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A French 19th century style carved beech open armchair or fauteuil - early 20th century, the cartouche back with carved foliate cresting, over a serpentine seat and foliate capped swept arms, upholstered in dark green and gold sprigged fabric, raised on shell and foliate carved cabriole style front legs with scrolled toes, 54.5 cm wide, 98 cm high, some old (inactive) worm to frame.

Late 19th century walnut framed fauteuil armchair, arched cresting rail carved with musical instruments and extending floral decoration, curved wing back with moulded and bead carved frame, upholstered in crimson fabric with repeating foliate pattern, acanthus carved arm terminals over acanthus and ribbon carved arm supports, the seat rail carved with fruiting foliage band, on turned and stop-fluted feet Dimensions: Height: 109cm  Length/Width: 74cm  Depth/Diameter: 77cmCondition Report:Movement in frame.

Fauteuil und Hocker. Geschnitzter Holzrahmen mit Akanthusblattwerk, Blumen und Bändern. Gepolstert (zerschlissen). Gebrauchsspuren, rest. 18./19. Jh. H. 92 bzw. 46 cm.

Fauteuil im Transitionstil 19. Jh. Holz geschnitzt und vergoldet. Allseitig geschwungenes, profiliertes Gestell mit Blattfries, Voluten und Rosetten. Nach vorne gerundete Rückenlehne in die Armlehne übergehend. Ausgeschnittene, kannelierte Zarge auf geschwungenen Beinen. Unter dem Sitz bez. Baco. (60593)

A LOUIS XV CARVED GILTWOOD ARMCHAIR BY LOUIS-CHARLES CARPENTIER, CIRCA 1765 The fauteuil a la Reine with ribbon tied twisted ribbon frame, stamped 'L.C. CARPENTIER' twice 95cm high, 68cm wide, 53cm deep Provenance: M Turpin Antiques, London, November 1965 The Estate of a deceased Gentleman. A copy of the receipt will be made available to the successful purchaser. Louis-Charles Carpentier maître in 1752. Condition Report: Marks, scratches and abrasions commensurate with age and use. some old repairs. There is wear and resultant loss to gilding Some old chips and splits, some old repairs, some losses. Some old worm damage. The extent that is visible is relatively minor (see all additional images) and does not compromise the structure of any elements The chair has previously been re-gilded. The gilding to the reverse of the chair looks more 'fresh' as has been more protected from use. The frame at the front of the chair shows more sign of age and wear. Some old repairs, some minor use of filler. Some small areas of paint and gilt disguise small losses. To one lower terminal of the back (from the reverse) there are some additional dowel joints to the terminal (introduced prior to the re-gild) (see images) The chair is of solid useable structure. The seat rails are all original. They appear that they have been cleaned. The makers stamp is quite clear.Some wear to the upholstery overall commensurate with use. There is significant wear to the upholstery of the arm padsWe cannot guarantee the originality of elements of the frame covered with upholsteryPlease refer to all of the additional images available via email for visual reference to condition. They are a vital part of this report. Condition Report Disclaimer

Leo PutzMagda vor der Ateliertür1925Öl auf Leinwand; gerahmt91,5 x 75 cmSigniert rechts unten: Leo Putzdirekt vom Künstler;seither Privatsammlung, DeutschlandHelmut Putz, Leo Putz 1869-1940. Werkverzeichnis in zwei Bänden, Gauting 1994, Band II, S. 707, Nr. 847 (mit s/w-Abb.)Das vorliegende Bild "Magda vor der Ateliertür" weist alle Qualitäten des Impressionismus auf, jener bedeutenden Kunstströmung, der Leo Putz sich bereits ab 1901 widmete und in deren Malweise er seine eigene unverwechselbare Handschrift fand. Charakteristisch für Putz ist neben der meisterhaften Behandlung von Farbe und Licht die Fähigkeit, die Unmittelbarkeit eines besonderen Augenblicks, einzufangen. So wirkt auch dieses Gemälde aus dem Jahr 1925, das einen lockeren, am deutschen Spätimpressionismus orientierten Malstil aufweist, wie eine spontan vorgefundene Begegnung der beiden dargestellten Frauen.Besonders reizvoll ist, dass es sich um eine Interieur-Szene handelt, die aber durch die geöffnete Tür auch einen Blick in den sonnigen schönen Garten erlaubt. Vermutlich spielt sich die charmante Szene in Gauting ab, wo Putz in seiner Villa mit dem paradiesischen Garten die Sommermonate verbrachte. Der Betrachter befindet sich im Inneren des Ateliers und beobachtet eine Interaktion zwischen der jungen Frau Magda und einer rechts von ihr, etwas versetzt hinter der offenen Tür, sitzenden Frau. Magda scheint von einem Spaziergang in der Sonne zu kommen. Sie trägt ein duftiges, helles Sommerkleid. Ihren linken Arm stützt sie locker auf die Hüfte, in ihrer rechten Hand hält sie den Sonnenschirm und der großkrempige Sonnenhut baumelt angebunden von ihrem Arm. Ihre schlanke Gestalt ist frontal zum Betrachter gerichtet. Magdas Aufmerksamkeit jedoch gilt der sitzenden Frau, mit der sie sich kurz zu unterhalten scheint. Diese hat eine gemütliche Haltung auf dem Fauteuil im Innenraum eingenommen. Die Atmosphäre ist spürbar entspannt. Magda scheint nur einen Sprung hereingekommen zu sein und wird ihren Spaziergang vermutlich gleich wieder fortsetzen. Der sommerliche Tag lädt dazu ein. Die wunderbar abgestimmten Farben, die Putz ganz im Sinne des Impressionismus locker und leicht auf die Bildfläche setzte, zeigen Putz große Kunstfertigkeit. Für den Außenbereich wählt er helle, von der Sonne durchflutete Farben. Den Mittelpunkt des Bildes, den in der harmonischen Komposition Magda vor der Ateliertür einnimmt, betont er mit schönsten Tönen in Weiß, Lila, Rosa, Grün. Selbst ihr Inkarnat weist eine Fülle an unterschiedlichen Farbnuancen auf, welche die Darstellung so lebendig machen. Für den Innenraum wählt Putz dunklere Farbtöne in ebensolch gelungener Abstimmung. Putz erweist sich in diesem reizvollen Werk einmal mehr als Meister einer außergewöhnlichen Lichtregie und des differenzierten, sinnlichen Farbauftrags.(Sophie Höfer)

A FRENCH FAUTEUIL UPHOLSTERED IN TOOLED TAN BUTTON BACK LEATHER102cm x 68cm x 65cm

A French beech framed and needlework upholstered fauteuil.

A 19th Century Gilt Wood Framed French Fauteuil, the frame carved with leaf and scroll ornament, the back, seat and arms upholstered in floral cloth, on conforming turned front legs

Früher "Poltrona di Proust"-Fauteuil von Alessandro MendiniBuchenholz, geschnitzt und weiß gefasst sowie weißer Baumwollstoff, insgesamt flächendeckend polychrom mit Acrylfarbe handbemalt. Passig geschweifte, durchbrochen gearbeitete Zarge sowie weit ausladende Armlehnen aus üppigen Voluten. Gebogte, hochaufgeworfene Rückenlehnenrahmung. Allseitig gepolstert und bezogen. Entw. Alessandro Mendini, 1978. Unw. besch.; H. 109 cm. 103 cm x 90 cm. Sitz-H.35 cm.Der 1978 von Alessandro Mendini (1931-2019) entworfene Proust-Sessel bildet den Start einer Reihe sog. Re-Designs, die Form und Dekor bereits vorhandener Entwürfe neu interpretierten. Als Vorbild des Sessels dient ein neobarockes Möbel aus dem Umfeld Marcel Prousts, auf das Mendini im Rahmen der Entwicklung eines Stoffentwurfs für Cassina stieß. In seinem Dekor bezieht sich das Möbel auf ein pointillistisches Gemälde Paul Signacs. So gelingt es Mendini "nicht nur den Impressionismus, sondern zugleich das Barock mit seinem zentralen Motiv der Unendlichkeit zu zitieren". Mit dem zunächst als Einzelstück gedachten, dann aber als Unikat bzw. in Kleinstserie gefertigten Entwurf, bricht Mendini mit den klassischen Design-Qualitäten wie originäre Gestaltung, funktionaler Aufbau oder ökonomischer Produktion. Das vorliegende Möbel mit seinem handgetupften Dekor ist eine der frühesten Ausführungen.Vgl. Vitra Design-Museum sowie Peter Weiß: Alessandro Mendini: Dinge, Projekte, Bauten, S.101 und 190.Provenienz: Sammlung Hans Ernst Weidinger (1949-2023). Seit 1985 in der Sammlung des Textildesigners Prof. Karl Höing (*1957).One of the first handpainted wood and fabric productions of the Poltrona di Proust easy chair designed by Alessandro Mendini. Minor flaw.Italien. Mailand. Studio Alchimia. Ende 1970er Jahre.

Signierter Louis XVI-Fauteuil von Georges JacobHolz, geschnitzt und hellgrau gefasst. Bombierte Zarge auf kannelierten Balusterbeinen. Geschweift ansteigende Stützen für schmale, gebogte Armlehnen. Hochovale Rückenlehnenrahmung. Allseitig gepolstert und mit dekorativem Leinenstoff bezogen. Unterhalb undeutl. Schlagstempelsignatur I*IACOB (wird Meister 1765 ). H. 91 cm. 61 cm x 58 cm. Sitz-H. 40 cm.Vgl. Kjellberg, S. 409f.A signed French grey coloured wood Louis XVI armchair by Georges Jacob.Frankreich. Paris. Um 1780.

A French fauteuil bedroom chair, studded tapestry upholstery, cabriole legs, French pad foot, seat height 42cm;  a pair of Edwardian walnut bedroom chairs; a 19th century walnut tapestry pole screen

Paire de fauteuil Art Deco rouge bambou

PABLO PICASSO DESSO RUG, Femme assise dans un fauteuil rouge, edition 218/500, 115cm x 90cm.

Fauteuil Frankreich, Louis-XV. Auf geschwungenen Beinen und geschnitzter Zarge, trapezförmige Sitzpolster, die Armstützen in die geschweifte Rückenlehne übergehend; als Bekrönung geschnitzte Blume. Buchenholz, Gobelin-Bezug, Messingziernägel. 97 x 38 x 66 x 57 cm. - Bezug zerschlissen.

Three mid-20th century beechwood fauteuil armchairs, upholstered backrest and seat in cream stripe fabric, padded armrests with scroll detail, on tapered fluted supports with carved floral rosette blocksDimensions: Height: 97cm  Length/Width: 68cm  Depth/Diameter: 68cm

20th century French design mahogany fauteuil armchair, moulded and beaded framed, upholstered in pink fabric, rolled arms over acanthus leaf carved supports, on turned and fluted front supports united by curved X-framed stretcher Dimensions: Height: 98cm  Length/Width: 57cm 

A pair of carved beech fauteuil a la reine elbow chairs, mid 20th century, each with a tapestry padded back rest over a conforming bow front sprung seat within a leaf and ribbon twist carved frame, all upon slender fluted tapering legs and peg feet, 99cm/49cm H x 62cm W x 52cm DCondition reportBoth chairs structurally sound with little or no play in the joints.Light fading to the rear of both chairs, with some edging detached/loose.Some light wear to the upholstery particularly on the arm pads.

A pair of painted French fauteuil, early 20th century, later re-covered in lattice pattern floral tapestry fabric and applied with peripheral stud detail, with conforming cushions, the shaped and moulded back rest extending to out swept arms with channel scrolled terminals, over the serpentine seat, upon French cabriole fore legs, plain back swept rear legs, 88cm/40cm H x 64cm W x 44cm D (2)

Pair of French walnut framed fauteuil chairs, carved serpentine frames, cabriole legs, red cotton upholstery, width 63cm, height 87cm.

A Louis XV walnut fauteuil tapestry seated armchair with 18th century floral tapestry inset panel upholstery, scroll arms and scroll and turned underframe, 61cm wide, 115cm high Overall in good condition, frame solid and of fair colour if a little faded to the arms, upholstery starting to lose its edging but otherwise in fair order, tapestry sections a little faded with some rubbing at the front edge of the seatPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Louis XV style carved giltwood fauteuil with scroll and flower crest and floral brocade upholstery, 62cm wide, 95cm high Fair condition, frame a little wobbly with the original joints now clearly showing, has been overpainted in a matted gold finish some years ago, now a little chipped and rubbed, upholstery to the seat and back fair but faded on the arms with the braiding starting to come loose.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A Louis XV style, fauteuil, with blue stuff over seat, on cabriole legs with gilded floral decoration, together with a matching salon chair, (2)

China, hardhouten fauteuil [1]

19th Cent. Louis XV style armchair with quite special design in finely carved rose-woodNegentiende eeuwse fauteuil met een vrij aparte vorm in bijzonder fijn gesculpteerde palissander met Lodewijk XV-ornamentiek - 123 x 65 x 63 cm

A 19th Century French Louis XV style cream, parcel gilt and tapestry upholstered three piece salon suite, comprising canape sofa and pair of fauteuil chairs

Jean Prouvé, Lounge Sessel Modell Fauteuil de Grand ReposJean ProuveTectaEntwurf 1928-30. Ausführung Tecta, Lauenförde. Vernickeltes Metall, schwarzes Leder. 92 x 62 x 106. Seitlich mit Aufkleber 'Jean Prouve' bezeichnet.Jean Prouve, Köln 1991, Abb. S. 44-47. Text von Jan van Geest.

Jean Prouvé, Verstellbarer Sessel Modell Fauteuil de Grand ReposJean ProuveTECTAEntwurf 1928-1930, Ausführung Tecta, Lauenförde ab 1981. Vernickeltes Metall, blaues und petrolfarbenes Leder. 92 x 62 x 106 cm. Mit Aufkleber bezeichnet.Jean Prouve, Köln 1991, Abb. S. 44-47. Text von Jan van Geest.

Louis XVI-Fauteuilwohl Italien, um 178093 x 58 x 50 cmGeschnitzt mit Resten von Fassung. Restaurierungen, Altersschäden, Ergänzungen.Dieses Los unterliegt der Regelbesteuerung: Auf die Zuschlagsumme wird ein Aufgeld von 24,5 % erhoben. Auf die Zuschlagsumme zzgl. Aufgeld ist die gesetzliche Umsatzsteuer zu entrichten.

Winchester fauteuil bekleed met bruin leder afgezet met koperen siernagels, met etiket onder kussen.

Jori fauteuil, model Kubolo, bekleed met bruin leder en rustend op draaibaar verchroomd onderstel (met etiket).

Chroombuis vintage fauteuil met zwart/bruine en beige golfstofffen kussen, ontwerp Ruud Ekstrand en Norman Christer voor Dux, Zweden 70-er jaren.

Jori fauteuil, model Kubolo, bekleed met bruin leder en rustend op draaibaar verchroomd onderstel (met etiket).

Mahoniehouten fauteuil met groen gestreepte velourse bekleding, 19e eeuw.

A pair of French Louis XV style walnut and fabric upholstered fauteuil chairs

Paar Porzellangruppen galante Paare, GinoriEinmal ranzendes Rokoko-Paar, einmal Rokoko-Dame auf Fauteuil sitzende und dem Galan einen Umschlag gebend, polychrom gefasst, auf Rocaillesockeln, H 22/ 19,5 cm, Stempelmarke

Paar eiken- en beukenhouten stoelen en notenhouten fauteuil, alle met snijwerk en biezen zitting [3]

Rood lederen fauteuil, ca. 1900, met gecapitonneerde leuning, los zitkussen en messing siernagels [1]

20th century French walnut show wood framed wingback armchair fauteuil. Raised on cabrile leg with scroll terminal feet having deep seat and wing back rest with studded leading edges to the green fabric.100 x 60 x 80cm

A Louis XV style carved giltwood and composition fauteuil, width 66cm, depth 52cm, height 90cm. Condition - fair

Three mid-20th century beechwood fauteuil armchairs, upholstered backrest and seat in cream stripe fabric, padded armrests with scroll detail, on tapered fluted supports with carved floral rosette blocksDimensions: Height: 97cm  Length/Width: 68cm  Depth/Diameter: 68cm

Pair of mid-20th century beechwood fauteuil armchairs, upholstered backrest and seat in terracotta velvet fabric, padded armrests with scroll detail, on tapered fluted supports with carved floral rosette blocksDimensions: Height: 97cm  Length/Width: 68cm  Depth/Diameter: 68cm

Pair of mid-20th century beechwood fauteuil armchairs, upholstered backrest and seat in terracotta velvet fabric, padded armrests with scroll detail, on tapered fluted supports with carved floral rosette blocksDimensions: Height: 97cm  Length/Width: 68cm  Depth/Diameter: 68cm

Pair of mid-20th century beechwood fauteuil armchairs, upholstered backrest and seat in beige velvet fabric, padded armrests with scroll detail, on tapered fluted supports with carved floral rosette blocksDimensions: Height: 97cm  Length/Width: 68cm  Depth/Diameter: 68cm

Michel Romagnesi (Paris 1731-1813)Portrait de Jean-Charles-Philibert Trudaine de Montigny (1733-1777) signé 'Romagnesi.' (sur le livre, en bas à gauche)huile sur toilesigned 'Romagnesi.' (on book, lower left)oil on canvas43.6 x 34.6cm (17 3/16 x 13 5/8in).Footnotes:ProvenanceCollection of Jean-Charles-Philibert Trudaine de Montigny (1733-1777), château de Montigny-Lencoup, thence by descent to Charles-Louis Trudaine (1764-1794) or Charles-Michel Trudaine (1766-1794) thence by descent to his widowMarie-Josèphe-Louise Micault de Courbeton (died in 1802)Collection of William Lowther, 2nd Earl of Lonsdale (1787-1872), 14 Carlton House Terrace, thence by descent to his nephew Henry Lowther, 3rd Earl of Lonsdale (1818-1876), thence by descent to William, 5th Earl of Lonsdale, 14 Carlton House TerraceHis sale, Christie's London, 18 June 1887, lot 875 (150 gns to Agnew)With Agnews (according to a label on the reverse)Archibald John Primrose, 5th Earl of Rosebery (1847-1929)Albert Edward Harry Meyer Archibald Primrose, 6th Earl of Rosebery, Mentmore TowersHis Sale, Sotheby's London, 25 May 1977 lot 2453Sale, Christie's London, 10 July 1987, lot 150 (as a Portrait of Etienne-Francois de Choiseul)Private Collection, SwitzerlandLiteratureR. Butler, Choiseul, I, Father and Son 1719-1754, 1980, ill.Country Life, 1987, vol. 181, p. 138The present work was formerly thought to be a portrait of Etienne-François de Choiseul-Beaupré-Stainville (1719-1785), however Greta Kaucher has now identified the sitter as Jean-Charles-Philibert Trudaine de Montigny (1733-1777), a renowned chemist. Here the sitter is depicted three-quarter length in elegant costume, and seated in a red satin gilded wooden fauteuil à la reine in his cabinet in Montigny-Lencoup. His cabinet is adorned with beautiful pieces clearly showing his interest for science, with the gilded claw compass held in his right hand and the important vacuum pump, after the design by L'Abbe Jean-Antoine Nollet, with a lacquered wooden base with gilded fillets and a glass bell, beside him.From a French-Italian family of military and theatrical fame, Michel Romagnesi was a pupil of Robert Le Vrac de Tournières (1667-1752) and had been a member of the Académie de Saint Luc in Paris since 1766 as Peintre Sculpteur but little else is known about his life.Very few works by Romagnesi are recorded but there is an altarpiece in the chapel of the hospital in Dax, representing the Apotheosis of Saint Vincent de Paul, and a Portrait of Claude-Alexandre de Villeneuve de Vence (1702-1760) given to Romagnesi or his Master Levrac Tournières, which was with Galerie Gismondi in 1990, listed in the Louvre documentation.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com

Fauteuil de bureau à assise tournante d'époque Louis XVI en bois naturelA Louis XVI stained beech revolving fauteuil de bureau, last quarter 18th centuryThe shaped tub back upholstered in close-nailed brown leather with detached channelled baluster supports, the circular seat above a panelled seat-rail carved with piastres and rope twist motif, on turned tapering stop fluted legs headed by flowerhead blocks, 57cm wide, 67cm deep, 87cm high (22in wide, 26in deep, 34in high). This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com

A carved French fauteuil bedroom chair, studded tapestry upholstery, cabriole legs, French pad foot, seat height 42cm

A Louis XV provincial beechwood caned fauteuil 18th century, with foliate carved top rail, the arched back and swept arms above a squab cushion seat, on cabriole supports united by X-stretcher,63cm wide51cm deep92cm highCondition ReportWith knocks and wear commensurate with age. Historic flight holes.

A FRENCH FAUTEUIL WITH EBONISED FRAME, NEUTRAL VELVET UPHOLSTERED BACK AND SEAT95cm x 95cm x 70cm

FAUTEUIL, late 19th century French giltwood in new striped fabric, 84cm H x 63cm W x 49cm D.

A modern beech wood fauteuil with textured woven upholstery (h.87cm x l.60cm x w.50cm)

WYCHWOOD DESIGN, Armchair/Fauteuil, in the Louis XV style, together with an ottoman, chair upholstered in gold and grey/cream textured fabric, 92cm high x 64cm wide x 73cm deep, ottoman pale cream textured fabric, all with fire labels and manufacturers labels(2)

WYCHWOOD DESIGN, Armchair/Fauteuil, in the Louis XV style, together with an ottoman, chair upholstered in gold and grey/cream textured fabric, 92cm high x 64cm wide x 73cm deep, ottoman pale cream textured fabric, all with fire labels and manufacturers labels(2)

A 19th Century French carved fruitwood Fauteuil, the shield back with carved top issuing scroll arms covered in cream damask fabric on front cabriole legs. (1)

French stained walnut fauteuil, cartouche shape back, armpads and seat upholstered in machine made tapestry, width 67cm; and two Victorian walnut framed hoop back easy chairs.Qty: 3

A Napoleon III salon setPart carved and gilt wood of scrolls and foliage motifs decorationComprising of four chairs and one setteeAubusson tapestry upholstery(signs of wear, losses and faults)105x181x84 cm (canapé)101x72x70 cm (fauteuil)96,5x55x58 cm (cadeira)

FAUTEUIL, 19th century French carved blue and white painted frame, 95cm H x 60cm W x 58cm D.

Fauteuil, Louis XVI, um 1780, Nussbaum geschnitzt, gelb gestreifter Polsterbezug, H. 97 cm, Ergänzungen

Fauteuil, Stil Louis XV, Ende 19. Jh., Holz, goldbronziert, gestreifter Polsterbezug in Rot und Beige, 93 cm hoch, neu gepolstert und bezogen

French design beech framed fauteuil open armchair, upholstered in floral pattern needlework cover, on shell carved cabriole supports Dimensions: Height: 89cm  Length/Width: 63cm