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Anthony GROSS (1905-1984) Untitled Etching, engraving & intaglio print, Oxford University Press, 1970, image size 10cm x 10cm; together with original works and sketches from artists including Peter Clough, Isobel Atterbury Heath and Reina de Weijer. (Qty)

A Elizabeth II silver trinket box, hallmarked Sheffield 2000 by Asprey & Garrard, commemorating the Millennium, circular design, personalised engraving to interior of lid, 12.5 x 13 cm, 11.6 ozt / 362 grams. Condition Report: In good condition with light scratching to exterior and minor tarnishing, hallmarks clear and defined.

A Victorian silver bon bon dish, hallmarked England 1859 by C.F, boat shaped with half ribbed decoration and lion mask handles, inscribed to base 'W.E. to W.C.E. and E.E. 1859..1884.', 20.5 x 11cm, 7.8 ozt / 244 grams. Condition Report: In good condition with light scratching, and very minor tarnishing, clear engraving and hallmarks.

Eric Gill (1882 - 1940), Dumb Driven Cattle, 1929, woodcut engraving from the Cleverdon edition, framed, 12cm x 12cm

Engraving by Aleksander Lesser, "Królowie Polscy Wizerunki". The graphic depicts Nicholas I, with the inscription under the medallion: "Mikołaj I Cesarz i Samowładca Wszech Rosyyi Król Polski".Condition as shown in the photos.Dimensions: 34.6 cm x 25.3 cm.

Pocket watch, commemorative and award watch of the 23rd Uhlan Regiment of Grodno.The watch is housed in a silver-plated steel case (Anker & Steine Compensation), with a porcelain dial showing visible repairs.Engraving on the back of the case: "23 p. uł. Grodzieńskich, Nagroda II, Bieg Pułku 1600 m, Wachmistrz M. Jabłoński 10 VI 923."The watch is running and operates correctly after winding.Overall condition as shown in the pictures.Dimensions: 6.2 cm x 4.9 cm.

Engraving by Lesser, Alexander “Polish Kings Portraits.”The engraving depicts Alexander II, with the inscription below the medallion reading (Alexander II, Emperor and Autocrat of All Russia, King of Poland).The overall condition is visible in the photos.Dimensions: 34.3 cm x 23.7 cm.

The engraving "Królowie Polscy Wizerunki" by Aleksander Lesser, depicting King Alexander I, with the inscription under the medallion: "Aleksander I Cesarz i Samowładca Wszech Rosyyi Król Polski".Condition as shown in the photos.Dimensions: 36 cm x 25.7 cm.

Two 9ct rose gold fob medallions, both with presentation engraving to reverse, both hallmarked Condition Report:Approx 10.5 grams

ARR AFTER STANLEY ANDERSON (1884-1966) *ARR'The Hedger', engraving, signed in pencil in the margin, inscribed Ed 60,20 x 16.5cm.

ARR AFTER STANLEY ANDERSON (1884-1966) *ARRHurdle Markers, engraving, signed in pencil in the margin, inscribed verso,21 x 16.5cm.

Antique hand-colored engraving on paper by French artist Paul Lacoursiere for the weekly fashion magazine Modes de Paris: Journal des Demoiselles. Plate 3719. Housed in a gilded wooden frame with a beige mat. Sight size: 7.25"L x 11"H. Frame dimensions: 11.50"L x 15.25"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Paul Lacoursiere (French, 19th-20th century)Issued: 1869Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

Antique hand-colored engraving on paper by French artist Paul Lacoursiere for the weekly fashion magazine Modes de Paris: Journal des Demoiselles. Plate 3713. Housed in a gilded wooden frame with a beige mat. Sight size: 7.25"L x 11"H. Frame dimensions: 11.50"L x 15.25"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Paul Lacoursiere (French, 19th-20th century)Issued: 1869Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

After Edgar Degas (French 1834-1917): 'La Classe de Danse', chalcograph engraving, with Musee De Louvre blindstamp, 33cm x 29cm

Carington Bowles (British 1724-1793) after John Cleveley the Younger (British 1747-1786) : 'A View of His Majesty's Dock Yard at Deptford', hand-coloured engraving pub. 1772, 24cm x 41cm

A Georgian Hallmarked Silver Cream Jug, AB, London 1793, chased decorative foliage engraving throughout, with capped sinuous handle, on square spreading base (78grams).

A Modernist Style Circular Pendant, partial textured design, with inset highlights (one missing), together with an oval enamel religious(?) pendant/medal, depicting male figure, engraving to reverse "Fernando 10 Julio 95", including part chain links (total weight 6grams).

A Victorian Hallmarked Silver Card Case, HM, Birmingham 1894, with partial flowerhead engraving and wavy surround, monogrammed and personalised "Xmas 1899", housing red lined sections and a miniature pencil, in a vintage fitted Myers Bros Diamond merchants, Jewellers and Silversmiths Cape Town, Jonannesburg, Durham & East London plush lined case.

* CHARLES MURRAY (SCOTTISH 1894 - 1954), RAIN, PORT BANNATYNE, BUTE drypoint etching on paper, signedmounted, framed and under glassimage size 17cm x 25cm, overall size 38cm x 45cm Provenance: The Scottish National Gallery of Modern Art hold a copy of "Rain, Port Bannatyne, Bute" (purchased in 1964). Their website suggests a date of 1930.Note: Charles Murray was born in Aberdeen and studied at the Glasgow School of Art for three years. He served with the ‘White Army’ in Russia from 1918-20, joining a diverse group of counter-revolutionary forces who fought against the Bolsheviks. On his return to Glasgow, Murray won the highly coveted "Prix de Rome" for etching and studied at the British School in Rome from 1922-25. He travelled extensively in Europe but came back to Scotland in 1926 to teach engraving at the Glasgow School of Art (where he taught and inspired Ian Fleming RSA RSW RGI), and later lived in Leeds and Middlesex. He produced paintings and etchings in a style influenced by Mannerism. Murray had his first major one-man show at The Leicester Galleries (London) in 1946 and another at Batley Art Gallery in 1950. There was a Memorial exhibition at Temple Newsam House (Leeds Museum & Art Galleries) in 1955 and an Edinburgh International Festival show at the Merchant Company Hall in 1977. Murray's paintings have always attracted academic acclaim and the Tate bought one of his paintings in 1940. His work is held in UK Public collections including at Glasgow Museums & Art Galleries, the Arts Council Collection (Southbank Centre), Bradford Museum & Galleries, the Ferens Art Gallery, The Hepworth, Leeds Art Gallery and Museums, Kirklees Museum & Galleries, Sheffield Museums, Aberdeen Art Gallery & Museums and Tate (London).

LE FERNIER IN GOLD, PERIOD 1860 Case: n. 25426 / 123913, hallmarked, four-body in gold, caseback decorated with engraving and black enamel, dome signed and decorated with engine turning. Dial: white enamel, Roman numerals. Movement: key-winding, cylinder escapement. Accessories: – Diameter Ø: 35 mm | Weight: 32.6 g Note: running at the time of cataloguing, but a servicing is suggested.

THEOREIN KELEK REPEATER WITH JACQUEMART, 1980S Case: three body, gold-plated, snap-on caseback, guilloché engraving and plant motifs. Dial: signed, blue field, white dial with Arabic numerals, two figures on the sides, one of which striking the hours. Movement: manual caliber 2801, 17 jewels. Module for five-minute repeater on gongs. Accessories: – Diameter Ø: 49.5 mm Note: time and chime working at the time of cataloguing.

EBERHARD EXTRA-FORT REF. 14007 IN GOLD, 50S Case: signed, n. 893, in 18K gold, snap on caseback with engraving. Bracelet/Strap: – Dial: signed, silvered, applied indexes, subdials for seconds and 30-min register. Movement: signed, manual-winding caliber 14000. Accessories: gold lucky horn attached to the spring bar. Diameter Ø: 39 mm Note: running at the time of cataloguing.

JAMES POLLARD (1792-1867); a 19th century hand coloured engraving, 'Royal Mail Coach', published by R Pollard & Sons, Holloway, near London, 33 x 45.5cm, framed and glazed.

Set of three Victorian silver napkin rings, London 1875, William Evans, with gadrooned edge, foliate engraving and cartouche engraved with initials, each 4.7cm diameter, total 3.01ozt

Set of George III silver candle snuffers, London 1793, maker WB Wilkes Booth (?), with bright cut engraving including initials and pierced handles, 17cm long, 2.99ozt

After G Garrard  Coloured engraving  Horse carts being loaded, 48cm x 60cm 

A Victorian silver teapot by Charles Thomas Fox and George Fox London 1843, of squat circular form with chinoiserie style engraving, the hinged cover with the knob modelled as a seated man and with leaf capped scroll handle, 12cm high, approx 17oz

Collection of silver flatware dating from George III onwards, including a Victorian spoon & fork set with bright cut foliate engraving, caddy spoon, salad fork, teaspoons etc, total silver weight 10.95ozt, together with other flatware

9ct gold fob with sporting prize engraving for 1921, approx. 7.6g, a gilt metal propelling pencil and a pair of rolled gold cufflinks 

Edward VII silver cigarette case, Birmingham 1909 William Henry Sparrow, of curved form with foliate scroll engraving and cartouche engraved with initials, together with silver bookmark, Birmingham 1982, S J Rose & Sons, engraved with the same initials as the cigarette case, total weight 3.70ozt (2)

A group of framed prints and paintings to include: 'The South Prospects of Hatfield House' hand-coloured engraving by James Collins after Thomas Sadler, c.1700, 43 x 75 cm; 'Walbrook Ward and Dowgate Ward, with their divisions into parishes according to a new Survey' engraved by B. Cole; 19th Century unsigned watercolour cottage scene; two 19th century continental watercolour lake scenes; A German coloured engraving of a house floor plan titled 'Landaus des Herrn A. Vom Rath'; Two engravings of West Cowes, a French style needlework and three other prints (11)

A large collection of watercolours, an oil painting and prints, to include: watercolour and acrylic paintings by: Parker Hagarty, Jane A. Cooper, Sheppard, Barabara Ashton and Ruth Fisher; an oil painting signed M. Sheppard; A c.19th century engraving of The Hamilton vase and one other unsigned etching; together with a print after Salvador Dali (22)

A group of engravings and six maps of English and Welsh counties, to include: 'Surry' by John Cary, 1793; two small maps of Surrey and Pembrokeshire in page with text below and verso from 'The Antiquities of England and Wales' by Francis Grose; 'Herefordshire', by Robert K. Dawson; 'Cheshire' by Rob Morden and 'Hertfordshire' by John Cary, largest frame: 43 x 48 cm; together with two circa 1790 copper engravings of views of Colchester, Scarborough, Barnwell and Chesterton, 38 x 25 cm each; Nine hand-tinted plans of battles and seiges, 15 x 20.5 cm each; and 'Le Baron Felix de Wimpffen' by Pitou after Lambert, stipple engraving, 20 x 30 cm, framed (12)

A silver trophy cup, by Daniel & Charles Houle, London 1861, with chased foliate decoration, with engraving '1863 Challenge Cup 15th W.Y.R.V presented by T.R. Clapham Eso, won by Sergent Hutchinson' verso '1864 finally won by Sergt Hutchinson' 15cm high5.49oztCondition ReportWith rubbing to the decoration. Surface scratches and minor dents.

Two silver Christening mugs by John Collard Vickery, Birmingham 1918, of plain form, and another of squat form, by William Aitkin, Birmingham 1901, with engraved initials and C-scroll handle8cm and 10cm high9.64ozt (2)Condition ReportRubbing to the engraving. Tarnishing throughout.

JOSEPH FEREDAY - a triptych engraving of Yarbridge, Isle of Wight, signed in pencil by the artist - 30cm x 42cm

John Sell Cotman (1782-1842) Churches of Normandya group of fourteen etchings with engraving, published by J & A Arch, Cornhill, and J S Cotman, Yarmouth, 1821, from 'Architectural Antiquities of Normandy' sheet 36 x 51cm, unframed (14)Condition ReportFoxing and discolouration with staining to the edges. Each print has four small pinholes to one edge. The extreme edges and corners are a little worn with small creases, rips and tears.

Scottish School, 19th century, Stalkers and Drovers Meeting,coloured engraving, 50cm x 83cm; also another Highland engraving, after Hardy, 50cm x 66cm (2) The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

After HARRY HALL, 19th century, ‘Nancy’, Trained by Job Marson, with Jockey Up,coloured engraving, 56cm x 72cm The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso 

Paul-Jacques-Aimé Baudry (French, 1828 - 1886), Cupid and Psyche, engraving on silk, 40.5 x 36cm

A View of Malmesbury Abbey in Wiltshire, hand-coloured engraving, 12 x 20cm, label verso for Steve Bartrick Antique Prints & Maps, Perspective View of Colchefter (Colchester) in the County of Efsex (Essex), engraving, 20.5 x 31.5cm, J Storer after J Britton, Coleshill House, Brkfshire (Berkshire), engraving, 11 x 16.5cm, and four other pictures (7)

English school, figure, dog and horses by a barn, hand-coloured engraving, 43 x 55.5cm, in bird's eye maple frame

R G Reeve, after F C Turner, Hawking, a set of four: Disgorging, The Departure, The Rendezvous and The Fatal Stoop, hand-coloured engravings, 52.5 x 41cm and a set of three prints, to include: after Charles John Smith (1803 - 1838), John Felton's assassin - statement of reasons for stabbing the Duke of Buckingham to death in 1628, engraving, 26.5 x 20cm and two other engravings, all gilt framed and glazed (7)

William Raddon (British, active 1817 - died 1848), Tom and Jerry, a pair: each engraving, 14 x 9.5cm, both framed and glazed

A 19th century portrait miniature engraving of a gentleman - oval, in a velvet and gilt metal frame, 9 x 7.5cm.

James McArdell (British c.1729-1765) after Sir Peter Lely (Dutch 1618-1680): Portrait of 'Lady Middleton' (Jane Myddelton), reverse mezzotint engraving on glass with hand-colouring, c.1750-65, 51cm x 37cm

A 9ct gold heart shaped locket with chain, floral engraving to the front of the locket, 25mm heart length, 7.3g

The Etchers Art Folio with loose etchings, wash drawing, watercolour , wood engraving and pen.To include artists Iona Roberts, George Mackley and George Houston.

VICTORIAN SILVER TEAPOT, Goldsmiths Alliance, London 1869, tapering circular with foliate engraving and blank cartouche, flush hinged lid, leaf capped spout, melon finial, 24ozt, 14.5cms (h)Provenance: private collection Vale of GlamorganComment: good overall. Ivory registration X8GK1D35

Y  A FINE AND RARE PORTUGUESE MACAO CARVED IVORY DEVOTIONAL PLAQUE PORTUGUESE MACAO, MID 17TH CENTURY Depicting St Jerome kneeling before Christ crucified, gripping the cross in one hand holding a stone in the other symbolic of his asceticism, his hands and feet with the stigmata- a sign of his passionate Christian devotion, his cardinal's hat and robe hanging in the tree, God the Father in the clouds above a lion at the Saint's Feet above him two medieval church towers, the scene probably based on a European engraving, modern stand plaque 12cm high, 8.5cm wide, 1cm deep Provenance: Ex Private collection of the Berkeley Family, Spetchley Park, Worcestershire, catalogued in a 1949 inventory as 'A Carved Panel (4¾' x 3½") of St Jerome Kept in the Strong Room'. In 374 A.D St Jerome became seriously ill in Antioch and two of his travelling companions died. In this state he dreamt that he appeared before God's judgement seat and was condemned for being a Ciceronian rather than a Christian. He took this experience very seriously and became a hermit in the desert of Chalcis in Syria for five years. He gave up the Classics he knew and loved and learnt Hebrew in order to study scripture. Proficient in both Greek and Hebrew, he went on to complete the enormous task of producing a standard Latin text of the Bible which he revised according to the meaning of the original texts. He then began to translate the Gospels and the Psalter and over time produced all, or nearly all, of the Bible in what became known as the 'Vulgate' version. A passionate and devoted Catholic scholar, St Jerome had a difficult temperament and a sarcastic wit, but it has been said of him that his immense learning was unmatched by any other Christian writer except St Augustine. cf: Asian Civilisations Museum Singapore for a similar Jesuit plaque depicting St Jerome painted in bright polychrome (no. 2011 - 01507) IVORY ACT 2018: A certificate for a pre-1918 item of outstandingly high artistic, cultural or historical value. Certificate number: URR59K10, date: 01/06/2023 Condition Report: Υ CITES REGULATIONS Please note that lots marked with the symbol (Υ) in the printed catalogue and the online catalogue may be subject to CITES Regulations when exported. Relevant CITES Regulations information may be found here. The refusal of any CITES licence or permit and any delay in obtaining such licences or permits shall not give rise to the rescission or cancellation of any Sale, nor allow any delay in making full payment for the Lot. With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Natural shrinkage faults mostly visible as darker lines notably to upper frame edge, some wear and small losses notably to Christ's right hand, upper fronds of foliage lower left etc. IVORY ACT 2018: A certificate for a pre-1918 item of outstandingly high artistic, cultural or historical value. Certificate number: URR59K10, date: 01/06/2023 Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer

John Speed (British, 1552-1629), The West Riding of Yorkshyre with the most famous fayre Citie Yorke described, 1610, hand-coloured engraving, 39 by 52cm, with Glamorgan Shyre With the situations of the chiefe towne Cardyff and ancient Landaffe described, hand-colourd engraving, Ed John Sudbury & George Humbell, circa 1627, 38 by 51cm, framed (2)

Eric Gill (British, 1882-1940), Gordian Gill, engraving, 20 by 14.5cm; Madonna and Child with Children, wood engraving, 12 by 8.5cm, both framed (2)

Eric Gill (British, 1882-1940), The Reeve's Tale, wood engraving, 21 by 17.5cm; The Parson's Tale, wood engraving, 19 by 14.5cm, both framed (2)

MARC CHAGALL (Liosno 1887-Saint-Paul-de-Vence 1985). Engraving depicting "SACRIFICE". Signed lower left, countersigned lower right. Biblical series. 1967. Numbered 51/100. Framed. With certificate of guarantee from Il Torchio di Porta Romana, Piacenza. 44x33.5 cm approx. MARC CHAGALL (Liosno 1887-Saint-Paul-de-Vence 1985). Incisione raffigurante "SACRIFICIO". Firmata in basso a sinistra, controfirmata in basso a destra. Serie biblica. 1967. Esemplare 51/100. In cornice. Con certificato di garanzia de Il Torchio di Porta Romana, Piacenza. 44x33,5 cm ca.

ROCOCO FRAME | Central Europe (end of the 18th century) | end of the 18th century | Wood cut, gilded. A colored engraving from the Empire period inside the frame | 21 x 14 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

TIN TANKARD | Saxony (Germany / German 1727) | 1727 | pewter decorated with engraving and hammered decor, monogram and date 1727 on the lid | 26 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

CUP WITH THE MOTIF OF A PIPE SMOKER | Northern Bohemia (1st quarter of the 20th century) | 1st quarter of the 20th century | clear glass, brushed amber glaze, engraving of the figure of a pipe smoker near the castle, rosette with seven lenses at the back, gilt edge | 14 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

BAROQUE BAROMETER | Central Europe (end of the 18th century ) | end of the 18th century | pewter decorated with engraving, hallmarks | 27 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

TIN BEER STEIN | Central Europe (18th century) | 18th century | pewter decorated with an engraving of a shepherd, on the lid a figure holding a coat of arms | 37 cm | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.

VASE WITH AN ENGRAVING OF A WOLFDOG | Moser, Karlovy Vary, Carlsbad (Czech / Bohemian 2nd half of the 20th century) | 2nd half of the 20th century | alexandrite glass, cut into facets | 21 cm | marked: engraved mark from below | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.