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Lot 494
Albums 2 large, leather bound photograph albums containing a mixture of images, mainly church, cathedral, architecture and topography of UK, Germany and France. Including Glendolough, Wicklow, Northumberland, Edinburgh, Braemar, Cambridge, Ely, Rheims, Dresden. Included are 4 platinum prints by Frank Meadows Sutcliffe of the Whitby area. Images by G.W.Wilson, W. Lawrence and James Valentine. + loose prints. Albums are complete and clean, some scattered foxing on leaves. Images are generally very good.
Lot 145
A Dresden porcelain jug early 20th century, the blue royal glaze with foliate decorated reserve heightened in gilt, 27cm high, together with a Dresden tureen, decorated with floral sprays, with gilt heightened detail, 19cm high, and a Meissen-style cup and saucer, with Augustus-Rex marks, 8.5cm high (4)Provenance: The property of the late Baron John Mauger Langin Condition ReportRubbing to gilding on jug. Minor surface wear to all.
Lot 139
A Sevres porcelain cabinet plate 19th century, the centre with a painted scene of a courting couple, to a gilt and pink ground border, printed mark S.57, 24cm diametertogether with a Sevres porcelain teapot on standwith a painted scene of musicians, signed Wateau, to a gilt and blue ground, painted marks, total 24cm highand two named view porcelain dishes,of shaped form, comprising a Dresden example titled 'Cattle on the Rhine, Germany', and another titled 'Northumberland',25cm wide (4)Provenance: The property of the late Baron John Mauger LanginCondition ReportNamed view dishes) The Northumberland example with a restored crack.Teapot) Wear to the painted scenes. Cabinet plate) Good condition, no apparent chips or cracks.
Lot 337
A Irish Dresden porcelain figure group 'The Champagne Party', depicting a group of five figures sat at a table, drinking champagne, painted marks,53cm wide31cm hightogether with another Irish Dresden porcelain figure,'Sinead', of a lady in a green dress, playing the harp, painted marks,19cm highCondition ReportNo apparent chips or crack. Only minor losses to the lace dresses, but no large patches missing.
Lot 358
A collection of German porcelain wares, 20th century, comprising two Rosenthal Versace coffee cups and saucers, three pierced dishes, largest 16cm diameter, a pair of Dresden pireced oval dishes, 27cm wide, a Dresden dish, 23cm, a KPM Berlin dinner plate, 25cm diameter, a pair of KPM moulded bowls, 25.5cm diameter, four pieces of Nymphenburg moulded items, largest 32cm diameter, a Nymphenburg cup and saucer, and two trios, (25)Condition ReportSome wear and rubbing, no restoration.
Lot 150A
Two Dresden Opaque China serving dishes, circa 1820-1840, comprising an example of rectangular form, with cut corners and a draining well, transfer and painted with peony and vase, and another similar, printed marks, each 40.5 x 53cm (2)Condition ReportBoth crazed but free from cracking, evidence of heat damages one with iron wire cage for hanging overall fairly order
Lot 327
A pair of Dresden porcelain urns and covers late 19th century, the cylindrical urns with domed covers, having a turquoise ground, with foliate decoration heightened in gilt30.5cm highCondition ReportChips to the rim and bases of both. Wear to the painted decoration and gilding throughout. Please see the additional images.
Lot 95
A PAIR OF MEISSEN PORCELAIN RHINOCEROS 19th century, bearing blue crossed swords marks to the bases, modelled in opposing stance, one with its mouth open, 10cm high x 16.5cm long (2)Provenance: Property formerly in the collection at West Hall, Long Burton.Note: This Meissen model is likely based on prints published to advertise the arrival of "Clara", an Indian rhinoceros brought to Europe on a Dutch East India Company Vessel. The rhinoceros was acquired in 1741 and was exhibited in many European cities, including Dresden in 1747. There are fundamental similarities in this model to the rhinoceros drawn by Moritz Bodenehr (1665-1749) dated 1747.
Lot 55
A small group of Continental porcelain - comprising a Dresden teapot, blue painted factory mark, painted with Deutsche Blumen, 13cm high; together with an early 20th century part tea and coffee service with in celeste blue with parcel-gilt foliate handles and gilt 'CJR' monogram decoration, comprising three tea cups, three coffee cans (one with hairline) and seven saucers; together with a Royal Worcester square floral spray plate. (15)
Lot 75
Four pieces of German porcelain, early 20th century - comprising a KPM Berlin pastille burner or pot pourri and cover, painted in the Dresden style with courting couples in garden landscapes, underglaze blue mark, 16.7cm high; a bust of Prince Louis Charles de Bourbon, after the Meissen original by Kandler, probably Dresden, 15cm high, feather to bonnet a/f; and a pair of baluster vases with gilt entwined vine handles, painted with Deutsche Blumen, printed blue crown marks, 18.5cm high. (4) - Pastille burner: Good condition with no faults. Very minor gilt wear.- Bust: Losses to feather and crossed ribbon on bonnet. Loss to one side of bow beneath chin. Minor losses to floral bocage.- Pair of vases: Some gilt wear. No other faults.
Lot 577
DRESDEN: a porcelain lidded tankard decorated in enamels with courting couple, height 15cm; a pair of scale blue ground inkwells and 2 other pieces Condition report:The tankard is in good condition, a minor horizontal patch of wear to gilt noted in the top band.WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE INTERESTED IN BEFORE THE AUCTION.
Lot 63
A group of Continental pottery and porcelain, comprising: French faience plate, painted with a puce peony 34cm diam., an early 19th century French porcelain coffee-pot and cover decorated with angouleme sprigs, a Cantagalli majolica tazza formed as a putto supported a shell, enriched in blue leafy scrolls, blue cockerel mark, a Dresden two-handled oviform vase painted en grisaille with flowers and gilt with leaves, blue AR mark, together with a Staffordshire white pottery group of a shepherd and sheep (restoration) (5)
Lot 4
Group of English and Continental stoneware and porcelain inkwells and stands, late 19th/early 20th century, some gilt-metal mounted, including: a Dresden shaped-rectangular inkstand and a pair of inkwells, painted with flowers, blue marks, a French porcelain Empire-style green-ground inkwell and two liners, a Copeland inkwell on fixed stand, various Sevres-style inkwells and a stoneware inkwell in the Doulton style (13) Property of Dunkirk Manor, Theescombe, Stroud Condition Report Dresden porcelain inkwell - one finial on one inkpot with a metal repair. Stoneware -circular inkwell (marked S.A. Horobin) at edge of footrim, with small chip to footrim. Small blue cylindrical inkwell and cover with gilt-metal mount - has been reattached to the footrim, chipping to finial. Green ground Empire style inkwell - some flaking to green enamel. Greenk ground inkwell on quatrefoil stand - restored to rim, chip to rim of inkwell. One small square inkwell with Chinese figures - the white metal mount to cover is loose. Turquoise-ground inkwell cracked across and repaired, one of the liner is cracked.Some wear overall.
Lot 355
A GROUP OF CERAMICS AND SUNDRY ITEMS, to include Minton and Coalport covered vases, height of tallest 21.5cm, a framed Wedgwood jasperware plaque in sage green, two The National Trust mugs by Dorn Williams (one has paint spilled inside), a large Shelley Blue Iris preserve pot, a Minton Haddon Hall figure of a dormouse, a delft jug and plate, a Lenox vase with pierced rim, a Staffordshire Enamels trinket pot painted with fruit and signed JS, a hand painted Dresden basket, stone animals, etc (qty) (Condition Report: most pieces appear in good condition, sd)
Lot 2068
Mason's ironstone china soup-plate and two dinner-plates in the 'Mogul' pattern, early 19th century, printed and painted in colours with chinoiserie figures in discussion within a garden, within a fruiting border design (rim chipping, some flaking to enamels and misfiring) 24.5 cm. diam. Composite Royal Worcester gilt bordered part dinner-service, printed blue marks, retailer's marks for Marshall Field & Co., Chicago, mostly circa 1930-50s, comprising: a large oval vegetable tureen and cover, a footed oval sauce tureen, cover and two stands, seven soup-plates, dinner-plates, luncheon-plates, side and cake plates, together with four Dresden-style Continental porcelain side-plates painted with flowers
Lot 505
Two 20th century West German Alka Kunst (Dresden) porcelain 'Crinoline' dancer figure groups and one figurine, in the 18th century style, each modelled in period attire and in dancing pose, the females with ruffled dresses, printed marks to base, and named Monuett, Melodie B and the larger named but indistinct.
Lot 306
A pair of Royal Worcester hand-painted, numbered and limited edition porcelain figures, to include, The Fairest Rose, 5688/12,500 with a certificate of authenticity, sculpted by N Stevens and Fruit Picking from the Pastoral Collection, 739/5000, sculpted by Maureen Halson, together with three Dresden lace porcelain ballerina figurines, and another German lace porcelain figurine depicting a mandolin player. (6)
Lot 242
A Tray of Decorative Porcelain, including a French wall bracket modelled with the head of a lady, a 19th century fox mask stirrup cup, a pair of Samson of Paris flower encrusted figural scent bottles, three Dresden cups and saucers, a pair of Copeland "Norman" crested plates, two porcelain hunting figure groups, a pair of French gilt metal menu holders etc.
Lot 164
PIETRO ANTONIO ROTARI (ITALIAN 1707-1762) YOUNG BOY WEARING A TEAL GILET Oil on canvas 43 x 33cm (16¾ x 12 in.) In 1734 after studying in Rome and Naples Pietro Rotari returned to his hometown of Verona where he opened a private academy concentrating on the production of historical and religious paintings. By 1740 his success brought him the title Count of the Venetian Republic and the following year he travelled to Vienna, where he was introduced to Jean-Etiènne Liotard, the celebrated Swiss pastellist, whose work profoundly influenced him. He was in Dresden, in the service of Frederick Augustus III, when he received an invitation from the Empress Elisabeth of Russia, daughter of Peter the Great, to come to St. Petersburg as first painter of the court. He arrived in 1756 and soon amassed a large fortuneAlthough he continued to work as a history painter in Saint Petersburg, it was there that Rotari developed the genre still associated with his name: small paintings of idealized heads, delicate and studiously artless in style, depicting the emotions of young boys and girls. After Rotari's sudden death in 1762, Catherine the Great bought 340 of the artist's 'fancy pictures' for the salon of Peterhof. The pictures Catherine did not buy were returned to Rotari's family in Verona, where they remained in the possession of his descendants until the late nineteenth century.This lot is from a deceased's estate sold to benefit the Art Fund. Condition Report: The canvas has been lined. Stretcher marks and associated craquelure visible. Additional craquelure throughout. Some superficial spots of surface dirt throughout. Inspection under UV light reveals light retouching and infilling scattered throughout; however this is very sensitively done, there are also traces of a green cloudy varnish.Condition Report Disclaimer
Lot 249
Valckenier (Pieter). Das Verwirrte Europa. Oder Politische und Historische Beschreibung Der in Europa, fürnehmlich in dem Vereinigten Niederlande und in dessen Nachbarschafft seither dem Jahre 1664. entstandenen und durch die gesuchte allgemeine Monarchie der Frantzosen verursachten blutigen Kriegen und leidigen Empörungen nebenst deroselben Ursachen und Gründen. Fürgestelt in vier Teilen..., Nebenst den Authenticquen Copeyen der Briefe und gewissen Berichten..., 4 parts plus Copeyen der Briefe and register, Amsterdam: Jacob von Meurs, Johannes von Someren, Hendrich & Diederich Boom, 1677, additional engraved title, letterpress title in red and black with woodcut device, 19 engraved portraits and 17 double-page engraved plates and plans, separate title and register to Copeyen der Briefe, occasional toning and minor spotting, lacking free endpapers, contemporary vellum, lacking ties, folio, together with:Marnix van St. Aldegonde (Philips van). Binenkorb des Heil. Röm. Im[m]enschwarms, seiner Hummelszellen (oder Him[m]elszellen) Hurnaussnäster, Brämengeschwürm und Wespengetöss. ... Durch Jesuwalt Pickhart..., Gedruckt zu Christlingen [i.e. Strasbourg?]: Ursino Gottgwinn, c.1600, title in red and black with woodcut illustration also in red and black (title reattached at gutter), few woodcut illustrations, browning and occasional damp-stains, 19th-century brown half morocco, gilt decorated spine, 8vo,Cornelius (Cornelissen Van Den Steene). Commentarii in IV Evangelia..., 2 volumes in one, Leiden: Jacobum Canier, Antonium Beaujollin, Antonium Laurens, 1685, half-title to first volume, titles in red and black with printer's woodcut device, light worm trails to margins of few leaves, contemporary mottled calf, gilt decorated spine, some wear to extremities, folio,Baronio (Cesare). Le Corps des Annales sacrées et ecclésiastiques..., 2nd edition, Paris: Jacques d'Allin, 1655, engraved portrait frontispiece, title in red and black with woodcut device and early signature, contemporary mottled calf, gilt decorated spine, worn at head and foot of spine, folio, Luis (de Granada). Catechisme et introduction au symbole de la foy..., Paris: Louis Boullenger, 1654, title printed in red and black with engraved portrait illustration (with tear and small hole to image, insect hole to one letter of first word in title, early ink annotation to fore-margin), light damp-stain to upper and lower margins of initial leaves, margins of last few leaves repaired, contemporary vellum, light wear to extremities, folio,Bible [German]. Biblia: das ist, die ganze Heilige Schrift, Alten und Neuen Testaments, nach der Ubersetzung und mit den Vorreden und Randglossen Martin Luthers, mit neuen Vorreden, Summarien, Weitla¨usigen Parallenen, Anmerkungen und geistlichen Anwendungen, auch Gebeten auf jedes Capitel, wobey zugleich No¨thige Register beygefu¨get sind. Ausgefertiget unter der Aufsicht und Direction Christoph Matthai Pfaffen, 8 volumes, Speyer: Ludwig Bernhard Frideich Gegel 1767-70, additional engraved title to first volume, some toning and occasional spotting, contemporary speckled sheep, joints cracked, spines worn, volume 7 lacking title label, 8vo, together with:Geier (Martin). Allgegenwarth Unsers Allsehenden Gottes Nach Anleitung etlicher Biblischen Sprche in dessen Furcht zu sein- und seines Nhesten Erbauung betrachtet..., Leipzig: Christian Michael, 1672, engraved portrait frontispiece, bound with Geiern (Martino). Liebe zu Gott und dem Nähesten: nach anleitung LII. biblischer Sprüche, Dresden: Johann Fritzschens and Michael Günthers, 1677, engraved frontispiece and additional engraved title, browning throughout, sewing partly broken, text-block split with some gathering detached, contemporary vellum, upper joint split at head, split to head of spine, covers dust-soiled and marked, thick 8vo,Liturgies - Lutheran Church. Vollständiges Marburger Gesang-Buch: Zur Ubung der Gottseligkeit, in 615 Christlichen und trostreichen Psalmen und Gesängen Herrn D. Martin Luthers und anderer Gottseliger Lehrer, Ordentlich in XII..., Marburg and Frankfurt: Heinrich Ludwig Brönner, 1774, woodcut frontispiece and additional title, bound with an incomplete copy of Evangelia und Episteln, auf alle Sontage, Marburg and Frankfurt: Heinrich Ludwig Brönner, 1773 at rear of volume, lacking all after p.96, damp-staining and browning throughout, upper hinge broken, contemporary deerskin(?) over wooden boards, leather to spine and lower board very worn, lacking one clasp, 12mo QTY: (15)NOTE:Marnix van St. Aldegonde (Philips van) - A reprint of the pamphlet against the Catholic Church, first published in 1576, being an accurate translation of the Dutch Beyenkorf by Philipp von Marnix, without deletions or changes, but with numerous additions. The work was translated and edited by the Strasbourg writer Johann Fischart (1546-1591), who studied in Flanders, Paris and Tübingen and received his doctorate in law in Basel. He was initially a Lutheran, but then became a Calvinist in Basel and in his writings he vehemently opposed the Papacy and the Jesuits.Valckenier - A further two volumes of the first work listed were published in 1680 and 1683.Bible [German] - Not in Darlow and Moule. The volumes in the German Bible comprise the following, First part: the five books of Moses, Second part: from the book of Joshua to Ezra, Third part: from the book of Ezra to the Book of Solomon, The fourth and fifth part: the major and minor prophets, Sixth part: the apocryphal books, Seventh and eighth part: the New Testament.
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33562 item(s)/page