Snuff box in vermeil silver, applied enamel and small ruby and emerald cabochons. Royal Sèvres Manufactory. France. 18th century.A marvellous box entirely decorated with a first layer of lapis lazuli enamel on which is a garland of fleurs-de-lis, painted in gold, enriched with turquoise enamel and small rubies and emeralds. In the centre of the lid, in an indented oval section, the portrait of the monarch Louis XVI is painted in enamel, above which is a crown of rubies and emeralds. Inside, at the base, there is a Sèvres porcelain plaque bearing a large fleur-de-lis in gold paint surrounded by the initials of the factory, which in turn is surrounded by a laurel wreath enamelled in gold and turquoise. On the inside of the lid is a lozenge-shaped mark with the initials ‘GJ’.2.5 x 9 cm.
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An emerald, ruby, pearl and enamel plaque, late 19th/early 20th century, designed in the Renaissance Revival style, centring on a cluster of step-cut emeralds and cushion-shaped rubies, to an elongated plaque composed of abstract scroll work and foliate motifs applied with multicoloured enamel accented with pearls, mounted in silver gilt, length 9.6cm
A group of jewels, comprising: a pair of floral earrings set with foiled garnets, mounted in silver, length 1.7cm, screw fittings; a hexagonal synthetic ruby ring mounted in gold, size K1/2; a gold and amethyst bar brooch; a cultured pearl bar brooch; an aquamarine and diamond ring in gold and platinum, size P1/2, stamped 18CT PLAT; an emerald, ruby and sapphire 'Day and Night' eternity ring, size P; and a 19th century gold fob seal chased with floral designs set with an intaglio depicting a classical couple making an offering at an altar, handle deficient
A gem-set dragonfly necklace, the body set with a circular-cut emerald above six cushion-shaped rubies, between wings decorated with rose-cut diamonds and eight circular-cut sapphires, the head with cabochon eyes, mounted in silver and gold, total approximate diamond weight 1.50cts, pendant width 7.8cm, chain length 40cm, stamped 750
A collection of 10 gem-set rings, comprising: an oval morganite and diamond ring; two emerald and white zircon rings; two sphene rings; two tanzanite rings; two green garnet and diamond rings; and a blue topaz and diamond ring, all mounted in 9ct gold, British hallmarks, accompanied by two certificates of authenticity
A fine vinaigrette and acrostic gem-set fob pendant, France, 1830s, composed of a gold hoop suspending two lengths of woven gold wire chain, one strand connecting to a vinaigrette modelled as an acorn, its textured surface in gold cannetille studs, decorated with a band of roses in varicoloured gold and foil-backed rubies, opening to reveal a container with a pierced hinged lid of floral design, the other with a split gold ring of floral design suspending eight floral pendants set with various stones including sapphire, opal, uranite, garnet (vermeil), emerald, orange natrolite, rock crystal (iris quartz) and ruby, possibly intended to form the acrostic word 'Souvenir', total length 13cm, acorn length 3.2cm including hoop, acrostic pendant 2.4cm including hoop, acorn and plain gold hoop each with French assay mark for Paris, 1819-38
A pair of aquamarine, emerald and diamond earrings, each of pendent design, composed of an oval emerald surmount suspending a cushion-shaped aquamarine in a geometric border, set with brilliant- and single-cut diamonds, mounted in silver, length 3.9cm each, post fittings, aquamarines totalling 18.46 carats
An emerald and diamond pendant, the pear-shaped emerald set within a graduated diamond surround in yellow gold, French control mark and rubbed maker's lozenge, on oval-link gold chain, pendant length 3cm, chain length 45cmAccompanied by report number 15992 dated 20th July 2018 from GPL, London stating that the emerald shows evidence of moderate clarity enhancement, origin opinion: Colombia
A ruby, emerald and diamond brooch, designed as a butterfly in flight, its wings partially articulated, its antennae mounted en tremblant, set with single-cut and baguette diamonds, circular-cut rubies, channel-set with lines of calibré-cut emeralds, and brilliant-cut diamonds of yellow, brown and greenish tints, mounted in white gold, length 8cm, diamonds not tested for natural colour origin, case
A collection of jewels, late 19th and 20th century, comprising: a pair of brilliant-cut diamond stud earrings totalling approximately 0.40 carats, mounted in 18ct white gold, post fittings, British hallmarks; a diamond ring, stamped 18CT; a synthetic blue spinel and diamond cluster ring in 18ct gold, British hallmarks; a step-cut emerald and baguette diamond ring in white gold, stamped 14K; an oval amethyst brooch; a pair of amethyst and diamond cluster stud earrings mounted in gold, stamped 9K; a cultured pearl necklace with a cultured pearl and diamond clasp modelled as a bow, stamped 14K; an amethyst and white chalcedony-handled desk seal mounted in gold, length 5.2cm; a horseshoe stick pin set with half pearls; a rose quartz and diamond pendant, stamped 375; a portrait miniature brooch in 18ct gold, British hallmarks; a gold brooch designed as a Rococo scroll frame; four gold lockets; a fox head bar brooch; a lady's gold Rotary watch with gilt metal bracelet; and a collection of jewels in gold, silver and gilt metal, in a wooden jewellery box
An Art Deco emerald and diamond bracelet, 1930s, set with a sequence of oval and cushion-shaped emeralds, the largest measuring approximately 10.0 x 7.3 x 2.2mm, to a bracelet composed of polished octagonal links set with single-cut diamonds, mounted in platinum, length 19cm, case stamped Hamilton & Co.
Fontana, a ruby, emerald and diamond brooch, mid 20th century, designed as a pair of songbirds set with brilliant-cut diamonds and circular-cut rubies, on a gold tree branch with leaves and berried of carved emeralds and rubies, accented with collet-set brilliant-cut diamonds, mounted in bicoloured gold, length 6cm, signed Fontana, Italian maker's marks, stamped 750
A collection of jewellery, comprising: a violet sapphire ring mounted in gold; a 22ct gold wedding band, size L, British hallmarks; a 9ct gold and diamond bangle of wishbone design, British hallmarks; a ribbon link necklace in 9ct gold, British hallmarks; an 18ct gold, synthetic sapphire and diamond ring, British hallmarks; a gold and amethyst bracelet; a gold band, two gold and diamond rings; an emerald and opal ring mounted in gold; six pairs of gold earrings; a 9ct gold cross pendant, British hallmarks; together with a gilt metal chain and two pairs of earrings
Adler, a diamond rivière necklace, the 70 graduated emerald-cut diamonds weighing approximately 77.00cts in total, the largest diamond stated to weigh 3.01 carats, claw-set in 18ct white gold, signed Adler and 750, length 37.5cm, case by AdlerAccompanied by a bound dossier of certificates by Jean-Marie Duroc-Danner, provided by Adler relating to every stone, dated June 1999
Van Cleef and Arpels, an emerald and diamond demi-parure, comprising an abstract yellow ring set with graduated circular-cut emeralds and diamonds, signed Van Cleef & Arpels 6500 C.S with French control marks and maker's lozenge, size L, with a pair of similar emerald and diamond earrings in textured yellow gold, signed, with maker's lozenge and French control marks and London import marks for 1960, post and clip fittings, length 3.2cm, gross weight 41g
Three gem-set pendants, comprising: an oval ruby and brilliant-cut diamond pendant mounted in 9ct gold, length 1.8cm, Birmingham hallmarks, a 9ct gold drop-shaped pendant set with brilliant-cut diamonds, length 2.3cm, Birmingham hallmarks, and a pendant necklace centering on an emerald flower within an articulated white gold frame set with brilliant-cut diamonds, length 40cm, stamped 585 and Italy
A collection of 11 gem-set and diamond rings, comprising: a 9ct gold ring with rope twist engraving, channel-set with brilliant-cut diamonds, size Q, British hallmarks; an opal and diamond ring, a kunzite ring and three half-hoop rings set with brilliant-cut diamonds, all with British hallmarks for 9ct gold; a calibré-cut emerald and single-cut diamond ring in 9ct gold, British hallmarks; two rings of knotted design in 9ct white gold and rose gold respectively, each set with brilliant-cut diamonds, British hallmarks; and two 9ct gold navette-shaped cluster rings set with brilliant-cut diamonds, British hallmarks, accompanied by five certificates of authenticity
A group of nine gem-set rings and a gold pendant, including an emerald five stone ring, set with white zircon shoulders, size U, an emerald and diamond ring set in 9ct white gold, size S, a diamond seven stone ring set in yellow gold, size N, a tanzanite and white zircon ring set in white gold, size U, an aquamarine and diamond three stone ring, size S, a pink tourmaline and diamond three stone ring, set in 9ct yellow gold, size S, a green quartz ring set in silver, size S, a synthetic spinel ring, in yellow gold, size P, a topaz ring, size S and a gold pendant, 2.5cm
Gübelin, an emerald, natural pearl and diamond brooch, mid 20th century, centring on a step-cut emerald measuring approximately 10.3 x 8.9 x 4.5mm, within a surround designed as an abstract starburst, set with brilliant-cut and baguette diamonds, and pearls, mounted in platinum, length 8.3cmAccompanied by report number 25045 from GPL London dated 30th August 24 stating that the three largest pearls are natural saltwater, the largest measuring 6.6mm diameter, the remaining pearls untested
Drayson, a superb Art Deco emerald and diamond bracelet, London, circa 1940, of geometric design, centring on a stylised buckle motif to a tapering bracelet and geometric clasp, set with calibré- and circular-cut emeralds and circular-cut, baguette and tapered baguette diamonds, mounted in platinum, length 18cm, signed Drayson, caseDrayson were a London-based family firm, and one of a very limited number of London jewellers whose Art Deco jewels truly rivalled the quality and style of their French competitors. Founded in 1936 by Keith Cecil Drayson as Cecil Drayson Ltd., the family was already deeply involved with the jewellery trade, and had been prominent dealers of antique jewellery and gemstones since the opening years of the 20th century. While Drayson jewels are rarely seen in general, the striking geometric design of this bracelet, with its array of sparkling circular and baguette diamonds dramatically crossed through by a line of deep green emeralds, appears to have been a favourite of the company's designers in the late 1930s, with a small group of other examples known, predominantly set with rubies and sapphires. The present bracelet however, is particularly lavish, with large circular-cut emeralds and diamonds taking the place of the channel-set calibré-cut stones more commonly used in these extraordinary bracelets. While Drayson's jewels are memorably stylish and beautifully made, the company's heyday was relatively brief - the firm did not outlive its founder, and was purchased by rivals SJ Rood after Drayson's death in 1963, marking the end of this illustrious London jeweller, whose designs rank among the best of British Art Deco jewels.
A collection of gold jewellery, comprising: a bicoloured gold chain necklace, length 50cm, stamped 14KT, gross weight 46.6 grams; an emerald and diamond necklace, length 43cm, stamped 14K, gross weight 6.9 grams; a gold strap bracelet composed of woven linking, a fancy link chain bracelet and a rope twist chain bracelet, each stamped 9ct, combined gross weight 37.6 grams; and a rope twist necklace, belcher chain necklace and fancy link bracelet, each in 9ct gold, British hallmarks, combined gross weight 21.6 grams
An emerald and diamond bombé ring, set with a central heart-shaped emerald weighing approximately 10.00cts, surrounded by graduated rose-cut diamonds and single-cut diamonds in yellow gold collets, size LAccompanied by report number 25044 dated 30th August 24 from GPL stating that the emerald shows evidence of moderate clarity enhancement, origin opinion: Colombia
An emerald and diamond cluster ring, set with a step-cut emerald weighing approximately 2.20 carats, within a surround of round brilliant-cut diamonds, mounted in platinum, size NAccompanied by GCS report no. 5784-2148, dated 22nd April 2024, stating that the emerald is Colombian, with evidence of moderate clarity enhancement.
A gemstone, pearl and diamond brooch, early 20th century, of bar design, set with circular-cut diamonds, each end capped with a pearl, suspending a sequence of six circular cut stone pendants: a sphene, a light blue sapphire, a pink spinel, a green tourmaline, a deep blue sapphire and an emerald, mounted in silver and gold, length 5.2cm, fitted case stamped Garrard
An emerald and diamond sautoir, centring on a stylised palmette design set with graduated emeralds and diamonds, suspending a long emerald bead tassel with diamond decoration, all on an emerald bead necklace spaced with diamond-set lozenges in white gold, necklace length 60cm, pendant length 15cmA verbal report from GCS states that the central pear-shaped emerald is Zambian, with indications of moderate clarity enhancement, another random test is also Zambian, moderate clarity enhancement.
A collection of gem-set and diamond jewels, comprising: an emerald and diamond ring, stamped 9CT; a lemon quartz and diamond pendant, stamped 9K; a chrome diopside and white zircon cluster ring; a 'Csarite' diaspore and diamond ring, British hallmarks for 9ct gold; an amethyst and tanzanite ring in white gold, stamped 14K; a 9ct gold and diamond four-stone ring, British hallmarks; a sphene and diamond ring in 18ct white gold, British hallmarks; a blue topaz four-stone ring in 9ct white gold, British hallmarks; a pavé-set diamond ring in 9ct rose gold, British hallmarks; an aquamarine and diamond ring in 9ct gold, size S; and a green garnet and diamond ring and pendant, each mounted in gold, ring with British hallmarks for 9ct gold, pendant stamped 9K, chain of gilt silver, together with five authenticity certificates
Three rings, comprising: a gold ring set with a step-cut emerald within a rectangular border, size O1/2, stamped 18CT, reverse partially engraved; a ring of wishbone design channel-set with brilliant-cut diamonds, mounted in 18ct gold, size N1/2, British hallmarks; and a citrine and diamond cluster ring mounted in gold, size K, stamped D&W
A collection of jewels, comprising: a cushion-shaped ruby and baguette diamond ring, mounted in 18ct gold, size N, British hallmarks; a blue topaz and diamond cluster ring in 18ct gold, size N, British hallmarks; a green and colourless paste cluster ring; a ruby and diamond cluster ring in 9ct gold, British hallmarks; an aquamarine ring in 9ct gold, British hallmarks; a ruby and diamond pendant on chain, pendant length 1.5cm, pendant and chain stamped 375; a floral garnet pendant on a gilt metal chain; an emerald and diamond pendant on a silver chain; and two blue topaz and diamond pendants on chains, one chain with British hallmarks for 18ct gold
Art Deco platinum ring set with trapezoid cut diamonds weighing approximately 0.40 ct., two brilliant cut diamonds weighing approximately 0.60 ct. and square emerald weighing approximately 1,70 ct.emerald: probably from Colombia, inclusions Hallmark: platinum mark ‘dog's head’ size: 52.5 gross weight: 5.94 gr.
Various 1960's evening dresses to include a green and cream brocade full length evening dress labelled 'Lee Delman' trimmed with green chiffon on the bust and with an attached shawl, a red satin evening dress 'V' neck, a dark blue evening dress with a ruched bodice and bow, with spaghetti straps, an emerald green silk halter neck evening gown with a ruched bodice, a pale yellow and cream cocktail dress empire waist, bell skirt, the cream bodice decorated with sequins, a black crepe cocktail dress, pleated skirt, short capped sleeves, 'V' neck, the bodice decorated with black sequins and a red lace strapless evening gown, full skirt, ruched bodice (7)
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68947 item(s)/page