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A George III Silhouette Portrait of John Fordyce, by J. Miers (1756-1821), in an oval brass frame, the verso with a printed Miers label, together with two other silhouettes, one of a young man in an oak frame and the other a hand-coloured print of a 'Major Hungerford Rickard Elers 43rd Rgt'(3)
‡  A SILVER-MOUNTED ELERS BROTHERS RED STONEWARE 'TEA JAR' THE STONEWARE CIRCA 1695 AND RECENTLY MOUNTED In the Chinoiserie taste, moulded with two figures below a parasol and exotic birds 11.5cm high overall (to include the recent mount) Provenance: The Pitt-Rivers Museum, Farnham, Dorset Christie's, London, October 11, 1993, lot 3 The Harriet Carlton Goldweitz Collection; Sotheby's, New York, 20 January 2006, lot 30 Condition Report: Restored neck and the mount has come adrift. Some firing faults.Condition Report Disclaimer
Africa.- Lucas (Captain Thomas J.) Camp Life and Sport in South Africa, first edition, half-title, tinted lithograph frontispiece and 3 tinted lithographs, publisher's advertisements at end, small ink-stamp to title foot, original pictorial cloth, slight mottling to boards, bumping to corners and extremities, [Hosken p.128], 1878 § Balfour (Alice Blanche) Twelve Hundred Miles in a Waggon, first edition, half-title, frontispiece, illustrations (many full-page), folding colour map, advertisements at end, cracked hinges, original pictorial cloth, bumping to corners and extremities, 1895 § Napier (Lt.-Colonel E. Elers) Excursions in Southern Africa, 2 vol., frontispieces, one with previous owner's ink signature verso, 3 plates, illustrations, vol. 1 with advertisement ff. bound at beginning (previous owner's ink signature verso), scattered spotting, modern half-calf, 1850; [Hosken p.128; p.10; p.147]; and 2 others similar, 8vo (6).
An Elers type red stoneware mug, probably early 18th century, of cylindrical form, with engine-turned banded borders and prunus blossom sprigs in the Chinese style, white metal rim, 9cm highNotes: John Philip Elers and his elder brother David were Dutch-born silversmiths who arrived in London in the 1680s. Their unglazed red stoneware was produced at Bradwell Wood in Staffordshire for a short time between 1690 - 1698. This unglazed red body was inspired by Chinese Yixing wares, much of which was then imported by the Dutch East India Company and widely imitated.Condition:In good condition with no damages or repairs. There is a small firing flaw to the side of the upper terminus of the handle. Please see additional images.
A pair of Wood & Sons Burslem "Elers ware" vases with stylised floral and foliate decoration in the Art Nouveau taste 27.5 cm high CONDITION REPORTS Both vases are in need of a good clean. One has a rough mark / slightly heavy scratch to its shoulder area. Otherwise both general wear and tear conducive to age and use to include some light surface scratching, firing / glaze faults etc. See images for more details.
Edgeworth, Maria (1768-1849) Tales and Novels, presentation set from Edgeworth to her half-sister London: Whittaker and Co., 1848. 9 volumes, 8vo, original blind-stamped green cloth, rebacked, engraved frontispiece and additional vignette title-page to each volume, tips bumped and worn, volume 7 front free endpaper and vignette title-page near-detachedNote: Note: Inscribed by the author 'Lucy Jane Robinson, from her sister Maria Edgeworth, with her love, March 6th 1848' on the front pastedown of volumes 2-9 ('with her love' omitted in volume 6). Lucy Jane Robinson (née Edgeworth, c.1805-1898) was the daughter of Maria's father Richard Lovell Edgeworth (1744-1817) and his fourth wife, Frances Ann Beaufort, Maria being a daughter by his first wife Anna Maria Elers. Lucy married the Irish astronomer T. Romney Robinson (1792-1882), director of Armagh observatory, and was Richard Edgeworth's last surviving child.
A GEORGE III SILHOUETTE PORTRAIT OF JOHN FORDYCEBY J. MIERS (1756-1821)in a pressed brass glazed frame, the verso with a printed Miers label, together with two other silhouettes, one of a young man and a hand-coloured print of Major Hungerford Rickard Elers 43rd Rgt (3)10.5 x 7cm (max) ProvenanceA private collection, Salisbury.
Cheetham, A. Hand-compiled ceramics collection catalogue in 8 volumes each volume 25.5 x 21cm in original buff wrappers with typed labels to upper covers listing contents, dating from the 1940s, the volumes comprising:1) Chelsea & Bow2) Bristol, Coalport, Davenport, Liverpool, Lowestoft, Langton Hall, Longport, Minton, Nantgraw, Newhall, Pinxton3) Rockingham, Salopian (Caughley), Spode, Staffordshire, Swansea4) Whieldon, Martin Ware5) Chelsea Derby, Derby, Worcester6) Chinese, Japanese7) Astbury, Black Ware, Castleford, Doulton, Delft, Elers Ware, Fulham, Leeds, Lustre, Miscellaneous, Pratt Ware, Ralph Wood, Ruskin Pottery, Salt Glaze, Wilson Ware, Wedgwood8) Berlin, Continental (various), Dresden, Hochst, Jacob Petit, Paris, Sevres, TourneyWith manuscript descriptions of each item and a large quantity of original photographs tipped-in with photo cornersProvenance:Provenance: From the library of a collectorNote: Note: A meticulously compiled catalogue in 8 volumes by the collector, Albert Cheetham. Cheetham's collection was sold by Sotheby's in 1945, following his death.
Two trays of candlesticks and vases, to include: Royal Doulton 'Kyle' single pottery candlestick, exotic bird design ceramic candlesticks, glass twisted stem candlesticks, pottery 'Turgis' chamber stick, Sylvac vase, Danish Copenhagen 'Apple Blossom' vase, Rosenthal Studio line German pottery vases, Elers Ware Wood and Sons Burslem, F A Rhead cylinder vase, a pair of small vases with figural decoration and silver rims, Wedgwood Jasperware black ground cylinder vase, trumpet vase etc. (2) (B.P. 21% + VAT)
A rare Elers Brothers red stoneware tea canister, 1690-98, slip cast and moulded in relief in the chinoiserie taste with four panels of Chinamen, ho-ho birds and blossoming foliage, 10.5cm high A similar example is illustrated on the cover of The English Ceramic Circle's 'British Ceramic Design, 1600-2002', (London, 2003), in Marno (Felicity), 'Tea has become a great commodity here': The introduction of tea and the development of its wares, in the ECC's Fire and Form: The Baroque and its Influence on English Ceramics c. 1660-c. 1760, (London, 2013), page 66, and Elliott (Gordon), John and David Elers and their Contemporaries, (Jonathan Horne, London, 1998), figure 3B. Very good condition for its age. Traces of former mounting, its cover now lacking. Slight firing stresses and occasional blemishes. The edges with small surface abrasions and grime. A very small flat chip, apparently contemporary to manufacture.
AN ELERS TYPE REDWARE CAPPUCINE AND SAUCER, early 18th century, the slightly flared cylindrical cup with leafy branch sprigging over a rounded base, lightly reeded pulled and applied handle, 3" high, saucer 4" diameter (Illustrated) (Est. plus 21% premium inc. VAT)Remarkably good condition, no chips, cracks or restoration, very minor firing cracks through a couple of leaves on sprigging
AN ELERS TYPE REDWARE MINIATURE TEAPOT AND COVER, early 18th century, of plain cylindrical form, the cover and body with leafy branch sprigging, plain handle with no terminal, 2 3/4" diameter, 2" high over handle (Illustrated) (Est. plus 21% premium inc. VAT)Remarkably good, no chips, cracks or restoration. The spout has a slightly angular tip but this is where it appears to have been "carved" into shape. Thick mottled blackish interior which appears to be original, very minor firing cracks across a little sprigging
AN ELERS TYPE REDWARE MUG, early 18th century, the plain cylindrical upper section with three double bands, plain lightly pulled and applied handle, the lower bulbous body with leafy branch sprigging, 3 3/4" high (Illustrated) (Est. plus 21% premium inc. VAT)Chip to rim opposite handle, both terminals of handle have firing cracks around, the upper terminal appears to have a little old restoration (probably just "filler"), none to base terminal
AN ELERS TYPE REDWARE MUG, early 18th century, of plain cylindrical form, the reeded pulled and applied handle with separate terminal, with leafy branch sprigging within turned reeded bands, with contemporary unmarked silver rim, 3 1/2" high (Illustrated) (Est. plus 21% premium inc. VAT)Remarkably good, no cracks or restoration, minute generic firing flaw close to top handle terminal
AN ELERS TYPE REDWARE MUG, early 18th century, with turned reeded upper cylindrical section, plain pulled and applied handle with no terminal, the lower bulbous body with leafy branch sprigging, with contemporary unmarked silver rim, 3 1/2" high (Illustrated) (Est. plus 21% premium inc. VAT)Remarkably good, no chips, cracks or restoration, a very small piece of sprigging at one end has chipped off with loss
AN ELERS TYPE REDWARE MUG, early 18th century, with plain cylindrical upper section, plain pulled and applied handle, the lower bulbous section with leafy branch sprigging, with contemporary unmarked silver rim, 3 5/8" high (Illustrated) (Est. plus 21% premium inc. VAT)Remarkably good, no chips, cracks or restoration
FOUR BOXES AND LOOSE TEA WARES ETC, to include a Villeroy & Boch 'Magica' teapot, sugar bowl, milk jug, three side plates, six saucers and four cups -one repaired, two Pirkenhammer saucers, a covered sugar bowl, milk jug - cracked and open sugar bowl - chipped, Royal Worcester 'Cameo' teacup, Adderley's 'Stella trio exclusive to Harrods, Paragon teacup, assorted early 20th Century tea wares and comport, Japanese part tea set, six Broadhurst 'Jamboree' oval plates, Wood and Sons 'Elers ware' bowl
A George III silver swing handled sugar basket or sucrier, Andrew Fogelberg and Stephen Gilbert, London 1789, slightly fluted navette form with reeded borders, moulded swing handle, engraved armorial for the Elers (or Eller) family, motto 'Gloria Virtutis Umbra' (Glory is the Shadow of Virtue), on oval pedestal foot, 6 3/8in. (16.2cm.) long, weight 10.5 tr.oz. * Top left letter of maker's mark poorly struck but clearly legible - other marks crisp. Armorial a little rubbed. No dents or dings. Good condition.
Sammelband: mit 8 antilutherischen (meist Klein)-Schriften (davon 2 unkompl.). Meist Augbsurg, Gruber um 1700. Kl.4°. Blindgepräg. Schweinsldr. d. Zt. über Holzdeckeln mit 2 defekten Schließen. (Stärkere Gebrauchsspuren). Sammelband mit Schriften, die sich überwiegend gegen das 1701 von Gottfried Lomer veröffentlichte Evangelische Panier richten. Dort hatte Lomer sein Gedicht im protestantischen "Friedens-Gemählde" für das Jahr 1700 verteidigt. - â•”Enthält:â•— Anonym, Erste Widersprechung von dem Dreyfachen Beruff Lutheri. Augsburg, Gruber o.J. S. (3)-128. - Eisenhut,F.E. Anderte Contradiction oder Rechtmässige Catholische Widersprechung dem liederlichen, lutherischen, lomerischen Panier und Zeichen... Ebda. o.J. 2 Bl., 38 S. - Römer,C. Dritte Contradiction oder billig und kräfftige Widersprechung dem liederlichen lutherischen lomerischen Panier oder Zeichen... Ebda. o.J. 47 S. - Anonym, Wiederholter Catholischer Nicht Fehl sondern wohl empfindlicher Gegen Wurff, wider die vermeinte Prob und krafftlose Lomerische Rettung... Ebda. 1700. 36 S. - Banholzer,J. Fünffte Contradiction ... dem Lomerischen Un-Evangelischen Panier... Ebda. o.J. 41 S. - Haidlberger,G. Lutherischer Parallel-Catechismus antidorum... Augsburg, Utzschneider 1679. 4 Bl., 166 S. - Elers,J. Rein-geschliffenes Fern-Glaß welches Herrn M. Gottfried Lohmern, ... Augsburg, Meta für Stretter 1701. Unkompl. - Ders. Vertheidigte Ordens-Regeln... Ebda. o.J. Unkompl. - Insgesamt tls. stärkere Gebrauchsspuren.
A very rare Elers Brothers redware teapot and cover, circa 1695After a Yixing original, the cylindrical form slip-cast and lathe-turned, with an overhead handle and short spout, the body decorated in relief with floral sprigs to both sides, the domed cover with three flowerheads and surmounted with an acorn finial, 15cm high (2)Footnotes:John Philip and David Elers were Dutch silversmiths who produced high quality red stoneware at Bradwell Wood in Staffordshire for a brief period between circa 1690 and 1698, their establishment being last recorded in 1697. Their distinctive wares were cast in plaster moulds and the exteriors neatly turned using a lathe, as detailed in a document of 1794 written by Josiah Wedgwood, see Gordon Elliott, John and David Elers (1998), p.18.In the turning of a vessel on a lathe, a cone of either wood or clay is needed to hold the piece while it is spun, and the irregular circular impression to the centre of the base inside this teapot is consistent with this. The crispness of the moulded decoration on this teapot is attributable to the Elers' use of metal dies, as indicated by the slight roughness surrounding these reliefs. An Elers coffee pot with strikingly similar decoration and a comparable acorn finial to the cover was sold by Bonhams on 1 May 2013, lot 2. A lidded jug with similar floral sprigged decoration and an acorn finial is illustrated by Elliott (1998), p.20, fig.4. Another Elers jug with comparable decoration is illustrated by Jan Daniël van Dam, European Redwares, British Ceramic Design 1600-2002 (2003), p.36, pl.8.For further information on this lot please visit Bonhams.com
A heavy George III oval hexadecagonal silver tea caddy with flush fitting lid to ring handle, engraved with coat of arms of Elers to front and motto of 'Gloria Virtutis Umbra' (the shadow of virtue) below. London 1789. By Andrew Fogelberg and Stephen Gilbert. Approx. 453 grams. Est. £1000 - £1500.
A large red stoneware teapot attributed to Elers, 18th century, the thinly and well potted body with applied chinoiserie sprigs of figures and ho-o birds all within a rococo style frame, beneath a ring turned shoulder, foliate capped and reeded handle and spout, pseudo Chinese seal mark to the underside, the tip of the spout with 18th century silver metal repair, 15cmCondition report: The tip of the spout has been damaged and repaired with an 18th? century silver metal repair, some very minor losses to some of the sprigging otherwise in good condition. There are no signs of restoration, inspection under a UV light reveals nothing.
A Nottingham saltglaze stoneware small mug or capuchine, circa 1700Possibly by James Morley, the cylindrical form with a slightly tapered rim and plain strap handle, decorated with two finely turned bands of neat horizontal grooves, with a brown glaze, 6.8cm high, three pad marks to the glazed baseFootnotes:A similar small mug with a lustrous mottled brown glaze was excavated from the Carter Gate Pottery site in Nottingham and is illustrated in Nottingham Salt-Glazed Stoneware 1690-1800, Nottingham City Museums and Galleries (2010), p.34, no.20. Compare also to no.19. A related Nottingham jug dated 1708 is illustrated on p.33, no.17 which has three pad marks to the flat base. Mugs of similar form with finely turned bands have been excavated at Fulham and it is known that John Dwight made similar examples. James Morley was sued by Dwight in 1693 for infringing his patent, see Gordon Elliot, John and David Elers and their Contemporaries (1998), no.7B. As well as mugs, Morley also made small capuchines to cater for the increasing fashion for coffee drinking in England during the 17th century, as described in his advert of circa 1700, see Gordon Elliot (1998), nos.10 and 11B.For further information on this lot please visit Bonhams.com
ELERS WARE; a late 18th century red ware teapot decorated in relief with stylised figures in a landscape setting, height 9cm, and a Doulton Lambeth jardinière, height 18cm.Additional InformationGeneral wear, the teapot has had a large area around the handle broken off and crudely glued, chipping to the spout.
A very rare Elers Brothers redware teapot and cover, circa 1695After a Yixing original, the cylindrical form slip-cast and lathe-turned, with an overhead handle and short spout, the body decorated in relief with floral sprigs to both sides, the domed cover with three flowerheads and surmounted with an acorn finial, 15cm high (2)
THREE WOOD & SONS ELERS WARE VASES, to include a small baluster vase, tubelined Art Nouveau style decoration on yellow ground, height 9cm, a footed vase by F.A.Rhead, on a blue ground, height 15cm and a similar sleeve vase height 15.5cm, together with two Gray's Pottery vases, tallest height 19cm (5)
THREE PIECES OF ELERS WARE, DESIGNED BY FREDERICK RHEAD, to include a twin handled jardiniere, approximate height 23cm, a matching circular vase, approximate height 26cm, both in a mustard colour ground, together with a Elers ware baluster shape vase in salmon pink also by Frederick Rhead, all three circa 1910 with art nouveau tubelined decoration (3)
Nelson (Horatio). The Dispatches and Letters of Vice Admiral Lord Viscount Nelson, with Notes by Sir Nicholas Harris Nicolas, 7 volumes, 2nd edition of volume 1, 1st editions of volumes 2-7, Henry Colburn, 1845-6, engraved portrait frontispiece to volume 1, 4 folding facsimile letters, 3 folding plates, 12 and 6 pp. advertisements to rear of volumes 1 and 6, variable toning, occasional spotting, plates repaired, one facsimile letters split along fold, 20th-century tan half calf, 8vo (21.4 x 13.2 cm), together with: Duncan (Archibald), The Life of the Right Honourable Horation Lord Viscount Nelson, 1st edition, James Cundee, 1806, 14 engraved plates including frontispiece (several folding), 2 pp. advertisements, spotting and browning, frontispiece laid down, one plate torn with loss, another frayed along protruding fore edge, inscription 'Edwd Wallworth, rebound 10 June 1859' to front free endpaper, gift inscription to Admiral Sir Robert Lindsey Burnett (1887-1959) dated 1945 to front pastedown, inner hinges strengthened, mid-19th-century half calf, recased, 12mo in 6s (16 x 9.6 cm), White (Joshua), Memoirs of the Professional Life of the Right Honourable Horatio Lord Viscount Nelson, 2nd edition ('considerably improved'), James Cundee, 1806, engraved frontispiece (damp-stained, ownership inscriptions recto showing through verso), 3 folding plates (spotted, repaired), marginal burn-hole to last quire, a few other marks and stains, contemporary mottled calf, recased, small 8vo in 4s (16.3 x 9.5 cm), and Napier (Elers), The Life and Correspondence of Admiral Sir Charles Napier, from Personal Recollections, Letters, and Official Documents, 2 volumes, 1st edition, Hurst and Blackett, 1862, engraved portrait frontispiece to volume 1, folding map frontispiece to volume 2, contemporary half calf, recased, 8vo (21.4 x 13.1 cm) (Qty: 11)Cowie 144, 89, 134, N/A. Provenance: Library of Colin and Joan Deacon.
A Staffordshire saltglazed stoneware cast octagonal section teapot and cover of Thomas Wedgwood IV type, The Big House Burslem, mid 18th century, with eight panels of figures, birds and animals, paper label for Garry Atkins, 13cm high; and another similar and smaller, 10cm high See Arnold R. Mountford, Staffordshire salt-glazed Stoneware (1971), ill. 95 for a similar teapot. Also Robin Emmerson, British Teapots & Tea Drinking (1992), p. 48 & 49. Also see p. 58 & 59 for a similar lion knop finial after an earlier Elers design.Provenance: The Oxborrow Collection.
Literature: Edward A Downman, Blue Dash Chargers; Graeme Cruikshank, Prestonpans Pottery; Aronson Antiques, Oriental Sources for Dutch Delftware Chinoiserie Figures; Alan Caiger-Smith, Tin-Glazed Pottery; Gordon Elliott, John and David Elers and their Contemporaries; and a number of other books on Scottish and English pottery. (38)
ALBUM - earlier 19th century, includes watercolour & pencil sketches, silhouettes, prints, paper cut-outs, etc., together with ms. poetry & prose, approx. 150pp., gilt-decorated black morocco. * of Elers family interest, signature of Sophia Elers at front; a most delightful period contribution. Illustrated
Africa.- Lord (W. B.) and T. Baines, Shifts and Expedients of Camp Life, Travel and Exploration, first edition, pictorial title, illustrations, bookplate of Lieut-General Fox Pitt-Rivers, publisher's advertisements bound at end, original cloth, a little rubbed, [Hosken p128], 1871 § Napier (Lt.-Colonel E. Elers) Excursions in Southern Africa, 2 vol., illustrations, occasional faint spotting, modern half calf, 1850 § Lucas (Thos. J.) Camp Life and Sport in South Africa, first edition, occasional faint spotting and soiling, small ink stamp to title, original pictorial cloth, slight bumping to corners and extremities, [Hosken p128], 1878, frontispieces, plates; and 2 others, similar, 8vo (6)
A Staffordshire red ware teapot and cover of Elers type, circa 1760/80, with cylindrical body, turned with undulating bands and foliate scroll capped moulded handle, impressed pseudo Chinese seal mark to base. Height 10 cm. CONDITION REPORT: Teapot lid has a very small chip to the rim but appears to be free from any further chips, cracks or flaws. The teapot spout has very tiny nibbles around the rim almost invisible to the naked eye however visible if viewed under a jeweller's loupe. At some time in its life the teapot spout has been broken off near the body and has been reattached. There are no further obvious flaws, cracks or chips visible.
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