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11 Lilliput Lane models including 4 winter models with snow. Boxed Clare Cottage, A Year in an English Garden, Winter’s Wonder, Hollytree House (Christmas Collection), Ring O’Bells (Christmas Collection), St Joseph’s Church (Christmas Collection), Farthing Lodge etc.

Thirteen mixed dog harnesses, S-M. Not available for in-house P&P

Mixed electrical items to include M&S 15 inch TV with DVD. Not available for in-house P&P

Ptolemaic Period, 3rd-2nd century B.C. Round-topped stela with decoration on two registers; the lunette, featuring a winged sun disc with pendant uraei; the main panel with a frieze in sunk relief depicting the pharaoh wearing the double crown, facing left offering the hieroglyphic symbol for 'fields'; a goddess stands behind him, possibly Isis, wearing a tight-fitting robe and sporting a tall two-plumed headdress, with one hand raised in praise; facing the pharaoh is the falcon-headed god, possibly Horus or Her-wer, wearing a double-crown, and behind him stands the ibis-headed Thoth wearing the Atef crown, both gods hold a was-sceptre; repaired, mounted on a custom-made stand. Cf. Bosticco, S., Museo archaeologico di Firenze: le stele egiziane di epoca tarda Rome, 1972, no. 58, for an arch-topped stela depicting the pharaoh offering the 'field' symbol to the gods Her-wer and Sobek. 19.45 kg total, 55 cm including stand (21 5/8 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) [A video of this lot is available to view on Timeline Auctions Website]Acquired in the mid-1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12200-222172. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.The overall tripartite composition is comparable to numerous stelae of the Ptolemaic Period and can be dated to the 3rd-2nd century B.C. The decorative lunette and/or sky bands and bold sunk relief winged sun disc are characteristic of this period, as is the fringed detailing of the female’s garment. The offering of the ‘field’ symbol is also a frequent depiction of the stelae of this period, which can be understood as a ‘catch-all’ device representing an offering of all the produce from the fields. Such stelae were often produced as stock products to which clients would have their names and other details added. Therefore, the stela is likely an example of one awaiting purchase. After the purchase, the hieroglyphic labels would be added to the figurative tableau, and a dedicatory text would be carved into the plain rectangle in the lower part. Sometimes, however, it appears that a purchaser could not afford the additional expense of a professionally engraved inscription, and so would scratch a short dedication in the lower panel as seen, for example, in the stela for Horudja from the Delta site of Tanis and now in the Musée du Louvre (inv. no. AF 11682).TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each piece undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: www.timelineauctions.com/stories/our-vetting-process/15/TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.

3rd-1st century B.C. Chalcidian or Illyrian variant (Caucasian type), constructed from two halves with the right side overlapping the left, embossed ram horns on the brow, with a profile image of a stag to both sides; hinged cheek-pieces with regularly disposed holes to the outer edges; some restoration. Cf. Rabinovich, B. Z., Trudy Otdela istorii pervobytnoi kul’tury Gosudarstvennogo Ermitazha (Works of the Department of history of prehistoric culture of the State Hermitage) I, Leningrad, 1941, pp. 99-171; Erlikh, V. R., Rossiiskaia Arkheologiia (Russian Archaeology) (3), 1996, pp.176-179 (in Russian); Chernenko, E.V., The Scythians 700-300 BC, Hong Kong, 1998; Shevchenko, N.F., Zaitsev, Yu. P., Mordvintseva V. I. in Vestnik drevnei istorii (Bulletin of Ancient History) (1), 2011, pp.115-152 (in Russian); Симоненко А. В., 'Шлемы сарматского времени из Восточной Европы (Sarmatian Age Helmets from Eastern Europe)', in Stratum Plus, no. 4, 2014, pp.249-284; Negin, A.E., Negin, A. E., 'Pozdnerimskie shlemy s prodol'nym grebnem', in Germania-Sarmatia II, Kaliningrad-Kursk, 2010, pp.343–58; Hixenbaugh, R., Ancient Greek Helmets, a complete guide and catalogue, New York, 2019, nos.H303-H304. 696 grams, 31cm high (9 1/8 in.). [A video of this lot is available to view on Timeline Auctions Website]Acquired from on the European art market, mid-1980s. Private collection, Oxford, UK. From the collection of a London doctor. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12339-228100. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato.The cultural interchange and the military contacts between the Nomads of Kuban and the Hellenic peoples allowed the Sindo-Meothic, Scythian, or Sarmatian noblemen to equip themselves with such beautiful defensive equipment. The helmet finds its closest parallel in a specimen published by A.E. Negin, belonging to the Puskin Fine Arts Museum of Moscow, originally in the collection of S. Karakowskij (Negin, 2010, p.354 no.6; Hixenbaugh H304). Some of the helmets of this type were modified according to the nomadic (Scythian or Sarmatian) taste, being decorated with religious elements, like the deer.TimeLine Auctions follows a rigorous vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each piece undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: www.timelineauctions.com/stories/our-vetting-process/15/TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.

A MEISSEN FLOWER-ENCRUSTED NINE-BRANCH TWENTY-ONE LIGHT FIGURAL CHANDELIER MID 19TH CENTURY The S-shaped branches each suspending flower encrusted drops, unmarked approximately 70 high not including celling fitting, 90cm wideProvenance: Commissioned by George V or Queen Marie of Hannover Sotheby's, The Royal House of Hannover, Schloss Marienburg, 5-15 October, 2005, lot 2852 At the Congress of Vienna in 1814, George III was restored to his Hannoverian property and titles, Hannover having been occupied by Prussia at the behest of Napoleon Bonaparte. George III had been co-ruler of the two territories, King of Great Britain and Ireland and Duke and Elector of Hannover within the Holy Roman Empire. The latter had been incorporated into the Kingdom of Westphalia by Bonaparte and after his defeat it reverted to George III but now was created a kingdom. In succession through the various sons of George III, Queen Victoria succeeded to the throne of Great Britain and Ireland via the Act of Succession, but Hannover was governed by Semi-Salic Law so had to pass to her uncle Earnst Augustus Duke of Cumberland. Salic Law, a legacy from the days of the Frankish Kings does not allow for succession to thrones, fiefs or titles via the female line.  Schloss Marienburg was built by George V of Hannover as a birthday present for his wife, Marie of Saxe-Altenburg between 1857 and 1867. The castle is very much in the Gothic revival fairy tale style so fashionable in Britain, France and the various German states at the time, fuelled by writers such as Sir Walter Scott and Willem Hauff, longing for a return to Medievalism native to Northern Europe and away from classism. Other notable examples exist such as Schloss Lichtenstein in Wurttenberg, built by 1842 and Schloss Hohenzollern completed 1867 but perhaps the most celebrated is King Ludwig of Bavaria's Schloss Neuschwanstein.  The chandelier was ordered from Meissen by the Queen for her salon at Schloss Marienburg where it was photographed in situ in 1867. This Rococo revival style was the height of fashion at the time and the aforementioned Ludwig would fill his new castles with Meissen lighting a decade or so later. As Meissen is also in Saxony and the premier German porcelain manufacturer it would have been the manufacturer of choice and one could argue that Meissen is and was the finest producer of porcelain in the world. The Sotheby's ten-day sale in 2005 sold more than twenty thousand objects accumulated by the Electors and later Kings of Hannover, Dukes of Brunswick and British monarchs achieving more than forty million Euros. Condition Report: Historic damage, chips, repairs, and losses. The top three branches missing the three branch three light bayonet fittings, assuming they had them and lacking one scroll ornament (see empty socket)Dreweatts cannot guarantee that the chandelier has been correctly assembled nor that we are entirely aware as to the number of missing pieces. Due to the value and nature of the piece, it is suggested that potential interested parties really should take the opportunity to view in person and every possible assistance will be provide to aid this. If you purchase this lot, you acknowledge that you realise there are chips, losses, old repairs and restoration. Do not buy this chandelier assuming it to be mint and perfect. It is not. Sold 'as viewed'.Please see additional images available from the Dept. upon request.Condition Report Disclaimer

A PAIR OF 1920s FLUTED BOWLS BA, LONDON 1923 The hand raised bowls of fluted form, engraved coat of arms to side (2) 22.3cm diameter, 38oz (combined) Heraldry:The Marital Arms of Cockerell and WhethamArms: Quarterly of Six 1st and 6th Or between two flaunches gules a leopard’s s face azure between two game cocks in pale gules (for Cockerell) 2nd Argent on a chevron sable between three hawks’ heads erased azure as many cinquefoils or (for Jackson) 3rd Sable on a bend or or between two horses’ heads erased argent three fleurs-de-lis of the field (for Pepys) 4th Gules a lion rampant argent a bordure engrailed or (for Talbot) 5th Argent on a chevron between three trefoils slipped gules as many bezants (for Edgely) over all an escutcheon of pretence Argent a cross sable (for Whetham) Crest: A leopard’s face (azure?) (for Cockerell)These armorial bearings undoubtedly commemorate the marriage of Samuel Pepys Cockerell (born 15th February 1754 died 12th July 1827), of Westbourne House, Paddington in the County of Middlesex and Anna Whetham (born 1755/56 died 14th June 1843). Samuel was the second son of John Cockerell, of Bishop’s Hull in the County of Somerset and of St Margaret’s, Westminster in the County of Middlesex and his wife, Frances Jackson, whilst Anna was a daughter and co-heiress of John Jackson, of St Ives in the County of Huntingdonshire and his wife, Ann Edgely. They were married at the Parish Church of St James, Hemingford Grey in the County of Huntingdonshire on the 18th June 1782. Samuel was by training an architect whose noted work was the rebuilding of the Parish Church of St Martin Outwich in the City of London in 1796 – 98.5 He also built many large mansions and other residences throughout England for his wealthy clients amongst whom was his younger brother, Sir Charles who commissioned Samuel to design and build Sezincote House, the baronet’s family seat near Moreton-in-Marsh in the County of Gloucestershire. 

A PAIR OF 1920s FLUTED BOWLS BA, LONDON 1924 The hand raised bowls of fluted form, engraved coat of arms to side (2) 16cm diameter, 18oz (combined) Heraldry:The Marital Arms of Cockerell and WhethamArms: Quarterly of Six 1st and 6th Or between two flaunches gules a leopard’s s face azure between two game cocks in pale gules (for Cockerell) 2nd Argent on a chevron sable between three hawks’ heads erased azure as many cinquefoils or (for Jackson) 3rd Sable on a bend or or between two horses’ heads erased argent three fleurs-de-lis of the field (for Pepys) 4th Gules a lion rampant argent a bordure engrailed or (for Talbot) 5th Argent on a chevron between three trefoils slipped gules as many bezants (for Edgely) over all an escutcheon of pretence Argent a cross sable (for Whetham) Crest: A leopard’s face (azure?) (for Cockerell)These armorial bearings undoubtedly commemorate the marriage of Samuel Pepys Cockerell (born 15th February 1754 died 12th July 1827), of Westbourne House, Paddington in the County of Middlesex and Anna Whetham (born 1755/56 died 14th June 1843). Samuel was the second son of John Cockerell, of Bishop’s Hull in the County of Somerset and of St Margaret’s, Westminster in the County of Middlesex and his wife, Frances Jackson, whilst Anna was a daughter and co-heiress of John Jackson, of St Ives in the County of Huntingdonshire and his wife, Ann Edgely. They were married at the Parish Church of St James, Hemingford Grey in the County of Huntingdonshire on the 18th June 1782. Samuel was by training an architect whose noted work was the rebuilding of the Parish Church of St Martin Outwich in the City of London in 1796 – 98.5 He also built many large mansions and other residences throughout England for his wealthy clients amongst whom was his younger brother, Sir Charles who commissioned Samuel to design and build Sezincote House, the baronet’s family seat near Moreton-in-Marsh in the County of Gloucestershire. 

Carol MCDOWALL (1955) Yellow Secret Acrylic on canvas, signed and titled verso, 92cm x 107cm. Carole McDowall studied printmaking and sculpture at Putney Art School from 1973-1978, during which time she had work chosen to exhibit at the Royal Academy summer exhibition, 1975, and later she gained a Fine Art Degree in Painting from the Sir John Cass School of Art in the mid-1980's. She was a part of a group of artist based in and around Porthleven in the late 1980's. At this time, Porthleven had become quite a centre for artists. The Acme studios provided 6 large studios some of which were subdivided and shared, with Jeremy Annear amongst the painters to take a studio there, with Bryan Ingham also moving to a studio at this time. The OYOYOY dinner party almost became an institution amongst Porthleven artists in the late eighties. It usually took place with about eight or ten artists in a first floor flat in Penair House overlooking the mouth of the harbour (which incidentally was rented to the artists by Daphne McClure) or at John and Carole McDowall’s home. The evenings consisted of a really good meal, lots of Bulgarian red wine and intense art discussion usually winding up just before dawn! These discussions were passionate, heated and noisy and on these occasions one of the artists was appointed to chair. There were many creative spin-offs from these evenings. One of the consequences of these evenings was the formation of the Cobalt Group, which formed around 1989 to challenge and question the given work processes of its members in daylong workshops at the Acme Studios in Porthleven. The members of the group were Carole McDowall, Ralph Freeman, Roy Walker, Russ Hedges, and Jeremy Annear. Carole and her associates have been referred to as third-generation Cornish Modernists, began by Ben Nicholson and Barbara Hepworth and following on from the likes of Peter Lanyon and Terry Frost. Other artists referred to in this third generation include Anthony Frost, Micheal Finn, Tony O’Malley, Jeremy LeGrice, Daphne McClure, Jeremy Annear, Russ Hedges, Ralph Freeman Steve Dove, Roy Ray, John Clark, Clive Blackmore, Simon Averill, Roy Walker, Bob Devereux, John Emmanuel, Bob Crossley and Andrew Lanyon.

Good history folderLargely original conditionThe Fiat X1/9 represents the culmination of a model that was both revolutionary and iconic in the realm of compact sports cars. Introduced in 1972 and produced until 1989, the X1/9 was designed by Italian styling house Bertone and engineered to combine practicality, affordability, and enjoyable driving dynamics. One of the X1/9's defining features is its mid-engine layout, a rarity in affordable cars of its era. By placing the engine behind the driver and ahead of the rear axle, the X1/9 achieved a near-perfect weight distribution, translating into great handling and cornering stability. The car’s angular, wedge-shaped design was strikingly modern when it debuted, with clean lines, pop-up headlights, and a removable targa top that allowed for open-air driving. Bertone branding was prominent in later years as Fiat handed over full production to the design firm in the early 1980. The X1/9 was powered by a 1.5 litre inline-four engine, producing around 75 horsepower. While modest by today’s standards, the lightweight construction (approximately 2,100 pounds) ensured nimble performance and responsive handling. A five-speed manual transmission added to the driving engagement, making the X1/9 a joy on winding roads. Despite its sporty nature, the X1/9 was remarkably practical. It featured two luggage compartments-one in the front and one in the rear-making it more versatile than many other sports cars of its time. The removable targa roof panel could be stowed neatly in the front boot, ensuring an open-air experience without sacrificing space.First registered on 29th July 1988 this Bertone built Fiat X1/9 presents in delightful condition. The red coachwork is largely original as is the grey velour interior, both are in very good order. The engine starts immediately when requested and we are advised this Fiat drives with no known faults. The owners’ manuals are present as are two sets of keys. There is a significant history file with this low mileage X1/9 confirming that this has clearly been a well looked after car. Also supplied is a V5 registration document and a current MoT test certificate valid until 3rd July 2025. The Fiat X1/9 remains a desirable classic, with owners appreciating its unique combination of affordability, Italian flair, and mid-engine precision. Though production ended in 1989, the X1/9 continues to captivate with its timeless appeal and connection to a great era of sports car design. Consigned by Stewart BanksGuide; £5,500-£7,000 THIS CAR COMES WITH A GOOD HISTORY FOLDER AND IS IN LARGELY ORIGINAL ORDER.THESE ARE RARE CARS TODAY, PARTICULARLY IN THIS CONDITION.

Supplied new in CaliforniaBeautifully rebuilt as 911 Carrera 2.7 RS EvocationOriginal five speed manual gearboxBuilt for comfort and to be usedThis left hand drive 1976 Porsche 911 2.7 Carrera S fitted with a five speed manual gearbox, was originally sold in California where it spent it’s life until it was purchased by the current owner and imported to the UK in March 2018. In its first year in the UK, an RS Lightweight conversion was carried out which included bodywork repairs and a full bare metal respray in 2018/19 which was carried out by OSC in Chessington.As the car had spent its pre-UK life in San Diego, California, there were only two minor areas of corrosion that needed addressing. The front wing extensions that house the indicators are metal and genuine Porsche parts and the rear engine cover is metal with a fibreglass ducktail spoiler fitted. The front bonnet has been replaced with a genuine Porsche period ‘long bonnet’. The car has been built to Lightweight rather than Touring specification, so both the front and rear bumpers are fibreglass as they would have been on an original car. Finished in Viper Green which is an original Porsche period factory colour, the paintwork is in very good condition throughout. The wheels are original Fuchs alloys with extremely rare deep-dish rears. The interior is largely original but some tasteful upgrades have been made as the owner wanted a usable classic with the external appearance of a '73 RS rather than a full replica. The steering wheel is the original, although it has been retrimmed in Nappa leather, as indeed has the dashboard. The present owner also added genuine 70's era Porsche electric seats with twelve-way control on the driver’s side and eight-way on the passenger side. Along with the seats, Porsche electric window mechanisms and switches and a modern face off radio were fitted to make the car more usable and comfortable. The original seats, manual window winders and mechanisms are available should a future owner wished to return the car to stock. The owner reports that the engine runs well and as the car started out as a 2.7 Carrera S, the engine is largely similar to a genuine RS. There have not been many upgrades to the engine, other than the correct twin exhaust system fitted and a replacement oil sump with oil drain. The warm-up regulator and the fuel injection distributor have both been rebuilt by renowned experts KMI. The fuel injectors have been replaced by Porsche specialists GT-One in Chertsey, who also completed all the other engine work. Servicing has been carried out on an annual basis and the most recent service replaced the oil, filters, plugs and leads. The four Continental tyres have done less than 200 miles. The car is supplied with a V5 registration document, its original owner’s manual/service book and two sets of keys. Accompanying this is a Porsche letter confirming the car has matching numbers, a file containing invoices from GT-One for the work completed and all of the invoices for parts and KMI work. There are service stamps in the warranty book that run to the early 2000's when car was parked up by its previous owner in California and mileages match from the last stamp to the car's odometer. Consigned by John Tomlin. SUPPLIED NEW IN CALIFORNIABEAUTIFULLY REBUILT AS 911 CARRERA 2.7 RS EVOCATIONORIGINAL FIVE SPEED MANUAL GEARBOXBUILT FOR COMFORT AND TO BE USED

Early pre-BMW JCW exampleOne owner from new with original order sheetOptioned to over double its original list priceJohn Cooper Works (JCW) is now owned by BMW and it is an in-house tuning, development, and international automotive racing division for Mini vehicles. The first JCW Tuning Kit to be made available for the Cooper S R52 was an upgrade for the Cooper S, producing a total of 200bhp. Released in 2003, the kit consisted of uprated cylinder head, gas-flowed and ported, 11% Reduction of the supercharger pulley size making the same supercharger spin faster for a particular engine speed. Uprated exhaust system (maintaining the same manifold and catalytic converter) and remapped ECU. At the time, the kit could not be factory-ordered, but had to be retrofitted at Mini dealers or from John Cooper Works themself based in West Sussex, until late 2005 when the Cooper S could be ordered with the upgrade straight from BMWs factory.This one owner from new example, was purchased and specified direct from John Coopers West Sussex. The original order form is in the history file showing the original colour specified as Dark Silver with Black and with Gravity leather, the pair an option at the time. The options did not stop there, with a panoramic glass sunroof, heated front seats, the Cooper Chilli pack, DSC and Harmon Kardon Hi-Fi system and further options to the performance pack from John Cooper with additional bodykit, clear rear lights, alloy gear knob and handles finished off with the Union Jack roof decal and R90 cross spoke alloy wheels to name a few, taking a £12,055 list price to a staggering £27,850. Boasting the JCW badges, individually numbered engine plate and certificate signed by Mike Cooper. In 2012, the car was subject to a category D insurance claim but otherwise has been well maintained. Number 0097, this is a very capable and collectable example from the original pre–BMW John Cooper Works, offered without reserve and with an MoT test certificate valid until April 2025, these sprightly Mini’s are destined to be future classics. Consigned by Will Penrose Early pre-BMW JCW exampleOne owner from newOptioned to over double its original list price

• Built with extreme attention to detail by Lamb Precision Engineering• Unique tribute to the Harry Miller built Indy cars of the 1920’s & 1930’s• Ford 4.3 litre flathead V8Harry Miller was a prominent motor racing engineer, best known for his innovative work in the early 20th century. Born in 1875, Miller made a significant impact on American motorsport, particularly in the world of open-wheel racing. He founded the Harry A. Miller Company which produced some of the most advanced racing cars of his time. Known for his craftsmanship and engineering ingenuity, Miller introduced several key innovations, including the use of supercharging and lightweight components which helped enhance both performance and reliability. Miller's cars were a fixture at prestigious events such as the Indianapolis 500, where his designs were favoured by many top drivers. His influence extended beyond the racing circuits as he played a pivotal role in advancing automotive technology. Although his career was marked by periods of financial instability, Miller's legacy lives on through the high-performance machines that are still admired by car enthusiasts and collectors worldwide. Harry Miller’s cars achieved many notable victories in various prestigious events, one of the most famous was in 1922, when the Miller-designed car, driven by Jimmy Murphy, won the Indianapolis 500. Murphy’s victory was the first time a car built by Miller’s company triumphed at America’s great race. Throughout the 1920’s and into the early 1930’s, Miller’s cars were dominant in American open-wheel racing. His machines helped drivers achieve podium finishes in various major races, including the National Championship series and other prominent events in the United States. These victories solidified Miller’s reputation as a key figure in racing engineering, influencing the design of cars for decades to come.The car we have here, the ‘Craftsman’ is a totally unique tribute to the legendary Harry Miller built Indy cars of the 1920’s & 1930’s. The car was built by Lamb Precision Engineering of Salisbury, Wiltshire, a company best known for their astonishing motorcycles, having won numerous shows worldwide for their work. It is important to note that the car is by no means a replica of any specific Miller built car but is instead a fitting tribute to the engineering and design styles of Harry Miller, built utilising modern-day technology. The car is powered by a 4.3 litre Ford flathead V8 built around an original 24-stud block and incorporates many performance parts, such as high lift camshafts, flowed and ported heads and a stroked crankshaft. The engine was built by Royal Kustoms, one of the leading specialists in flathead V8 engines. The invoices on file for the engine alone are in the region of £25,000 and it is estimated to produce around 170bhp, more than enough for such a lightweight car! The car has been fitted with a five-speed gearbox, making it eminently useable and our vendor reports it is very perky and has no trouble in modern day traffic. The bodywork is all aluminium and is of incredible quality, absolutely no corners have been cut anywhere throughout the car. Lamb Engineering developed their own Nixie tube speedometer, and the axles, brakes and hubs are all Lamb developed and manufactured in house. Miller were well known for front wheel drive and four-wheel drive race cars, the ‘Craftsman’ is rear wheel driven but Lamb have designed a geared watts linkage on the front axle, as a twist to the style of Harry Miller. Understandably, the car draws a crowd everywhere it goes, and we would highly recommend viewing as the car really needs to be seen to be fully appreciated, it is a work of art. This truly was a no expense spared labour of love build, an estimated 4,000 hours have gone into the car, as a display of what Lamb Engineering were capable of. The build was completed in 2018, only a few hundred miles have been covered since, and the car looks as good today as it would have when completed in 2018. Supplied to auction with a V5 registration document and a history file containing various invoices from the build. Consigned by Fraser SmithInterested parties should note that the car is sold with fintail style exhaust pipes which extend just beyond the rear wheels on both sides, not the short pipes shown in the photographs.BUILT WITH EXTREME ATTENTION TO DETAIL BY LAMB PRECISION ENGINEERING • UNIQUE TRIBUTE TO THE HARRY MILLER BUILT INDY CARS OF THE 1920’S & 1930’S• FORD 4.3 LITRE FLATHEAD V8

A vintage illuminated diorama - showing a 1930's mock Tudor country house interior with figures, 42 x 31 x 25cm.

LGBTQ+ pioneer.- Genderfluid spy fencing with the first classical composer of African descent.- Picot (Victor Marie) The Assault or Fencing-Match Which Took Place Between Mademoiselle La chevalière d’Eon de Beaumont and Monsieur de Saint George, after the painting by Charles Jean Robineau, etching and engraving, 473 x 504 mm (18 3/4 x 19 3/4 in), laid onto old card support, old handling creases and small repaired tears visible, spotting, surface dirt and minor even toning, unframed, 1787 *** 'A print after a painting by Alexandre-Auguste Robineau (1747-1828), now in the Royal Collection (inv. RCIN 400636). It records the fencing match between the Chevalier de Saint-Georges and the Chevaliere d'Eon (the name which had been adopted by the Chevalier d'Eon from 1777, at which date she had begun to live publicly as a woman and to adopt feminine grammar rather than the male grammar she had used to date). The match took place at Carlton House on 9 April 1787 and was attended by numerous members of high society including the Prince of Wales [...] Although the Chevalier was, at this date, living as a woman in London, d'Eon nevertheless continued to give fencing displays and demonstrations, partly as a way to make a living after the ending of the ambassadorial income...' [British Museum] Joseph Bologne, Chevalier de Saint-George(s) (1745-1799) was a French violinist, conductor, composer and soldier. Born in the French colony of Guadeloupe, his father, Georges Bologne de Saint-Georges, was a wealthy, white plantation owner, while his mother was one of the Creole people Georges kept enslaved. He studied in France from the age of 7, excelling as a fencer and a musician and composer. He joined the orchestra Le Concert des Amateurs, which culminated in his appointment as its conductor in 1773, and in 1776, Bologne began conducting the Paris Opera. Bologne was the first classical composer of African descent to attain widespread acclaim in European music.  A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.

COMMONWEALTH. Oliver Cromwell. Lord Protector, 1653-1658. Shilling. 27mm. Dies by Simon. Blondeau’s mint, Drury House, London. Dated 1658. Laureate and draped bust left / Crowned garnished coat-of-arms. Lessen J28; ESC 1005; North 2745; SCBC 3228. In ANACS encapsulation 7125805, graded AU 55. ex. CNG sale 118, lot 1385.

(Horses, WWI, South Notts Hussars, Sporting.) An early 20th Century photograph album containing 740+ mounted photographs, much content relating to horses and horsemanship, good quantity of photos also depicting WWI period 1914-1916 military camps and cavalry in UK, France, Egypt etc, plus a good quantity of images family holidays, leisure scenes etc, the album appears to relate to Richard & Mary Anne Piggin and family, of Beeston House, Beeston, Nottinghamshire, in 1911 the family established a riding stables on land there that was known locally as the Robinettes, their son Frederic Williams Piggin (1877-1918), his brother Henry Arthur (Harry) Piggin (1880-1961), and sister Elizabeth Piggin, provided riding instruction there, and when war was declared in 1914 both brothers quickly joined the Nottinghamshire Yeomanry (South Notts Hussars), first leaf of album m/s pen & ink captioned at top "Hummanley [Yorkshire] Camp July 1914 1/1 North --id Field Ambulance", several images of military personnel at camp including those captioned "Lieut. H.A. Piggin (Transport Officer)", "Officer's Mess", large group shot soldiers with caption "Sunday morning August 2nd. Peace", image to right of soldiers posing captioned "Monday morning Aug. 3rd. War", image of Liet. H.A. Piggin on horseback captioned "Harry. Ready for work", several other images of Henry Arthur (Harry) Piggin in France during WWI c.1915, where he served as part of the 1st North Midland Field Ambulance, including images bombed out building and windmill, horse mounting ship, troops in snow covered tents, Capt. Thompson, Maj. Morton etc, more images similar of Harry 1914/15 military camps with horses; series of images F.W. Piggin in Egypt with horses etc; 60+ further military images Harry Piggin and others 1915 at Dunstable Camp, mainly army remount service/horse related etc; newspaper cuttings relating to Piggin family as a notable Notts sporting family and awarding of posthumous Military Cross to Lieut. Fred W. Piggin for conspicuous gallantry and devotion to duty, Salonika campaign, 26th June, 1916, he was later killed when aboard the transport ship Leasowe Castle, torpedoed and sunk in the Mediterranean, May 27th, 1918, approx. 200 images in total relating to military/WWI period, the remaining images mainly post war c.1920's including hunting, sheep dog trials, with mounted Autograph Letter Signed from Princess Marie of Romania (1875-1938), on Cliveden, Maidenhead headed paper "I shall have much pleasure in adding my name to the list of patrons and patronesses of the military tournament which you spoke about. I hope it will be a great success. I enjoyed those sheep dog trials immensely the other and was much interested in all I saw. It was very kind of you to take such trouble in explaining everything. Marie Princess of Roumania", many others horses and countryside related, family leisure scenes, skiing holiday, wedding, beach scenes, several cuttings relating to Richard Piggin, notable horseman and sportsman, on occasion of his 84th birthday, March 1928, plus others pictorial cuttings of him riding, his obituary and relating to his funeral, South Notts. hunt etc, further images of a country house and parkland circa late 19th/early 20th Century, family holiday Norfolk broads, many other images horse related, presumably Piggin family. Henry (Harry) Arthur Piggin was born in 1880 at Long Eaton Derbyshire. He enlisted in 2nd Battalion, Brabant's Horse on 15 December 1899 in Cape Town and was discharged on 26 February 1902 in Cape Town, having also served as Regimental Quartermaster-Sergeant to Kitchener's Fighting Scouts, into which unit he transferred on 11 May 1901.During the Great War he served in France during 1915 and was attached to the 1st North Midland Field Ambulance.His brother, Frederic Williams Piggin, was severely wounded at Wepener during the Boer War and had earned himself a Military Cross before being lost when the Leasowe Castle was torpedoed.Henry married Kathleen Cooper in September 1926 and became a riding instructor and horse dealer in Repton, Derbyshire. He died on 14 December 1961. Images various sizes, approx. 4.5 x 7cm - 12 x 17cm, some images with contemporary m/s pen & ink captions, oblong contemporary cloth gilt album (25 x 31cm)

(Norfolk.) An early 19th Century well executed manuscript pen, ink and watercolour estate plan of Bears Grove, Salehouse (Salhouse), manuscript pen & ink title 'A Map of Bears Grove, the Property of Mr. Willm. Boorne, situated in the Parish of Salehouse in the County of Norfolk', m/s dated February 1814, surveyed by R. Pratt, Norwich, m/s pen, ink & watercolour country house and estate cottages, driveways, woodland etc, m/s scale of chains and explanation lower right, adjoining land m/s stated as that of Edward Stracey Esqr., S.T. Southwell Esqr. & Mr. John Storey, as well as Glebe Land and Hospital Land, plan approx 60 x 85cm, housed within a contemporary mahogany roller display, gilt titled "Bears Grove."

Edmund Gillingwater: 'An Historical Account of the Ancient Town of Lowestoft, in the County of Suffolk. To which is added some cursory remarks on the adjoining parishes and a general account of the island of Lothingland.', London & Norwich, [1790], 1st edition, profusely extra illustrated copy, containing eight well executed watercolours circa early 1900's including fishing trawler (LT124) with tug boat "Rainbow" alongside and rowing boat in foreground, approx. size 21 x 27.5cm, watercolour of Lowestoft beach looking southwards with cliffs, fishing boats on beach, and boats at sea visible, approx. size 20 x 27cm, watercolour of Great Yarmouth beach and pier, approx. 14 x 22cm, watercolour of Lake Lothing/Lowestoft harbour, with fishing trawlers, rowing boat, warehouses, customs house and first bridge visible, approx. 16 x 23cm, four watercolours, all by same artist and dated 1910, "Low Light Lowestoft" depicting the low lighthouse and beach looking northwards, "On the Waveney" depicting broadland river scene with wherry, "Pakefield" depicting cottages at low cliff edge and beach looking northwards towards Lowestoft, "Lowestoft" depicting harbour entrance with boats visible, all approx. 13 x 19cm, large pencil drawing of St. Benet's Abbey app. 27 x 21cm, well executed pencil drawing of Pakefield Church dated 1897 and signed by artist, app. 16 x 25cm, pencil sketch depicting the wreck of the brig "Julian Heinrich" off Lowestoft, app. 11 x 18cm, large folding engraving 'A Perspective View of Lowestoft from the N.E. Battery by Powles/Cook, 1790, plus approximately 200 further items bound in or loosely inserted, mainly engraved views, prints, maps, items of ephemera, some folding mas/plates, some hand coloured views, some engravings from Stark's 'Rivers of Norfolk', some cuttings and relevant manuscript pen & ink notes by the compiler, Madoc Llewellyn Powell (1875-1952), of the Powell family of Lavengro Lodge, Oulton Broad, built in the late 19th century on the site of the earlier Oulton Cottage, which was the home of the author George Borrow, large 4to, thick 19th century half calf gilt. An excellent grangerized copy of Lowestoft born historian and topographer Edmund Gillingwater's (1736-1813) history of Lowestoft & environs

An exceptional Kongo "Nkisi Nkondi" figure" Few African sculptures are as iconic as human figures covered in hardware. Such figures,variably called “nail fetish”, “power figure”, or “nkisi nkondi”, were long considered byEuropean observers as quintessential expressions of witchcraft and superstition. They are, in fact,sophisticated medical and legal remedies of the Kongo peoples, a cluster of ethnic groups thatlive at the mouth of the Congo River in Central Africa. The Kongo made such figures to housespiritual beings that could be activated in order to intervene in human affairs. They were adjuredto heal illnesses, settle disputes, take oaths, punish wrongdoers, and protect the community.In its original setting, this sculpture functioned as the vessel for a spirit. It is called nkisi, a termthat designates both the ancestor or nature spirit that inhabited it, and the container itself. Nkisican also be translated as “sacred remedy”. A nkisi-receptacle can take a variety of forms, like abasket, a shell, or a glass bottle. A container in the shape of a human figure with pieces of iron iscalled a nkisi nkondi, “a hunter spirit-vessel”. Such a power figure used to hunt thieves,bewitchers, and people who had broken taboos or who did not keep their word. Each nail, screw,and blade driven into the wood corresponds with a specific request for action addressed to thenkisi-spirit, whose supernatural powers were invoked and stirred up. The figure now constitutes anotarial record, so to speak, documenting in iron all the pleas, agreements, oaths, curses anddemands for vengeance that it was presented with and of which it took care.Works like this resulted from the collective vision of several people rather than a single artist,and changed dramatically in appearance over time. A sculptor carved an empty figure in wood,which a ritual expert subsequently loaded with sacred medicines. These magical substances werelocated in the square box on the belly and in the charge on top of the head, both sealed in placewith resin. Spirit-embedding medicines were necessary to attract and fix a nkisi in the vessel, andoften included earth from a grave site. Once “contained”, spirit-admonishing medicines wereused to entreat the spirit in a controlled manner so that it could act for the benefit of an individualor a community. Over the course of decades, priests, healers, and users added substances to thefigure, to trigger its powers, to seal agreements, or to remind the nkisi what to do and where togo. Today, the figure is covered with shreds of cloth tied to nails or bundled into small packages,and with pierced shells, fruits, seedpods and tops of gourds attached to metal rings or hangingfrom pieces of rope. The attachments also include different kinds of glass beads, as well as smallcarved wood pieces, one of which may show a stylized face. The additions are so dense that thefigure’s left arm, with the hand resting in the hip, is no longer visible.All the body poses and attachments of a nkisi nkondi have specific meanings. The raised rightarm, which once held a knife, is at once defensive and offensive. The four fingers of the right hand, forming a circle, with the long thumb pointing upwards, refer to the earth and heaven, thussymbolizing the unbreakable bond created by the spirit when activated. The combination of onehand upraised and the other in the hip is common among persons of authority. It signifies theability to review a situation and act accordingly. The figure’s open mouth indicates, among otherthings, the need to feed the spirit in order to encourage it to perform a particular action, as wellas its eloquence in administering justice. The mirror that covers the abdominal box and the glasseyes, made from imported materials, were meant to enhance the nkisi’s clairvoyance, necessaryto perceive the human and the spirit worlds. Many attributes of a power figure make sensebecause of sound associations and word puns in the Kongo language. For instance, one of theshells attached on the front, which appears also on other nkisi nkondi, has a spiral form. Such aform is called nzinga, a word that evokes luzinga, “long life”. The various seedpods attached tothe figure have not yet been identified and we do not know their indigenous names. Yet we canassume that these names, too, reveal some desired outcome.This nineteenth-century nkisi nkondi, with its exceptionally dense and well-preservedattachments, belonged to the Belgian botanist and folklorist Jean Chalon (1846-1921). Hementioned it in a publication from 1920. The power figure has not been altered since it leftAfrica. The countless additions testify to its long-lasting success as a protective guardian andpunitive hunter."Jan-Lodewijk Grootaers45 cmProvenanceBelgian botanist and folklorist Jean Chalon (1846-1921).LiteraturePublished in CHALON, Jean. 1920." Fétiches, idoles et amulettes". S. Servais: Jean Chalon. Volume 1, p. 12(no image)LiteratureLEHUARD, Raoul. 1980. Fétiches à clous du Bas-Zaïre. Arnouville: Arts d’Afrique noire.MACGAFFEY, Wyatt. 1993. “The Eyes of Understanding: Kongo Minkisi”, pp. 18-103 inAstonishment and Power, W. MacGaffey and M. Harris. Washington and London: SmithsonianInstitution Press.THOMPSON, Robert Farris. 2002. “La gestuelle kôngo”, pp. 23-129 in Le geste kôngo, ed. C.Falgayrettes-Leveau. Paris: Éditions Dapper.

MEININGER, Mikos (*1963 Jena) "Paar - 2013"Aluminium, weiß/grünlich und schwarz gefasst, ebonisierte Hartholz-Plinthe. Unter der Plinthe bezeichnet/betitelt/datiert mit Zusatz "Herbst und "Alu-Unikat"und Werksverzeichnis-Zählung "S-036". H gesamt 19 cm. Zu einem kompakten Volumen verschmolzene Standfiguren mit an wenigen Stellen aufgebrochener Oberfläche sowie kontrastreicher Bemalung. 1 kleiner Farbabplatzer an der Schulter. Der seit 1986 in Berlin und Potsdam tätige Künstler studierte Grafikdesign in Berlin. 2009 Gründung des Kunsthauses "sans titre" in Potsdam (mit Chris Hinze). Aufrufzeit 27. | Feb. 2025 | voraussichtlich 14:44 Uhr (CET) MEININGER, Mikos (*1963 Jena) "Paar - 2013"Aluminium, painted white/green and black, ebonized hardwood plinth. Inscribed/titled/dated under the plinth with the addition "Herbst" and "Alu-Unikat" and catalog number "S-036". H 19 cm in total. Standing figures fused into a compact volume with a surface broken up in a few places and high-contrast painting. 1 small chip to the shoulder. The artist, who has been working in Berlin and Potsdam since 1986, studied graphic design in Berlin. Founded the art house "sans titre" in Potsdam in 2009 (with Chris Hinze). Aufrufzeit 27. | Feb. 2025 | probably 14:44 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEININGER, Mikos(*1963 Jena) "Wie im Flug"Papiermaché, Nagel, Eichen-Plinthe. Unter der Plinthe bezeichnet/betitelt/datiert: "2014" mit Zusatz "Pm." (für Papiermaché), Werksverzeichnis-Zählung "S-035". H 10 cm, B 16 cm. Streng frontal dargestellte weibliche Figur mit Händen an der Seite; jedoch entgegen der Form horizontal gleichsam schwebend fixiert. Der seit 1986 in Berlin und Potsdam tätige Künstler studierte Grafikdesign in Berlin. 2009 Gründung des Kunsthauses "sans titre" in Potsdam (mit Chris Hinze). Literatur : Dazu Künstlerbroschüre "Mikos Meininger. Zwillingswoge", sans titre e.V. (Hrsg.), 2012. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 14:45 Uhr (CET) MEININGER, Mikos(*1963 Jena) "Wie im Flug"Paper maché, nail, oak plinth. Inscribed/titled/dated under the plinth: "2014" with the addition "Pm." (for papier-mâché), catalog number "S-035". H 10 cm, W 16 cm. Strictly frontally depicted female figure with hands at the side; however, contrary to the form, horizontally fixed as if floating. The artist, who has been working in Berlin and Potsdam since 1986, studied graphic design in Berlin. Founded the art house "sans titre" in Potsdam in 2009 (with Chris Hinze). Literature : Artist's brochure "Mikos Meininger. Zwillingswoge", sans titre e.V. (ed.), 2012. Call time 27 | Feb. 2025 | probably 14:45 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

2-Raum-Puppenstube.  Holz, innen im alten Stil tapeziert. 31 x 75 x 29 cm. 4,5 kg. Einfaches Gehäuse mit 3 verglasten Fenstern, Gardinen und ergänztem weißen Türblatt. Eingerichtet mit dunklen Möbeln, davon 3 im Boulle-Stil und einigem Zubehör aus Zinn. Dazu 3 defekte Porzellan-, 1 Celluloidpüppchen und 1 Wägelchen mit Miniaturpüppchen. Altersspuren, kleine Defekte, Tür nicht beweglich.Aufrufzeit 27. | Feb. 2025 | voraussichtlich 10:35 Uhr (CET) 2-room doll's house.  Wood, wallpapered inside in the old style. 31 x 75 x 29 cm. 4.5 kg.Simple house with 3 glazed windows, curtains and added white door leaf. Furnished with dark furniture, 3 of which in Boulle style and some pewter accessories. Also 3 defective porcelain dolls, 1 celluloid doll and 1 trolley with miniature dolls. Signs of age, small defects, door not movable.Call time 27th | Feb. 2025 | probably 10:35 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Puppenküche mit braunen Holzmöbeln. Um 1900.Holz, außen grau und grün gestrichen, innen alt tapeziert. 31,5 cm x 65 x 31,5 cm. Ca. 4 kg. Trapezförmiges 1-Raum-Gehäuse mit verglastem Fenster. Eingerichtet mit schwarzem Blechherd, 8 Möbeln aus Eichenholz und etwas Zubehör aus Kupfer, Blech, Keramik etc. Dazu 2 Püppchen. Altersspuren und kleine Defekte. Trockenrisse im Gehäuse.Aufrufzeit 27. | Feb. 2025 | voraussichtlich 10:40 Uhr (CET) Doll kitchen with brown wooden furniture. Around 1900.Wood, painted gray and green on the outside, old wallpaper on the inside. 31.5 cm x 65 x 31.5 cm. Approx. 4 kg. Trapezoidal 1-room house with glazed window. Furnished with a black tin stove, 8 pieces of oak furniture and some accessories made of copper, tin, ceramics, etc. With 2 little dolls. Signs of age and small defects. Dry cracks in the case.Call time 27th | Feb. 2025 | probably 10:40 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Umfangreiches Porzellanservice für die Puppenstube. H 1 - 10 cm. Puppengeschirr mit blauen Blütenzweigen und Goldrändern. Teils mit Defekten und Ergänzungen. Aufrufzeit 27. | Feb. 2025 | voraussichtlich 10:43 Uhr (CET)Extensive porcelain service for the doll's house. H 1 - 10 cm. Doll dishes with blue flower branches and gold rims. Parts with defects and additions. Call time 27 | Feb. 2025 | probably 10:43 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A BOXED PEDIGREE SINDY'S OWN CAR, red MGB style car, complete and in fairly good condition, has usual plastic deformation to windscreen and dashboard, with Sindy pennant, Pedigree badge on boot loose (inside car), box largely complete but has damage and wear, with a boxed Waddington's Sindy jigsaw 'Sindy and Patch on Holiday', Design No.103, contents not checked, box complete but has some minor damage, marking and wear, a quantity of vintage dolls house paper flooring and wallpaper designs, in fairly good condition but all have been folded and some have damage/creasing to corners, with a boxed 1990's Sindy Eau de Cologne, bottle largely full and in good condition, outer cardboard box damaged (4)

Shotgun;12 bore double barreled English sidelock ejector shotgun by J Graham & Co. of Union Street, Inverness, having sleeved twenty eight inch barrels, foliate scrolled side plates, straight hand chequered walnut stock and fore end with double triggers. No. 1 of a pair. Overall 112cm approx. Together with period leather covered motoring case, bearing initial R S C P, believed to be a former member of the Family of Sir Robert Peel, founder of the Metropoloitan Police, living locally. Also with gun cleaning kit. Note; Special Condition applies, Shotgun Certificate or relevant Permit required. (B.P. 21% + VAT) NO INHOUSE SHIPPING. No postage/ in house shipping on this lot

Five vintage Manchester United Youth jerseys, all circa 1990's, including 1995, 96 Sharp Viewcam away kit, Umbro Sharp green and black goalkeeper kit, Umbro Sharp blue kit, Umbro Sharp Viewcam Premier League training kit and Umbro Sharp Viewcam white kit, some with original matching shorts Condition ReportWe do not offer in-house postage. Please try Mailboxes.com or Mjmpost458@gmail.com

INDIE/ ALT/ PUNK/ WAVE/ GOTH - LP COLLECTION. A wonderful collection of around 44 LPs. Artists/ titles include Xmal Deutschland - Incubus Succubus II, XTC - Skylarking, Close Lobsters - Headache Rhetoric, Tubeway Army - The Peel Sessions, The House Of Love - S/T, REM - Out Of Time, Was (Not) Was - Born To Laugh At Tornadoes, Deerhunter - Why Hasn't Everything Already Disappeared, Creaming Jesus - Deadtime, Diamond In Darkness - Midnight Music, Nick Lowe - Cowboy Outfit, Various - This Are Two Tone, Leslie Phillips - The Turning, Blyth Power - The Barman And Other Stories. The Woodentops, Wall Of Voodoo, Julian Cope, Arizona Amp And Alternator, Submarine Tracks & Fool's Gold, The Plim Souls. Condition is generally VG+ to Ex+, odd one may drop to VG.

ELECTRONICA/ HOUSE/ TRANCE/ HIP HOP - LP COLLECTION. A broad selection of 36 LPs, many are multi-LP releases. Artists/ titles include Burial - S/T (HDBLP001), Orbital - Snivilisation (TRULP5) Trance 2 (RAID 509), Feed Your Head (x2) (BARKLP 007), None Of These Are Love Songs Volume 1, Tranquility Bass, Trance Europe Express 2, UK Tribal Gathering '95, Suns of Arqa inc Wadad Magic. Harthouse, Big Kahuna Kicks One, Annabel Lee, Trance Induction Electrickery, Trans Global Underground: Dream Of 100 Nations, Hieroglyphic Being - The Acid Documents. International Times, Imprint: Compiles By Justin Robertson, Global Sweatbox, Santessa, Planet Dog - The Peel Sessions, DJ Food, Sieze The Time. Condition is generally VG+ to Ex+, odd one may drop to VG.

PROG / ROCK COLLECTABLES - LP PACK. A pack 9 x LPs. Artists/ Titles are Pink Floyd - The Dark Side Of The Moon (SHVL 804, RE, 2nd pressing, 2 posters, 2 stickers, Ex/VG+), Fields - Fields (S 69009, Ex/ Ex), Fish - Weltschmerz (FHC034LP), Hawkwind - Space Ritual (UAD60037/8), Bullangus - Bullangus (promo), Budgie - Budgie, Cactus - Cactus (2400020), Glass Harp - Glass Harp (DL75261) and Gentle Giant - In A Glass House (WWA 002). The condition is generally VG to Ex.

PROG/ ROCK - LP COLLECTION. A collection of around 54 rock LPs. Artists/ titles include Caravan - Plump In The Night (SDL-R 12), The New Symphonia (SML-R1110). Camel inc I Can See Your House From Here, Moonmadnes, Blind Dog At St Dunstans. Quintessence - S/T, Snake - Exuma, Various - Woodstock (box set), Cream - Wheels On Fire, The Mothers/ Zappa - Fillmore East June 1971. Roxy Music inc For Your Pleasure, S/T. Yes inc The Yes Album, Classic Yes, Tormato, Going For The One. Hawkwind - Space Ritual, Genesis inc Seconds Out, And Then There Were Three, Duke. Junior & Campbell, Emerson Lake & Palmer, Bob Seger System, Be Bop Deluxe, Cream, The Rascals. Condition is generally VG to Ex+, the odd one may drop below.

SOUL/ HOUSE/ POP/ ROCK - 12"/ LP COLLECTION. An extensive collection of around 213 12"/ LPs. Artists/ titles include Madness inc One Step Beyond, Absolutely. Various - 50th Anniversary Blue Note, Pink Floyd - Wish You Were Here, Stevie Wonder - Hotter Than July, D Train - Music, One Tribe - WHat Have You Done, SL2 - On A Ragga Tip, Robin S - Show Me Love, Strike - U Sure Do, Oliver Cheatham - Get Down Saturday Night. Earth Wind & Fire, The Limit, Dillinger, Booker Newberry III, Raw Silk, Ex Tras, Toney Lee, Zapp, Undercover Lover, Cissy Stone, Jerry Knight, Jazzy Dee, Sam L Dees, Mkhan, UK Players, Bobby Jimmy, Glenn Jones, Dayton, Shabba Ranks, Barbara Mason, Peter Gabriel, Simple Minds, Degree Of Motion, Royalle Delite. Condition is generally VG to Ex+.

A selection of brass doll house furniture and a brass hourglass

Three handwritten ledgers dated 1920's and one dated 1934-1936 from a company that provided catering utensils and repairs. They appeared to have served various top hotels and great houses, clients including Her Majesty Queen Mary at Badminton House, Gloucestershire, Her Majesty the Queen Mary at Marlborough, His Majesty at Buckingham Palace and a large number of hotels and restaurants to include the Piccadilly, Cafe Royale, Army & Navy Club, the Waldorf and more provincial hotels, half leather over boards, with pastedown titles labelled Letter Book, the whole carbon copied on tissue paper (3) 

A VICTORIAN 1845 PATTERN INFANTRY OFFICER'S GOTHIC HILTED; HIGH QUALITY BLADE OF LARGE PROPORTIONS MANUFACTURED BY WILKINSON; ETCHED WITH OFFICER'S INITIALS; N/S. We offer in-house international shipping for all items - you will receive a quote with your invoice. The standard cost for posting 1 or 2 swords is £30+VAT within the UK and £90+VAT to the US.

Jacobite Interest: The Whole Proceedings in the House of Peers upon the Indictments against William, Earl of Kilmarnock, George Earl of Cromertie, and Arthur, Lord Balmerino, for High Treason; S. Billinglsley London 1746, folio, calf, spine inscribed "Tryals of the Rebel Lords", pp 188.

A large mixed lot including books, cat themed, Epcot center, a folder of 50's/60s knitting patterns, soft toys, Donald duck, Dumbo and monkey, two boxed sets of chopsticks, Japanese screen, an Egyptian leather organiser, two Bibles and other religious books, a large ceramic doll, stoneware water jug, game of Monopoly, French erotic magazines, Dido, Folies Bergere, etc. **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR IN-HOUSE POSTING AND PACKING**

An Action man with 4x4 in box, a Lego set cowboys and indian theme, 1970's and a box of Hornby O gauge railway track **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR IN-HOUSE POSTING AND PACKING**

A collection of 1970's loose Lego plus three box sets, incomplete **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR IN-HOUSE POSTING AND PACKING**

Naipaul (V. S.) A House for Mr. Biswas, first edition, original cloth, fine, dust-jacket, portion of loss to upper panel head, spine ends and corners chipped, strip of toning to lower panel head, spine a little faded, still overall bright copy, 8vo, 1961.*** Naipaul's post-colonial novel which received world-wide acclaim and remains his most loved work. Scarce in such bright and unrestored condition. 

A quantity of porcelain painted by Amy Ryder and S. Naylor, mainly in the 1990s, to include vases, covered urns, mug on stand, clock, etc.Condition Report: - Please note that this lot is not suitable for our in-house postage service.We would recommend collecting this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on https://www.adampartridge.co.uk/services/transport/

This Royal Doulton Collector's Doll, part of the Kate Greenaway Collection, depicts "Winter". Crafted in collaboration with the House of Nisbet, the doll features a hand-painted ivory bone china head and meticulous tailoring in its sailor-style outfit. The hat is inscribed with "S.S. Nisbet," adding an extra layer of charm. The doll is housed in its original box with detailed artwork and text about the collection. Box measures 7"L x 3.5"W x 14"H. A must-have for Royal Doulton and doll collectors. Certificate of Authenticity included. Issued: 1981Dimensions: 14"HCountry of Origin: EnglandCondition: Age related wear.

George IV (1820-1830), Sovereign, 1827 georgius IV dei gratia bare head left, date below britanniarum rex fid : def : Crowned shield of arms Milled edge, 8.00g/6h (Marsh 12; EGC 971; Bentley 20, this coin; S 3801) A few bagmarks (including a mark on the king’s neck), otherwise good extremely fine, with attractive, bright surfaces [Graded NGC MS 63] £2,400-£3,000 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs --- --- Provenance: Bentley Collection, Part 1, Baldwin Auction 73, 8 May 2012, lot 20 [from R. Weir October 1991]; Park House Collection, St James’s Auction 32, 19 May 2015, lot 11

The Highest Grade Awarded by NGC or PCGS George III (1760-1820), New Coinage, Sovereign, 1820 [tall date with open 2] georgius III d : g : britanniar : rex : f : d : [First G in king’s name rotated anticlockwise] laureate head right, date below truncation honi . soit . qui . mal . y . pense . on garter St George on Horseback, slaying dragon below Milled edge, 7.99g/6h (Marsh 4; EGC 906; Bentley 7; S 3785C) About as struck, with lustrous satiny surfaces [Graded NGC MS 64] £4,000-£5,000 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs --- --- Provenance: Park House Collection, St James’s Auction 32, 19 May 2015, lot 4

The Joint Highest Grade Awarded by NGC or PCGS George III (1760-1820), New Coinage, Sovereign, 1820 [short date with closed 2] georgius III d : g : britanniar : rex : f : d : [First G in king’s name rotated anticlockwise, 2 in date double-entered] laureate head right, date below truncation honi . soit . qui . mal . y . pense . on garter St George on Horseback, slaying dragon below Milled edge, 8.00g/6h (Marsh 4a; EGC 908; Bentley 9, this coin; S 3785C) A few of the most trifling marks, otherwise about as struck, the fields brilliant and proof-like creating a superb cameo effect [Graded NGC MS 64*] £5,000-£6,000 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs --- --- Provenance: Bentley Collection, Part I, Baldwin Auction 73, 8 May 2012, lot 9 [from R. Weir March 1990]; Park House Collection, St James’s Auction 32, 19 May 2015, lot 5

William IV (1830-1837), Sovereign, 1832 gulielmus IIII D : G : britanniar : rex f : d : second bare head right [nose to I] anno 1832 Crowned shield of arms Milled edge, 7.97g/6h (Marsh 17; EGC 1024; Bentley 28; S 3829b) Die flaw on reverse running to edge of coin at 4 o’clock, otherwise about as struck, with lustrous, satiny surfaces [Graded NGC MS 63] £3,000-£3,600 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs --- --- Provenance: Park House Collection, St James’s Auction 32, 19 May 2015, lot 18

The Highest Grade Awarded by NGC or PCGS George IV (1820-1830), Sovereign, 1829 georgius IV dei gratia bare head left, date below britanniarum rex fid : def : Crowned shield of arms Milled edge, 7.99g/6h (Marsh 14; EGC 973; Bentley 22; S 3801) Trifling bagmarks, otherwise about as struck, the obverse with satiny surfaces, the reverse fields bright and reflective [Graded NGC MS 64] £4,000-£5,000 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs --- --- Provenance: Spink Auction 172, 31 March 2005, lot 288; Park House Collection, St James’s Auction 32, 19 May 2015, lot 13

William IV (1830-1837), Sovereign, 1836 gulielmus IIII D : G : britanniar : rex f : d : bare head right anno 1836 Crowned shield of arms Milled edge, 8.00g/6h (Marsh 20; EGC 1029; cf. Bentley 964; S 3829B) About as struck with attractive satiny surfaces, the reverse crispy [Graded NGC MS 64+] £3,400-£4,000 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs --- --- Provenance: Park House Collection, St James’s Auction 32, 19 May 2015, lot 21

Victoria (1837-1901), Sovereign, 1842 [closed 2 in date] victoria dei gratia bare head left, hair bound up by two fillets, date below truncation BRITANNIARUM REGINA FID : DEF : Crowned shield of arms, two tied laurel branches around Milled edge, 8.00g/6h (Marsh 25; EGC 1061; Bentley 401; S 3852) Lightly bagmarked, otherwise about as struck [Graded NGC MS 64] £1,500-£2,000 --- Investment Gold If this lot is purchased by a VAT-registered trader, he or she may claim back the VAT element on the buyer's premium from HM Revenue and Customs --- --- Provenance: Park House Collection, St James’s Auction 32, 19 May 2015, lot 27

Mixed collectables to include vintage dolls and doll house furniture, vintage tins and sewing boxes, a quantity of mainly children's books to include Robert Raspberry and Grace Grape by Jayne FisherLocation:If there is no condition report shown, please request

COLLECTION OF SALTGLAZED STONEWARE 19TH CENTURY comprising a Brampton ‘Bacchus’ mug and a Brampton jug modelled as a house with a crabstock handle, unmarked; a cylindrical jar with a domed cover, possibly Bramald, the body moulded with sheep and lambs, with twin handles modelled as dog heads, unmarked; a Bridden tea canister moulded with scrolls and masks and impressed ‘Black Tea’, impressed S & H Bridden; a pharmacy jar moulded to one side with the Royal Coat of Arms, flanked by lions and sprays of flowers including rose, thistle and shamrock, with a metal cover; and a small ewer of ovoid form with a strap handle (6) smallest jug 7.9cm high, Nelson jug 20cm high The Maisels Collection of British Ceramics

James VI (1567-1625), Before Accession, Eighth coinage, Thistle Merk, 1604, stop after scotorvm, 6.64g/10h (SCBI 58, 1588, same rev. die; SCBI 35, –; cf. B fig. 943; S 5497). Good very fine, some scratches in fields, light grey tone, very rare £600-£800 --- Provenance: Bridgewater House Collection, Sotheby Auction, 15-16 June 1972, lot 516; North Yorkshire Moors Collection (Part III), DNW Auction 168, 29 January 2020, lot 1028 A complete recoinage was ordered at the Parliament held on 11 September 1601.

Armand Marseille 'Baby Doll' 351/10K, L: 59cm. Not available for in-house P&P

A box of around 110 12 inch dance records from the 80's and 90's to include house, techno and electonic etc.

Lytham pier print, by L. S. Lowry, 70 x 55cm. Not available for in-house P&P

Two 1960's dolls, plastic and pottery made in England and Germany, no makers markings. Dolls are seated in a heavy Wicker trolley with a battery operated orangutan plush toy. Not available for in-house P&P

Vintage doll and teddy with additional clothes. Not available for in-house P&P

Panasonic DVD/CD player, model NV-UP30EB-S, with a Samsung DVD player and stereo. All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order. Not available for in-house P&P

Twenty two 1970’s & 80’s 12 inch disco singles including George Benson & The Commodores. Not available for in-house P&P