ceramics 'Susie Cooper' figure, modelled by Andy Moss, limited edition 217/1000, (restored around head, neck and hand/arm), a Royal Worcester figural posy vase, in the form of a putto playing a flute seated against a tree trunk, bearing green backstamp and date cypher for 1900, height 13.5cm (large chip and hairline at the top of the tree trunk, small chip on right big toe), and a Minton spill vase in the form of three bamboo canes, moulded and painted with leaves and gilt dot pattern detail, impressed 'Minton' mark to base, height 14.5cm (one 'cane' has a large chip at the rim, another has a hairline crack) (4) (Condition Report: see main description for specific obvious damage, some gilding wear and minor scratches, would benefit from a clean, otherwise appear ok)
Lot 99
Ca. 350 - 300 BC.A large bell krater, painted in the red-figure style, with white/yellow details on one side. The iconography of the piece reflects important stories and symbolism in the life of the Greek colonies. On Side A is a draped seated woman riding a white griffon with outstretched detailed wings. In front of her a satyr playing the flute during walking. On his front, he has a maenad holding a thyrsus. On the other side, a woman made in white pigment holds a large mirror. Side B features three draped male figures standing in profile, one holding a walking stick. In addition to this iconography, the vessel is adorned by an extensive decorative program: a laurel leaf wreath beneath the rim, with fretted bands surrounding each handle's termini, and a lower register underscoring the figural scene comprised of meanders.For similar see: Trendal A.D., Red Figure Vase of Apulia, 1978, Plate 57, n. 1; Plate 397, n. 5-6. Size: 370mm x 350mm; Weight: 3.5kg.Provenance: Property of a central London gallery, previously acquired on the Dutch art market; previously acquired on the Belgian art market; Hugo Lievens, Brussels 1982. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Lot 20
A trio of beautifully cut crystal glasses in the Normandy pattern. Includes a cordial glass measuring 5"H x 2"dia., a champagne flute measuring 8.5"H x 2.75"dia., and a water goblet measuring 8"H x 3.5"dia. Issued: 20th centuryDimensions: See DescriptionManufacturer: MikasaCountry of Origin: United StatesCondition: Age related wear.
Lot 233
Hand painted figural jug of the Rat-Catcher of Hamelin in a green hat, and yellow and maroon tunic. The handle is shaped as a brown flute with three brown rats. Royal Doulton backstamp. Artist: Geoff BlowerIssued: 1954-1981Dimensions: 8.5"L x 6.25"W x 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 39
Set of four 19th century ale glasses, bell shaped bowls, knopped multiple opaque airtwist stems, 17cm, and another ale glass.Qty: 5Condition report:No chips or cracks to any of the glasses. The four similar glasses are all slightly different in height. All four have variations in the diameters of the bases, some bubble inclusions. The individual flute feels as though the foot rim has been ground as it has quite a shape feel; two or three 0.5cm scratches to the top surface of the base.
Lot 277
A Volkstedt porcelain eighteen-piece figural group, Ein Flötenkonzert in Sasoucci, Frederick the Great performs on the flute with a string quartet and a pianist, before aristocratic company, painted in polychrome enamels and picked out in gilt, music stands en suite, the largest piece 8cm high, crowned cypher printed in underglaze blue, 20th century
Lot 372
Limited edition figure is part of the Lady Musicians series. Flautist is dressed in red with white and floral design, holding her flute about to play. Royal Doulton backstamp. This item has its original box: 8.5"L x 8.5"W x 8"H. Certificate of Authenticity included. Artist: Peggy DaviesIssued: 1970 - 1976Dimensions: 6.5"L x 5"W x 6.25"HEdition Number: 68 of 750Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 276
Dimensions: Height 11,5 + 14 cm Wide 5,5 + 5,5 cm Depth 4,5 + 5,5 cmWeight: 720,3 grams both Finely cast pair of South Indian bronze figures representing Krishna and Radha.Krishna in a classic tribhanga (three-bend) pose, traditionally associated with his divine elegance.Although the flute is now missing, Krishna's posture and hand positioning unmistakably indicate his role as the divine musician.His left hand is raised at shoulder level, while the right hand is extended at chest height, suggestive of playing a flute.Radha in upright posture, embodying a serene and devotional stance. She wears intricate jewelry, including bracelets, armlets, anklets, and a waist belt, and her hair is adorned with detailed ornaments. Krishna playing the flute is one of the most iconic depictions in Hindu art, symbolizing divine love and the spiritual call to his devotees.
Lot 84
A collection of various decorative wares comprising, an Italian hand painted ceramic bowl, a Romainia style hand painted jug (h-18cm), a soap stone carved figure of a bird (h-18cm), a wooden figure of a seated bear, a Hartley's Ltd by Dee Cee Studio stoneware jug (marked verso) (21cm), a Folk Art Aztec Mayan clay flute figure and a wall hanging African Tribal wooden mask (l-59cm) (7)
Lot 59
Quantity of porcelain to include; two 18th century New Hall cups; a large Royal Crown Derby silver topped Imari style bowl, 13 x 26cm; together with an Imari style squat faceted jar with pierced lid and another small RCD Imari dish; a Coalport three-footed bowl with blue and gilt vine border, 26.5cm diameter (AF); a small Meissen vase with pink and gilt paintwork depicting a young man playing a flute to a young woman; a pair of 19th century Hilditch handpainted cups and saucers, together with a Linnea by Rorstrand Sweden teaset, with five cups and saucers and one creamer with gilt rims painted with pink snowdrops, and various others
Lot 1258A
A collection of four George III green glasses, of various sizes, with ovoid or barrel shaped bowls and snapped pontil marks, circa 1800, tallest approx. 13.1cm high together a George III tall 'Bristol' green glass wine flute, on long stem with footed circular base, circa 1760 - 80, approx. 15.5cm high and A 19th century Bristol type green glass serving bottle, no stopper, approx. 23.5cm high. Further details: heavy scratching to side and base of bottle; small nibble to base; general wear to bottle others with air bubbles; some slight nicks, scratches and wear.
Lot 203
MAX LE VERRIER (FRENCH 1891-1973) THE FLUTE PLAYER bronze, green patina, with ivory flutes, signed M. LE VERRIER, on a portoro marble base, old paper label underneath Figure 49.5cm high, 56cm overall Gallerie du Park Palace, Monaco, purchased 1930 for fr10,000. Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference FZRP1ZRL.
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