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Late Period, Ca. 664 - 332 BC. An intricately carved cedar wood sarcophagus mask coated in gesso and paint. The mask features idealised facial characteristics, including a large nose, pursed lips, and painted wide almond-shaped eyes. It is adorned with a striped headdress, and the facial expression conveys a sense of profound serenity. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 215mm x 150mm; Weight: 320g Provenance: Property of a London gallery acquired on the US art market pre 2000.

Late Period, Ca. 664 - 332 BC. An Egyptian statuette of Ptah Sokar Osiris, intricately carved from dense hardwood, possibly cedar, and embellished with gilt. The figure is depicted in the traditional mummiform pose with fused legs and protruding feet. It has prominent almond-shaped eyes, a pronounced nose, and full lips that form a slight smile. The cheeks are tapered, and lightly cupped ears complement the facial features. All of this is framed by the lappets of a headdress that rests low on the brow, adorned with a high crown and two feathers. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 595mm x 170mm; Weight: 1.37kg Provenance: Property of a London art gallery, acquired on the US art market; Ex. private New York, New York, USA collection; Ex. Harry Wallace collection, New York, New York, USA, acquired between 1970s-1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 2045 - 1794 BC. A bronze, crescent-shaped axe head with three pierced holes for attachment to a handle. Cast using the lost-wax technique. this piece features a high, thick ridge along the back for strength. For similar see: The Metropolitan Museum of Art, Accession Number: 15.2.5a, b. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 200mm x 70mm; Weight: 260g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Ca. 300 - 100 BC. A red jasper amphoriskos with a slender neck, rounded body, and two delicate handles that curve from the rim to the shoulder. The vessel has a highly polished surface and carefully balanced proportions reveal the Egyptians’ mastery in stonework and their taste for luxury. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 50mm x 36mm; Weight: 80g Provenance: Private UK collection; previously acquired on the French art market in the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

26th Dynasty, Ca. 664 - 525 BC. A wooden sarcophagus mask. It is carved from cedar and covered with gilt gesso. The idealised facial features include a long, thin nose, pursed lips, wide bronze and stone-inlaid almond-shaped eyes, and a brown headdress. The facial expression conveys extreme serenity. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 235mm x 130mm; Weight: 280g Provenance: Property of a London gallery acquired on the US art market pre 2000.

New Kingdom, Ca. 1550 - 1069 BC.A cast-bronze dagger blade with a shallow midrib bearing several fullers, a tip, and sharpened edges. The tang is inserted into a wooden handle and connected to a gold pommel, providing an example of how Egyptian weapon handles would have looked. For similar see: A GROUP OF METAL WEAPONS FROM TELL EL-‘AJJUL IN THE HUNTERIAN MUSEUM, UNIVERSITY OF GLASGOW, Vicino Oriente XVII (2013), pp. 115-133, N. Cat. 2.Size: 270mm x 40mm; Weight: 90gProvenance: Property of a European collector, acquired on the Austrian art market, 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

25th Dynasty, Ca. 750 - 650 BC. A carved wooden sarcophagus mask in cedar, covered with gesso and gilt. Idealised facial features with a long thin nose, pursed lips, wide almond-shaped eyes and wearing a striped headdress. His facial expression is one of extreme serenity. For similar see: Egitto splendore millenario, la collezione di Leiden a Bologna, n. VII 42. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 280mm x 270mm; Weight: 2.39kg Provenance: Property of a London gallery acquired on the German art market, German export license available. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 332 BC. A large, finely carved wooden sarcophagus mask. It is carved from cedar and covered with gesso painted in red pigment. The idealised facial features include a long, thin nose, pursed lips, wide bronze and stone-inlaid almond-shaped eyes, and a black headdress. The facial expression conveys extreme serenity. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 230mm x 200mm; Weight: 1.02kg Provenance: Property of a London gallery acquired on the US art market pre 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 332 BC. A bronze statuette of the striding Sekhmet with her left foot forward. The lion-headed goddess wears a tripartite wig and a tight-fitting dress which reaches to the ankles. She has both arms at the sides of her body. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 128mm x 26.4mm; Weight: 263g Provenance: Private UK collection; previously acquired on the French art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, Ca. 1550 - 1069 BC. A collection of silver amulets comprising three flies with outstretched wings and two large beads pierced vertically. For similar see: The Metropolitan Museum of Art, Accession Number: 2012.237.1. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 7.3-19.2mm x 6.9-8.7mm; Weight: 4.7g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Ptolemaic Period, Ca. 332 - 30 BC. A terracotta head of a Pharaoh from the Ptolemaic dynasty, characterised by elegant facial features and covered with a large Nemes headdress. For similar see: The British Museum Museum number EA21916. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 120.9mm x 48.8mm; Weight: 42.9g Provenance: Private UK collection; previously acquired on the French art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Old Kingdom, Ca. 2640 - 2150 BC. An alabaster alabastron carved with a piriform body connected to a short cylindrical neck. The upper body of the vessel has two short handles. For similar see: The Metropolitan Museum of Art, Accession Number: 74.51.5101. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 190mm x 115mm; Weight: 1.64kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Late Period, Ca. 664 - 332 BC. A large, finely carved wooden sarcophagus mask. It is carved from cedar and covered with gilt gesso. The idealised facial features include a long, thin nose, pursed lips, wide bronze and stone-inlaid almond-shaped eyes, and a blue headdress. The facial expression conveys extreme serenity. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 260mm x 230mm; Weight: 1.21kg Provenance: Property of a London gallery acquired on the US art market pre 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 332 BC. A finely carved alabaster offering vessel. The stone is near-translucent with banded inclusions in warm hues of honey and butterscotch. Sitting upon a planar base, this rounded vessel presents a corseted shoulder and a dramatically flared, flat rim surrounding a wide mouth. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 120mm x 115mm; Weight: 1.13kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

Late Period, Ca. 664 - 332 BC. An alabaster alabastron with a piriform body connected to a short cylindrical neck and a folded rim. The upper body of the vessel has two short handles. For similar see: The Metropolitan Museum of Art, Accession Number: 74.51.5101. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 150mm x 85mm; Weight: 585g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.

New Kingdom, 20th Dynasty, Ca. 1184 - 1153 BC. A glazed composition inlay in the form of a rosette, set with creamy brown petals on a brown background with a yellow central boss. Thousands of similar rosettes were found at the Delta site of Tell el-Yahudiya, where a small palace of Ramesses III was discovered. For similar see: F. Dunn Friedman (ed.), Gifts of the Nile. Ancient Egyptian Faience (Providence 1998), pp. 87 & 197, nos. 55-56. Size: 35mm x 35mm; Weight: 10g Provenance: Prince collection, 1990s-2014, acquired from Roswitha Eberwein. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, XXVIth Dynasty 664-525 BC. A finely detailed green stone heart scarab with added anatomical details. The wings are realised with vertical and parallel lines and are connected to wide shoulders. The head and legs are made in a naturalistic manner. For similar see: The Metropolitan Museum of Art, Accession Number: 10.130.1646. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 60mm x 50mm; Weight: 100g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, reign of Amenhotep III 1388-1353 BC.The idealised and youthful face is characterised by slender almond-shaped eyes with thick lids and cosmetic trails extending from each corner. The face of the king is framed by a short curly wig with uraeus, surmounted by the Double Crown of Upper and Lower Egypt. For similar see: kneeling Amenhotep III in MFA Boston, R. E. Freed, Y. J, Markowitz, S. h. D'Auria “Pharaod of the Sun, Akhenaten, Nefertiti Tutankhamun, catalogue of exhibition at the MFA, Boston 2000, p 203, fig.10. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 33mm x 15mm; Weight: 10gProvenance: Prince collection, 1990s-2014; Ex. Christie's, 30 Sep 2003, Lot 45; Ex. Collection Jacques and Henriette Schumann. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, Ca. 664 - 332 BC. A set of gold finger covers for a mummy. Made from hammered gold with a hollow body and details of the skin and nails. For similar see: The Metropolitan Museum of Art, Accession Number: 26.8.149. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 37-40mm x 12-13mm; Weight: 10g Provenance: Prince collection, 1990s-2014; Ex. Antiquarium Ltd. 2002. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, Ca. 1550 - 1069 BC.A model of a hoe made of blue faience and a stick of wood, probably cedar, connected through a rope. For similar see: Andrews C., Amulets of Ancient Egypt, British Museum Press, 1994, fig. 88. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 70mm x 60mm; Weight: 10gProvenance: Prince collection, 1990s-2014; Ex. Eric Strobel private collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late to Ptolemaic Period, Ca. 664 - 30 BC.An elongated, polished lapis lazuli stone set in a silver openwork frame and connected on each side to large gold beads. For similar see: The gold jewellery in the collection of the Department of Egyptian Antiquities of the Louvre Museum, Museum Number E7725.Size: 17mm x 8mm; Weight: 1gProvenance: Provenance: Prince collection, 1990s-2014, acquired from Jean-David Cahn Auktionen, Sep 2006, Lot 163. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Second Intermediate Period, Ca. 1790 - 1550 BC. An Egyptian terracotta statuette of a concubine, made in an extremely stylised manner, with a narrow neck connected to a head. The head comprises two narrow, long, closed eyes, a stylised wig and two pierced ears. These statuettes were characteristic of the Middle Kingdom period. For similar see: Christie's, Live Auction, 21015, Antiquities: Including Ancient Engraved Gems Formerly In The G. Sangiorgi Collection Part Iv, Lot. 2. Size: 35mm x 40mm; Weight: 37g Provenance: Prince collection, 1990s-2014; Ex. Pierre Berge, 1 Dec. 2011, lot 50. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, Ca. 1550-1070 BC. Fragments of a vibrant yellow glass vase in the form of a pomegranate with elongated shape and a naturalistic calyx. These vase types were used in life, but also, such objects with beautiful elegance were used in tombs to accompany the deceased to the afterlife. One such example is the example found in the tomb of Tutankhamun. For similar see: The Global Egyptian Museum. Acc. no. 01/001/15718. JE 62198; The Metropolitan Museum of Art, Acc. no. 26.7.1180, 44.4.52-related. Cf. Scott, Nora E. 1944. Home Life of the Ancient Egyptians: A Picture Book. New York: Plantin Press, fig. 16. Schlick-Nolte, Birgit 1968. Die Glasgefäße im alten Ägypten, Münchner ägyptologische Studien, 14. Berlin: B. Hessling, pp. 42, 76, pl. 27, no. 14. Size: 25-70mm x 15-75mm; Weight: 60g Provenance: Prince collection, 1990s-2014, acquired from Aaron Gallery, UK. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, 20th Dynasty, Ca. 1186 - 1069 BC. A glazed faience inlay in the form of a rosette, set with an eight-petalled white flower with a yellow central boss. Possibly from the Temple of Ramesses III, Tell el Yahudiyeh. Cf. Florence Dunn Friedman, ed. "Gifts of the Nile: Ancient Egyptian Faience." The Museum of Art, Rhode Island School of Design, 1998, p. 87, figs. 55, 56. Size: 37mm x 37mm; Weight: 10g Provenance: Prince collection, 1990s-2014, acquired from R. Wace, Ancient Art; Ex. private collection, France.

New Kingdom, Ca. 1550 - 1070 BC. A faience plaque of the conventional type found in foundation deposits of this period. The glaze was originally brilliant blue but is now considerably deteriorated. For additional information, see: J. Weinstein, 'Foundation Deposits in Ancient Egypt' 258 (unpublished thesis, 1973); B. Porter & R. Moss, 'Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Reliefs, and Paintings' III. Size: 90mm x 40mm; Weight: 35g Provenance: Prince collection, 1990s-2014, acquired from H. Nowes, Ancient Art.

New Kingdom, 20th Dynasty, Ca. 1184 - 1153 BC. A glazed composition inlay in the form of a rosette, set with creamy brown petals on a brown background with a yellow central boss. Thousands of similar rosettes were found at the Delta site of Tell el-Yahudiya, where a small palace of Ramesses III was discovered. For similar see: F. Dunn Friedman (ed.), Gifts of the Nile. Ancient Egyptian Faience (Providence 1998), pp. 87 & 197, nos. 55-56. Size: 60mm x 60mm; Weight: 35g Provenance: Prince collection, 1990s-2014, acquired from Arteas Ltd, Laura Bosc de Ganay. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, 20th Dynasty, Ca. 1184 - 1153 BC. A glazed composition inlay in the form of a rosette, set with creamy white petals on a brown background, missing a central yellow boss. Thousands of similar rosettes were found at the Delta site of Tell el-Yahudiya, where a small palace of Ramesses III was discovered. For similar see: F. Dunn Friedman (ed.), Gifts of the Nile. Ancient Egyptian Faience (Providence 1998), pp. 87 & 197, nos. 55-56. Size: 45mm x 45mm; Weight: 20g Provenance: Prince collection, 1990s-2014, acquired from Cybele, Paris, France. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Middle Kingdom, Ca. 2055 - 1773 BC .A group of three hollow, vibrant, blue glazed faience egg-shaped balls. These balls are perhaps models of a fig or similar sized fruits. For similar see: The National Museums Liverpool, Acc. No. 16.11.06.231e; Hayes, William C. 1953. The Scepter of Egypt I: A Background for the Study of the Egyptian Antiquities in The Metropolitan Museum of Art: From the Earliest Times to the End of the Middle Kingdom. Size: 23mm x 55mm; Weight: 30gProvenance: Prince collection, 1990s-2014, Edith Bader Koller; W. Arnold Meijer collection. Published & exhibited: Objects for eternity. Egyptian antiquities from W. Arnold Meijer collection (Mainz 2006) Nr. 1.26. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Late Period, 26th Dynasty, Reign of Necho II, Ca. 610 - 595 BC. A greywacke statuette of a high official of the pharaoh Nacho II from the XXVI Dynasty, hand-carved from black basalt. The high official is represented with arms at the sides of the hips, marked facial features, and ears clearly shown on the sides, wearing a long wig. At the centre of the chest is the cartouche. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 210mm x 90mm; Weight: 2.15kg Provenance: Prince collection, 1990s-2014; Ex. Collector's Eye - Thalassic Collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Middle Kingdom, Reign of Amenemhat III 1853-1806 BC. A steatite scaraboid in the form of a reclining hippo, made in a naturalistic manner with details of the body and the large muzzle. The base is incised with the cartouche of coronation name of the pharaoh Amenemhat III, Nymaatr between two crocodiles and a fish. For similar see: Hall H.R., Catalogue of Egyptian scarabs, etc., in the British Museum, pg. XXXIV. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 30mm x 20mm; Weight: 10g Provenance: Prince collection, 1990s-2014; Ex. Charles Ede Limited (BAAF 08); 13 June 2008; Ex. European Private Collection, formerly acquired in Sotheby's sale, London, 11th June, 1973, Lot 184. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, 20th Dynasty, Ca. 1184 - 1153 BC. A glazed composition inlay in the form of a rosette, set with an X-shaped design and creamy brown petals with a yellow central boss. Thousands of similar rosettes were found at the Delta site of Tell el-Yahudiya, where a small palace of Ramesses III was discovered. For similar see: F. Dunn Friedman (ed.), Gifts of the Nile. Ancient Egyptian Faience (Providence 1998), pp. 87 & 197, nos. 55-56. Size: 55mm x 55mm; Weight: 35g Provenance: Prince collection, 1990s-2014, acquired from Charles Ede Ltd.; Ex. South American Collection acquired 1950s, then English private collection acquired early 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Amarna Period, Ca. 1353 - 1336 BC.A wooden terminal with a large discoid-shaped top engraved and gold-inlaid cartouche with the coronation name of Akenathen, Neferkheperure ua en Re. On the bottom is a pierced, protruding hoop. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.Size: 40mm x 30mm; Weight: 15gProvenance: Prince collection, 1990s-2014; Ex. Rupert Wace Ancient Art Limited, 2003. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, 20th Dynasty, Ca. 1184 - 1153 BC. A glazed composition inlay in the form of a rosette, set with an X-shaped design and creamy brown petals with a yellow central boss. Thousands of similar rosettes were found at the Delta site of Tell el-Yahudiya, where a small palace of Ramesses III was discovered. For similar see: F. Dunn Friedman (ed.), Gifts of the Nile. Ancient Egyptian Faience (Providence 1998), pp. 87 & 197, nos. 55-56. Size: 55mm x 55mm; Weight: 35g Provenance: Prince collection, 1990s-2014; acquired from Galerie Gilgamesh; Ex. collection J. Altounian, 1922 onwards; Ex. collection Mac Gregor sold at Sotheby’s in 1922, lot 153. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, Ca. 1550 - 1069 BC.An elegant blue faience amulet depicting the goddess Hathor. She is depicted in bull form, with the solar symbol between her long horns. Enveloped in a brilliant, azure-hued glaze intended to represent the waters of the Nile, the amulet features thick black pigment delineating the brow and pupil. Symbolic of health and healing, the bull is one of the oldest Egyptian symbols. In ancient Egypt, the bull goddess Hathor controlled the skies, the sun, and the moon. Size: 52mm x 50mm; Weight: 50gProvenance: Prince collection, 1990s-2014; Ex. Eric Strobel private collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. 945–712 B.C.. A carved stone right hand from a larger human figure. The hand is made in a naturalistic manner and geometric position. Held firmly inside of clenched fingers is a slender, cylindrical handle, perhaps the handle of a tool or other daily implement. For similar see: William Stevenson Smith, A History of Egyptian Sculpture and Painting in the Old Kingdom, fig. 150-153, G 1032. MET Museum, Accession Number: 26.7.1412 Size: 60mm x 40mm; Weight: 50g Provenance: Prince collection, 1990s-2014; Ex. Collector's Eye, Thalassic Collection, Lot 35. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Third Intermediate Period, XXVth Dynasty 747-653 BC. A black granite head of a sphynx of a pharaoh of the XXVth Dynasty, probably Taharqa (690-971 BC). The pharaoh's face presents defined and elegant facial features, almond-shaped eyes, full lips, a prominent nose, and a contemplative expression. He wears the nemes headdress with a frontal uraeus cobra. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 130mm x 120mm; Weight: 2.25kg Provenance: Prince collection, 1990s-2014; Ex. Jack Josephson private collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, 19th Dynasty, Reign of Rameses III, Ca. 1184 - 1153 BC.A faience tile inlay with a green-coloured pattern of petals on an ivory background. This decorative tile is thought to be associated with the ceramic art of the reign of Pharaoh Ramesses III. It was intended to fit together with similar tiles to form a horizontal pattern of petals. For similar see: Hayes, William C. 1959. The Scepter of Egypt II: A Background for the Study of the Egyptian Antiquities in the Metropolitan Museum of Art: The Hyksos Period and the New Kingdom (1675-1080 B.C.). Cambridge, Mass.: The Metropolitan Museum of Art, p. 368, fig. 232.Size: 35mm x 25mm; Weight: 5gProvenance: Prince collection, 1990s-2014; Ex. Private collection N. S. 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

New Kingdom, 20th Dynasty, Ca. 1184 - 1153 BC. A glazed faience inlay in the form of a rosette, set with eight petals around the yellow pistil. Possibly from the Temple of Ramesses III, Tell el Yahudiyeh. Cf. Florence Dunn Friedman, ed. "Gifts of the Nile: Ancient Egyptian Faience." The Museum of Art, Rhode Island School of Design, 1998, p. 87, figs. 55, 56. Size: 53mm x 53mm; Weight: 29g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 8th - 7th century BC. An ivory plaque, likely Phoenician craftsmanship, carved in openwork, depicting a Levantine tribute bearer. The face framed by a short beard, is well-defined with large eyes and sligthly aquline nose. The hair is long, and the figure wears a short kilt. On his shoulder, he carried a small monkey whose hind legs are still visible. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. Size: 60mm x 25mm; Weight: 15g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

A good selection of Victorian and later brass figures, bells, a novelty corkscrew, Egyptian artefacts, Art Deco figures etc and a pair of candlesticks

A COLLECTION OF EGYPTIAN WORKS OF ART AFTER THE ANTIQUE TO INCLUDE: Six Egyptian ushabti, largest 16cm long Six Egyptian amulets Two terracotta 'wings' and eight scarab beetle amulets Provenance: Ex UK private collection Condition Report: As per cataloguing these are in the style of ancient pieces- but are later copies. The wear and colour comes largely from manufacture with an intent to suggest greater antiquity than actually is present. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer

An early 20th century Art Nouveau mahogany and gilt metal picture frame with Egyptian Revival detail. Condition - back requires attention (see images), no stand, no board, no glass, actual frame ok with general wear.

A ceramic sculpture by Peggy Davis, "Temptress", the figurine in an Art Deco style, depicting a nude lady reclining, wearing a yellow cloak, with Egyptian tattoo imagery on her chest, raised on floral & foliate decorative base limited edition of 100 worldwide this is number 72 modelled by Andy Moss

A small leather case, 30cm across, an Egyptian tooled leather stationery wallet, brooch, silver-backed brush, Art Deco green leather-cased vanity set, etc

Late Period, 664-332 B.C. This small statuette is modelled in the round, comprising a small barque with a seated baboon and a falcon, possibly Thoth and Horus, with a slot to the underside. 35.9 grams, 64 mm (2 1/2 in.).From the collection of a gentleman, acquired on the London art market in the 1990s.In Egyptian mythology, Thoth restored the eye of Horus, suggesting that this may be the theme of the figurine's composition. Alternatively, the composition may be a condensed depiction of the funerary vignette, which shows the falcon form of the sun god Re in his solar barque flanked by baboons in an attitude of praise. The slot in the underside suggests it was once attached to a separate base.

Third Intermediate Period-Late Period, 1069-332 B.C. Sizeable and finely detailed Eye of Horus, wedjat, with both falcon and human elements, traces of gilding in places, and two suspension loops on the top. 18.8 grams, 46 mm (1 7/8 in.).From the collection of a gentleman, acquired on the London art market in the 1990s.This finely carved wedjat-eye amulet is a representation of the healed eye of the god Horus, featuring both human and falcon elements. The name wedjat in ancient Egyptian means ‘the one that is sound.’ According to Egyptian mythology, Horus' eye was wounded or taken by the god Seth and restored by Thoth. The wedjat-eye amulet was thought to protect its wearer and bestow the power of recovery and regeneration onto them. It was very popular and used by both the living and the dead.

2nd-3rd Dynasty, 2860-2640 B.C. Shallow and broad in profile with carinated rim. Cf. El-Khouli, Egyptian Stone Vessels: Predynastic Period to Dynasty III, vol.3, London, 1974, pl. 105, 4152-4153, for a vessel of similar profile. 627 grams, 20 cm (7 7/8 in.).From the private collection of Mr K.A., acquired in the 1990s-early 2000s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12367-225768.Stone vessels, made from various styles and types of stone, were commonly found in Early Dynastic and Old Kingdom tombs as funerary equipment. One of the most significant discoveries was the recovery of over 30,000 stone vessels in King Djoser's Step Pyramid complex.

Circa 700 B.C. or earlier. Modelled in the round, standing nude with left leg extended, wearing a tripartite wig with beads to the lower edges, the arms modelled separately and attached, left arm bent round to the chest, right arm straight to the side; mounting peg to the right leg, feet absent. Cf. Leibovitch, J., 'The Statuette of an Egyptian Harper and String-instruments in Egyptian Statuary', Journal of Egyptian Archaeology 46 (1960), pp.53-59, pl. XIV, 2, for an almost identical figure in the British Museum (EA 48658). 210 grams, 40 cm (15 3/4 in.).Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003-present. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12377-226045.

Late Period-Ptolemaic Period, 664-30 B.C. Bust of Osiris modelled in the round, wearing the white crown with uraeus to the brow, plaited false beard, tiered collar with counterweight to rear; the hands opposed at the chest, holding the nekhakha flail and the heka crook; the eyes with glass inserts; mounted on a custom-made stand. Cf. Roeder, G., Ägyptische Bronzefiguren II, Berlin, 1956, fig.201 and pl. 25a-c, for a similarly decorated figure. 850 grams total, 35 cm high including stand (13 3/4 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) Ex R.Liechti (1934-2010) collection, Geneva, Switzerland. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12365-226680.Osiris is a deity who represents death and fertility and is commonly regarded as the quintessential god of rebirth. Though he was once a mortal ruler, as a deceased entity, his domain was the Underworld. Abydos was the primary centre of Osiris’ cult, where a renowned yearly celebration of the god was held. The proliferation of bronze statues of the god indicates his widespread popularity. R. Liechti was a distinguished collector of Egyptian antiquities, known for his discerning eye and passion for ancient artefacts. Active during the mid-20th century, Liechti's collection featured a wide range of objects that showcased the rich cultural heritage of ancient Egypt, from intricately carved statuettes to rare amulets and jewellery. His dedication to preserving and studying these relics earned him a respected reputation among scholars and collectors alike. Many pieces from his collection have since found their way into prominent museum collections and auction houses, further solidifying his legacy in the world of antiquities.

1941 A.D. Brooklyn Institute of Arts and Sciences - Pagan and Christian Egypt: Egyptian Art from the First to the Tenth Century AD - Brooklyn Museum, 1941, hardback, cloth covers, 86 pp, 257 monochrome plates, some ink annotations. 1.06 kg, 28.5 x 21.5 cm (11 1/4 x 8 1/2 in.). [No Reserve]Property of a North London, UK, gentleman.

Naqada I-II, circa 3900-3300 B.C. Barrel-shaped in profile with tapering neck and trumpet-shaped foot, two lateral pierced lug handles, flared rim (damaged). Cf. Aston, B.G., Ancient Egyptian Stone Vessels: Materials and Forms, SAGA 5, Heidelberg, 1994, p.95, no. 13, for type. 330 grams, 86 mm (3 3/8 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) [A video of this lot is available to view on Timeline Auctions Website]French private collection. From the 'Yvelines Department', Northern France. with Mme Digard, Drouot, Paris, 7 February 2011, no.107. Accompanied by a copy of a French cultural passport. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12072-218133.

Roman Period, 30 B.C.-323 A.D. The large liturgical rattle with a columnar handle composed of a bifacial figure of Bes standing on a lotus capital, flanked by seated sphinxes, his feathered crown supporting the bust of goddess Hathor wearing a broad collar and a curling wig, two rearing uraei emerging from the sides to support the base of the rattle, both wearing the pschent crown, above the cobras a standing figure of the goddess Hathor in cow form, wearing a tripartite wig and a sun disc between the horns; the rattle with a looped body with flared outer rims and set with three metal rods to accept metal discs, a pair of reclining lions to the base and the top with three felines surrounding a cockerel, and resting one of their front paws on the bird. Cf. Lacovara, P. et al., The Collector’s Eye: Masterpieces of Egyptian Art from The Thalassic Collection, Atlanta, 2001, for a sistrum with a Bes figure incorporated into the handle; see a late Egyptian prototype of a bronze sistrum with handle in the shape of the god Bes, 30th Dynasty, c. 350 B.C. (Neues Museum, Berlin); see a Roman sistrum in MET, accession no.97.22.2; a bronze sistrum, in the British Museum, inv.no.1756,0101.541; Daremberg, C.V. & Saglio, E. (eds.), Dictionnaire des Antiquités Grecques et Romaines, Paris, 1873-1917. 1.52 kg, 39.5 cm (15 1/2 in.).[A video of this lot is available to view on Timeline Auctions Website]German art market. European private collection, 1970s-early 2000s. Acquired from the above; thence by descent. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12348-225588.The sistrum (seshesh in ancient Egyptian) was a rattle-like musical instrument, played exclusively by women in religious ceremonies. It was often decorated with the bust of the goddess Hathor to whom the sistrum was sacred. Their use continued into the Roman period in ceremonies associated with the cult of Isis.

Crate of art work and prints; Various Edinburgh prints and photographs, Egyptian pictures, Two 19th century coloured engravings- Doctor Syntax and many more items

A Collection of art prints and paintings; Egyptian paintings, prints and three carpet beaters

An Art Deco style 'Egyptian Moon' table lamp, the semi-naked female holding a glass globe above her head, mounted on a polished marble rectangular base. 45.5cm high

Two vintage Peruvian style hand carved gourds one being styled as a fish, a tall narrow glass vase, three stylised metal candlesticks, a modern vase and matching dish and a small selection of Egyptian themed items including paper clips and wall art etc.

Ca. 1550 - 1070 BC. An amazing Egyptian stone head of a priestly figure with rounded features and a shaved head. The face consists of relief carved features, including almond shaped eyes, a small nose, and pursed lips. The ears, neck, and face are well defined with a polished surface. Sculptures of priests were crafted as votive offerings intended to be placed at temples or other places of worship. These figures symbolised the ongoing worship of the deity. For similar see: B.M. Bryan’s New Kingdom Sculpture, chapter 40, fig 40.2. and 40.15. Size: 60mm x 40mm; Weight: 145g Provenance: Private UK collection; Ex. M. H. collection, Kensington, acquired on the UK art market in the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. 664 - 30 BC. A beautiful pale green faience amulet depicting a recumbent Khnum with long and curved horns. Khnum was the Egyptian ram god associated with water, the river Nile, fertility, and creation. One of the earliest gods worshiped in ancient Egypt, Khnum was believed to have created the bodies of human children from clay, imbuing them with Ka (spirit) and blessing them with health before placing them in their mother's womb. The god is depicted as a recumbent ram on a thin pedestal, with a detailed muzzle and long, curved horns. For similar see: The Metropolitan Museum of Art, Accession Number 74.51.4501. Size: 35mm x 20mm; Weight: 5g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Ca. 30 BC - AD 200.A Romano-Egyptian cream faience Amphoriskos. The apple-shaped body rises and expands upwards from the flat foot. Its upper body is connected directly to the wide neck with a short, everted rim. Resting atop the shoulder is a usual pair of ring handles. The lower part of the vase is unglazed.Size: 120mm x 80mm; Weight: 190gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.

Late Period, Ca. 664 - 332 BC. A powerfully modelled Egyptian arm, probably from a statuette of an important sculpture of a god or a king. The arm is bent and adorned with an armilla and a large bracelet. The hand is closed around a handle, probably the lower part of a sceptre. The bronze has developed a fantastic green and red patina. For similar see: The Metropolitan Museum of Art, Accession Number 1995.21. Size: 100mm x 190mm; Weight: 2.5kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.