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Click here to subscribeBoxes & Objects - a Victorian rosewood and mother of pearl work box; another two walnut and stained pine; haberdashery requisites, buttons, thread bobbins, needles, etc; Local Interest - By and After Thomas La Dell (British 1883-1971) five Rotherham related drypoint etchings, signed and dated in pencil case.1930
* CHARLES MURRAY (SCOTTISH 1894 - 1954), RAIN, PORT BANNATYNE, BUTE drypoint etching on paper, signedmounted, framed and under glassimage size 17cm x 25cm, overall size 38cm x 45cm Provenance: The Scottish National Gallery of Modern Art hold a copy of "Rain, Port Bannatyne, Bute" (purchased in 1964). Their website suggests a date of 1930.Note: Charles Murray was born in Aberdeen and studied at the Glasgow School of Art for three years. He served with the ‘White Army’ in Russia from 1918-20, joining a diverse group of counter-revolutionary forces who fought against the Bolsheviks. On his return to Glasgow, Murray won the highly coveted "Prix de Rome" for etching and studied at the British School in Rome from 1922-25. He travelled extensively in Europe but came back to Scotland in 1926 to teach engraving at the Glasgow School of Art (where he taught and inspired Ian Fleming RSA RSW RGI), and later lived in Leeds and Middlesex. He produced paintings and etchings in a style influenced by Mannerism. Murray had his first major one-man show at The Leicester Galleries (London) in 1946 and another at Batley Art Gallery in 1950. There was a Memorial exhibition at Temple Newsam House (Leeds Museum & Art Galleries) in 1955 and an Edinburgh International Festival show at the Merchant Company Hall in 1977. Murray's paintings have always attracted academic acclaim and the Tate bought one of his paintings in 1940. His work is held in UK Public collections including at Glasgow Museums & Art Galleries, the Arts Council Collection (Southbank Centre), Bradford Museum & Galleries, the Ferens Art Gallery, The Hepworth, Leeds Art Gallery and Museums, Kirklees Museum & Galleries, Sheffield Museums, Aberdeen Art Gallery & Museums and Tate (London).
Louis Icart (French, 1888-1950) 'Vitesse'hand coloured drypoint etchingsigned in pencil38 x 62cm, sheet 56 x 78cm Honest untouched condition, some undulation of the paper so thought not to be laid down, paper possibly slightly discoloured, one or two scattered fox marks, colours remain strong, housed in a rather tatty silver painted frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William Washington (English, 1885-1956) Winter Fueldrypoint etchingsigned and titled in pencil20 x 25cm A good impression on good clean white paper, showing slight undulation so not laid down, plain card mount and glazed wood frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Christopher Richard Wynne Nevinson (English, 1889-1946) 'Quartier Latin'drypoint etchingsigned in pencil35 x 25cm A good impression on slightly and evenly discoloured paper with darker margins and acid staining where it meets the mount, slight undulation so thought not to be laid down, visible sheet 37 x 26cm, plain card mount and glazed ebonised framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § William Washington (English, 1885-1956) The Cricket Bat Makerdrypoint etchingsigned and dated 1934 in the plate, inscribed in pencil no.227.5 x 21.5cm Very good impression, in good clean condition, possibly slight discolouration of the paper, visible sheet 29.5 x 24cm, plain card mount and glazed framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Abbott McNeill Whistler RBA (American, 1834-1903) 'Drouet (Sculpteur)'drypoint etchingsigned and dated 1859 in the plate15 x 22cm Honest untouched condition, even light buff tone to the paper, slight undulation showing, plain card mount and gilt glazed framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
â–² Augustus John OM RA (1878-1961) 'Romani Chai' (Campbell Dodgson 77)etching and drypoint, signed 'Augustus E John' beneath in pencil l.l.image 10 x 8.5cmProvenance: With Folio Fine Art Ltd., London. Condition ReportFramed: 33 x 26.5cmThe etching has been cut down and is without margins. It sits slightly above the sheet on which it has been mounted. Time staining with light creasing to the upper left. The print itself is crisp and fine. Not viewed out of glazed frame.
Pablo Picasso(1881 Málaga - 1973 Mougins)"Le peintre au cirque" (Der Maler im Circus). Originaltitel Kaltnadelradierung/Rives-Velin, 1970. In der Platte dat. "23.(0)5.(19)70). Blatt Nr. 55 aus der posthumen Edition der "Suite 156" mit der Picasso-Stempel-Signatur in Schwarz (wie herausgegeben), nummeriert in Bleistift "36/50" (es gab überdies 15 Épreuvres d'artiste), gedruckt von Aldo und Piero Crommelynck in Mougins, herausgegeben von der Galerie Louise Leiris in Paris 1978. Wvz. Bloch 1910, Baer 1916, Orozco 2943. Schöner Abzug mit breiten Blattrand und sichtbaren Schöpfrändern. Plattenmaß 27 cm x 34,8 mm, Blatt 41,5 cm x 47,5 cm.Etching (drypoint) on Rives wove paper, 1970. Plate no. 55 from "Séries 156". Print from the posthumous edition, stamp signed (as issued), numbered 6/50 in pencil (there were also 15 or 18 artist's proofs), printed by Aldo and Piero Crommelynck in Mougins, published by Galerie Louise Leiris in Paris, 1978. In a very good condition with wide full margins. Plate 27 cm x 34,8 cm, sheet: 41,5 cm x 47,5 mm.
Trading Cards - Advertisement - a complete set Fry's chocolate confectionery trading cards 'Fowls Pigeons & Dogs' issued 1908, published by 300 Grands Prix, Gold medals & co. each marked makers to H.M. the King, consecutive run from 1 - 50 (one album); By and After Thomas La Dell (British 1883-1971) five Rotherham related drypoint etchings, signed and dated in pencil case.1930
ALBIN BRUNOVSKY (Slovakia / Slovakian 1935 - 1997) - Praise of Tangled Dreams VIII. | 1985 | technique: etching, drypoint and mezzotint on paper | 390 x 295 mm | signature: bottom right | note: Author's print | unframed | condition report*In case of missing photos, please feel free to contact us.
BOHUSLAV REYNEK (Czech / Bohemian 1892 - 1971) - Autumn - Butterfly on an apple | technique: colored drypoint on paper | 105 x 75 mm | signature: bottom right | framed under glass | Lot description | This colorful drypoint by Bohuslav Reynek, one of the most important Czech graphic artists and poets of the 20th century, depicts an autumn scene, which is characterized by his mystical and intimate view of nature. The motif of a butterfly on an apple, surrounded by fragile lines and melancholic colors, evokes Reynk's typical lyrical approach to natural cycles and the changes of the seasons. The artist masterfully combines realism with abstraction and spirituality, which gives the work a special poetics and depth. Reynka's works like this are often seen as meditations on the transience and beauty of simple things. | condition report*In case of missing photos, please feel free to contact us.
JIRI ANDERLE (Czech / Bohemian 1936) - Il Sorriso - The Smile (large sheet) | 1976-1978 | technique: colored drypoint with mezzotint on paper | 930 x 620 mm | signature: down the middle | framed under glass | Lot description | The work "Il Sorriso (The Smile)" by Jiri Anderle is a fascinating exploration of the repetition and transformation of the human expression, which is characteristic of his artistic style. Anderle masterfully combines the traditional drypoint technique with modern elements in this print, creating a work that feels both historical and contemporary. A series of repeating profiles of a female figure with a hint of a smile creates an impression of movement and change, which may refer to the concept of the passage of time and the volatility of human emotions. Intricately rendered details and subtle chiaroscuro work add depth and ambiguity to the work. "Il Sorriso" is not only a tribute to classical artistic traditions, but also Anderle's unique contribution to modern graphic art, which appeals to the viewer with its mysterious atmosphere and technical bravura. | condition report*In case of missing photos, please feel free to contact us.
JIRI ANDERLE (Czech / Bohemian 1936) - Donna Simonetta Vespucci | 1983 | technique: colored etching on paper | 490 x 330 mm | signature: bottom right | framed under glass | Lot description | This work, called "Simonetta" is another remarkable example from the work of Jiri Anderle, known for his ability to connect historical and modern artistic influences. Simonetta Vespucci was a famous Italian noblewoman and the muse of Renaissance artists, whose beauty inspired many works of art of the time. Here, Anderle captures the ideal of feminine beauty in colored drypoint with an emphasis on detailed processing and fine lines. The intertwining figures refer to the Renaissance ideal of harmony and proportion, while the use of color and symbolism gives the piece a modern context. This graphic sheet not only reflects Anderle's deep respect for historical motifs, but also his ability to reinterpret and update them for a contemporary audience. | condition report*In case of missing photos, please feel free to contact us.
JIRI ANDERLE (Czech / Bohemian 1936) - Taste - from the cycle Senses (Variations on the theme of Goltzius) | 1983 | technique: drypoint on paper, variation with drawing 1/1 | 660 x 500 mm | signature: bottom right | framed under glass | Lot description | This colored drypoint on paper, created by the prominent Czech graphic artist and painter Jiri Anderl, is part of the "Senses" series, which draws inspiration from the classical artistic tradition. Here, Anderle offers his own interpretation of the old masters, specifically variations on a theme by Dutch engraver Hendrick Goltzius. The work "Taste" captures a female figure in a moment of reflection, while the fine lines and thoughtful color scale underline the artist's masterful work with details. Anderle's work is known for its ability to connect historical art with a modern sensibility, making this work a significant contribution to contemporary artistic discourse. | condition report*In case of missing photos, please feel free to contact us.
ALBIN BRUNOVSKY (Slovakia / Slovakian 1935 - 1997) - Praise of tangled dreams V. | 1985 | technique: etching, drypoint and mezzotint on paper | 390 x 295 mm (board size) | signature: bottom right | note: Author's print | unframed | condition report*In case of missing photos, please feel free to contact us.
JIRI ANDERLE (Czech / Bohemian 1936) - Touch - from the cycle Senses (Variations on the theme of Goltzius) | 1983 | technique: drypoint on paper, variant with drawing | 660 x 500 mm | signature: bottom right | framed under glass | Lot description | The work "Touch" belongs to the cycle "Sysly", in which Jiri Anderle pays tribute to the masters of the Renaissance, especially the Dutch engraver Hendrick Goltzius. Anderle's colored drypoint on paper bears traces of a masterful drawing that revives historical motifs with modern elements. In "Touch", the artist depicts two close human touches, which are rendered with delicacy and attention to detail, expressing a deep human experience and the symbolism of this meaning. The work is characterized by Anderle's ability to connect the past with the present, thus creating timeless artistic statements that appeal to the viewer with their emotionality and artistic quality. | condition report*In case of missing photos, please feel free to contact us.
JIRI ANDERLE (Czech / Bohemian 1936) - Sight - from the cycle Senses (Variations on the theme of Goltzius) | 1983 | technique: drypoint on paper, variant with drawing | 660 x 500 mm | signature: bottom right | framed under glass | Lot description | The work "Sight" is another important sheet from the series "Senses" by the Czech artist Jiri Anderle, which once again represents his fascination with Renaissance masters, specifically the Dutch engraver Hendrick Goltzius. In this colored drypoint on paper, Anderle combines the precision of the old masters with modern expressiveness, creating a work that feels both nostalgic and innovative. The scene captures the subtle play of light and shadow on the faces of the characters, with Anderle masterfully highlighting the theme of sight. This work is characterized by the author's sensitive approach to the historical reference, which he reinterprets through his unique modern vision. | condition report*In case of missing photos, please feel free to contact us.
Iliazd Rogelio Lacourière pêcheur de cuivres - Pablo Picasso, Aux quatre coins de la pièce. Paris, Le Degré Quarante et Un 1968. • Wunderschönes Pariser Künstlerbuch • Seltene Luxusedition • Sehr persönliche Hommage an Rogelio Lacourière • Mit zahlreichen Künstlersignaturen Originalausgabe des seltenen künstlerischen Gemeinschaftsprojektes, das zu Ehren des Druckers Rogelio Lacourière erschien. Dieser war zwei Jahre zuvor verstorben; in seinem Pariser Atelier entstanden 30 Jahre lang die wichtigsten Malerbücher und modernen Graphikeditionen dieser Zeit. Die vorliegende Luxuspublikation wurde von Iliazd initiiert, sie enthält Beiträge von André Beaudin, Camille Bryen, Andre Derain, Andre Dunoyer de Segonzac, Max Ernst, Alberto Giacometti, Alberto Magnelli, Louis Marcoussis, André Masson, Joan Miró, Pascin, Pablo Picasso und Leopold Survage. Signiert wurde das Buch von sämtlichen 9 Künstlern, die zum Zeitpunkt der Veröffentlichung dieses ungewöhnlichen Projektes noch lebten, also von André Beaudin, Camille Bryen, Andre Dunoyer de Segonzac, Max Ernst, Alberto Magnelli, Andre Masson, Joan Miro, Pablo Picasso und Leopold Survage. Picasso steuerte neben seines eigens verfaßten Gedichts auch eine ungewöhnliche Radierung bei. 'Picasso's surprising drypoint is a brilliant and brutal image, uncharacteristic in its violent sexualitiy and rough expressionistic line.' (Robert F. Johnson in der Logan Coll.) EINBAND: Lose Lagen und Tafeln in blau-weißem Orig.-Pergamentumschlag mit typographischem Deckeltitel in Rotbraun, in Orig.-Leinendecke und -schuber. 26 : 32 cm. - ILLUSTRATION: Mit 13 Orig.-Radierungen von P. Picasso, J. Miró, M. Ernst, A. Giacometti u. a. - PROVENIENZ: Privatsammlung Baden-Württemberg. LITERATUR: Logan Coll. 89. - Splendid Pages (Bareiss Coll.) S. 75f. und 205. - Monod 6251. - Drucker (Iliazd) S. 224ff. - Goeppert/Cramer (Picasso) 141. - Cramer (Miro) 120. - Saphire/Cramer (Masson) 77. - Beautiful Parisian artist book, a very personal tribute to Rogelio Lacourière. - This rare luxury edition is signed by most of the artists. First edition. 1 of 50 numb. copies. 13 orig. etchings by A. Giacometti, P. Picasso, J. Miro, M. Ernst and others. - Loose quires and plates in light blue orig. vellum cover with typographic cover title in red-brown, in orig. cloth cover and slipcase. Fine copy from a private collection. Vollständige Beschreibung und Zustandsbericht https://www.ketterer-rarebooks.de/kunst/kd/details.php?detail=1&anummer=559&obnr=423000764 Dieses Objekt wird regelbesteuert angeboten (R). Complete description and condition report https://www.ketterer-rarebooks.com/details-e.php?detail=1&anummer=559&obnr=423000764 This lot can only be purchased subject to regular taxation (R).
DALI, SALVADOR, 1904-1989. (NACH) "Konvolut" "Cervantes", Kaltnadel, Platte sig., HxB: 17,2 x 12,2 cm. "Don Quijote", Kaltnadel, Platte sig., HxB: 17,2 x 12,2 cm. "El Cid", Kaltnadel, Platte sig., HxB: 17,2 x 12,2 cm. Alle drei gerahmt, HxB: 40/30 cm. | DALI, SALVADOR, 1904-1989, (AFTER) "Envelope" "Cervantes", drypoint, plate sig., HxW: 17,2 x 12,2 cm. "Don Quixote", drypoint, plate sig., HxW: 17.2 x 12.2 cm. "El Cid", drypoint, signed plate, hxw: 17.2 x 12.2 cm. All three framed, HxW: 40/30 cm.
DALI, SALVADOR (1904-1989) "Argus" 1963 Radierung/ Kaltnadel coloriert, sig., Ex. XLII/L, WVZ Michler-Löpsinger 116, Bild. Hxb: 39,5/49,5 cm. Rahmen, HxB: 70/95 cm. Provenienz: Terminus Galerie, München.Privatsammlung Baden Baden.| DALI, SALVADOR (1904-1989) "Argus" 1963Etching/ drypoint coloured, signed, Ex. XLII/L, WVZ Michler-Löpsinger 116, image. Hxw: 39.5/49.5 cm. Frame, hxw: 70/95 cm. Provenance: Terminus Gallery, Munich.Private collection Baden Baden.
Goya y Lucientes (Francisco José de) Los Desastres de la Guerra, third edition, complete set of eighty etchings with aquatint, drypoint and engraving, on sturdy ivory wove paper without watermarks, title and text from the second edition, each platemark approx. 152 x 198 mm (6 x 7 3/4 in), sheets each approx. 235 x 335 mm (9 1/4 x 13 1/4 in), mounted on stubs, occasional marginal spotting, some surface dirt, later calf, rubbed and scuffed, oblong folio, Real Academia de Bellas Artes de San Fernando, Madrid, [1903]Literature:cf. Harris 121-200*** Goya's etchings illustrate events he witnessed in Madrid and Zaragoza, his birthplace and where these works were produced after he fled the court in 1810-15. These events were the result of the Peninsular War (1808-1814), in which Napoleon Bonaparte invaded Spain and was met with bloody resistance from the local population, before being defeated by British and Spanish troops. The images were kept in the artist's country estate, Quinta del Sordo, and were owned by Goya's son Javier until his death in 1854. The war scenes are devoid of the traditional heroism and triumphalism of such representations; the artist focuses on the horror of the war in a modern and original way and surprises by not putting blame exclusively on either side. The French are condemned for the occupation and the Spanish for excessive violence.
JAMES MCBEY (BRITISH, 1883-1959)Spring, 1917 signed 'James McBey' (in lower margin) drypoint 20.5 x 34cm ARR Provenance Thomas Agnew & Sons, Exchange Street, Manchester; Private collection, UKFootnoteThis work (Spring, 1917) is No. 177 in the catalogue raisonnée of James McBey's etchings and dry-points by Martin Hardie and and Charles Carter.
John Cage, American 1912-1992, 2R + 13.14; R²3; R²1; (R²2); from Where R=Ryoanji, 1983; set of 4 drypoint etchings on J. Whatman laid paper, each signed, dated, titled and inscribed 'Trial Proof' in pencil', published by Crown Point Press, San Francisco, with their blind stamp, each sheet: 23.3 x 59 cm, (framed) (4)
John Cage, American 1912-1992, Score Without Parts (40 Drawings by Thoreau): Twelve Haiku, 1978; colour hardground etching, softground etching, photo-etching, drypoint, sugarlift aquatint, and engraving on Rives BFK paper, signed, dated and titled in pencil, published by Crown Point Press, San Francisco, with their blind stamp, printed by Stephen Thomas, sheet: 56.6 x 75.5 cm, (framed)
Dan Flavin, American 1933-1996, Second Sails, (set of 8), 1978; complete set of 8 monochrome etchings with drypoint on Arches wove, each signed, dated, titled and inscribed 'of 10' in pencil, from the edition of 10, printed by Crown Point Press, San Francisco, published by Crown Point Press, San Francisco, with their blind stamp, each sheet: 28 x 37.5 cm, (framed) (8)
Christopher Richard Wynne Nevinson ARA, British 1889-1946,Chelsea Reach, c.1919;etching with drypoint on laid paper watermarked F.J Head and Co, signed in pencil from the edition of approx. 75, annotated M13274, sheet: 33 x 41.7 cm, (framed)Note: Ref Guichard 74Provenance: Phipps and Company Ltd, Cheyne Walk, London
Christopher Richard Wynne Nevinson ARA, British 1889-1946, The Estuary (Black 50), 1918; drypoint printed in bistre on cream F. J. Head & Co. hand-made laid, signed and dated in pencil, sheet: 17.5 x 25 cm, (framed) (ARR) Provenance: Austin Desmond Contemporary Books LTD, London | Sue Clive MBE Collection
etching and drypoint, pen and ink monogram 'IB', 15 x 20.5 cm, framed and glazed 46 x 50 cmA good impression of New Hollstein's first state, showing some burr.Provenance John Binmer (c.1771-1842), with his stamp (L.1410). With Faustus Galleries, London, 26 July 1976, no.E2204. Private Collection, UK.Literature Bartsch, Hollstein 67; Hind 256; New Hollstein 298. Unframed condition: laid down at all four corners. Corners stained, probably by old glue. Slightly trimed upper edge. Sheet undulating. Some light surface dirt and scattered minor foxing.
Edgar Holloway (1914-2008), five drypoint etchings, The Bride, signed in pencil, 22/50, 17.5 x 24cm; The Bride 2nd State, signed, 29/50; Capel-y-ffin (Church Gate and Yews), signed and inscribed APV, 18 x 24.5cm; Woodbarton, signed and inscribed 'Engraved lines bigger in 2 prints only', 22 x 19cm; Orchard Moon, signed in ink, 17.5 x 25cm, all unmounted. Condition - fair to good, some minor discolouration
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