A collection of Wedgwood Jasperware plaques, late 19th to early 20th century, circlular, oval and rectangular examples, all with classical figures to a green ground, impressed marks largest 14.8 x 29.7cm together with a oval example, with two muses, to a blue ground, impressed marks, plaque 29 x 21cm (qty)Provenance: The property of the late Baron John Mauger Langin. Condition ReportBlue example with loose frame. Chips losses and excess plaster throughout. Surface ware and scratches. All previously mounted probably on a fireplace some with evidence of later glazing/varnishing with some gilt inclusions, surface scratched and would benefit from cleaning. See images All marked to the reverse, on roundle with big crack to figure that looks like a firing flaw
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AN AGRA CARPET Approximately 523 x 318cm The collection from Trethill House, Cornwall Condition Report: Carpet with significant wear overall commensurate with age and use. Wear reveals underlying warp/weft and knot heads in areas throughout. Some areas of losses to pile which appear to be from old moth damage - see images. Longest edges have been re-bound in varying colours of thread. They are slightly untidy and have wear, fraying and losses. Fringed ends are short and bear the expected wear, fraying and some losses. One fringed end has moved into the guard stripe slightly. Both ends have strips of later fabric applied to the undersides to help secure. Two old stitched repairs to what appear to be cuts to one side border (possibly cuts to fit the carpet around a fireplace).Some surface dirt, could benefit from cleaning. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
AFTER WILLIAM HOGARTH THE LADY'S LAST STAKE Oil on canvas 87.5 x 102.5cm (34¼ x 40¼ in.) In a Kentian frame The Lady's Last Stake was originally entitled Piquet: or Virtue in Danger and was one of Hogarth's last works. It depicts a domestic scene with a man and a woman who have been gambling on the card game piquet. The woman has lost her fortune to the army officer, and he offers to play one more game. If she wins, he will return her assets, including the money and jewels in his tricorne hat; but if she loses, she must accept him as her lover. She clasps the edge of a fire screen as she considers his offer and make a fateful decision: to be ruined financially, or morally.The details in the interior are rich in symbolism. These include a small dog, representing faithfulness, which is hiding under the table. There is a painting of a Penitent Magdalene over the fireplace. The mantelpiece bears a clock with the usual figure of Father Time replaced by Cupid , but still carrying a scythe. The cards are being burned in the fire.The painting is a copy of after the original in the Albright-Knox Art Gallery, Buffalo, New York.Provenance: The Hon. Claude J. Yorke, and thence by descent Literature: The Connoisseur, May 1965, p.6Illustrated: The Connoisseur, May 1965, p.6 Condition Report: Condition report available upon requestCondition Report Disclaimer
Attributed to Edward Alfred Chalon (Swiss-British, 1780 - 1860) -L'horoscope (The Fortune Teller) -Oil on leather mounted on a metal plate -46.5 x 37.5cm - 66 x 56cm framed -Signed and titled label attached to the verso -A monogrammed watercolour of the same subject offered at Sotheby's London on 20th September 2019 (lot 641). The oil painting appears to be a variation of the scene with slightly altered elements, such as the replacement of the figure of the woman to the left with a wall niche housing a glass jug, and an inclusion of a dog in the foreground. The symbolic elements such as the zodiac emblem on the wall and the skull and bones ornament on the fireplace are nearly identical.
A Dutch carved cedar diorama by Cornelis Bavelaar [1747-1830]: depicting a finely detailed Dutch interior scene with two men in conversation in a large living room and a seated cook minding the pot in the fireplace, in glazed case, 13 x 18 cm overall.*Note Both father [1747-1830] and son [1777-1831] were named Cornelis and made dioramas in Leiden, Holland.
FIVE BOXES AND LOOSE MISCELLANEOUS ITEMS to include five binders containing issues of Carl Chinn's Bummagem magazine, a Turkish copper plate with floral pattern, two brass fireplace companion sets, a boxed vintage vanity set, two kettles, a slow cooker, a bain-marie, two wooden lidded boxes, a group of candles and holders, two boxes of mostly classical music compilation CDs and a small group of DVDs, etc (5 boxes and loose) (s.d/electrics untested)
Charpentier à Paris, An imposing 3-piece fireplace clockset in gilded and patinated bronze on a red veined marble base. Marked in the clockwork: Charpentier Fabricant de bronzes à Paris. Late 19th century. | Clock:Height: 72.5 cm.Width: 55 cm.Depth: 26 cm.Candlesticks: 89 cm. | Condition: Good original condition. The bronze statue has been repatinated.
A Kit Built / Built From Plans Dolls House, in the form of a shoe/boot, built to high standard, featuring five rooms with decorative wallpaper, light fittings to four rooms, wooden effect floorboards, decorative fireplace, staircases, nine panelled windows, two doors (one with entrance steps), hinged doors and roof panel, chimney to slanted roof and laced detail to front of shoe/boot, 83cm high, 53cm wide at widest point.
Camille Fauré (French, 1972-1925) for Limoges, Francetwo hand-painted porcelain panels, the first depicting a girl under a tree, the second depicting an elderly woman at a fireplace, each signed 'Faure, Limoges, France' and with certificates to the verso, both 19.5cm x 14.5cm (2) With signs of wear consistent with age and use. Frames with chips.
PAUL CARDEW; twelve 'Tiny Teapot' models, comprising 'TV', 'Shell', 'Toy Box', 'Fireplace', 'Kitchen Sink', 'Tea Chest', 'Grandfather Clock', 'Royal Albert Victorian Tea Table', all boxed, 'Fridge' (in associated box), and three loose examples 'Sewing Machine' and 'Washing Mangle' (x2), together with a Beatrix Potter teapot, height 16.5cm, boxed and two resin teapot models (15).Condition Report: - Most teapots models with crazing and dirt. Grandfather Clock with rough edge to base of cat, possible tiny chip.
A COLLECTION OF FIREPLACE FURNITURE 19TH CENTURY AND LATERcomprising; two copper and brass logbins and covers, a brass coal scuttle, a wirework fan shaped fireguard, a pair of elm and green leather bellows and three brass fire irons (8)69cm (max)ProvenanceThe contents of The Grange, Wendover.
Including two rare St Ives pottery items, including a stoneware glazed coat hook (16.5cms high), and a stoneware glazed pen stand with incised design (possibly one of two, 13.5cms long), both with impressed St Ives marks (coat hook with clear mark, stand - mark less clear). Also with a pair of turned elm candlesticks, used in Bernard Leach's cottage on the fireplace. *These items were found within a desk that belonged to Laurie Leach, Bernard's second wife and inherited by their son Maurice. The candlesticks were apparently used in the sitting room of Pottery Cottage. *CR Coat hook, glaze has not quite covered the whole item, with areas around the top and sides not covered. Stand, underside is quite uneven and the mark is quite difficult to see, small nibble to the edge of the base Candlesticks, have been well used with wax on both stems and inside the bowls, crack to the base of one.
Items pertaining to Peebles and Innerleithen to include a Ballantyne Brothers Scotch Tweed Manufacturers printing block, pair of leather and brass horse tack by Scott and Son, Saddlers Innerleithen, a W Pearce & Son ginger beer bottle, two Pearce of Innerleithen glass bottles with marbles, Robert Matheson Chemist Innerleithen glass bottle, another, a crested ware fireplace model with Innerleithen crest, and ten pictorial paperweights.
Large Carrara white marble neo-Gothic fireplace, 19th century inlaid in porphyry and serpentine with Cosmatesque motifs and partly decorated with glass paste mosaic with some gilt details. The cuspidate fireplace mouth is defined on the sides by two columns with composite capitals and helical shafts; broken line architrave characterized by a frame carved with recurring acanthus leaves alternating with palmettes, cm. 147x210x48. Lot not present in the viewing
A QUANTITY OF PEDIGREE SINDY DOLLS AND ACCESSORIES, to include two 1980's dolls both marked 'Sindy' and '033055X' to back of neck, quantity of 1970's furniture including dining table and four chairs, dressing table, wardrobe, kitchen unit with sink, fireplace, bathroom vanity unit with sink, bath, quantity of small accessories including Hostess Trolley and Hairdryer, together with an unbuilt Sindy's 3 Level Home, with a copy of the instructions, no items checked for completeness, battery operated items not checked, battery boxes in fairly good condition, all items in play worn condition with some fading, marking and wear (3 boxes)
Walton Adams Album containing 17 large format, 11x9 inch platinum prints pasted into cloth bound album with rigid spine. All images contain the Walton Adams, Reading blind-stamp The photographs show images of the house, interior, and grounds of York House in Coley, Reading. Nicely constructed images, show the beauty of the garden and, a stunning interior of the library, shows the impressive fireplace and furnishings of the time. Good exposures and well-printed images are to be expected from Adams. The grade II listed house is now the Reading National Spiritual Centre. Walton Adams (1842-1934) was the Father of Marcus Adams and Grandfather of Gilbert Adams, both became prominent photographers in their own right. He worked mainly from his studio at 27-29 Blagrave Street, Reading. His work features in the National Portrait Gallery. Walton is suggested as being one of the co-inventors of the dry-plate process. Excellent condition.
Dolls House Furniture. A selection of plastic and metal dolls house furniture to include: a metal stove top oven with frying pan and roasting tin (door doesn't stay fastened), bath fireplace, 2 x boxes of "Dolly's Brassware" (Candlesticks and gong). Items show signs of age related/play wear. (this does not constitute a guarantee) [L]
An impressive Edwardian diorama or apprentice piece of a Locksmiths Shop 'All Made to Work by James Walton, 126 Wedesfield Road, Wolverhampton, 1905' in glazed and mirrored case, 48 x 25 x 36cm includes machinery, miniature working locks with keys and fixed tools and fittings such as treadle, lathe, pillar drill, fireplace, bellows, anvil, vice etc.
Brass and steel fireplace, 86cm (h) x 88cm (w) x 41cm (d) / Please bring equipment and labour to assist with removal of all lots. All lots are located at St. Marys Cottage, Old Lane, Dockenfield, Farnham, Surrey, GU104HG. Viewing and collections are via appointment only, please see our important sale information for more info. Collections must be completed by Thursday 26th September due to premisis move. Regretfully Wellers are unable to offer any type of packing or shipping.
Adam's style pine fireplace surround, 105cm (h) x 128cm (w) x 21cm (d) / Please bring equipment and labour to assist with removal of all lots. All lots are located at St. Marys Cottage, Old Lane, Dockenfield, Farnham, Surrey, GU104HG. Viewing and collections are via appointment only, please see our important sale information for more info. Collections must be completed by Thursday 26th September due to premisis move. Regretfully Wellers are unable to offer any type of packing or shipping.
A large oak fireplace bessemer beam, 150cm (l) x 18cm sq. / Please bring equipment and labour to assist with removal of all lots. All lots are located at St. Marys Cottage, Old Lane, Dockenfield, Farnham, Surrey, GU104HG. Viewing and collections are via appointment only, please see our important sale information for more info. Collections must be completed by Thursday 26th September due to premisis move. Regretfully Wellers are unable to offer any type of packing or shipping.
Henry Towneley Green (1836-1899) A Morning at Home, showing a seated lady reading before a fireplace, whilst absentmindedly stroking her pet greyhound, signed and dated 1883 lower left, watercolour, 28.5 x 20 cm, frame 41 x 34 cmCondition:The painting is a watercolour, framed under glazing - not examined external to the frame. The sheet appears to be in good condition, no obvious tears or creasing. The paint surface appears well preserved and stable, no obvious paint loss or deterioration. The colours are bright. There is some dirt underneath the glass. General wear and tear to the frame including some surface loss.
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5316 item(s)/page