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A Continental porcelain hand painted floral decorated twin handled urn, with pseudo Meissen mark to base and gilt decoration, height 24cm, diameter 16cm, a Continental pierced porcelain floral decorated plate, with gilt rim and pseudo Meissen mark to base, diameter 23cm, a similar pierced porcelain bowl, diameter 10cm, a Dresden twin handled floral decorated pot and a Dresden floral encrusted gilt decorated lidded pot (5).
A group of nine porcelain figures comprising five blanc de chine Berlin figures, each with an underglaze painted mark, two Dresden figures, one with a pierced lace dress, a Chelsea style figure, gold anchor mark, and a Meissen style figure, modelled as a girl with bunches of grapes,tallest 14.3cm high (9)Condition ReportChips, losses and wear throughout. Meissen style figure restored to the waistline.
10 Gläseruntersetzer, Villeroy & Boch. Keramik. Im Spiegel unterschiedliche, polychrome Dekore. Farbiger Rand teils berieben. Gebrauchsspuren und Glasur teils fleckig. 1x gem. Villeroy & Boch, Dresden, um 1900. D. ca. 8,5 cm. Beigegeben: Biskuitporzellan-Reliefplakette "Portrait der Königin Luise". Szeptermarke Berlin, 1871-1945. 2. Wahl. D. 9 cm.
Meissen Figur Mohr mit SchimmelMeissen, Entwurf von Johann Joachim Kändler (1706 - 1775) um 1750, 1. Hälfte 20. Jh., Porzellan, weiß, polychrom bemalt und gold staffiert, Höhe 45 cm, Manufakturmarke, Modellnummer 1067, Malermarke, 2 Schleifstriche, Zustand C, restauriert, Literatur: Carl Albiker: Die Meissener Porzellantiere, Berlin 1959, Nr. 246 und Ulrich Pietsch: Meißner Porzellanplastik von Gottlieb Kirchner und Johann Joachim Kaendler, Bestandkatalog der Porzellansammlung Staatliche Kunstsammlungen Dresden, München 2006, Kat.-Nr. 27/S. 30
Gerhard Richter (1932 Dresden) (F)'1260 Farben', Farboffset auf leichtem Karton, 62 cm x 80 cm Blattmaß, signiert, 1974 datiert, VIII/VIII nummeriert, nachgedunkelt, verblichen, partiell minimal stockfelckig, an den Rändern partiell bestoßen, montiert, Literatur: Wvz. Butin 52, Provenienz: Galerie-Jaeschke, Braunschweig (verso Galerieetikett)
Sachsen, erster Weltkrieg, Koppel mit Koppelschloss für Mannschaften und Patronentasche für das Gewehr 98. Koppelschloss unmagnetisch, feldgrau lackiert, mit Devise "Providentiae Memor", gemarkt "G.H. Osang, Dresden 1915, Koppellänge ca. 93 cm. Ein Verschlußriemen der Patronentasche gerissen. Alters- und Gebrauchsspuren.
Haldenwang, Christian (1770 Durlach - Bad Rippoldsau 1831) Entwurf für ein Schiller-Denkmal in Ideallandschaften (nach Jacob Wilhelm Mechau und Johann Gottfried Klinsky). Farbaquatintaradierung (Altersspuren). Erschienen in der Ritterschen Kunsthandlung (von Heinrich Ritter), Dresden, um 1807. Ca. 61x 75 cm. R.
Herrenarmbanduhr "Zum Wiederafubau Frauenkirche Dresden". Rundes 585/000 GG-Gehäuse. Mattgoldenes Zifferblatt mit Silhouette der Frauenkirche(nruine) und integriertem Mauersteinchen bei 9, dezentrierte Strichindizes und Zeiger mit großer Sekunde, Krone mit schwarzem Cabochon. Quarzwerk. Wasserdicht bis 3 ATM. Gehäuseboden gem. Stadtsparkasse Dresden und num. 0511/3.000. D. 3,2 cm. Schwarzes, nahezu neuwertiges Lederarmband.
Andrae, Elisabeth (1876 Anger bei Leipzig - Dresden 1945) Blühende Chrysanthemen. Farbholzschnitt/Japan (knittrig, Flecken), re. u. mit Bleistift sign., bez. Holzschnitt-Handdruck und im Stock monog. 34,5x 22 cm. PP., R. Beigegeben: Kaufbeleg Galerie am Gendarmenmarkt, Berlin aus 2001 über DM 1.500,-.
Krieger (Krüger), Lina (1802/03 Forst - Dresden 1884) Empire-Darstellung eines Mädchens mit Taube im Arm, eine weitere Taube fütternd, im Hintergrund Schlosssee. Pastell, mittig li. sign. Lina Kröger und dat. 1823. 100x 77 cm. Im Empire-Rahmen, 1. Hälfte 19. Jh. Tochter des Malers Friedrich Christian Krieger (Krüger), 1774 Zeucha - Dresden 1832.
Haldenwang, Christian (1770 Durlach - Bad Rippoldsau 1831) Entwurf für ein Klopstock-Denkmal in Ideallandschaften (nach Jacob Wilhelm Mechau und Johann Gottfried Klinsky). Farbaquatintaradierung (Altersspuren). Erschienen in der Ritterschen Kunsthandlung (von Heinrich Ritter), Dresden, um 1807. Ca. 61x 75 cm. R.
Ansichtenvase, Meissen. Kraterform, Ansätze der seitlichen Handhaben mit reliefierten Maskarons. Kobaltblauer Fond mit reicher Goldmalerei und -rändern sowie teils radiertem Golddekor. Schau- und rückseitig je ausgesparte Reserve mit polychrom gemalter Ansicht von Dresden bzw. Blumenbouquet. Innenwandung mit bunter, gestreuter Blumenmalerei. Mitteltelbaluster des Sockelfußes rest. Schwertermarke Meissen, 1818-1850. 1. Wahl. H. 37 cm.
A large pair of Meissen style Dresden vases and covers, twin handled double ogee urn form with mask handles, painted with Kauffahrtei scenes to the relief moulded Rococo scroll cartouches, between striped and diaper panels, the lids and feet with monochrome landscape scenes above Greek key borders, surmounted by open crowns, underglaze blue Augustus Rex marks, 45cm high (2)
Nilson, Johann Elias (Augsburg 1721-1788) „Porte d’un Salon“. „Facon Modern d’un Porte de Jardin“ Zwei Kupferstiche. Betit. u. oben re. num. „Nr. IX“ u. „Nr. X“. Auf Rahmenrückwand zugeschrieben. Je ca. 23×17cm. R. Und: Frenzel, Johann Gottfried Abraham (Dresden 1782–1855). Familienszene vor Haus. Radierung nach Franz von Mieris, Rentsch del. 10×12cm. R. (53983)
Ansichtentasse "Dresden" Meissen, 1. Viertel 19. Jh. Walzenform mit Perlfries und Rankenhenkel. Auf der Front farbige Ansicht von Dresden mit Elbbrücke und Spaziergängern am Ufer. Gold- und Silberstaffage. Innenvergoldung. Im Boden bezeichnet. Auf nicht passender, facettierter Untertasse . Pressmarke. Blaue Schwertermarke mit blauer 4. (61112)
Lange, Julius (Darmstadt, München 1817-1878) Gebirgslandschaft. Der Hohe Göll bei Berchtesgaden Sign. u. dat. Öl auf Lwd. 44×60 cm. Rücks. auf altem Klebezettel sign., betit. und Münchner Künstleradresse. Und Klebezettel Kunstausstellung zu Dresden, mit Nr. 54 (wohl Kunstausstellung 1860), siehe: Böttcher Malerwerke, Bd. 1.2, Nr. 14. (Krakelee, Retuschen). R. (61109)
A FINE GERMAN (SAXON) RAPIER, CIRCA 1580-1600 with slender tapering blade of flattened-hexagonal section, struck with the sacred trigram ‘IHS’ enclosed by a series of decorative marks within a short fuller on each face at the forte, border-engraved tapering ricasso enclosed by a blackened rain-cover with roped edge, blackened iron hilt (the colour refreshed in places), comprising a pair of slightly drooping quillons of hollow-triangular section broadening towards their pointed tips and each engraved with a pair of chevrons on the front, outer ring-guard en suite and fitted with a flat plate pierced with four heart-shaped apertures, diagonal inner-guard formed of a broad plate joined to the quillon-block by a heart-shaped thumb-loop, large faceted plummet-shaped pommel engraved with pairs of lines, and fishskin-covered grip, perhaps early, bound with slender iron bars between shaped collars, 105.38 cm blade ProvenanceAn Important English Private Collection LiteratureThe Fourth Park Lane Arms Fair, 1987, p. 6. This form of hilt is recorded from the second quarter of the 16th century and remained popular at the somewhat conservative Dresden court until the early 17th century. Other swords of this type are preserved in the former Electoral Armoury Dresden. Five further swords from this group are listed in the Princes Schwarzburg Armour inventory of 1708, and a near identical example in the Victoria and Albert Museum (inv. no.M.46-1947). See Hilbert 1998, p. 69; Norman 1980, pp. 75-76; Henkel and Kessler 2017, p. 160 and Hayward 1963, no.3c.
A RARE GERMAN COMBINED RAMROD, WHEEL-LOCK SPANNER AND CHARGE-FLASK, CIRCA 1620-40 ‡ with long tubular rod section, fitted at the top with two square spanner apertures, and a sprung closure for the charge flask accommodated within, 60.3 cm overall ProvenanceRobert Brooker Collection inv. no. 2087 For related examples preserved in the Historishces Museum Dresden see Lewerken 1988, p. 294, cat. nos 196-199.
A VERY RARE COMBINED SOUTH GERMAN 50 BORE WHEEL-LOCK PISTOL AND AXE, CIRCA 1580 ‡ with tapering two-sage barrel swamped towards the muzzle, fitted with axe-head at the muzzle end with curved upper edge, struck with a five-point cross mark in a rondel on the front, flat lock retained by two side nails, fitted with external wheel with domed cover, sliding pan-cover with button release, safety-catch and dog with moulded spring (areas of pitting, one side nail and safety-catch expertly restored), fruitwood full stock profusely inlaid with stag and green-stained horn pellets within a framework of segmental lines, further engraved panels including a pair of profile demon masks and a green man mask about the barrel tang, a scrollwork panel forming a side nail washer, a diagonally hatched shield behind, a monsterhead panel behind the lock (some plaques restored), iron belt clip and moulded trigger-guard, and bone basal cap decorated with foliage, 48.0 cm overall ProvenanceRobert Brooker Collection inv.no. 2070 A very similar decorated combined wheel-lock pistol and axe is preserved in the Historisches Museum, Dresden, see Lewerken 1989, p. 209, cat. No. 6.
A pair of Derby porcelain models of a Dresden Shepherd and Shepherdess, circa 1755-60, decorated in polychrome, the male figure with an outstretched hand proffering a piece of fruit from a lattice basket, a hound seated to his feet; his female companion holding flowers in her outstretched hand, a lamb at her feet, on a raised scrolling base picked out in green, yellow and purple, 28cm high (restoration) (2)Condition:Shepherd - Old restoration with obvious re-painting around the neck (the head has likely been broken off)Losses to the ends of two figures of the outstretched handRepaired break to the ruff of the sleeve of the opposing arm.Small breakage to one flower on the base. Chips and breakages to the ends of the leaves around the figures.Some wear to gilding and glaze loss around the rim of the basket.Section of leaf bocage missing from the top of the outstretched trunkMinor chips to bows on stockingsSome restoration to hat which is now flaking slightlyShepherdes—The neck break is more obviously repaired. There are several firing cracks near the base, including a crack below the sheep. There are some chips and losses to flowers around the base and heavy losses to the bocage. Breakages to flower petals in hand. Slight firing crack around waist. Hat restored and further chipped.
A mixed group of 18th and early 19th century English porcelain, comprising: New Hall - a tall pedestal cream jug, painted with pink roses and other flowers, 11.5cm high; a 'Boy with Butterfly' tea bowl, pattern 421, 8.2cm diameter; a puce floral tea bowl and saucer, and further two floral saucers 13cm diameter and one tea bowl; a further tea bowl and saucer, attributed to Keeling; a Caughley plain white fluted trio of coffee cup, tea bowl and saucer, saucer 14cm diameter; a Flight Worcester spiral shanked tea bowl, open crescent, 8.2cm diameter; and Caughley, comprising a large gilt and white saucer dish, 19cm diameter; a 'Dresden Sprigs' trio of coffee cup, tea bowl and saucer, and a further 'Dresden Sprigs' coffee cup, 6.5cm high; 'Spangles' saucer, 13.5cm diameter (mixed group)Condition:New Hall cream jug - handle crackedNew Hall saucers - 1 cracked and chippedKeeling attributed tea bowl and saucer - faint star crack to saucerLone New Hall tea bowl - filled rim chipCaughley plain white and gilt trio - Some nibbles to foot rim of saucerFlight tea bowl - no damageSome pieces with minor gilt wear, no other damages noted
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34472 item(s)/page